Great points, all.  Know your customer base.  Aside from the Happiness Boys, 
Dalhart and Rachmaninoff, what major stars recorded regularly for Edison? 
All the titles I ever see aren't by artists I'd call major stars of the era.


r.



----- Original Message ----- 
From: <[email protected]>
To: <[email protected]>
Sent: Saturday, September 16, 2006 10:34 PM
Subject: Re: [Phono-L] Phono-L and Censorship


> Edison stuck to the mores, business models, and audience awareness of the
> late 19th century far too long. He came from an time when the people who 
> built
> the best machines, for the best prices, got the most business. He relied 
> way
> too much on word of mouth, and skimped on advertising.
>
> Edison also inexplicably missed out on the fact that from 1900 on, 
> American
> cities boomed, and the rural audience that had been so loyal  to him began 
> its
> long, slow decline that continues to this day. Victor  seized the moment.
> They advertised heavily, and often, in large, urban-oriented 
> publications. To
> see one of Victor's lavish, colorful spreads in a magazine  from that era 
> almost
> makes an Edison fan wince. Victor also invented the  "star" system, with
> their long-term contracts. Edison thought it was better  to get a 
> half-dozen of
> the great artists' best titles, and not be  "stuck" with paying them any 
> more
> money for "lesser material."
>
> It is fitting that one of the world's most famous trademarks, (Nipper,) 
> has
> a gramophone painted over an Edison cylinder machine, and that one of the
> most famous Edison advertising pieces has two toothless geezers singing 
> along
> with a cylinder machine.
>
> DISCLAIMER!
>
> To all of you toothless geezers out there. Please do not take offense. I 
> am
> approaching geezerdom at an ever accelerating pace, and my dentist takes 
> more
> of  my money every year.
>
> Randy
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