Nearly broke my Google-fu, but here's the vid ...

http://www.petapixel.com/2012/08/05/shooting-a-mini-cooper-at-night-using-giant-bags-of-light

The bag-o-light is by these guys ...

http://www.licht-technik.com/eng/html/bol_turn.html

This bunch were shooting outside so didn't have the superstructure and
needed floating light.


On Wed, Oct 3, 2012 at 2:06 PM, Paul Stenquist <[email protected]> wrote:
> Those giant lighting soft boxes are usually called fisher boxes, after the 
> company that makes them and rents them for shoots. You need a studio with a 
> superstructure above to mount one, and a lot of equipment to control it. The 
> idea is that you can tilt it in such a way that it both lights the car and 
> creates an artificial horizon, reflected in the car. They're most often used 
> with bulbs (sodium vapor lamps I believe), rather than strobes, since that 
> makes it easier to set up the lighting. Plus, the same box can be used for 
> television production as well as stills. They're usual augmented with a 
> number of flags and flats to fine tune the lighting.
>
>
> On Oct 3, 2012, at 1:52 PM, Bruce Walker <[email protected]> wrote:
>
>> There was that car advert BTS video someone posted here a few months
>> back (I think) where they showed a giant floating light source that
>> turned out to be an enormous softbox. A company specializes in
>> building and renting these things for shooting cars.
>>
>> Besides a large soft light source you'd need to flag a lot of glass,
>> chrome and polished areas to improve their contrast in the shot.
>>
>> When I did a table-top shoot of my light meter for a blog article, I
>> used my hand as a flag to block direct light from the 24" softbox onto
>> the LCD display. That made an enormous difference to the meter's final
>> appearance. All covered in the Light, Science & Magic book.
>>
>>
>> On Wed, Oct 3, 2012 at 1:21 PM, J.C. O'Connell <[email protected]> wrote:
>>> Ive never shot cars with flash professionally but I have seen pro setups
>>> where the flash diffusers are larger than cars! (soft lighting across the
>>> whole vehicle).
>>>
>>> -----------------
>>> J.C.O'Connell
>>> [email protected]
>>> -----------------
>>>
>>> -----Original Message-----
>>> From: PDML [mailto:[email protected]] On Behalf Of Paul Stenquist
>>> Sent: Wednesday, October 03, 2012 11:26 AM
>>> To: Pentax-Discuss Mail List
>>> Subject: Re: Photographing cars with a strobe?
>>>
>>> I've been shooting cars with flash for more than thirty years, both night
>>> and day. It isn't a bad idea, but it can be tricky. I don't think it will
>>> help you achieve nice compositions in a crowded showroom, but it can work
>>> well as fill in daylight or as illumination at night.
>>>
>>> I used flash for fill on this dreary day shot. It ended up edge-to-edge on
>>> the front page of the Times auto section. I was low enough to avoid
>>> reflection problems, and I used a diffuser on the flash.  It has been shown
>>> here before.
>>>
>>> http://photo.net/photodb/photo?photo_id=14450338&size=lg
>>>
>>> I've used flash on numerous occasions to achieve motion blur effects at
>>> night, with a frozen central image. These are usually shot at /.8th  of a
>>> second while panning:
>>>
>>> http://photo.net/photodb/photo?photo_id=3708948&size=lg
>>>
>>> And I've used it to achieve sharp pics at night as well. I pick a shutter
>>> speed and stop that will give me some background illumination without
>>> turning it into day, and I tilt the head of the flash up to avoid burning
>>> out the foreground. I usually burn in the foreground a bit as well. Could
>>> have cloned out the hotspot here but didn't bother since it's not all that
>>> distracting.
>>>
>>> http://photo.net/photodb/photo?photo_id=11498399&size=lg
>>>
>>> Paul
>>>
>>>
>>>
>>> On Oct 3, 2012, at 8:45 AM, Larry Colen <[email protected]> wrote:
>>>
>>>> I have headed over to Canepa motors a few times to play with photographing
>>> cars.  There is a lot of pretty machinery there.  Unfortunately, there isn't
>>> much room and it's pretty much impossible to get a picture of a single car
>>> isolated from the other cars on the floor.  I had the thought that it might
>>> be possible to do something to isolate a car from the background by using
>>> strobes and taking advantage of the inverse square law, to light a car, and
>>> put a lot less light on any other distracting cars in the background.
>>>>
>>>> I suspect that there are a lot of pitfalls to this technique, starting
>>> with all of the things on most cars that are shiny.
>>>>
>>>> I've also considered using a strobe to shoot a car outside at night, for
>>> very similar reasons.
>>>>
>>>> Does anyone have experience usign flashes to photograph cars?  Can you
>>> give me some good simple reasons why this is, if not a bad idea, at least a
>>> lot more work than other possible techniques?
>>>>
>>>>    LRC
>>>>
>>>> --
>>>> Larry Colen [email protected] sent from i4est
>>>>
>>>>
>>>>
>>>>
>>>>
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>>
>>
>> --
>> -bmw
>>
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-- 
-bmw

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