I've used both Go-Jo (without pumice!) and Kotton Klenser.  I know it's more 
expensive, but I really think the Kotton Klenser works better.  I have complete 
faith in the product.  I've never seen it damage any finish I've used it on.  I 
put it on with a bristle paint brush.  Apply it generously.  Let it set a few 
minutes.  Use a gentle scrubbing action with the paint brush.  Wipe clean with 
soft dry cloth.  Reapply as needed.  For tougher cleansing, I use 0000 steel 
wool to apply it.  Rub with the grain.  Step back and admire your work.  The KK 
Lemon Oil-Beeswax product is a nice follow-up product, although I actually 
prefer the similar Howard's Feed-N-Wax.  I don't use or recommend the KK 
Protective Wood Feeder.  Skip that step.

 

http://kottonklenser.com/

 

http://www.howardproducts.com/feednwax.htm

 


 
> From: [email protected]
> To: [email protected]
> Date: Thu, 22 Oct 2009 16:12:10 -0400
> Subject: Re: [Phono-L] Never thought it would happen to me
> 
> Oh, indeed. Go-Jo and most other waterless hand cleaners are available with
> pumice, and when you buy the stuff, you must look to get the right stuff.
> There is one that does the same thing, and is probably the same
> formulation. It's called Kotten Kleaner, or something like that. Good
> stuff, I understand, for about 3 times the price.
> 
> 
> > [Original Message]
> > From: Ron L'Herault <[email protected]>
> > To: Antique Phonograph List <[email protected]>
> > Date: 10/22/2009 11:59:06 AM
> > Subject: Re: [Phono-L] Never thought it would happen to me
> >
> > It is the waterless hand cleaner WITHOUT pumice. I use a product by
> L&D, I
> > think it is that is sold in the hardware or laundry sections of the
> > supermarket as both a hand cleaner and a material to remove oil/grease
> > stains (which it does well, by the way). The brand is not as important as
> > not having pumice. It does not remove/affect the shellac but it does cut
> > through old hand oils, grease, wax build up.
> >
> > Ron L
> >
> > -----Original Message-----
> > From: [email protected] [mailto:[email protected]]
> On
> > Behalf Of Tom Jordan
> > Sent: Thursday, October 22, 2009 11:18 AM
> > To: 'Antique Phonograph List'
> > Subject: Re: [Phono-L] Never thought it would happen to me
> >
> > I Googled Go-Jo and found a company that makes a lot of products
> including a
> > hand sanitizer. Can anyone tell me which Go-Jo product you are referring
> to
> > and where it can be purchased? Does it removed the finish or just clean
> it?
> > Thank you.
> > Tom
> >
> > -----Original Message-----
> > From: [email protected] [mailto:[email protected]]
> On
> > Behalf Of Charlotte Mager
> > Sent: Thursday, October 22, 2009 7:27 AM
> > To: Antique Phonograph List
> > Subject: Re: [Phono-L] Never thought it would happen to me
> >
> > There is a fellow keeping a data base of Victors. You can ad yours by
> going
> > to http://www.victor-victrola.com
> >
> > Charlotte aka Waves
> > http://www.wavesllc.com
> >
> > On Wed, Oct 21, 2009 at 11:16 PM, Douglas Houston
> > <[email protected]>wrote:
> >
> > > Of course, I'm not there to see it, but my first guess would be a
> buildup
> > > of grime from all those years. The dining room set here was bought by my
> > > mother in 1925. Our house in Detroit had been heated with coal, as were
> > > many others in those days. On the chairs, on the top crossbar, the top
> > > surface was black, and I assumed that it was the finish. For the first
> > time
> > > ever, I went over the dining set with Go-Jo, and the black "finish" on
> the
> > > top bar got gooey, and wiping it away, a nice walnut finish was exposed.
> > >
> > > At the time I bought my VV-XVIII, it needed a good going over to remove
> > > grime, but wasn't as bad as some cabinets I've seen. I went further and
> > > flowed the original shellac finish with alcohol. Except for some areas,
> > the
> > > finish is as new.
> > >
> > > I wonder if anyone is keeping a log of serial numbers on these
> > phonographs.
> > > I have the impression that all of the jobs came down the line, and were
> > > consecutively numbered, with no special notation for such special
> > > treatments as electric motor, circassian walnut, or other woods. One
> > > interesting little detail: one of our phono collectors in this area has
> a
> > > XVIII Electric drive. The cabinet has a cute decoratice cover over the
> > > crank hole. Evidently, all cabinets were drilled for the crank.
> > >
> > > My XVIII has mahogany finish, and spring motor; a cheapie. The serial
> > > number is 1277. The name plate on the motor board is the copper one. A
> few
> > > years ago, one was on eBay, with a serial number around 1309, and it had
> > an
> > > aluminum name plate. So, it appears that, somewhere between mine and the
> > > one for auction, Victor changed name plates.
