On 15/08/17 20:55, Francisco Vila wrote:
> All in all, one of the most usefulness of LilyPond is completely lost,
> which is to make beautifully typeset music automatically from a terse,
> meaningful symbolic language.
>
It must be said, however, that a blind Spanish user today told me that
somethi
On 15/08/17 20:25, Jacques Menu Muzhic wrote:
> Hello Francisco,
>
>> - The converted code has \stemUp and \stemDown in every single note,
>> which had to be searched and replaced. Also all articulations are
>> forced up or down.
>
> Don’t know why musicxml2ly recently enforced such behavior, with
Hello Francisco,
> - The converted code has \stemUp and \stemDown in every single note, which
> had to be searched and replaced. Also all articulations are forced up or
> down.
Don’t know why musicxml2ly recently enforced such behavior, without any option
to prevent it.
The same holds for \po
On 15/08/17 15:01, Richard Shann wrote:
> I agree with this advice, which is why Denemo's MusicXML is still so
> primitive. It has a few hiccups but it ignores most of what is not the
> the music per se but is instead decisions about how the music should
> look. I think LilyPond would be well serve
On Tue, 2017-08-15 at 13:25 +0200, Francisco Vila wrote:
> From my work on Daahoud Salim's sextet, I can tell to those interested
> some things to do and some not to. Today I am focusing on the XML
> import alone.
>
> Long story short: avoid it.
[...]
>
> My advice to all copyists is: unless you
>From my work on Daahoud Salim's sextet, I can tell to those interested
some things to do and some not to. Today I am focusing on the XML import
alone.
Long story short: avoid it.
This is a very small piece when compared to dozens of huge works we all
in the list have seen on the years, but it is
> He stated that he didn't want to
block people to play the work, be it for free or for profit.
> The only concern is, what if someone tries to become rich and/or
prevents others to do the same?
Here's the page in the Creative Commons website (the license you used
at the bottom of the first page)
The "CC" license mentioned in the quoted material is Creative Commons (
https://creativecommons.org/share-your-work/) and it was designed for
exactly these kinds of situations.
---
Knute Snortum
(via Gmail)
On Mon, Aug 14, 2017 at 10:24 AM, Francisco Vila
wrote:
> On 14/08/17 16:00, David Bell
On 14/08/17 16:00, David Bellows wrote:
> [copied to entire list, sigh]
>
> Hey Francisco,
>
> It looks really nice, congratulations!
>
> I was wondering if you could talk a bit about how you and the composer
> chose the license for this work. I license my stuff under a permissive
> CC license but
[copied to entire list, sigh]
Hey Francisco,
It looks really nice, congratulations!
I was wondering if you could talk a bit about how you and the composer
chose the license for this work. I license my stuff under a permissive
CC license but still find it interesting when other composers do as
we
On 12/08/17 13:09, Francisco Vila wrote:
> Hello all,
>
> I'd like to share what I'm been working on lately. Daahoud Salim, a
> young Spanish composer and pianist has been commited by the Grachten
> Festival Amsterdam to compose a short work for one main violin plus
> piano quintet (string quartet
-- Forwarded message --
From: Ralph Palmer
Date: Sat, Aug 12, 2017 at 9:13 AM
Subject: Re: A premiere by Daahoud Salim, typeset with LilyPond
To: Francisco Vila
On Sat, Aug 12, 2017 at 7:09 AM, Francisco Vila wrote:
> Hello all,
>
> I'd like to share what I
Hello all,
I'd like to share what I'm been working on lately. Daahoud Salim, a
young Spanish composer and pianist has been commited by the Grachten
Festival Amsterdam to compose a short work for one main violin plus
piano quintet (string quartet plus piano), named "Poem - History of
Peoples", and
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