Re: (313) OT: Audio cleanup
Thor Teague <[EMAIL PROTECTED]> wrote: I need to know a good tool to remove (as best as possible) background noise from some crappy field audio. Cedar makes some high-end audio tools. They have Cedar Tools for Pro Tools for example, and then some hardware gear. I think they had some "intelligent" technology specifically designed to fix field audio problems. http://www.cedaraudio.com/ Algorithmics has some too: http://www.algorithmix.com/en/pro_products.htm Then there's Cube tec for Pro Tools: http://www.cube-tec.com/audiocube/index.html Sony Oxford plugins: http://www.sonyoxford.co.uk/pub/plugins/home.htm TC Electronics has some optional denoise plugins: http://www.tcelectronic.com/Default.asp?Id=4007 -Of course if the recording is very bad quality, there's only so much you can do with it. Final Cut Studio's new Soundtrack Pro 2 had an "audio stamp" thing, that allows you to copy a sound "quality" from a recording, and then paste it to some other recording. However, I don't think that'll fix audio that has very obvious problems.. -Proffit
Re: (313) Vinyl underground
2007/5/21, Wojtek <[EMAIL PROTECTED]>: Has anyone dealt with these dudes before? Good? Bad? Highly recommended? Stay away? Any info would be much appreciated. I have. They're good. -Proffit
Re: (313) 7th city
2007/3/26, Wojtek <[EMAIL PROTECTED]> wrote: http://www.wordandsound.de/news/archive/news_17 We want Planet Earth...
Re: [313] retroactive page
Marsel: oh no.. techno trivia revival and this is only the beginning http://www.forcefield.org/retroactive/ will add sound bites later on I've been waiting for a good info source about Retroactive recs, thanks for the tip! Sound bites are a MUST! :) And yes, trainspotting and all sort of trivia should come back ASAP! Seeing the Buzz licence releases made me think again about that label. Someone should make an interview with the guy who ran Buzz and licenced all those Detroit acts I think it was quite a unique thing. -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] we kan never be satisfied
I was willing to pay well over $500 for this, but still lost it... I should've used the "strike at the last minute" -method: http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1465768387&r=0&t=0&showTutorial=0&ed=1001200421&indexURL=0&rd=1 (if link's broken, copy & paste the the rest) -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] http://www.viewlexx.com
Kent Williams:
http://www.viewlexx.com
Mike Taylor:
thanks for this link! this is such a great mix, I would kill for a
tracklisting.
Few I recognised:
-? (sounds like some Space or John Carpenter synth thing... Escape from New
York soundtrack?)
-Gino Soccio - Remember (Atlantic)
-?
-Mr.Flagio - Take a chance (Squish) (NOTE: a cover version of the Laswell
original)
-Amin Peck - Girl on me (Delirium)
-?
-Casco - Cybernatic love (House of music)
-Lime - Angel eyes (Prism)
-Charlie - Spacer woman (Mr.Disc organization)
-? (the new Madonna-sampling retro tune...)
-? (GOD DAMN this is familiar...what was it...?)
-? (some quality house: "can't let you go"...)
-? (another infamous 70's porn disco classic...can't remember)
-? ("space invaders from outer space"...can't remember)
-? (classic can't remember)
-Cellophane - Gimme love (SPQR)
-? (nice)
-Los Angeles T.F. - Magical body (Il discotto)
-? ("destiny..." some new Viewlexx thingy can't remember...)
-Scotch - Penquins' invasion (American disc) (NOTE: vocal version is another
(later)version of this)
-?
-? (that INFAMOUS classic tune they played to death on Hotmix-5 shows...)
Proffit
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[313] unbelievable...
http://www.laserturntable.com -what can I say? :) Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] carl craig presents abstract funk theory
james boylan: Forgive my ignorance, but who's George Kranz? He's a nut german drummer who did the crossover pop classic "Din daa daa" in '83. It's been sampled a million times. If you ever hear a dance record where the guy sings "din daa daa" it's from his original tune:) He did some other singles after that but better to forget them straight. Din daa daa video still aires sometimes on educated music channels. It's the guy with the funny hair banging drums and then "singing" the same notes he played. At one point he jumps over his drum kit, all in beautiful 80's video quality fashion:) -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] transmat first, second, third pressing??
armin holzgethan: could someone please outline the differences in the the artwork of the different pressings, especially of the first two? i know the last pressing has black labels etc. and what about fragile? two pressings? A good resource is Ebay, there's sometimes lots of pictures of different Transmat label graphics. I know the very first pressing of "Nude photo" is a plain silver label w/ black lettering & Transmat logo, and the artist name is indeed "RYTHIM IS RYTHIM", not "Rhythim" with an H like the later pressings... I have a feel that the later releases usually had Alan Oldham's graphics, like Strings of life has neat drawn pic. I've also seen different colours in the same graphics, like Beyond the dance printed in brown (!!!) colour and super cool red-to-green fading graphics... K-Alexi's "All for Lee-sah" first pressing had cool Oldham drawing of a lady (printed on white label), and the second pressing had a somewhat decadent red graphics I don't know what to think of. The black label ones, "Classics" are the latest yes... These experts on this board should make a site where all the Transmat graphics were presented. It's strange actually, that no one (?) hasn't done that already, a dedicated Detroit classics web page...? -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Save the vinyl info
Michael Kim: but there are so many horrible records coming out and so few pressings >of good ones in comparison. why not just make MORE copies of good >records? i don't think you'll have problems selling reissues of >classics, look how fast Cybotron - Clear went. Yeah, but that just shows you how good crossover record Clear is, everybody buys it: RAP/Hip Hop folks buy it, Miami Bass & breaks people buy it, techno listeners buy it, hell, even your Polka loving aunt buys it! But I don't think Hip Hop people would buy reissues from Retroactive back-catalogue, or other Detroit classics for that matter. There really is no room for a large amount of old records to be re-released, I think by now there's enough Transmat classics leftovers in the world that we don't need to release them in another 15 years. Some records are purposelly not been re-released. Retroactive is a classic example I think. I don't think there isn't any problems they couldn't solve to get them re-released, but Carl knows his cult-status is largely built on those releases, and there's the tickling sensation about having people pay crazy money for your releases. Besides there really isn't that much people who'd buy them (Retroactives) all the time, maybe 1000-2000 copies would sell quickly, but then they wouldn't be rare anymore and people would move on to other things. Another thing is the distributors. They can say to you "this much is going to sell, we won't buy more that this" no matter how good a record is. i've seen horrible records sit in shelves for years. a pressing plant >may be pressing it, but if nobody buys it, somebody's got to pay for >that. We all have seen the lonely crap records, and it's a sad, sad sight:) The label will eventually pay for it when the distributor won't buy their stuff anymore and they might end up with 1000 copies of crap release in their garage. also, look at how many Swedish imitation records come out. they sound the same, no new ideas, more than half of the Swedish sounding >records are garbage. i mean, do these records really need to be >released constantly? They found an idea (copying Mills) and made a formula out of it. Of course there's no need for all those releases, but that's what brings the food on the table, it's no secret at all. It's so sad the state of TECHNO, the early 90's innovative years seem light years away. I mean who of the old guys listens to "techno" anymore? No one, they've all gone house or to more sophisticated genres. i really wish record pressing plants would concentrate on making more copies of good records, and reissuing good older records and >classics that they KNOW will sell, rather than pressing the latest >record that nobody will remember or care about two weeks after its >release. In an ideal world that might work but at the end it's discrimination and fascism, restricting what people can release and what not. But the pressing plants live by the capitalist golden rule; to make more money, and they don't care if all they pressed was bird singing nature records as long as the customers pay. yeah, but how many other people here are sick of listening to 50 bad records to find 1 good one? That's why I called it the "jungle", because you have to wander thru the bushes and all the bad sh*t before you find a new rare species or the golden treasure:) -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] K Alexi - All 4 Lee Sah
