On Mon, 15 Apr 2002, Shel Belinkoff wrote: > None of those choices are any different than working with B&W film. > But, as a color shooter I don't have to be concerned with the vagaries > of processing, such as developer choices, times, temperatures, > agitation, and the effects they have on establishing the correct EI > for the film being used. With color film I just point and shoot, and > if need be, bracket a bit, and I'm assured of getting a perfect > exposure and a quality negative or transparency. IOW, I don't have to > think much past pressing the shutter release. At least that's how > it's been for me thus far.
If you develop your own colour film, you *do* have to be concerned about your temperatures, times, etc. Most labs have a default way they develop each type of black and white film (some use the same combos for most B&W film). If you do your own developing, you have to be concerned with the details, regardless of film type. If you have a lab do it, then it takes just as little skill to let them develop your black and white negs as it does for colour negs. chris - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
