I provided an both argument and a counter argument in the same
message. I like to give good value.


On Mon, Aug 27, 2012 at 1:44 PM, Darren Addy <[email protected]> wrote:
> Bruce,
> Your last paragraph does not match your first sentence.
> : )
>
>
> On Mon, Aug 27, 2012 at 12:41 PM, Bruce Walker <[email protected]> wrote:
>> This point may expose a flaw in your proposal. Your proposal (grabbing
>> thousands of indecisive moments at 30fps and hoping a decisive one
>> will be uncovered later) may be valid  for a purely spectator event,
>> like sports. In these cases the photographer/videographer is a passive
>> observer of the scene.
>>
>> But for modelling, the photographer is a director of the event. The
>> intent is entirely different. As you are taking stills you observe how
>> the model is reacting and behaving and you direct her (or him)
>> accordingly to improve the results. In effect you create decisive
>> moments and use your sense of timing to grab them as they arrive. You
>> don't just passively fire away with the shotgun shutter and hope
>> you'll snare a good shot.
>>
>> I think you'd get an entirely different interaction happening if you
>> were directing the model while shooting video. You might not manage to
>> get the same intensity level as the stills session achieves.
>>
>> That said, I've seen a documentary where a photog used a RED camera to
>> shoot some modelling stuff at some crazy rate like 1000 FPS 4K images.
>> He did get some truly amazing shots.
>>
>> --
>> -bmw
>>
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>
>
> --
> "The key to seeing the world's soul, and in the process wakening one's
> own, is to get over the confusion
> by which we think that fact is real and imagination an illusion. It is
> the other way around."
>
>                           -Thomas Moore, "Original Self"
>
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-- 
-bmw

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