> > >
> > > At present, I'm getting my Victor Electrola 12-25 put together, checking
> > > everything carefully before I put power to the amplifier. I did the
> Go-Jo
> > > treatment to the cabinet. The finish on it is a mirror. I've never seen
> a
> > > cabinet that old, in that perfect shape. I'm anxious to have it going. I
> > > also have a 12-15 Electrola, and it's dynamite.
> > >
> > >
> > > > [Original Message]
> > > > From: Andrew Baron <[email protected]>
> > > > To: Antique Phonograph List <[email protected]>
> > > > Date: 10/21/2009 10:04:42 AM
> > > > Subject: Re: [Phono-L] Never thought it would happen to me
> > > >
> > > > Thanks, Douglas. Needless to say, the novelty of seeing this visitor
> > > > in my music room hasn't begun to lose its luster, and the XVIII will
> > > > soon regain its.
> > > >
> > > > I thought of Go-Jo as well, at least as a first step. The black
> > > > residue is dense here and there, but it must also be darkening the
> > > > finish even where it doesn't appear to be built up to opaqueness.
> > > >
> > > > Andy
> > > >
> > > >
> > > > On Oct 20, 2009, at 4:46 PM, Douglas Houston wrote:
> > > >
> > > > > I've had my VV-XVIII for about 25 years. It took a moment to
> > > > > realize just
> > > > > what I was looking at, but $120.00 was a reasonable price,
> > > > > regardless of
> > > > > condition. Everything was there, except the storage albums. One
> > > > > spring was
> > > > > broken at the outer end, and was quicly repaired. A going over with
> > > > > Go-Jo
> > > > > made it clean as new. I know just how you feel, Andy!
> > > > >
> > > > >
> > > > >> [Original Message]
> > > > >> From: Mobility Scooters <[email protected]>
> > > > >> To: Antique Phonograph List <[email protected]>
> > > > >> Date: 10/21/2009 1:26:44 AM
> > > > >> Subject: Re: [Phono-L] Never thought it would happen to me
> > > > >>
> > > > >> Andy
> > > > >> Great story!
> > > > >> Well done that is just fantastic and to think of how many people
> > > > >> must of
> > > > >> seen it before you did in the afternoon.
> > > > >> I would say it was waiting for you.
> > > > >> There will be no stopping you going shopping with your wife for the
> > > > >> rest
> > > > > of
> > > > >> your life. ha ha
> > > > >> All the very best
> > > > >> Tony
> > > > >>
> > > > >>
> > > > >> -----Original Message-----
> > > > >> From: [email protected]
> > > [mailto:[email protected]
> > > > >> ]On
> > > > >> Behalf Of Ken and Brenda Brekke
> > > > >> Sent: Tuesday, 20 October 2009 12:57 p.m.
> > > > >> To: 'Antique Phonograph List'
> > > > >> Subject: Re: [Phono-L] Never thought it would happen to me
> > > > >>
> > > > >> Congrats!!!! Any chance of posting pictures???
> > > > >> Ken B.
> > > > >>
> > > > >> -----Original Message-----
> > > > >> From: [email protected]
> > > [mailto:[email protected]
> > > > >> ]
> > > > > On
> > > > >> Behalf Of Andrew Baron
> > > > >> Sent: Monday, October 19, 2009 6:46 PM
> > > > >> To: Antique Phonograph List
> > > > >> Subject: [Phono-L] Never thought it would happen to me
> > > > >>
> > > > >> From time to time, I've derived vicarious pleasure from reading of
> > > > >> some
> > > > > of
> > > > >> the phono-L members' coincidental discovery and acquisition of a
> > > > >> particularly sought-after or scarce phonograph.
> > > > >>
> > > > >> In general, most of the membership are in areas that are either
> more
> > > > >> populated, or nearer to denser metropolitan areas than here in
> > > > >> Santa Fe,
> > > > > NM.
> > > > >> Roll back the calendar a few decades, and my region is pretty
> > > > >> sparsely
> > > > >> populated, with more ranching than any kind of manufacturing or
> > > > >> other work
> > > > >> that would draw a larger population.
> > > > >>
> > > > >> Fewer people = fewer manufactured goods, including phonographs.
> > > > >> Add to
> > > > > this
> > > > >> the budget for a machine that most New Mexicans had (or prioritized
> > > > >> for
> > > > >> music) a century or so ago, and you have relatively few phonographs
> > > > >> to
> > > > > begin
> > > > >> with, and most of those in the low-to-middle cost range. Edison
> > > > > Standards,
> > > > >> Victrola IV's, X's and XI's, and low- end Columbias are inevitably
> > > > >> the
> > > > >> models that turn up, and usually in none too good a condition if
> > > > >> not out
> > > > > of
> > > > >> a collection. Naturally some desirable machines were brought here
> > > > >> later
> > > > > on,
> > > > >> but by and large this hasn't amounted to anything significant, and
> > > > >> there
> > > > >> isn't much of a collecting community here.