[EMAIL PROTECTED]: > Am I right in thinking ALL pressings of K Alexi's All 4 Lee Sah are > screwed up (Transmat original and classic)?? > The surface noise half way thorugh is terrible. It's worse than some > of the Trax pressings. Sakke: I only have the repress, and it sounds like it was mastered from really cracky and scratchy vinyl. I have the 2nd pressing (red graphics) and I think there was some noise on it too... gotta check to make sure. But yeah, the noise in that recording is classic, check DJ Hell's X-mix for example! I also remember one Baby Ford mix he did in '94, and the record he used had the exact same noise, so my thought is that Transmat must have used the original lacquer or metal stampers to make the later pressings, which is a BAD mistake! Never do that. If someone with the original 1st white drawn label pressing could inform us if the noise is on that too, so then we'd know if it's the mastering... Also: I have the R-tyme 12" as Transmat classic pressing and there's some crazy noise on that too, and some other Transmat classic had a "ghost" effect on it (when a reel-to-reel tape is not played for a long time the magnetic particles attach to tape next to them, sort of copy themselves on tape, so you'll hear the coming music in advance, very silently though.). Derrick should transfer all his classic analog material to digital media immediately. -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Save the vinyl info
fabrice Lig: I talked several times to some people from Vinyl pressing factories and eachone told me that they are really really busy and always too much records to press. Michael Kim: how about cutting down the number of bad releases instead? ;) I think cutting down the number of releases would eventually be catastrophic for this music scene. Factories would have to close down their businesses when there wouldn't be enough work (records to make) and thus cause the pressing prices go higher and higher, making it useless to release this music on vinyl when at the end a record could cost you twice as much as it does now. Only the strongest pressing plants would survive, and eventually there'd be only 2 or 3 pressing plants IN THE WHOLE WORLD. Not much choice there. I think this effect is already showing the way average record price has been steadily rising in the last 15 years, and the amount of new dance releases per month should now be higher that ever? It's a sort of Amazon jungle this "dance" music business; you have to have as many species as possible in order to keep the ecological balance. -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] suggest GOOD looking sites
Little off-topic, but then again not so: I'm starting to make a website dedicated to old Chicago house & old WBMX classics (and later on Detroit classics), and have few ideas in my head about the graphical outlook and the functions of the site. Now, I've checked out some cool sites for inspiration, but now I need more reference and ideas from top-level sites to begin with. Don't get me wrong: I'm not copying the lay-outs of these sites, I just need some pages that I can point out to my web-designer friend and say: "something like that" I'm not particularly looking for FLASH-heavy sites, or other similar sites that in order to work properly need about a half a dozen plug-ins. No, just basic sites with extremely good looks and lay-out, with additional small gimmicks to make it interesting. So, if you know www-pages that you think fit the description, I'd be glad to check them out. Mail me PRIVATELY about the possible addresses, thanks. [EMAIL PROTECTED] -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] suggest GOOD looking sites
Little off-topic, but then again not so: I'm starting to make a website dedicated to old Chicago house & old WBMX classics (and later on Detroit classics), and have few ideas in my head about the graphical outlook and the functions of the site. Now, I've checked out some cool sites for inspiration, but now I need more reference and ideas from top-level sites to begin with. Don't get me wrong: I'm not copying the lay-outs of these sites, I just need some pages that I can point out to my web-designer friend and say: "something like that" I'm not particularly looking for FLASH-heavy sites, or other similar sites that in order to work properly need about a half a dozen plug-ins. No, just basic sites with extremely good looks and lay-out, with additional small gimmicks to make it interesting. So, if you know www-pages that you think fit the description, I'd be glad to check them out. Mail me PRIVATELY about the possible addresses, thanks. [EMAIL PROTECTED] -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] track id
Rob Muller: Can anyone id the track starting at the 1:41:50 mark in the groovetech swayzak set found here: http://www.groovetech.com/broadcastevent/7289 features female vocals along the lines of "big seduction in a >magazine, leisure in a limousine, ., nicotine from the silver >screen". I DON'T know, but it sounds like some new "retro"wave song, you know, Lady Tron -kind of stuff... after that track comes an edit of old Ronnie Griffith song "Spies" though... -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Acme Vinyl pressing
Michel: Hi, does anyone have any comments about the quality of Acme vinyl's pressings? (www.acmevinyl.com) -how's the thickness? -are the labels printed well? -are they ever warped? I'm only concerned about the pressing... As I understand the old Intellinet-distributed labels were mostly pressed at Acme, so there's a good reference. I'd say it's typical american quality;) The only thing EVERYBODY hates about those acme-pressed recs, is the plastic innersleeve. You know, that piece of SH*T that never goes smootly in the jacket and after a few listenings it's just garbage. -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] any leads on 12" covers?
Kent williams: I really want to print covers for my next record release, but the places I've found have been really expensive, and don't really do what I want which is to do matte printing on recycled paperboard. Anyone have any leads? (i.e. Not Ross Ellis or Dorado Press) Basically you have to manufacture a lot of copies (2000 and upwards)of a 12" single release before it makes any sense financially to have custom made jackets, at least that's what I've noticed when I've fantasized about my own label. In LPs it's more easy to hide the costs because you can sell it for more to the distributor. I'd say ask all possible pressing plants (both in US and Europe)if they are willing to manufacture jackets (covers) only, without having to press the records there as well (unless if that's what you want), and what the cost would be. Though I doubt the price range don't chance that much. Gramofonove Zavody/GZ digital media in Czech Republic comes to mind, it's probably the cheapest you can find: http://www.gzcd.com/ If you REALLY believe in yourself and the talent you got, another option is to manufacture a huge amount of covers at once, say like 5000 copies, for your future releases. If you press 500 copies per one release, that way you would have covers for 10 releases. This is risky. Unless you're Moby or Josh Wink, if the tracks ain't slammin and the label ain't happening, you could end up with a roomful of useless covers:) -Proffit _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] House ID's
stuffed bird: Another track I've been hunting down is a house track... ...it's a vocal track with a chorus speaking of 'time and time again' Ummm, is that DJ Pierre's "Time and time again"? on Jive? He had a rec with similar name, if that's not the exat title, but it's on Jive... I gotta check, I think I should have that 12" somewhere... -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] colored vinyl
ryan burns: today one of my friends told me that colored vinyl is more prone to wear and scratches. compared to black vinyl. im a little skeptical >of this. does anyone know the truth to this matter? When listening to those coloured pressings on DJAX-UP-BEATS one could come up with the conclusion that colour vinyl is weaker in quality, yes. But I think it might have more to do with the chemical mixture of the vinyl used, and the quality of the actual pressing records are made. Vinyl, as I understand, is colourless as it is, the black colour is just added so that people could see the tracks they're playing. Maybe that black colour has qualities that the other colours lack, and the result is cleaner sound...? But I've heard both perfect colour vinyls and then those Djax-like pressings (strangely the transparent, "normal" vinyl on Djax sounds crappy aswell, so...?). The same goes for picture discs: some play without noise and others are painful to listen... and pic discs should be more difficult to make, so there the errors are somehow understandable. -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: Track ID (please)
Scott Vallance:
http://www.hotmix.nl/mixnet/
And while ppl r there, can someone please ID the first track that tony
humphries plays in that '86 mix.
