GULF  TIMES
Monday 9 September, 2009, 10:59 PM Doha Time

Row tests Malaysia-Indonesia ties

By Ahmad Pathoni/Jakarta 

Indonesia’s often-prickly relations with neighbouring Malaysia are being tested 
by a fresh dispute over traditional cultural heritage. A Malaysian tourism 
commercial aired on Discovery Channel has sparked an uproar in Indonesia 
because it featured a traditional Balinese dance called Pendet.

Indonesians vented their anger over the perceived cultural piracy on Internet 
forums and social networking sites such as Twitter and Facebook, many calling 
Malaysia a “nation of thieves”.  A firebrand legislator urged the government to 
declare war on the neighbouring country.

Despite sharing ethnic, cultural and religious identities, Indonesia and 
Malaysia - both predominantly Muslim - have been embroiled in occasional 
disputes over matters such the treatment of migrant workers, territorial 
disputes and, more recently, cultural icons.

About 2mn Indonesians work in Malaysia, mainly as plantation labourers and 
domestic maids, and anger has been on the rise over reports of abuse of 
migrants by their Malaysian employers.

In June, Jakarta stopped sending maids to Malaysia temporarily until the two 
countries agreed on new measures to provide better protection to the workers.

The latest controversy is not the first time that Indonesians have been up in 
arms over the perceived theft of their cultural icons. A similar spat erupted 
two years ago over the use of the Indonesian folk song Rasa Sayang in another 
Malaysian tourism advertisement.

Malaysia has apologised for the use of the Balinese Pendet dance, claiming that 
the mistake was made by a production house paid by Malaysia’s tourism ministry 
to produce the commercial, which has since been withdrawn.

But the apology and explanation failed to mollify Indonesians.

Local media reported that Indonesian hackers defaced several Malaysian websites 
in a co-ordinated attack timed to coincide with Malaysia’s independence day. 
Dozens of students picketed the Malaysian embassy in Jakarta, pelting it with 
rotten eggs.

Ong Hock Chuan, a Jakarta-based Malaysian public relations consultant, said 
there was more to the dispute than the issue of cultural heritage.

“Indonesians are frustrated with their government for doing so little to 
capitalise on their culture, which is varied and rich beyond description, and 
hence letting great opportunities slip away from their hands,” he wrote in his 
blog.

“What is needed here is for Indonesians and Malaysians to get together to have 
a reasonable conversation about what can be done about the Malaysian tendency 
to use what they feel is theirs by right of ancestry, against the Indonesian 
tendency to carp about their neighbour stealing what they think is theirs,” he 
said.

Indonesia, despite being the world’s largest archipelago nation with stunning 
beaches, volcanoes and coral reefs, has been struggling to capitalise on its 
enormous tourism potential.

In 2008, Indonesia attracted 6mn foreign tourists, while Malaysia drew 22mn 
visitors.

The Indonesian government said protests and verbal attacks on Malaysia had 
become irritants, but insisted relations between the two countries remained 
strong.

“We are neighbours and problems are to be expected from time to time. We hope 
this is just a temporary outburst and will not escalate further,” foreign 
ministry spokesman Faizasyah said.

“We understand Malaysia is uncomfortable with the disproportionate expressions 
of anger so there’s a need to manage the situation well,” he said.

Wimar Witoelar, a television talk show host and political commentator, said the 
uproar against Malaysia exposed the feeling of inferiority among Indonesians.

“There is no need to belabour the current issues of cultural piracy because 
culture by definition must be accessible and imitation is often the best 
compliment,” Witoelar wrote in The Jakarta Post daily newspaper.

“People enjoy an enthralling production of the ballet Giselle or the Ramayana 
dance without disturbance from French or Indian nationalists who claim cultural 
piracy.”

“In Indonesia, the experience of our national history is different. Traumatised 
by different occupying powers and abused by our own leaders, we have yet to 
regain our confidence as a people,” he said. — DPA

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