Based on a conservative labor rate of about $50 per hour (just for
guesswork), and assuming the federal government guideline for a "work year"
as being 2,000 hours, you could have charged $1,000,000.00, just for your
labor.

But seriously...I am glad to see other people who would care enough to
conserve such a machine, have the insight, vision, and ability to do so, and
then ACTUALLY do it. Sometimes they can be rotted, termite eaten, or just so
busted that they are beyond hope, but there are "those machines" like you
mention. In my book the machine probably still isn't worth a million, but
such attitudes, efforts and convictions are probably worth more.

I am not saying that you are not crazy; you might be; I'm just saying that
you do not sound crazy to me <grin>. Now, if during that 10 year period, you
celebrated its birthday, bought cakes and ice cream for it, or said things
like "look what daddy brought you....", or perhaps tried to get it a social
security number and include it as a dependent on your health insurance
policy, then you might be crazy....maybe....just maybe....

Kudos to Randy....

p.s. At least the guy didn't ask for some "extra steel needles?????"...

-----Original Message-----
From: [email protected] [mailto:[email protected]] On
Behalf Of [email protected]
Sent: Saturday, August 12, 2006 4:10 PM
To: [email protected]
Subject: Re: [Phono-L] The Elusive Edison Victrola

Many years ago, I read an ad in a small, local trading paper for an "Edison

Experimental Model Victrola." I did some pondering, and decided that the 
machine  must be an Edison Laboratory Model of some kind. I went to look at
the 
machine,  and found an oak Edison C-250 that was full of records, most of
which 
were in  their original sleeves. The machine also had a number of
accessories,  
(record duster, 78 adapter, grease jar, etc.) There was a complete Edison 
record  drawer file, with the titles of the records contained in the
machine 
listed in the original owner's hand. There was a also a  second, complete
record 
file set, with the heavy, white cardboard sheet on  which one was supposed
to 
list the records in the machine, and another  full set of dividers. The
owner 
was the grandson of the original owners. The  phonograph came out of a
resort 
ballroom in the mountains of  Pennsylvania.
 
The machine had seen better days. The ignorant/thoughtless descendant of
the 
original owners had stored the machine in a cinder-block garage for a
number 
of years. The original casters were broken. This caused the heavy,  
record-filled machine to warp and sag. The record cabinet door wouldn't even
close, 
when the machine was leveled. The grille was in tatters, but the  very last 
layer of veneer, in the front of the grille was still there. 
 
The owner wanted $600 for the machine. I could not stand to see a Lab Model

lost forever, and offered him $300. The price I offered was still too high, 
but  I was determined to save the machine. The owner wisely accepted my
offer. 
 
I brought the beast home with the help of a friend, and began to assess
what 
I had. I found a book of Edison's favorite recordings stuck between some  
records, and a few other tidbits. I replaced the casters with some
incorrect,  
but functional ones, and watched the cabinet wobble from wheel to wheel,
like a 
drunk. 
 
My house was not air conditioned, so I decided to make the same Virginia  
humidity which had damaged the cabinet work for me. I pushed the rocking
machine 
into an unused corner of a spare room. Then, I put strips of felt  between 
the top of the cabinet and the bottom of the lid. Next, I covered the  lid
with 
a heavy towel. I then placed a piece of 1/4-inch thick plywood that was  
roughly the same size as the top of the lid on the towel, and centered  it.
On top 
of the plywood, I placed four 25 pound bar-bell weights on the lid,  and
left 
the machine to settle. While I waited, I carefully cut new backing  pieces
for 
the grille, and glued them into place. I stained the back of the  grille, 
until it was hard to see the repairs, unless one knew they had been  made.
 
I waited, and waited. I removed the weights occasionally, to check the  
cabinet, and then replaced them. After three years, the cabinet settled onto
its  
replacement casters. Elated, I grabbed the door to the record cabinet, which
I  
had removed for reasons I can't recall, and screwed it into place. The  door

would not close. I had not realized that the door was misshapen too.  It no 
longer fit the newly leveled machine. 
 
I considered using a skill saw. I also considered planing the door, until
it 
fit. I finally sighed in resignation, and dug around for sheets of heavy  
cardboard. I wedged pieces of cardboard from a shipping box into the places

where the door and the cabinet made contact. When I was sure I had all of
the  
deformed areas properly pried into place, I carefully, but forcefully banged
on  
the door with my fist, until it closed with a grunt.
 
I waited, and waited. After several more years, the door began to close
more 
easily, but it still needed a nudge or two, especially during our damp  
months. I kept the machine' door wedged into place with chinks of folded
paper,  
and cardboard for probably five years, altogether.
 
After almost ten years, all of the machine's cabinet parts lined up. There  
was a slight rise in the middle of the record cabinet door,  but this was
hard 
to see without a straight edge.
 
A local dealer/collector, who was a friend, watched this process with a  
mixture of curiosity and amusement. When he finally saw the machine, sitting
all  
nice and pretty on a level floor, he said, "How much do you want for it?"
 
I laughed and said, "You're crazy! No one is going to pay me for all of the

time, sweat, and cussing I put into that machine."
 
He said, "I'll give you $500." 
 
I said, "Sold."
 
So much for "Edison Victrolas." 
 
Randy Minor
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