That very first track (from which the mix starts) I don't know, but it soon
transforms into MOONFOU's "Shut up" ("...I said SHUT UP!").
I'm not sure if that's the instrumental playing in the mix...
-Proffit
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Re: [313] Euro Synthpop
Tosh Cooey: Just listening to the Total Destruction CD on Forte by Ural 13 Dictators, euro synthpop at its damn finest, however you want to interpret that. Damn fine Yea, they're on a mission:) Actually, I sold some HI-NRG recs to one of the guys in that group, and I can tell you those boys LOVE the old euro-cheese classics:) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] fanboy track ID
Jongsma, K.J: My favorite HMC release is still Phreakin, i think it was one of the >first Dirty House records. It is a extremly funky Acid track, worth >checking out if you never heard (which you proberly have because it >was a big hit years ago..) I was never that buzzed about it because it totally "borrows" that bass line from Brandon Cook's (feat. Roxanne Shante) "Sharp as a knife". from '88. Would love to get the original 12" of "Sharp..." though. There should be the instrumental on the B-side (?), without the thin baby-like vocals of Roxanne:) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] old techno article
I was actually searching for images of DJ BABY ANNE (don't ask:) when this one came up: http://detnews.com/1998/entertainment/0925/techno/techno.htm -it's an old article from the Detroit news few years back for those who missed it. -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] this sample
juliette morgan wrote months ago: To all those who were questioning the origin of the sample included in BFC-"Galaxy", and Mills' "In the bush"; It is in fact Liaisons Dangereuses, however NOT "Los Ninos...". The sample is from "Peut Etre Pais". What's the original track that Mills' "Black is the number" samples? (the distinct bassline) I've heard the original on many WBMX-mixes, and there's couple new releases that use the sample also. It's some 80's industrial/synth group for sure... -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] DJ obsessions
Jayson: so what's with john's obsession with playing headhunter from front242? george.jones: Probably something similar to Derrick May's obsession with "French >Kiss" by Lil' Louis. Oh, he has an obsession for that? He should make a RMX of it, that would be something:) What else he plays to death? I understand "I feel love" was one of the classics the Detroit boyzz spinned quite a lot... I don't know that many Detroit OLD SCHOOL CLASSICS (and I mean classics) that the DJs pumped. What older Disco/R'n'B/Soul/Italo they played in the 80's??? The Chicago guys' all time classics I know so very well: Pam Todd-Let's make some love Diana Ross-Love hangover Liasons dangereuses-Los ninos del parque Bumblebee unlimited-Lady bug/Love bug/Everybody dance...etc... Trussel-Love injection Billy Frazier-Billy who? Don Armando's Rhumba band-Deputy of love Salsoul orchestra-You're just the right size/Chicago bus stop...etc... -plus too many Philly records, early italos, unknows and others to list... But what about Detroit? What were THE tracks Mills for example played everytime? -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Maestro
evan wrote: I came across Maestro - a documentary about the history of the >underground music scene which is currently in production I did notice, however, a lack of presence of the detroit pioneers, and >was wondering if anyone had any thoughts or interesting info on the >project or the omission. I've been waiting for it to finally finish and hope to get to see it somewhere! I'm just wondering if it ever reaches any other than small independent film festivals and the premiere night in the U.S. (where Morales shows up with his monsterbuilt steroid bodyguards:) Hopefully the film aires on TV sometimes somewhere... There's been a debate about the lack of Chicago jocks (Hardy etc.) in the film, only one included is Frankie. It basically concentrates on the N.Y. scene only. But it does have one unique element to it though: the last interview with Francis Grasso, the founder of modern beat-mixing. I must say I'm waiting to see that particular piece in the film more than anything. Hope there's some documentary footage from that era also! Detroit -let's face it: I don't think Detroit will ever get the recognition (or film) they deserve. People just don't understand it, basically to most dance enthusiasts Detroit guys were just a bunch of loonies who did wacky beats and experimented with modern pop music... Don't kill me for saying this! It's not my opinion but I believe that's the common folks opinion if they had any. -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] another Carl Craig article
joshtwentythree made me laugh so bad!! This is the funniest post for a while now:):):) It just shows how seriously some of us are taking all this DEMF madness;) -Proffit (a little tired of work) > I think that action is necessary. Nothing too > militant, or extreeme, but > i think that we need to show pop culture media, that > we want Carl Craig to > stay. ok here's what we do...well...it would be better if we had some extra time to set this up, but time is of the essence, first...we're gonna need a monkey...I know, monkey are cliche...but this is neccesary...ok, so we train the monkey over the next two weeks to be able to pretend to be Carol Marvin...then when the time of the demf nears we get a crack force of geeky techno guys...i know...we're stretching a little bit here...but -some- of us have to spend some time outside, play basketbal or something, I'll need a show of hands of people who have seen the sun and broken a sweat because of moving in the last 6 months, we'll use those guys to make the team...anyway. so we kidnap Carol Marvin with our awesome team of geeky techno guys and replace her with the monkey, I'm sure since we're so close to the DEMF no one will notice, hopefully the looking for lice in peoples hair will be attributed to stress...so the carol monkey will give said speeches which will consist of "ook ook" and "eek eek" and hopefully some poop throwing...that would be a plus, this will hopefully do some damage to her reputationso we take Carol back to our secret base...uh, any volunteers for a secret base?...and make her watch Brady Bunch reruns and The Sound of Music over and over again with the sound up loud while playing Britney Spears "oops...I did it again" at the same time, this coupled with Ubersamalian(did I get that right) smith lip synching the whole time in nothing but a g-string and some of those little nipple tassles...these actions should in no time at all get her to concede to our demands...what do you guys think? I've put a lot of time into this idea... josh23 |please kill me.| _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] new Retroactive-it makes you younger...
Check it out: http://auctionaddict.com/cgi-bin/single.cgi ID=LNF1EE0R&cobrand=¤cy= OK, lame joke:) It's so desperate these days, y'know? -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: FW: [313] fav 80s pop remixes
phuture jacks: the ultimate pop remix would be the "detroit wesmopolitan remix"of Was >Not Was Out Come The Freaks (Ken Collier&Duane Bradely) probably the longest too:) Yeah, they were the forces behind that "When love surges" track by... what was he's name? Julian? Jules? That's some nice early 808/303 freestylish tune... Sort of poor man's Alexander Robotnick;) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DJAX/Paul Johnson
FC3 Richards:
I was on E-Bay a few days ago and saw a release by Paul Johnson on >DJAX
for sale. is this a hoax??? has anyone heard this??? is it any >good???
when did it come out...i am looking for some vital info on >it. my
intrest is way sparked...
