Good explanation.  I missed the idea that the film was moving and not
the slit.  I'm still having the beer.

On Fri, Oct 19, 2012 at 3:50 PM, David Parsons <parsons.da...@gmail.com> wrote:
> The easiest way to explain it is to describe how the film version works.
>
> The camera has a vertical slit the height of the frame.  The film
> moves horizontally past the slit.  Anything that is not moving will
> read as a streak, because from the film's perspective, it's always in
> the same position as the film moves.
>
> Anything that is moving is only recorded as it passes in front of the slit.
>
> For racing, it's used to see who passes the finish line first.  The
> first person to cross is clearly shown, and each successive person to
> cross in front of the slit records farther to the side of the frame.
>
> I don't know how the digital version works, maybe a strip sensor that
> is sampled many times per second and composited in-camera.  I wonder
> if it wouldn't be possible to do something like this for normal
> cameras and smartphones.
>
> It's really quite ingenious, and when you use it as an art tool, you
> get some striking imagery.  The man and horses is my favorite of the
> set.
>
> On Fri, Oct 19, 2012 at 3:38 PM, Steven Desjardins <drd1...@gmail.com> wrote:
>> Those are mesmerizing, especially the dancer and swimmer images.  I'm
>> still trying to wrap my head around why they look like they do. This
>> may involve beer.
>>
>> On Fri, Oct 19, 2012 at 1:55 PM, Collin Brendemuehl
>> <coll...@brendemuehl.net> wrote:
>>> http://www.slate.com/blogs/behold/2012/10/15/jay_mark_johnson_s_very_unusual_camera_emphasizes_time_over_space.html
>>>
>>> Sincerely,
>>>
>>> Collin Brendemuehl
>>> "He is no fool who gives what he cannot keep to gain what he cannot lose"
>>> -- Jim Elliott
>>>
>>>
>>>
>>>
>>>
>>>
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>>
>>
>> --
>> Steve Desjardins
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>
> --
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