I figured since everyone's been debating the whole bass situation, this comment
might be relevant.  It's just more of a thought that I wanted to share:
Does anyone else think it's weird how there's like tons of reverb on the bass on
Diary?  I think it sounds pretty cool.  I think someone else was commenting on
how Nate's playing was really "legato" on the old records.  I think the reverb
was instrumental in achieving that effect.
Okay.

-Mike

Playlist:
love-cars - chump lessons
Ash - Nu-Clear Sounds
K's Choice - Cocoon Crash

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