I didn't say developing and printing B&W was hard.  I said it seems a
lot simpler to get a good negative or transparency with color film.  For
me it takes no skill - it's like using a P&S camera.  Others have
agreed, and some feel otherwise.

I've no problem with disagreements - in fact, a good part of my reason
for posting the comment was to further discussion and see if there was
anything I was missing, and get some dialogue going on a subject that is
of interest to me since I rarely shoot color film.

That said, I find it of great interest how discussions in general
evolve.  In this case it's gone from my finding color film easier to
use, and not needing much skill from the photographer to get a good
negative or slide (note: I never said print), to people arguing that it
takes a lot of skill to make a good print from a transparency or color
negative, to comments like yours, in which you say that it can't be too
difficult to process and print B&W negative.

Not knowing what your negatives and prints look like, I can't comment
much other than to say that to get a negative and a print is no big deal
in B&W, but to get a good, printable negative, and to make a good
quality print, may be a little more complicated.

Part of the B&W process is establishing the relationship between film
speed, EI, developer, and printing paper in order to fully realize one's
vision.  But with color, since there's really no fooling around with
developers, developer times, and the like, those factors are eliminated
from the equation, and therefore the level of skill required to get a
good color negative or transparency is reduced substantially or
eliminated completely.


Brendan wrote:
> 
> He's got a point Shel, if I can develop
> and print b&w it can't be that hard!

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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