Yes, it's a real record, not a scam:)
He actually did a few records for Djax:
Djax-Up-163 Paul Johnson - Foreign Music
Djax-Up-181 P. Johnson & Armando - 3rd Dimension
Djax-Up-200 Paul Johnson - Psycho Kong (2x12")
-Haven't got the first one, Foreign music, but the double he did with
Armando and Psycho Kong kick ass. Psycho Kong ('94) is of course based on
the arcade game, using those Blip Blop-sounds that we all loved.
Knowing Paul's musical history I bet it's safe to say Foreign music is good.
And I'm sure it should be VERY good considering the release year ('93),
around the time when all the Chicago guys did excellent stuff. IMO better
than nowadays...
You should also seek Glenn Underground's recs on Djax, if you already
haven't got them. They're SO F**KING GOOD it hurts!!
Djax-Up-162 Glenn Underground - Future Shock
Djax-Up-194 Glenn Underground - The Unborn (green 12")
-these are still the same style he started with, Chicago deepness in the
ORIGINAL style, similar to his E.P. on Chicago underground for example.
The Unborn has the legendary track "101 Dolmations" that IMO is one of the
undisputed Chicago track classics. SO funky and genius track that I can't
believe it!!!
I've contributed some Djax releases to this site, check it out:
http://www.discogs.com/label/Djax-Up-Beats
-Proffit
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Re: [313] Chicago track ID
stuffed bird: It's a classic chicago track, typical late eighties drum trax, with a >vox throughout and a chorus: 'so let it be real, so let it be house' Mike Dunn-Let it be houze (Westbrook) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Marshall Jefferson
John Osselaer: ..I've heard rumours that in the end Ron was selling highly exclusive and superb records for a few bucks just so he could get his next fix. Truly one of the sadder stories in the history of this music. :-( Same goes for Larry Levan. He sold all kinds of classics on the street for dimes. I've got few records myself that I bought from a guy in Chicago, and they have something like "the Box" -written on the labels. Old Hardy records? I don't know but it's strange to think they could be... Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Marshall Jefferson
John wrote: ...Who has heard of a club called The Bismarck? Apparently Lil' Louis >played there a lot and Derrick was influenced by him (or so I have >been told)... Oh yeah, it was the Bismark Pavilion hotel I think which had a club in it, and Louis was the resident DJ in there... I remember reading it had a huge following at one point. There's a live mix from the club at the deephousepage.com, at page 3, mix nr.350. It think it is hard to deny that Detroit techno learnt a lesson or two >from the brotha's in the Windy City. Remember Derrick once mentioned that he wanted to move to Chicago just so that he could listen to WBMX/Hot mix 5 all the time!!!:):):) (To which Juan A. apparently commented that they played "fag music" in there..humph!!! oh boy:/) Chicago was also a very important promoting-channel (in the U.S.) that helped to broke a lot of the Detroit music that was released, all the May classics for example. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] let no man put asunder
graham [tan] wilson wrote: i have a derrick may mix from about 1990 in holland. he is playing a >chopped up remix of shep pettiebone's version of let no man put >asunder... its got lots of sirens in it.. does anyone know who's remix >this is??? Ummm, one classic edit/RMX that could be mistaken for "Let no man..." is Revoked's "Pieces" on Hot mix 5. It IS based on that track so much that for a while I thought it was some original RMX on Salsoul. "Come on and gimme some more, come on and gimme some more, come on and gimme some more, let no MAN put asunder BABE!, BABE!, BABE!, BABE!!!" :) -it sticks to your mind like glue!!! -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Lil' OFF-TOPIC
I have a question, which in a sort of way is related to this list, so don't go jumpin on my back for this: I'm thinkin' of putting old mixes (WBMX) to web, and I'll have to transfer them from OLDER tapes. I was thinkin' of using either Sound Forge XP or Cool edit 2000 (can't afford PRO) to do the transfer. I'll need to adjust and fix the sound a little bit; add a crisp high-end, put fade-ins & outs, and at the end normalize the whole BIG sample (think of 45mins of audio). I'm going to put both MP3 and Real Audio formats available for downloading. I think Cool edit has MP3 & RA recording available in the program itself, but in Sound Forge it's available as an option? Also, Sound Forge has the Noise reduction-plug-in available for $300 or so, Cool edit has same kind of "Audio clean-up" available for $50... Is it stupid to ask which one is better? If you have experiences with these progs, ANY ADVICE appreciated and please mail me privately!!! Thanks, Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] sample at mu2
I know that this is a little delayed...Someone told me (and I think the consensus here was) that the sample Richie played throughout the night >(I called you...but you weren't there...) was from a Green Velvet >track called "Answering Machine". No, it's propably Lil' Louis' "I called U". -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] first mixer is fernando grasso
Jochem Peteri: the person who is generally credited for being the one who invented dj->ing is kool herc I guess Thomas Edison could be credited as being the "first DJ". Basically anyone who's played tracks after tracks with 2 turntables in the '20s, '30s or '40s can be that "first" person, but I believe Grasso was the "first" to actually beat-mix 2 records, as Jay Cee wrote: "...Francis Grasso, a pioneering club disc jockey credited with first mixing records together in the late 1960's by matching their rhythms.." -I don't know if any of the Rock'n'Roll or Blues DJs tried to match tempos in the 50's??? Kool Herc took the toasting tradition (from Jamaica) to U.S., and thus influenced the "rapping" culture familiar with the black population in the States. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
All your BASS are belong to us...
For those that have a history with AMIGA computers and remember the demo scene, you can refresh your sweet memories with this: http://www.scene.org/~jeffry/AYB.swf -BEUTIFUL music in that FINE classic tracker-style:) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Dancemania
jose bello: ...Dancemania is the house of Barney,real underground house of Chicago >southside: http://members.tripod.com/~infamouss/house.html (almost) complete discography can be found at: http://ad.techno.org/ -and the one with the available tracklistings is at: http://www.discogs.com/label/Dance_mania -Me and this other guy have been adding all the basic releases but there's few (actually a whole lot) that are missing. So many of the releases came as white labels so I have no idea about the track names... If someone out there can fill the blanks, please do!!! -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Vincent Floyd
dk wrote: Since you guys are taking about Chicago for a sec I thought I'd throw >this one out. Anyone know of any other Vincent Floyd releases besides >Cactus Juice and Chan "Your Eyes"? Or even better, anyone know what >ever happened to Vincent? Talk about a man ahead of his time... Oh yes...He "came back" in the mid-90's releasing one EP on Relief and he did one f**ked up 12" on X-rated records, "Stooge swing". It was a 3 track EP, kinda like mescaline-fuelled trax... I can't remember what else he did around '94-95, must've been something... Another great old DM artist that I would like to hear today is Victor Romeo. And oh yes: "Your eyes" kix azz. Rumour has it that there is a naughty bootleggy cover version of it on one of Sähkö's less illegal records;) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] German techno that fits 313?
