on 2013-12-30 9:13 Ciprian Dorin Craciun wrote
The problem? During the editing process, after I select which
"scenes" are the ones I like the best, I end up with a lot of "images"
of the same scene (with almost identical composition). And thus my
problem is which of the two or three "images" is the most suitable
one, in terms of technical properties, to be used as input for
processing (thus obtaining in the end my "photograph").
i know this problem, and even as a geek who loves to imagine tools for creative
workflows, the best solution i have found is to take fewer photos, to reserve
the shotgun approach for photos i think are once-in-a-lifetime; in addition to
reducing my workload, this has made the taking of photos less materialistic
however it is a practice, not an absolute; i still wind up with too many
photos; for them, i am training myself that if i can't easily tell the
difference, it may not be worth distinguishing — just pick one! few of my
photos are so special that the tiny differences matter
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