Hi Michael

Thanks very much for responding. I think the consensus of opinion is to
shoot on film as a backup which I think is sensible. It's going to mean
that I'm going to just cover my expenses but I figure as a loss leader
of sorts, it could do me a lot of favours getting my foot in the door.

Have a good weekend.


Alex

-----Original Message-----
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Michael
Wilkinson
Sent: 03 February 2004 22:23
To: [EMAIL PROTECTED]
Subject: Re: [PRODIG] Digital Music Photography

Alex,Ive never seen a pop poster that looked the worse for grain.
Id do both, after all, what does a few  rolls of film cost ,
You could use 1600asa Fuji colour film, scan and convert to whatever
style of B+W you
want.
If the digital snaps are poor you will have film,Good old film :-)), to
fall back on.
Ps im looking for a new slave,just got rid of the last one !
Regards
Michael Wilkinson. 106 Holyhead Rd, Ketley, Telford, Shropshire. England
.TF1 5DJ
 44 (0)  1952 618986.  www.infocus-photography.co.uk
For Negatives & transparencies from digital files
~~~~~~~~~~~~~~~~~~~~~~~~~~#


----- Original Message ----- 
From: "Alex Black" <> I'm shooting album artwork for a band and they're
doing a series of
> 'intimate' gigs in variable lighting. I don't know what the venue
> lighting is going to be like and I'm debating whether I should use my
> film camera and scan the emulsion in on my Minolta Dimage 5400 or
> whether I should use a digital body.
> I had to sell my girlfriend into slavery to get my foot in the door on
> this one (I'm gonna miss her) and it's a make or break job for me with
> this label so as ever, it's important that I do a damn fine job. I
would
> be very appreciative of any advice (on or off list), I'm Nikon based
> with a D1X and F100.
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