TimothyB;684307 Wrote: 
> In my case, most tag changes are painless to copy, since the bulk of my
> library is FLAC image + cue. And a cue sheet is just a few K even with
> ReplayGain. What hurts is updating artwork, since I can't just point at
> the artwork from the cue sheet, and the only reliable method I've found
> is to embed the artwork into the FLAC image.

This is what I do too.  By dumb luck I started to rip my library like
this, in the (mistaken) belief that it was the only way to make a copy
of the CD that would allow me to make an identical physical copy should
I damage or lose the original.  Having started that way I've continued
to do it, and if ever I'm asked to defend this approach, compared to
track-by-track FLACs, the only real reason I can think of is the ease
of handling tags.  Loading my entire library of cue sheets into, say,
Foobar, over a network drive, tweaking the tags in bulk, then saving
all those changes back over the network, is MUCH quicker than doing the
same with the equivalent FLAC files.  This advantage obviously also
applies to backups, which I think is what the OP was asking for.

I find that I have to make sure that the FLAC image is free of all
tags, to avoid possible conflicts in the LMS scanner.  I'm not sure why
you keep your album art in the FLAC file - keeping cover.jpg or
folder.gif in the folder with the cue file and the FLAC file seems to
work for me.


-- 
chill
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