None of those choices are any different than working with B&W film. But,
as a color shooter I don't have to be concerned with the vagaries of
processing, such as developer choices, times, temperatures, agitation,
and the effects they have on establishing the correct EI for the film
being used.  With color film I just point and shoot, and if need be,
bracket a bit, and I'm assured of getting a perfect exposure and a
quality negative or transparency.  IOW, I don't have to think much past
pressing the shutter release.  At least that's how it's been for me thus
far.

Mark Erickson wrote:
> 
> Let's see, subject choice, lighting (time of day, weather conditions etc.
> outdoors, flash setup indoors), composition, depth-of-field, exposure....
> 
> Nope.  No skills required at all :-)

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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