Take a number of shots of the background grains and then place the single near grain in front and shoot. I've always been a simple person.
J Sent from my iPhone > On Apr 26, 2016, at 11:04 AM, Steve Cottrell <co...@seeingeye.tv> wrote: > > On 26/4/16, Jostein, discombobulated, unleashed: > >> http://www.alunfoto.no/sider/peso/ >> >> Comments most appreciated. >> This photo is an experiment in stacking. It's made from about 40 >> exposures, which may be overkill but is at least without glitches in the >> focus area. >> Personally I don't like the sharp transition between in-focus and OOF >> areas in the picture, and wonder if anyone has suggestions for how this >> can be rendered in a more natural looking way. > > Can you not make a couple of layers, one with the foreground and one > with the oof background, and either gradient each, or manually erase > each in a suitable overlap area? > > Unless you were going to clone either soft or sharp areas to overlap, > you'd need a version that had much more depth of field to use for the > 'overlap' zone.... > > -- > > > Cheers, > Cotty > > > ___/\__ Broadcast, Corporate, > || (O) | Web Video Production > ---------- <www.seeingeye.tv> > _____________________________ > > > > -- > PDML Pentax-Discuss Mail List > PDML@pdml.net > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