Arne.Weinberg: Coming from Germany i asked myself how the list (you) think about the >german techno scene and its producers. In my opinion the german techno thing is really bring, because >they all hear and produce and spin only the hard banging soulless crap >called "Schranz" For certain people (like me) the "german sound" was really important in the early 90's to mid 90's. What records/labels you mean by "Schranz"? I would think there are people that really HATE the Cologne minimalism sound. Cologne's acid sound is a whole different story... For me the germans kept the original attitude of the early Chicago (and later Detroit with Tresor etc.) sound and production values better than, say, the folks in England. And you can't really deny that when you're talking about electronic music in general, Germany is in a class of it's own. -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Where it all began -BAD Picasso!
Tosh: Picasso was heavily influenced by African masks, and cubism is heavily based on the ideas he saw in them. So is Picasso as evil and empty as Moby? Actually, Picasso WAS evil:) Didn't he push his little sister from a cliff down to rocks when he was a little kid? Oh, this is so off-topic... -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
My mine...
Again, from the classic vaults of Ebay, this one really puts your faith to test: Carl Craig's old Retroactive 12"(DANG-1) selling for well over $500!!! How is this possible??? Something like a month ago a copy of this same record was sold for $240 or something...on the same Ebay...??? The price DOUBLED in this short time period!?!?! I guess people are becoming more and more desperate... but for 500 f--kin dollars!!! It's F*CKIN INSANE! (But if someone has this rec for sale, I could pay, say like $200 for it :)) http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1419566925 -$Proffit$ _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] "What Kind Of House Party Is This?"
There is an interview section at http://deephousepage.com They have a page devoted to "What Kind Of House Party Is This?" by >Farley Jackmaster Funk and Frankie Knuckles. Does anyone have any more >info on this book? Looks like great reading. The Chicago artist interviews are classic, but I didn't even read the British chapter! Again, I don't know what the fiction/fact-ratio is in those interviews, especially with the early pioneers, but it's fun to read Vince Lawrence's stories about how he and Jesse Saunders were spending the proffits of those early house records on synths and prostitutes:) Just like I imagined it to be. Very interesting are the stories about the clubs all the name DJs played, the whole competetive attitude between them seems like light years away compared to this day!!! It explains so much about the history and evolution of this music. I think the author Jonathan Fleming is a photographer specializing in the club scene, and that way he got into writing this book...? Good reading indeed. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] taking off labels/blanks
Kieran wrote: How would the vinyl react with the minerals in the water, though? Jeffrey Paul: Bear in mind i'm not a chemist, but I doubt it'd do anything for just a few hours. If you're really anal though, one might consider >using distilled water, as there's chlorine and traces of other >corrosive things in tapwater, but i'm doubtful it'd hurt anything. Normal water doesn't do it, unless you keep the record about a year under running water. I tried water, all it does it softens the paper of the label, so it wears off, but the glue still remains. So you have records with ugly mushy white labels:) Alcohols and other strong chemicals tend to stink long after even if you've washed them, so I wouldn't do it... Sometimes you find old records and they're just in awful condition, labels all **cked-up, DJ's writing all over the labels etc... I'd rather look plain records. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Bernard Badie
stuffed bird: I've long since been looking for a track by Bernard Badie on a Chicago >label I have never even seen in my life, 'Night Club Chicago'. The >track is called 'Can U Feel It'. Any leads? It's actually on NIGHT CLUB label that was based in Chicago, that's a misspelling in the titles on that DJ Hell X-mix comp. I've been lookin for that record also, but haven't seen it on any list. All the other Night club releases are regularly seen on every other list but this one seems to be much loved, or was a very limited pressing? The track can be found on either: NCL016: Jackin Bernard-Mood Music 12" OR on NCL017: Bernard Badie-Time Reveals 12" Anyone on the list who has a copy? -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Do the flex =STREET BEAT
Danny Wolfers wrote: When I was in Helsinki some week ago Tomi (Hi! :) ) played me some totally raunchy produced disco record. ...The title was "Do the flex" (or it could be just "Flex"). It was >just magnificent produced drums and some funky rhythmically layed down >chords RC replied: Yeah I know, its amazing. I've got it - its on Coko records, the flip >has Sylvester's classic "I need you" It was on rushhour's lists a >couple of weeks ago... It's STREET BEAT's Do the flex... -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Tell me about Peacefrog
Peacefrog released some slammin techno back in the days, now it's more or less a house label... I'm not sure who found the label, anyone know? I'm also wondering about the "Lodger" releases that the label put out: PF001 Pete The Lodger - Ghetto Of The Mind & Pete Lodger's "303 EP" PF006, did this guy put out more records? What labels, aliases and are they any good? Once again, any information appreciated!!! Also, if anybody, and I mean ANYBODY has the mentioned Peacefrog Lodger releases for sale, I'D BE GLAD TO BUY THEM Also if you happen to have X-Crash-"808 terror" Peacefrog PF010, and you want to sell it or can get it, LET ME KNOW I'd like to buy multiple copies of those records:) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] OT: name the chicago electrodiscofunksoul classics
caltrop wrote: while listening to an old chicago radio dance mix, I noticed that there are a bunch of really good disco/soul tracks with an electronic >edge. any recommendation that would fit this description? They played lots of Italo disco with the typical mechanical early 80's sound, but that's not really "soul", so I guess you could be referring to early 80's soul/R'n'B that had that "electronic edge". Sorry I can't help much without soundclips, but I bet lot of the small dance labels output from the EARLY 80's (pre-84) have the qualities you're looking for, analogue synths, 808 drum patterns and such... There's just so much, tons and tons of good (or outstanding) stuff that the WBMX posse/Chicago scene played in the 1980s. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] re: Derrick May questions?
Mike Taylor: (about how strong 4/4 kick-drum music is basically white folk's invention and the only thing that makes it move. Then:) ...The music was so square, boxy, it barely changed, grooveless and >without soul. ...He played a single bar 909 pattern that was like a kick and a clap >for 10 minutes and people loved it. That's funny, it sounds like Farley on a WBMX show in the 80's playing TRACKS :) And he was black if don't remember wrong ;) -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
write it wrong
Rob W Webb wrote: "Can You Feel The Bass?" by Phortune is on an old Hot Mix 5 >compilation called "Acid LP". perversely, it's listed as "Can You Feel >The Boss?" on the sleeve! Hahhahhahhaaa!!! Aww man those Chicago label misspellings are legendary! I remember there's a Trax comp. LP which has like 5 different misspellings like: "Armondo", "Cocane" etc... And one White knight LP where it reads "WHIGHT knight":):):) Thank God for small labels top-level QC!!! -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Armando's sample ID
This one is for those who are familiar with Armando's New world order 4 LP on Trax: The track "So in love with you" samples Colonel Abrams' "Trapped" and "Saturday love" by Cherrelle, but where is that bass & guitar loop sampled from? DJ Tonka used that same line in one of his cheese-disco cuts on Force Inc. Gotta find that sample! -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] ken collier tribute ep
Ani wrote: >the other version of love's got me high that's on >intangible was also >re-pressed about a year ago... What I wanna know is whether Kenny Dixon's "Emotional content" is re-pressed? That's some classic track. Missed it when it first came out 6 years ago. "Emotional content, NOT ANGER! B i t c h..." -Proffit __ Get Your FREE Web-based e-mail at http://www.truthmail.com ...changing e-mail forever. Find out where music is going! http://www.radiou.com Check out this guy! http://www.ccci.org/whoisjesus/
Re: [313] "Tribute" ep
Rough edits of what ROB wrote: >...Terrence Parker's "Tribute" ep on Intangible... >...the first track - i think it's "Love's Got Me High"... >...a 12" called "2 Brothers and a DAT" on a label called Jackin' Trax which >includes a track called "Take a cab" which seems to be the same as the track >Assault plays.. >does anyone know what the deal is here? I noticed that too: the track on that EP is similar, if not the same as Love's got me high. I suspected that the 2 brothers -record is canadian, had something to do with Intangible / Parker. When that track became a sort of mini-anthem few years ago, it seemed like there was almost dozen versions of it. Even Fresh fruit re-released it with different remixes (with Sterac's slammin techno mix!!!). >which is the original? what's the sample? anyone got a spare of the "2 >Brothers..."? Geesh, I can't remember which one came first, the Intangible or the Jackin trax one... It was around -95/96. I'll guess the Intangible was first. Don't know the sample, but it propably originates from some sleeez-soul/R'n'B-act from the 90's. Proffit __ Get Your FREE Web-based e-mail at http://www.truthmail.com ...changing e-mail forever. Find out where music is going! http://www.radiou.com Check out this guy! http://www.ccci.org/whoisjesus/
Re: [313] Ring ring ring ha ha hey!
