I have always felt that the rhematic-indexical-legisign (1-2-3) with its 
Interpretant in a mode of Firstness)  is the basic Peircean Sign, in that it 
operates with an abductive openness to other Signs while including ALL modes 
within itself, which the Dicents (with the Interpretant in a mode of 
Secondness) operate within an inductive empiricism, and the Argument operates 
in a deductive mode.

Edwina
  ----- Original Message ----- 
  From: Gary Richmond 
  To: Peirce-L 
  Cc: Benjamin Udell 
  Sent: Monday, November 30, 2015 3:56 PM
  Subject: Re: [PEIRCE-L] RE: signs, correlates, and triadic relations


  Gary, Sung, Helmut, List,



  This is all quite intriguing. To add to the intrigue, consider this diagram 
of the 10 classes of signs, here represented by an equilateral triangle placed 
on its side to show certain features to be discussed. 






  For each of the 10 sign classes, the number at the vertex to the right 
represents the correlate re: the interpretant; that at the vertex at the 
bottom, the correlate re: the object; and the vertex at the top, the correlate 
re: the sign itself. [It might be helpful to print out this diagram--easily cut 
and pasted--and compare it to a version which has each sign class numbered and 
named. (Thanks to Ben Udell for this suggestion as well as creating this image 
from a handwritten version of mine for a ppt show, and for reversing the colors 
to make it easier to print out if so desired.)]



  Diagram observation: Imagine, for a moment, that the large triangle 
containing all 10 sign classes is composed of three groups of three sign 
classes each positioned around a central triangle, a kind of singularity, (6) = 
rhematic indexical legisign (of which a word later). [Ben also once made a 
slide for me of the above diagram clearly showing the 3 positioned around the 
central triangle, but I haven't been able to locate it.]


  Group 1 of 3: In each of the sign classes in the triangle group of three 
classes at the top left: (1) = rhematic iconic qualisign, (2) = rhematic iconic 
sinsign, (5) = rhematic iconic legisign, the correlates (following the bent 
arrow, so reading involutionally from the interpretant, through the object, to 
the sign itself) are exactly the same (rhematic iconic), and only the sign 
itself changes, for class (1) = qualisign, for (2) = sinsign, for (5) = 
legisign. Note also that two of the correlates of each sign class are firsts, 
and for class one (1) all are firsts.


  Group 2 of 3: Dropping now to the triangle group at the bottom left. (3) = 
rhematic indexical sinsign, (4) = dicent indexical sinsign, (7) = dicent 
indexical legisign, note that at least 2 of the correlates of each sign class 
are seconds. and for class (4), all are seconds. (Two classes are sinsigns, 
only the third is a legisign)


  Group 3 of 3: Next, moving to the third triangle group at the right. (8) = 
rhematic symbolic legisign, (9) = dicent symbolic legisign, (10) = 
argumentative symbolic legisign, note that at least two of the correlates are 
thirds, and for class (10) all are thirds. 


  Interestingly (at least to me), a kind of mirror of the top left triangle 
group involving mainly firsts, in this final group only the corrolate 
associated with the interpretant changes (distinguishing these symbolic 
legisigns as, respectively, rheme, dicent, and argument), while the two 
remaining correlates are in each case symbolic legisigns.


  Each of the three groups of three sign classes would seem to represent a kind 
of trichotomy. In addition, the three groups of three classes taken together 
also represent a kind of trichotomy (that is, in both cases, a categorial 
trichotomy). 


  Also note that at the three vertices of the large triangle we have, 
respectively, 1/1/1, 2/2/2, 3/3/3. 


  Finally, note that only the central singular triangle reads 1/2/3 (has all 3 
numerals as collorary markers).


  I'd be interested in what forum members make of any of this, especially in 
relation to what has already been discussed, and especially in consideration of 
Gary F's two outlines of the 10 classes and the tree figure which he provided.


  Best,


  Gary R


  ​​



  Gary Richmond
  Philosophy and Critical Thinking
  Communication Studies
  LaGuardia College of the City University of New York
  C 745
  718 482-5690


  On Sun, Nov 29, 2015 at 6:59 PM, <[email protected]> wrote:

    Continuing our study of NDTR:



    Having narrowed his topic from triadic relations in general to those of the 
type R-O-I, and then further to the Representamen as First Correlate of that 
relation, and finally to the Sign as the best-known type of Representamen, 
Peirce introduces the three trichotomies into which Signs can be divided:



    CP 2.243. Signs are divisible by three trichotomies: first, according as 
the sign in itself is a mere quality, is an actual existent, or is a general 
law; secondly, according as the relation of the sign to its object consists in 
the sign's having some character in itself, or in some existential relation to 
that object, or in its relation to an interpretant; thirdly, according as its 
Interpretant represents it as a sign of possibility or as a sign of fact or a 
sign of reason.

    [Clearly the order here — both the order of the trichotomies, and the order 
within each trichotomy — is from simple to complex. When Peirce later defines 
each of the ten sign types, his numbering of them follows the same pattern. If 
we arrange them into a three-level outline format, it looks like this (with 
Peirce’s numbering of the ten sign types in parentheses):



      1.. Qualisign (1)
      2.. Sinsign
        1.. Iconic (2)
        2.. Indexical
          1.. Rhematic (3)
          2.. Dicent (4)
      3.. Legisign
        1.. Iconic (5)
        2.. Indexical
          1.. Rhematic (6)
          2.. Dicent (7)
        3.. Symbolic
          1.. Rhematic (8)
          2.. Dicent (Proposition) (9)
          3.. Argument (10)


    A more purely iconic representation of this same structure occurs on 
EP2:162, in the context of the third Harvard lecture. Reading from left to 
right, the number of subdivisions increases with each trichotomy, giving us ten 
items at the bottom level.



    There are a couple of surprising (perhaps) features to notice here. First, 
in its original context, Peirce uses this diagram to show the relationship 
between subdivision and relative degeneracy in the category of Thirdness. How 
this relates to NDTR, which does not deal with degeneracy at all (or at least 
does not use that word), is an interesting question.

    The other surprising feature showed up when I began wondering what the 
outline of sign types would look like if you reversed the order, i.e. put the 
most complex trichotomy at the top level and the simplest at the bottom level 
of the outline. So we begin with the Sign whose Interpretant represents it as a 
sign of reason:



      1.. Argument (10)
      2.. Dicisign
        1.. Symbolic (Proposition) (9)
        2.. Indexical
          1.. Legisign (7)
          2.. Sinsign (4)
      3.. Rheme
        1.. Symbolic (8) (general term)
        2.. Indexical
          1.. Legisign (6)
          2.. Sinsign (3)
        3.. Iconic
          1.. Legisign (5)
          2.. Sinsign (2)
          3.. Qualisign (1)


    The pattern of subdivision is the same as in the outline and the diagram 
above. (Is that surprising?)

    Taken together, the two outlines above show (somewhat more clearly than the 
familiar triangle diagram) why the ten sign types have to include 6 Legisigns 
and 6 Rhemes, 3 Sinsigns and 3 Indexes, and only one Qualisign and one 
Argument. But then this counts only the “normal” sign types and not the 
“peculiar” types which are “involved” in more complex signs or “replicate” 
them, etc. I’ll leave those for another day …



    Gary f.



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