> > > > >>
> > > > >> So opportunities to build a collection are rather limited. That
> being
> > > > > said,
> > > > >> I started collecting in 1974, when I was 12, and my Victor 8-30X,
> > > > >> Edison
> > > > >> maroon Gem, Edison early A-250 and a Zonophone Grand
> > > > >> Opera were all acquired here in Santa Fe, current population
> 72,000.
> > > > >> Not exactly a small town, but outside of Albuquerque, we are
> > > > > geographically
> > > > >> isolated from the big population centers. The Zonophone was
> > > > >> brought here
> > > > >> from New England in the '70s, when its past owner moved here.
> > > > >>
> > > > >> To the subject at hand:
> > > > >> Two days ago, a big local consignment shop was having their annual
> > > > >> Fall
> > > > >> sale; everything 30% off. This event draws what seems like half of
> > > > >> Santa
> > > > >> Fe, and while my wife and I usually attend it, we generally wait
> > > > >> until
> > > > > late
> > > > >> in the day to avoid the pressing crowds. Anyway, most of what the
> > > > >> shop
> > > > >> sells is vintage furniture, rugs, artwork, etc., some of it quite
> > > > >> nice,
> > > > > but
> > > > >> rarely anything of particular interest to a phonograph collector,
> > > > >> so no
> > > > >> penalty for arriving when convenient.
> > > > >>
> > > > >> We had been browsing around for about a quarter of an hour when the
> > > > >> proprietor let me know that there were "a couple of Victrolas" in
> > > > >> the next
> > > > >> room. We continued looking around in the part of the store where
> we
> > > > >> currently were, and after about ten minutes more, I finally said
> > > > >> that I'd
> > > > >> like to take a look and see what the phonographs were. We headed
> > > > >> casually
> > > > >> across the distance, through the crowds of people and things toward
> > > > >> the
> > > > > next
> > > > >> room. No sooner had I uttered the words "These machines are going
> > > > >> to be
> > > > >> examples of the most common models, and probably overpriced", than
> > > > >> I could
> > > > >> see the unmistakable silhouette of Victor XVII or XVIII, just
> > > > >> sticking out
> > > > >> beyond the wall separating the rooms.
> > > > >>
> > > > >> Quickening my pace (they were still 20 feet away), I prepared my
> > > > >> mind to
> > > > > see
> > > > >> a Victor XVII, the alternative possibility being somewhat beyond my
> > > > >> powers
> > > > >> of imagination. Still, a Victor XVII would be a great find
> > > > >> although I
> > > > >> already own one (courtesy of a very kind tip from a thoughtful
> > > > >> phono-L
> > > > >> member, $200, and a 125 mile round-trip to Albuquerque).
> > > > >>
> > > > >> Coming up alongside the curvy machine, I noticed first that the top
> > > > >> curl
> > > > > of
> > > > >> the rear corner post was mostly missing -- a clean break from
> > > > >> bashing the
> > > > >> machine into a wall or truck bed, no doubt. I also noticed the
> fine,
> > > > >> expressive trim on the cabinet side and the chevron- shaped veneer
> > > > >> pattern
> > > > >> and practically leapt the last couple of feet so I could see the
> > > > >> front of
> > > > >> the machine, which left no doubt.
> > > > >>
> > > > >> There's something unbelievable about finding a top-end machine in
> New
> > > > >> Mexico, and even though I have the XVII, and was already well aware
> > > > >> of the
> > > > >> differences, I had to see the VV-XVIII on the ID plate with my own
> > > > >> eyes.
> > > > >> The 3-digit serial number was also a strange thing to behold on a
> New
> > > > > Mexico
> > > > >> Victrola. This was a dirty, dusty machine, with some of its edges
> > > > >> and
> > > > > trim
> > > > >> scraped up from careless handling, but at a glance, in generally
> > > > >> good and
> > > > >> very solid shape except for a few scrapes and that broken-off upper
> > > > >> rear
> > > > >> corner piece. Definitely not something out of someone's phonograph
> > > > >> collection, and just as you like to find them
> > > > >> -- clearly untouched for decades.