On Mon, 29 January 2001, "David Hampson" wrote: >http://hometown.aol.com/leeroyd90/phone.html > >I'm sure some of you with mobile phones will enjoy >these! Yeah, mobile phone tunes are a big business in Finland, but they're always the latest (s)hits from the TOP-20. I've been thinkin about makin Farley Funk's "Jack my body" as a ringin tune for a while now, but I'm too lazy. It would make a perfect cover since the original itself is a BLEEP classic! Other hits could be "No U.F.O.s", "Nightdrive thru Babylon", "Wiggin", "Acid tracks" (not sure what this would sound like...), "Big fun", "Original Video Clash", "Nude photo" etc... And a special tune for those moments when you're visiting your relatives in some backwoods of the worst redneck/bible-zone: "Duelling banjos" from the Deliverance;) I'm sure the locals would appreciate it! Proffit __ Get Your FREE Web-based e-mail at http://www.truthmail.com ...changing e-mail forever. Find out where music is going! http://www.radiou.com Check out this guy! http://www.ccci.org/whoisjesus/
Re: [313] Sorry, more IDs
On Thu, 25 January 2001, [EMAIL PROTECTED] wrote: > This reminds me, there's a track I've been looking >to ID now for at least 5 > years. >...into this lovely mellow techy tune that uses the >same tones as those >famous notes from Close >Encounters. If it's techno, it's propably Sweet exorcist-"Test one" (or was it "Clonk"?), but there's the classic "dark side of the moon"-sample if I rememeber... If it's disco, it's propably Gene Page's "Close encounters of the third kind" Proffit "Equipment: Roland MC303 (damn he are lucky)" __ Get Your FREE Web-based e-mail at http://www.truthmail.com ...changing e-mail forever. Find out where music is going! http://www.radiou.com Check out this guy! http://www.ccci.org/whoisjesus/
Chicago comps on CD
[EMAIL PROTECTED] wrote: >recent posts about early chicago / detroit made me >dig out some old chicago stuff... >...anyone know if there are any good cd comps of >this stuff? thanx. Hansi Güçlüer mentioned the 3 "classic" comps from Mastercuts. Another extremely good set is from the not-so-classic LOW PRICE MUSIC label: the BEST OF HOUSE & BEST OF ACID. Tracks on those are mainly licenced from Sherman's labels such as TRAX, Saber, Housetime etc, but there's few other goodies there as well. Rare Jack Frost, Hot Hanas Hula and DJ Pierre tracks can be found on the ACID comp. Rare "On and on" by Jessie Saunders, "It's a mystery" by Phase II and other house gems can be found on the HOUSE comp. There were 4 CDs in both series, each disc has 10 tracks. I think these releases were made strictly for cashing in; the makers propably paid Sherman some money and he handed some tapes and records to them and said: "do what you wanna...". Some of the tracks on these CDs are lifted straight from vinyl;) But nevertheless all tracks are classic house in fine style. The good thing was the comps were cheap. I paid about $15.00 for both series (that's 8xCD)!!! Proffit __ Get Your FREE Web-based e-mail at http://www.truthmail.com ...changing e-mail forever. Find out where music is going! http://www.radiou.com Check out this guy! http://www.ccci.org/whoisjesus/
Re: [313] problemes d'armour
Lenoir44 wrote: I see that Robotnick's classic appears in National >Lampoons European Vacation. No Sh*it! I'm a big Chevy Chase fan, yet I can't remember this piece from the s/t Can anyone tell me which scene it provides the >background for? Yeah I saw that movie again few weeks ago and wondered that same thing also. It says so in the end titles, but what I saw there wasn't "Problemes" anywhere in the film, or I must have missed it? But I do remember there was some neat italo-disco in one scene where the "family" is partying in city, shopping for extremely 80's looking italian "design" clothes:), and I guess in the scene where this kid (the son) is in the local disco, there was some futu-disco as well... but it wasn't Robotnick. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Distant drums-again
Months ago I asked about the record from NAD, "Distant drums". Yesterday, by pure luck, I found it from the local store, and paid about $6 for it. So I'm very pleased. But I'm still wondering who's behind that release. I know it's from England, but haven't got a clue about the year or the makers. There isn't much info on the label; NAD -Distant drums (A-side) -Sphere (B-side) -and it was the first on that label: NAD001 There's "Damien" written on the vinyl, but I think it's a joke relating to the Armageddon-lyrics of Distant drums;). The B-side is very tasty Detroit-influenced techno, with strings and murky DX100 bass on it. It could be B12 or Black dog? Proffit _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] Gemini Discog
Tom Lawton: (...about Gemini's discography) He also released on on Planet E, back in , I think '96. Can't remember the name of it, but it's in the 2nd hand section of my local shop for some crazy price of £4.00 or something.. That would be the "Moment of insanity EP", which BTW, I'm selling very soon for even cheaper ;) Proffit _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] weird pressing tricks...
"darw_n" since were on this topic, I thought I would throw out the strangest >pressing I own... I remember listening to a record back in 92 where there was literally 2 different tracks cut into one side like it was a one track! Both track's grooves were cut side by side so it looked like a normal track. You never knew which one would be playing if you dropped the needle on the record. To come to think of it: is that even possible when mastering is concerned??? Or was I dreaming...? Proffit _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] mispress-DUM label
ani: my favorite mispress is steve hurley "jack your body" with a UR riot label. kinda cute, huh? BTW: if you folks ever stumble across records from the rare DUM label out of Finland, and they happen to be even rarer first ones in that label's catalogue, check out if they're the ones that should be "one-sided": There were promo copies where on the other side there's your techno, and on the other side there's some finnish POP/ROCK music(!!!). Apparently Kimmo, the label's founder, could only afford to press one side, and the place where he had them done (Finnvox) pressed the promos on some leftover vinyl LPs ! He said he's even got copies where there's church music on the flip! :) Proffit _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] The future of booty? :)
Otto Koppius: http://www.salon.com/tech/feature/2000/11/30/adult/index.html It's a revolution: EROTIC STYLE of music ($54286.78) ;) Proffit _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
is this sh** 4 real?
