I have location shoots under fluo lighting (those funny coiled jobs in
polished steel dish ceiling reflectors) and while in the past I've shot
film with the usual filtration plus greenish gels on the fill-flash, how
would people go about this with digital? Setting a local white balance is
obvious - then just use gels as before on the flash, or what? I want to
keep flash to a minimum, bare fill only if at all - might use reflectors
instead. Must have good skin tones. Or would you chuck caution to the wind,
shoot with daylight WB and unfiltered flash, correct colour later (with
e.g. Replace Colour) in PS? I've got two such sessions so to some extent I
can use the first for practice, but I'd be interested in others' approach.
Regards, Tony H
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