> > > > >>
> > > > >> A quick appraisal of what it had to offer revealed:
> > > > >> Original gold V key;
> > > > >> Gold needle cup, all original casters, all correct knobs, front and
> > > > >> back;
> > > > >> Large, gold crank escutcheon detached and screws missing, but still
> > > > > sitting
> > > > >> on the crank about a half-inch out from the side of the cabinet;
> Near
> > > > >> perfect felt on the platter; Almost certainly the original gold
> > > > >> Exhibition
> > > > >> soundbox, Ser. #87347B, never rebuilt; Very, very dirty under the
> > > > >> lid and
> > > > > in
> > > > >> general (what is this greasy, black stuff?); Most of the record
> > > > >> storage
> > > > > area
> > > > >> filled with (non-Victor) matched albums full of classical records,
> > > > >> and
> > > > >> otherwise stuffed to the gills with sheet music; Missing the lower
> > > > >> key
> > > > >> escutcheon and motor lift knob (and that maddeningly absent corner
> > > > >> curl).
> > > > >>
> > > > >> Price, $650, minus 30%.
> > > > >>
> > > > >> Sold!
> > > > >>
> > > > >> It's home now, and I'm having fun cleaning it up and getting more
> > > > > intimately
> > > > >> familiar with its exquisite details, and learning why this model is
> > > > >> so
> > > > >> prized. It's going to be quite nice, ultimately, with a
> respectable
> > > > >> original finish, after a many hours of carefully applied elbow
> > > > >> grease and
> > > > >> the appropriate preparations. The fancy work and doors on the back
> > > > >> with
> > > > >> their gold-plated hardware, concealing a nice compartment came as a
> > > > > complete
> > > > >> surprise. You never see this view in the books. The motor is
> > > > >> relatively
> > > > >> clean (very little of the usual greasy build-up, just a yellowed
> > > > >> film of
> > > > > old
> > > > >> hard residue). A couple drops of oil in all the pertinent places,
> > > > >> and a
> > > > >> light coat of fresh
> > > > >> grease on the governor worm, and it runs very quietly and evenly.
> > > > >> Even the speed indicator works. The main springs thud something
> > > > >> awful
> > > > > when
> > > > >> winding down though, so I'll treat the motor to a proper tear- down
> > > > >> and
> > > > >> rebuild when I attend to those noisy springs.
> > > > >>
> > > > >> Comparing the total production of the spring-motor XVIII to the
> > > > >> number of
> > > > >> Victrolas produced puts it at something like 0.0004 of the total
> > > > >> 1906 - 1929 production, and .0009 of the 1906-1920 production total
> > > > >> (Roman
> > > > >> numeral model-number era). This equates to less than one-tenth of
> > > > >> one
> > > > >> percent of the total production of the early Victrola era, and less
> > > > >> than
> > > > >> half of that when considering the total Victrola era, if I did my
> > > > >> math
> > > > >> right.
> > > > >>
> > > > >> Finally (for those who've had the patience to read this far), the
> > > > >> gold-
> > > > >> plated motor lift knob was found in the needle cup, and the broken-
> > > > >> off
> > > > >> upper-rear corner was found otherwise undamaged, in a recess of the
> > > > > cabinet.
> > > > >> It proved a seamless fit to the fracture surface. Anyone got a key
> > > > >> escutcheon?
> > > > >>
> > > > >> I hope you've enjoyed this story, still fresh from the event and
> > > > > accurately
> > > > >> conveyed, and I wish similarly exciting phonograph discoveries for
> > > > >> those
> > > > > of
> > > > >> you who have not yet had the pleasure.
> > > > >>
> > > > >> Kindest regards,
> > > > >> Andy Baron
> > > > >> _______________________________________________
> > > > >> Phono-L mailing list
> > > > >> http://phono-l.oldcrank.org
> > > > >>
> > > > >> _______________________________________________
> > > > >> Phono-L mailing list
> > > > >> http://phono-l.oldcrank.org
> > > > >>
> > > > >> _______________________________________________
> > > > >> Phono-L mailing list
> > > > >> http://phono-l.oldcrank.org
> > > > >
> > > > >
> > > > >
> > > > > _______________________________________________
> > > > > Phono-L mailing list
> > > > > http://phono-l.oldcrank.org
> > > >
> > > > _______________________________________________
> > > > Phono-L mailing list
> > > > http://phono-l.oldcrank.org
> > >
> > >
> > >
> > > _______________________________________________
> > > Phono-L mailing list
> > > http://phono-l.oldcrank.org
> > >
> >
> >
> >
> > -- 
> > NEW ADDRESS
> > Showplace Antique Center
> > 40 W. 25 St. # 216 & 107
> > NY NY 10010
> > t. 212-273-9616
> > NEW HOURS WED -SUN 11- 5
> > MON & TUES BY APPOINTMENT
> > http://www.wavesllc.com
> > _______________________________________________
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> > http://phono-l.oldcrank.org
> >
> > _______________________________________________
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> >
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> 
> 
> 
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