Check it out: http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=511543173 -piece of Housemusic history sold??? -Proffit _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] this guy really knows his classics.....
stephen: If your in the mood for the classics go to this site, http://www.crosswinds.net/~arcadia2/ Yeah, it's good. Even has a scan of "Pierre's pfantasy club" -Fantasy girl -label on S.R.O. records. But there's even a better sample-site IMO: http://clan.ch/detour/ -too bad there's no scans of the labels!!! Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] I Feel Love Cowley Megamix
me: > >...Cowley Megamix ... > 1. I feel love mega mix 15'45" > 2. I feel love edit mix 8'50" amene: When I saw Hell @ Limelight last weekend he started the >set w/a cover of "I Feel Love" by Bronski Beat & Marc >Almond. Is this something completely different from the version on the Fuse mix? I don't know what version Hell spins on that Fuse mix, but the Cowley RMX has NUTHIN to do with the forementioned chaps:) Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] I Feel Love Cowley Megamix
D.J.Butler: At last! ...Cowley Megamix ...this amazing track is part of the new DJ Hell Fuse mix (see below). Can anyone confirm though - is this the full version? There's 2 versions on the original 12": 1. I feel love mega mix 15'45" 2. I feel love edit mix 8'50" The mega mix is the one with those "insane" synthlead solos at the end, backed with some fine percussive synth sounds. The edit is sort of..."edit" of the former;) -there's no solo in that, but it's a funky chicago-like percussive discotrack nevertheless. The mega mix actually is like 6-7 minutes of the original track with no mentionable gimmicks by Mr. Cowley, then he hits the soundbutton and things start to happen. I guess Hell starts to play that track from the midway of the rec...(?) Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Cerrone
I wrote: ...an LP, a soundtrack which name I don't remember since it was... Yes I remember it now: Brigade mondaine, "Vice squad" as it is. ...it has a killer synth bass-track, from where the bassline was >ripped directly to EDC's "No pills" on Tink! records. That track is "Strip-tease". A classic, forgotten synth assault. The Soundtrack also has "Give me love", classic 70's sleeeze disco track, and other fine pieces. Check out: http://www.cerrone.net/ Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] can u feel it
graham [tan] wilson wrote: what year was it done??? mid-late 80s??? If you're referring to Mr.Fingers' track, it was done in '84, released in '86. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Cerrone
Cyclone Wehner: I've been listening to heaps of Cerrone of late - I think he's the >bomb... ...Anyway, what are Cerrone's definitive albums? Yes I like his work too. All the stringy stuff and his Kongas project too. I have an LP, a soundtrack which name I don't remember since it was something french, but it's something like '78/'79 period, and it has a killer synth bass-track, from where the bassline was ripped directly to EDC's "No pills" on Tink! records. Was Orlando Voorn behind that EDC project? Anyway, all he's done is used a different sound but the bassline is the same. And of course Cerrone's record covers are classics in their own right, with nude women and our "hero" in his pyjama!!! Or is that a karate suit? However, in "Cerrone's paradise" LP cover, there's a naked woman on top of a fridge (!?), and on the floor there a bottle with some white powder in it!!! Some disco nose candy perhaps? ;) Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Derrick May Remixes?
Phonopsia: ...I have a remix from four or five years ago that's sort of trancey >of a Scandinavian DJ Marcel or something??? Can't find the record. >That's all I've seen. It's Marcello & Derrick May -"Serenity" on 100% pure label. It's a dutch label. I think it was re-pressed some time ago? Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] X-101-2-3
Cyclone Wehner: ...Can I get X-102 or X-101 on CD X-102 is released on CD format. Don't know about the 101 though... Can someone tell me was "Mimas" on the CD version of X-102, because it's not on the double vinyl...? Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] A love supreme
richard cranston: can anyone that owns "A love supreme" - Alexander Robotnick provide a review, I think b/w is "DAnce Boy dance"? could you review that too Marsel already posted this add: http://www.robotnick.it/robotnick.mp3/robotnick_home.html -there's an MP3 of that track there. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] re: Mayday mix of "Jaguar"/430 West UK
Andrew Duke: why was 430 West UK set up? Why is ANY "UK" sublabel set up in the first place ;) Harthouse UK... Synewave LONDON (?!?!?) TRAX UK... There must be some marketing personnel giving advice: "if you wanna start selling BIG numbers in England, you gotta attach "UK" to your name:) Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] ... following TRAX
The [Quad]: Who knows something about this CD release on Strictly Hype/UC >Music: "TRAX Classics Presents Rewind << Rewind 1984: Chicago" A mix of mostly TRAX (Knuckles, Jefferson, Jackmaster, etc.) records by one DJ Rick Garcia (?). FC3 Richards: ...trax changed their name to Dust Trax sometime in the 90's...i think >paul johnson pretty much runs the place now. Actually Dust trax has nothing to do with the real TRAX label. TRAX is still Larry Sherman's playground. Rick Garcia has done records for different labels. His most famous one is propably "Put your hands together" as Ricky "Get Down" Garcia on Dance Mania records. Since then he's done stuff for IHR etc... Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] marc & the more unknown Detroit gems
Jim Grindle: Heath Brunner is another untapped Detroit resource. He has learned how >to press plates so someone can carry on if Ron's health wanes. What's wrong with Ron? Is he able to cut records anymore? Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] DEMF 2001/ Palais
Pieter Lub: (I'll have a look for those 'old' Palais Schaumburg records :-) How rare are those? Release year(s)? Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Kraftwerk - Music Non Stop
Nik Stoltzman: I am sitting here at work listening to 'Music Non Stop' when it hits me that I have a track which samples a small section of the chorus >melody. I don't know who it is, and it is driving me crazy... which >track? Anyone? You mean the "female" vocals, kinda echoing sound? I'm remembering that sound (I don't have the record with me), and something similar, if I'm not mistaken, was on some Art of noise record... ? Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Bam Bam, was: hard house?
