Thank you, Bob!

On Mon, May 7, 2012 at 3:00 PM, Bob Sullivan <[email protected]> wrote:
> Frank,  You are not alone in your observation.
> Bruce,  That's a wonderful shot, probably the most fetching of the lot.
> Regards,  Bob S.
>
> On Mon, May 7, 2012 at 11:28 AM, [email protected]
> <[email protected]> wrote:
>> Well, maybe it's just me. So far several have commented and I seem to be the 
>> only one who senses this expression of discomfort.
>>
>> Btw, just to be clear, I'm not saying that she actually feels discomfort or 
>> trepidation, just that I'm getting it from her facial expression. I 
>> certainly understand that you've captured a split-second in time and 
>> whatever is there was fleeting at most; as you said, possibly "transitional" 
>> between looks.
>>
>> But so far I seem to be alone on this one, so carry on...
>>
>> :-)
>>
>> Cheers,
>> frank
>>
>> "What can be asserted without proof can be dismissed without proof." -- 
>> Christopher Hitchens
>>
>> --- Original Message ---
>>
>> From: Bruce Walker <[email protected]>
>> Sent: May 7, 2012 5/7/12
>> To: "Pentax-Discuss Mail List" <[email protected]>
>> Subject: Re: PESO Lee
>>
>> Frank, I thank you for bring this up. I share with a lot of people the
>> inability to read subtle expressions. I will freely admit to choosing
>> this shot as a keeper to retouch and present because of the framing,
>> the sharp eyes but overall softness -- technical reasons. I saw a
>> contemplative vulnerability in her expression, but didn't think about
>> it much more. I was hoping for a relaxed, natural look.
>>
>> It's tricky shooting anything close to a candid with Lee because she's
>> always "on". As soon as she sees a camera pointed at her she starts
>> going through a routine of poses, even while just sitting. I may have
>> caught her midway between two canned expressions (she specializes in
>> pinups, so has a fine repertoire of pouts and giddy smiles), or I may
>> have caught a "why doesn't this guy just go away and let me chill
>> here" look -- I dunno.
>>
>> Anyway, I think this works because it is ambiguous. Once I started
>> thinking about your observation I figured, this is good--makes you
>> think. In other words, it is not obvious. For me "not obvious" is
>> desirable in a shot.
>>
>>
>> On Mon, May 7, 2012 at 9:15 AM, [email protected]
>> <[email protected]> wrote:
>>> Technically this is a brilliant shot (as all yours are) but I see a look 
>>> unease and trepidation on her face, especially in her eyes. It's as if she 
>>> was being very sexy but suddenly saw something that she's afraid of.
>>>
>>> If that is what you were going for then the photo is a success.
>>>
>>> I will be interested see if anyone else gets that from her expression or if 
>>> it's just me.
>>>
>>> Cheers,
>>> frank
>>>
>>> "What can be asserted without proof can be dismissed without proof." -- 
>>> Christopher Hitchens
>>>
>>> --- Original Message ---
>>>
>>> From: Bruce Walker <[email protected]>
>>> Sent: May 7, 2012 5/7/12
>>> To: Pentax Discuss Mailing List <[email protected]>
>>> Subject: PESO Lee
>>>
>>> Shot first, rhetoric follows ...
>>>
>>> http://www.flickr.com/bruce_m_walker/7150745325/lightbox/
>>>
>>> Many would say this couldn't be done: vintage K100D Super, ISO 800,
>>> DA* 55 wide open at f/1.4. Accident totally waiting to happen.
>>>
>>> "It'll be uselessly noisy!" ... "It'll all be way too soft!" ... "6
>>> megapixels isn't enough!"
>>>
>>> You be the judge.
>>>
>>> At a posing and direction workshop held by my friend Neeto da Silva. I
>>> was kind of a guest participant, and I got this in the chill-out area
>>> while Lee and I were waiting our turns on-set. Model is Lee Riley,
>>> hair & makeup is Christine Chan. Retouch is moi.
>>>
>>> Comments welcome!
>>>
>>> --
>>> -bmw
>>>
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>>
>>
>>
>> --
>> -bmw
>>
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-- 
-bmw

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