I almost got to meet Randy once, as my old keyboard teacher knows him really well. You might know my old teacher, being he's really well known in the Charlotte and surrounding Westley Chapel area. His name is Don Hargett.
Anyway, Randy unfortunately got arrested before I was able to meet him, and well, now... from what I hear, he got life. Very very sad story. Chris. ----- Original Message ----- From: Ricky Prevatte To: [email protected] Sent: Wednesday, July 15, 2015 2:06 PM Subject: Re: OK, here's the final mix. How much automation did you do before you ever used compression? The last mix was great. I am old and my theories are different than most the less of anything for me the better. I have a little more personal interest as Randy Travis's a friend. Ricky Prevatte LMBT1154 On Jul 15, 2015, at 11:03 AM, Christopher-Mark Gilland <[email protected]> wrote: That actually does make sense. Then, you'd use your attack and release to then kind a fine tune, but the threshold is gonna be the most important thing. I did do another mix on this, which I'll upload a bounce of in a bit, so you can see if it's better. I actually got 2 more second opinions, and both them feel this third mix I did is perfect! I even not only worked a bit with the compression, but I also did a little clip gain reduction on a few parts that I felt needed just a notch down. Chris. ----- Original Message ----- From: Poppa Bear To: [email protected] Sent: Tuesday, July 14, 2015 11:59 PM Subject: RE: OK, here's the final mix. That’s a good starting place much of the time. From: [email protected] [mailto:[email protected]] On Behalf Of Christopher-Mark Gilland Sent: Tuesday, July 14, 2015 12:39 PM To: [email protected] Subject: Re: OK, here's the final mix. Aa, which means, I'd need to lower! the threshold, so it reacts sooner, at a lower level, therefore letting some of the louder dynamics get a bit more peeked down. I get it. OK. Chris. ----- Original Message ----- From: Chris Smart To: [email protected] Sent: Tuesday, July 14, 2015 10:30 AM Subject: Re: OK, here's the final mix. more compression would mean higher ratio or adjusting the threshold so it acts on more of the signal. At 02:36 AM 7/14/2015, you wrote: OK, can you elaborate a bit more on what you mean by adding more compression? What settings might you tweat a bit? Is there any place where you could direct me to in the song to listen to so maybe I could hear specifically what you mean? Like can you give me a phraise reference where it sounds like the compression needs to be just a tad more? Chris. ----- Original Message ----- From: Poppa Bear To: [email protected] Sent: Tuesday, July 14, 2015 1:57 AM Subject: RE: OK, here's the final mix. Hey Chris, this sounds like one of your better recordings. I like the levels, and the only thing I would add is some more compression to tame some of the dynamics in the vocals and a little reverb to gel things together a little more and add some depth. Overall, your coming along. From: [email protected] [ mailto:[email protected]] On Behalf Of Christopher-Mark Gilland Sent: Monday, July 13, 2015 9:02 PM To: [email protected] Subject: OK, here's the final mix. I still have the session if you all think I need to improve something, but here's what I got so far. https://www.sendspace.com/pro/dl/f3mexq Note, this isn't the session. this is just the bounced .wav file. If you want the session though, let me know, as I've made a ton of changes from the one I sent earlier. I'll have to reupload, but if you all have a high enough demand for it, I'll see that you get it. Chris. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to [email protected]. 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