I've been using Delta (100 and 3200) ever since Aaron introduced me to the
film last year August.

Reading around online, and mainly because I don't do my own developing, I've
found out that the Delta 3200 is actually more like 1600 or 1250. Shooting
it at 3200 left everything flat.  Very "blah".  Once I shot it at 1600 it
punched EVERYTHING up. I've found, and this is only my personal experience,
that most "high speed" films like Delta 3200 (i.e. Neopan 1600) are actually
a lot "slower" than their box rating especially if you're taking them to a
lab for development.


Cheers,
Dave

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Paul Stenquist
Sent: Saturday, March 16, 2002 10:45 PM
To: Pentax Discuss
Subject: I like Aaron's film...


I'm sure others are using Delta 3200 in 6x7 format, but Aaron's reviews
of this film led me to try a couple of rolls. First let me say that I
was never blown away by this emulsion in 35mm. It was okay, but no rave
reviews. Friday I shot some window light portraits of my pal Amy. The
film was Delta 3200, and I metered for 1600 but cheated a little because
there wasn't much light. I'd say it was rated at 2400. I had intended to
process it in D-76, as I have done with the 35 mm version, but I found I
didn't  have enough. So I souped it in T-Max, following Ilfords
recommendation of 8 1/2 minutes at 20 degrees.
     The film prints beautifully. Very little grain: 16 x20s are nice;
11x14s are gorgeous. Lots of mid range greys. Good contrast with a
number 2 filter and Ilford Multigrade IV. Just a very nice combination
for handheld BW with the 6x7.
       Thanks Aaron.
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