Jorge Parra wrote: > Hence my plan to look for a systematic approach to color control, which , > IMHO, should be easy to standardise if the set conditions don't change.
But they do. Reproducing art is a VERY large subject and I bet one of the best people to help in this particular area is Tony Riley, who took a real scientific approach to the subject. The problems is difference in contrast between various originals, and a small issue called metamerism. Different paint have different metameric properties and as such colour management is very hard as what the camera see differ from what we see, and further more the color change in different lighting. Speak up Tony (the kendal one), you'r the resident expert here. Best Regards Thomas Holm / Pixl ApS - Photographer & Colour Management specialist - Adobe Certified Training Provider in Photoshop� - Imacon Authorized Scanner Training Facility - Remote Profiling Service (Output ICC profiles) - Seminars speaker and tutor on CM and Digital Imaging etc. - Home Page: www.pixl.dk � mail:[EMAIL PROTECTED] -- =============================================================== GO TO http://www.prodig.org for ~ GUIDELINES ~ un/SUBSCRIBING ~ ITEMS for SALE
