Frank,  You are not alone in your observation.
Bruce,  That's a wonderful shot, probably the most fetching of the lot.
Regards,  Bob S.

On Mon, May 7, 2012 at 11:28 AM, [email protected]
<[email protected]> wrote:
> Well, maybe it's just me. So far several have commented and I seem to be the 
> only one who senses this expression of discomfort.
>
> Btw, just to be clear, I'm not saying that she actually feels discomfort or 
> trepidation, just that I'm getting it from her facial expression. I certainly 
> understand that you've captured a split-second in time and whatever is there 
> was fleeting at most; as you said, possibly "transitional" between looks.
>
> But so far I seem to be alone on this one, so carry on...
>
> :-)
>
> Cheers,
> frank
>
> "What can be asserted without proof can be dismissed without proof." -- 
> Christopher Hitchens
>
> --- Original Message ---
>
> From: Bruce Walker <[email protected]>
> Sent: May 7, 2012 5/7/12
> To: "Pentax-Discuss Mail List" <[email protected]>
> Subject: Re: PESO Lee
>
> Frank, I thank you for bring this up. I share with a lot of people the
> inability to read subtle expressions. I will freely admit to choosing
> this shot as a keeper to retouch and present because of the framing,
> the sharp eyes but overall softness -- technical reasons. I saw a
> contemplative vulnerability in her expression, but didn't think about
> it much more. I was hoping for a relaxed, natural look.
>
> It's tricky shooting anything close to a candid with Lee because she's
> always "on". As soon as she sees a camera pointed at her she starts
> going through a routine of poses, even while just sitting. I may have
> caught her midway between two canned expressions (she specializes in
> pinups, so has a fine repertoire of pouts and giddy smiles), or I may
> have caught a "why doesn't this guy just go away and let me chill
> here" look -- I dunno.
>
> Anyway, I think this works because it is ambiguous. Once I started
> thinking about your observation I figured, this is good--makes you
> think. In other words, it is not obvious. For me "not obvious" is
> desirable in a shot.
>
>
> On Mon, May 7, 2012 at 9:15 AM, [email protected]
> <[email protected]> wrote:
>> Technically this is a brilliant shot (as all yours are) but I see a look 
>> unease and trepidation on her face, especially in her eyes. It's as if she 
>> was being very sexy but suddenly saw something that she's afraid of.
>>
>> If that is what you were going for then the photo is a success.
>>
>> I will be interested see if anyone else gets that from her expression or if 
>> it's just me.
>>
>> Cheers,
>> frank
>>
>> "What can be asserted without proof can be dismissed without proof." -- 
>> Christopher Hitchens
>>
>> --- Original Message ---
>>
>> From: Bruce Walker <[email protected]>
>> Sent: May 7, 2012 5/7/12
>> To: Pentax Discuss Mailing List <[email protected]>
>> Subject: PESO Lee
>>
>> Shot first, rhetoric follows ...
>>
>> http://www.flickr.com/bruce_m_walker/7150745325/lightbox/
>>
>> Many would say this couldn't be done: vintage K100D Super, ISO 800,
>> DA* 55 wide open at f/1.4. Accident totally waiting to happen.
>>
>> "It'll be uselessly noisy!" ... "It'll all be way too soft!" ... "6
>> megapixels isn't enough!"
>>
>> You be the judge.
>>
>> At a posing and direction workshop held by my friend Neeto da Silva. I
>> was kind of a guest participant, and I got this in the chill-out area
>> while Lee and I were waiting our turns on-set. Model is Lee Riley,
>> hair & makeup is Christine Chan. Retouch is moi.
>>
>> Comments welcome!
>>
>> --
>> -bmw
>>
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>
>
> --
> -bmw
>
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