And glass attenuates the UV quite a bit. The old red paint fades to as you say 
"light almost
 non-existent pink', you only know it was once red because someone has told you 
so.


On Tue, 04 Sep 2007 21:57:38 -0400, Ron L'Herault wrote:

>I worked on a Columbia machine that had stood in its owner's front window
>for years. One side of the red painted horn had faded to light almost
>non-existent pink.

>Ron L

>-----Original Message-----
>From: [email protected] [mailto:[email protected]] On
>Behalf Of Rich
>Sent: Tuesday, September 04, 2007 9:07 PM
>To: Antique Phonograph List
>Subject: Re: [Phono-L] Mystery

>The red underneath the elbo is not exposed to ultraviolet.  No UV no fade.
>Very few pigments in use 
>in the early 1900s were color fast.  Almost all of them fade and the color
>that they fade to, in most 
>cases, is not what you would expect.


>On Tue, 4 Sep 2007 19:55:50 EDT, [email protected] wrote:

>> 
>>In a message dated 9/3/2007 7:38:56 P.M. Mountain Daylight Time,  
>>[email protected] writes:

>>Why  would there be maroon paint under the elbow and
>>nowhere else?  What am  I missing?  Any suggestions
>>would be appreciated.  Thanks, Jerry  Blais



>>Hi Jerry,
>> 
>>Your comments made me look carefully at my Victor O.  I have a Victor  O
>with 
>>the original horn and it had no maroon accents about the horn (I  thought).

>>Now when examining the very undersurface of the horn near where  it meets
>the 
>>elbow I can find traces of maroon!  And when removing the horn  from the 
>>elbow...voila! the horn is maroon!  Actually, when scratched (as  would be
>expected 
>>beneath the elbow) the maroon reveals the amber color  beneath.  So I must 
>>conclude that the maroon accents have indeed faded away  with time, UV, or 
>>whatever, with maroon remaining only in the protected area  underneath the
>elbow.
>>Fascinating!  Thanks.
>>----Art Heller



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