Marnie,
That's what I thought too!!!  I saw Larry shoot in Chicago at the PDML
exhibition,
and shoot and shoot and shoot.  There wasn't a composition or
aspect he didn't try to capture.  He had to recharge his spare
batteries at lunch.
Regards,  Bob S.

On Wed, Apr 17, 2013 at 9:07 PM,  <[email protected]> wrote:
> Excuse me, this is LARRY'S post?!!?!!? As in  Larry who shoots, well, a LOT
> of frames?
>
> I'm not even having wine at the  moment. Maybe I should.
>
> Marnie aka Doe ;-)
>
> In a message dated  4/17/2013 1:00:46 P.M. Pacific Daylight Time,
> [email protected] writes:
> On Wed,  Apr 17, 2013 at 01:59:24PM -0500, George Sinos wrote:
>> ... they weren't  that good.
>>
>>
> <http://photofocus.com/2013/04/17/stop-romanticizing-about-the-good-old-film-days-they-werent-that-good/>
>>
>> Whether or not you agree with him, it's a fun read.
>>
> And he  didn't even touch on the fun of dust or waterspots on the
> negatives.
>
> Thinking about the differences between film and digital and  how film tends
> to give higher keeper ratios (albeit with lower technical  standards), I
> came up with an idea for a device that would not only help  improve the
> keeper ratio of digital photos, but would emulate a critical  aspect of the
> film experience. A small shredder, or incinerator, that  attaches to your
> camera. Every time you want to press the shutter, you feed  it a dollar
> bill.
>
> That would certainly get people to think carefully  about each shot that
> they take.
>
> Actually, a variation on that might be a  good exercise in a photo class.
> Tell the students that every frame they shoot  will cost them a quarter,
> the money collected at the end of the day could be  donated to charity,
> or pizza and beer for the critque session.
>
>
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