On 24 Mar 2003 at 4:38, Bob Croxford composed:
> > I thought a soft proof was the image on a monitor. Surely if you
> > make a tangible print on a piece of paper this stops being a soft
> > proof and becomes an actual proof?
> > 
> > I'm also confused over the "sent to the RIP in RGB, of course." If
> > it is a proof to show a client's or your own litho printer surely
> > that only has any value if it is from the final CMYK file.

Dear Bob,

I will make it a bit clearer, or try anyway.

I produce fine art prints sometimes known as gicl�es (apologies to 
the French) on a Colorspan 52" Esprit printer. (See the site in my 
signature for further details)  I use an 11 colour inkset 
(CccMmmYKkkk). The files that go to this printer are to be the final 
prints, and are not to be output to an offset printer.

The proof that I would use as a soft proof profile (if I did it that 
way, though I don't) would be made by printing the target, making a 
profile (to be used for printing the files with). I would take this 
same target file, embed this profile that I just made and send to the 
printer. I would make a profile of this resulting print, and use this 
as a soft proof profile. This would show me on the monitor what a 
file would print like, with the first profile embedded in it. Or at 
least that is what I was told to do by the GretagMacbeth trainer! 

In fact what I do is to import the file with the correct custom input 
profile assigned (scanner or digital camera). I then convert to my 
working space (ARGB 1998). Basic changes made, then save copies for 
each of the media that I will be outputting to, and convert to the 
printer profile to make final tweaks for each of the media. Flatten 
and send.

Does that make any sense? It works for me. What I see on my monitor 
(once the print profile is embedded) is what I will see on the print. 
It shows me where my shadows or highlights are going to be in 
trouble, or colours that might need working on.

Ellie



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Ellie Kennard
Innovative Imaging Studio
http://www.iiStudio.com
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