On 5/12/2012 11:56 PM, Boris Liberman wrote:

It is good to know that your story with A* 200 has finally ended. I don't recall, so I'd try again - why did not you try to obtain Sigma 180/3.5 Macro? It is almost just as long, has AF for non-macro applications and it is up to date lens. I saw one going for sale on Pentax Forums recently.
Thanks, Boris - I've been watching for a either an A* 200mmm macro or Sigma 180mm macro ever since my old one went to be repaired a year ago, though I've only been watching ebay. (I also kept an eye out for the FA* 200 mm macro, though they are rarer than unicorns.) While my old lens was still in adjustment I was not willing to pay much of a premium over the SIgma 150mm f2.8, which I kept hoping would appear appear for the Pentax. Sounds like I should have looked at the Pentax forums.

It appears that the lens line up of Pentax during the film era was more complete than that nowadays... E.g. Pentax does not offer a digital equivalent of A* 200/4 macro...

I think that Pentax peaked in lens production with the A series. I have a copy of the old SMC A lens booklet which lists of the A lenses. There were 32 prime lens ranging from the 15mm f3.5 to a 2000mm. Four were macros and 8 were A* lenses. There were also 12 zooms and 2 specialty lenses (the 28mm shift and 85mm soft.) The line included some pretty extreme glass, like the A* 1200 f 8 and the 135 - 600mm f6.7 zoom. The A lens linup did include some degree of redundancy - like five 50mm lenses (f1.2, f1.4, f1.7, f2 and f.28 macro.)

The FA line was somewhat diminished, but they even then Pentax kept making the more exotic models. They introduced a 600 f4 (standard birder lens) and a 250 - 600 FA* f5.6 zoom and they kept the 'star' lens lineup stronger than ever with more FA* lenses back filled with still in production A* lenses. I think that back in the A and FA days, Pentax was completely competitive against any other brand.

Today's line up is very good, but it still falls short on many fronts, particularly in regards to extreme wide angles, macros, and telephotos. The lens road map is promising, though!

- Mark

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