Some of the early John Hinde cards were a process called Flexichrome which basically turned B&W into colour seps. You can recognise these by the way the blue skies match colour perfectly from shot to shot even though Ektachrome was not that consistent.
Bob Croxford
On Wednesday, April 2, 2003, at 02:51 am, william.curwen wrote:
I have never found a film I did not like. Makes me think of John Hinde and
his Ektachrome postcards of 60's Britain. Amazing use of creative lighting
and an implicit technical understanding of the film.
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