Just wanted to resurrect this thread for those who have not yet seen
it. See this thread for more info and reasons that I consider it a
"must see" for all photographers.
http://www.metafilter.com/146814/Ida-Film-nominated-for-two-Oscars-draws-praise-and-controversy

It is currently on Netflix, for those subscribers in the U.S. who
would like to see it on the small screen.

On Wed, Dec 17, 2014 at 8:55 PM, John Coyle <[email protected]> wrote:
> My wife and I saw it in Brisbane in October - a very, very good film.  The 
> cinematography was
> top-notch too.
> The best b&w movie I've seen in recent years was "The Artist": each shot 
> seemed to have a  perfect
> range of tones.
>
>
> John in Brisbane
>
>
>
> -----Original Message-----
> From: PDML [mailto:[email protected]] On Behalf Of Darren Addy
> Sent: Wednesday, 17 December 2014 1:36 AM
> To: Pentax-Discuss Mail List
> Subject: Re: OT: You *MUST* see "Ida"
>
> You get a taste of the photography and composition I'm going ga-ga over from 
> the 2 minute trailer:
> http://trailers.apple.com/trailers/independent/ida/
> or
> http://www.imdb.com/video/imdb/vi2411703577
>
>
> On Tue, Dec 16, 2014 at 4:04 AM, Darren Addy <[email protected]> wrote:
>>
>>
>> On Tuesday, December 16, 2014, Bob W-PDML <[email protected]> wrote:
>>>
>>> I haven't seen it yet, but it's had rave reviews from all the people
>>> in my French cinema class. Of course for some people that may not be
>>> a recommendation...
>>>
>>> B
>>>
>>>
>>> Heh. You may be right there, Bob. It is a product of Poland, not France.
>>> People allergic to subtitles will hate it for that reason alone. It's
>>> main characters are a young woman (about to take her vows in a
>>> convent) and her aunt. So, for that reason, some might dismiss it as
>>> a "chick flick". (I object to that entire premise). It may not appeal
>>> to your tastes as there are no explosions, car chases, or gun fights.
>>> But WOW do you have to see it, if only to hit "Pause" repeatedly to
>>> study the superb "photographs" that make up nearly each and every scene 
>>> (and even cut).
>>
>>
>>
>> --
>> Life is too short to put up with bad bokeh.
>
>
>
> --
> Life is too short to put up with bad bokeh.
>
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-- 
Life is too short to put up with bad bokeh.

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