andrew, you might want to consider getting the CeMagYK dongle... tis a world of difference with and without that binuscan engine for postprocessing the image...
i do mainly 4shots with the 23 back and only do the white balance calibration run through for each setup for a specific set of light combination which i dun really change much... for the incorporation of new lights i will run the full colour calibration with all segments of the colourchart... thus i think that the colour calibration is more impt than the icc profiles in this aspect the profile for the camera does not change with the lights... the bias of the cam remains constant tis only the colour temp of the lights that change... and the colour calibration and the white balance should give u the constancy that you want alfred ----- Original Message ----- From: "Andrew Woods" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Thursday, December 05, 2002 8:11 PM Subject: [PRODIG] Bespoke profiles for digital capture > I am using a sinar 23 digital back and am considering trying to create > icc profiles for studio shooting. The idea being to create an icc > profile for a particular lighting condition or job (I am not sure how > generally useful a profile like this can be) and then to shoot into > that space when capturing with the intent of converting to Adobe 1998 > (or whichever other profile is appropriate) before giving the job to > the client. > Does anyone have any experience of this or similar or considerations > about it's usefulness, (it occurs to me that this must mirror some > scanning techniques). > Andy > > =============================================================== > GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE > > =============================================================== GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE
