On Apr 17, 2013, at 7:45 PM, Bob Sullivan wrote:

> Marnie,
> That's what I thought too!!!  I saw Larry shoot in Chicago at the PDML
> exhibition,
> and shoot and shoot and shoot.  There wasn't a composition or
> aspect he didn't try to capture.  He had to recharge his spare
> batteries at lunch.
> Regards,  Bob S.
> 
> On Wed, Apr 17, 2013 at 9:07 PM,  <[email protected]> wrote:
>> Excuse me, this is LARRY'S post?!!?!!? As in  Larry who shoots, well, a LOT
>> of frames?
>> 
>> I'm not even having wine at the  moment. Maybe I should.
>> 
>> Marnie aka Doe ;-)



 I shot film for about 35 years.  I grew up making every shot count.  It is a 
tool that has been in my toolbox since before my Bar Mitzvah.  The last time I 
shot any significant amount of film was at Burning Man in 2010, and I shot a 
profligate seven or eight rolls of film, as well as a couple thousand frames of 
digital.  That worked out to something like thirty frames of film a day.

When I go to someplace like Chicago, with modern photographic gear, being 
parsimonious with my shots is false economy.  I've been there twice. The first 
time was for a dance event and I didn't have much time to see and photograph 
the city. When you count vacation time used, airfare, meals, car rental, my 
trip probably cost me $1,000.  If I shot 2000 frames, call it 50 gig, that's 
something like $10 worth of hard drive. Less than I spent on  a typical lunch 
on the trip.  Some of my best shots from the trip were total WTF shots, trying 
things that had such a low probability of success that if I were shooting film, 
I doubt I would have wasted the money.

About the only tool that I advise against people using, in most cases, is 
shooting exclusively JPEG, and I will grant that there are even times when that 
is applicable. If you never miss a shot, and never need to pull lost detail out 
of shadows and highlights, it does save time in both processing and 
transferring files.

--
Larry Colen [email protected] sent from i4est


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