Sorry late to the thread as I only pop my head in occasionally these
days. The get it right in camera concept was born from the fact that
you had to, there was little potential to manage issues like you would
with a ND grad after the shot.

The PP workflow is now part of the image making process for any
photographer that wishes to maximise their image output quality and I
don't see it as cheating or otherwise it has just brought the
management of some image capture issue to another place or via other
means that provides far greater freedom and accuracy.

Synthesizing ND's using in camera or PP multiple image averaging
negates colour shifts, focus and composition difficulties, additional
kit, additional cost and potential image degradation due to extra
glass in the optical path. The bottom line is that for stills I just
can't see a good reason to waste good cash on any type of ND filters
these days.

On 24 October 2015 at 07:20, John <[email protected]> wrote:
> On 10/22/2015 1:23 PM, Collin B wrote:
>>
>>
>> http://www.provideocoalition.com/3x-nd-the-sharpest-and-most-neutral-nd-filt
>> er
>>
>> Makes me wonder -- how many tolerate errors on the digital image knowing
>> they can probably be corrected in PS and how many want to get it right at
>> the shot?
>>
>>
>
> It depends. I generally prefer to get it right in the camera, but I'm
> thankful Photoshop exists for when I don't get what I want.
>
> Plus, my K20D developed a clump of about 50 dead pixels in one spot and
> was not "economically" repairable. I could use the spot healing brush in
> Camera Raw to repair that spot.
>
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Rob Studdert (Digital  Image Studio)
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