Joel Fernandez wrote: > > sure you can include DJ Irene, DJ Bam Bam, Kevin Irving and Mark V >& Poogie Sakari Karipuro: do you mean bam bam of "where's your child" -fame? that old chicago >acid classic? if so, what's this guy doing nowadays? No, DJ Bam Bam is an other (white) guy that spins this L.A. -kinda hard house. The real Bam Bam, last time I heard of him was somewhere in -95, he made some acid and house recs... Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] who stole the soul?
mike d wrote: Back in my high school days I was a punk rocker.digging all the >raw and unheard soundz that these bands were showing us. After >time...the "mainstream" caught a hold of it...and the end was near. >No more respect for Green Day and Rancid. Nofx was no longer a true >punk band. Why??? simple. I got older and jaded with the music b/c I knew punk music one way: in my youth. i grew up to a certain >sound...and it changed. its the common saying "their first album is >their best." You're suggesting that people actually "grow" INTO a sound, be it Punk, Detroit techno or whatever. It continues: ...about 6 months ago...i heard the soundz of techno. it amazed me. it enlightened meand it took me away. but...i cant get into alot of >the older detroit stuff why? b/c its not the style i was introduced >to... I don't agree with you that one has to be "introduced" to a certain sound or style, and that the first encounters with any new musical style are the best or strongest you can have. Of course there's a special nostalgia for it, remembering the "good ol'days", but it has nothing to do with how good music is. Or what you may or may not like. I wasn't listening to classic Detroit Techno when it first came in the 80's (I started in the early 90's), but I like it A LOT. I don't have any special nostalgia for it, but nevertheless I find the music's depth, energy and innovation outstanding. I understand the importance of this music, as well as any other style's importance in the chain of musical culture. I listen to 50's, 60's, 70's, 80's and 90's music and find amazing pieces of work from all genres, all the time. I find this philosophy that "every generation has it's idols" disturbing. People are not computers where you download a certain operation system every other year (=musical "trends"), and once you've passed your youth you're stuck with the music you listened to. Of course not. Music is culture, and culture has the ability to survive thousands of years, there's no sell-by date in it, it doesn't lose it's energy like a battery. I think the fact that you might not like most of the D-techno has more to do with the fact that you like more energetic music. Maybe D-techno hasn't got the "bang" enough for you or something...? Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Meco's march sound
[EMAIL PROTECTED] wrote: ...obscure possibility is the flipside of Meco's disco Star Wars LP >(yes, I bought this when it first came out), which also riffed heavily >on the marching band sound. Another Meco record, the "Superman" LP features some slammin snare madness as well. Superb tracks on that LP. -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Frankie Knuckles
Anyone into Frankie Knuckles may be interested in some of the records >he chose from his record collection... ..."The theme from the man" can't remember the artist, same bloke who wrote the theme from Shaft. Isaac Hayes. -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Which plant?
On Kimo's techno sale-list there was this line: Monolake- Stratosphere/ Ice (Imbalance) 12 $8.99 First issued some two months ago in limited fashion on clear vinyl >with the unfortunate circumstance that the production plant went bust >so those in need have had to sweat out the summer months in search of >this glorious single. -anybody know what pressing plant was that? Or is it the label that went bust? Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] If
Jason wrote: think it was mentioned awhile back, but did anyone manage to tape the >radio broadcast of: IF @ helsinki turbo 5, helsinki, 9 september 2000 would love a copy if anyone did! I think it should be archived in RA-format, or something, on some web-site...? Mr. Phinnweb propably knows. I have it PARTLY on tape: I had to be somewhere else while the show was airing (dealing records in the city, to be precise), and since I have an older tapemachine that doesn't switch to other side when the first side ends, I had to tell my MUM to switch the cassette and so on..., so you can imagine there's few missing parts in my tape. Few tracks I identified: Casco-Cybernatic love Hipnosis-End title (Blade runner) Parallax corp.-Cocadisco Charly-Spacer woman I-f-Space invaders... (some ***ked-up freaky version, screaming etc.) Mark Imperial-J'Adore dancer (last track in the mix) Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] express records & u-trax
Simon Conway: ...anyone know where there's a discog. for the u-trax label ? There's one at: http://ad.techno.org/ -Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Radio Helsinki & I-F
Not sure if any finlander has already advertised this, but there should be I-F's live gig from Helsinki Turbo happening broadcasted via Radio Helsinki: http://www.radiohelsinki.net It's a temporary station (couple weeks) that broadcasts all kinds of interesting stuff. Jori Hulkkonen's gig should be there, some HIP HOP and stuff by Didier & Anonymous. Also Eliot Ness' mixes every day should include some older techno from the 90's, or so I'm told. Don't be surprised by the ROCK'N'ROLL progs every now and then, it's not all techno there!!! Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Track ID
Cyclone Wehner: Is anyone familiar with a track called Wish You Were >Here? Who does it? Should I know this? Almost everybody does it! At least there are many tracks that are titled "Wish you were here", but of course the tracks may be very different from each other. Just check www.gemm.com and use their title search and you come up with lots of names. But the most famous has to be PINK FLOYD'S version, of course. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Mills & Metropolis
Glyph wrote: Speaking of Mills, when I was in Berlin for the >MusikUndMaschine, I heard that he has the rights to the >great silent film, "Metropolis"... What kind of rights? I don't understand. He surely didn't BUY the rights to film Metropolis, like Michael Jackson did with the Beatles :) Or did he? ...and is releasing a new version with his own >soundtrack!!! The Fritz Lang people loved his idea and >went ahead and gave him the license. I think it'll be >out on DVD only. What will the guy come up with next? I'm wondering how he hasn't made any film contributions earlier, even for small indy films. To me "Cycle 30" was film music. It reminded me of the early Film noir, Lang's "M" and such expressionist films, with those classic psycho strings and DARK atmospheres. Classy. Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Moroder's Metropolis '84
Cyclone Wehner wrote: I am just trying to remember, Moroder did the >soundtrack but I know Queen's Freddie Mercury was >involved - he did that song Love Kills. But Radio Ga Ga definitely used parts of the film Metropolis in the >video clip and was on their LP The Works. The Metropolis soundtrack, it's quite AOR-type stuff. Very similar to "Scarface" OST, but not that good IMO. Metropolis came a year later than Scarface, so there are obviously similarities. As with his other soundtracks, I prefer the instrumental tracks, they still have that classic Moroder magic. "Machines" is quite handy at +8 ;). Anyone know if the tracks "Night drive" and "Palm Springs drive" from American Gigolo OST were released as 12" singles? I know italians did cover versions of them, and remember seeing Night drive as a 7" on some list but... ??? Anyway: The tracks on Metropolis'84 soundtrack are: A: 1. Freddie Mercury-Love kills 2. Pat Benatar-Here's my heart 3. Jon Anderson-Cage of freedom 4. Cycle V-Blood from a stone 5. Giorgio Moroder-The Legend of Babel B: 1. Bonnie Tyler-Here she comes 2. Loverboy-Destruction 3. Billy Squier-On your own 4. Adam Ant-What's going on 5. Giorgio Moroder-Machines Proffit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] UR RIPOFF - link to audio file
Stacey wrote: Was the track in question titled Time to Burn or was it >called something eles?? Yes it was. Storm -"Time to burn"... Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Raunchy ladies
Any Rudy Ray Moore fans out there? I'm trying to locate a sample that the 2 Live Crew used, a woman saying: "If the night's well, you fu*k the p*ssy..." I'm thinking it might be Queen Bee... Or is it from some movie? Any info appreciated ;) Proffit BTW: check this out: http://www.dolemite.com/ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] OUTRAGE! When action????
Simon Walley wrote: Its not that Jaguar rip-off, its some wack trance track that samples very heavily from X-101s _Sonic Destroyer_ (the 'rave' stabs at the beginning). God knows how many "rave"-records were there that sampled the infamous "chant" from UR. That African-type tribal "WAR-chant"... I think the original was from Riot EP. Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] jungle brothers & HipHouse
Otto wrote: James already mentioned Fast E-double D-I-E, "Git On Up" is a classic, no matter what anyone else says. So there. LOL! I bet the Tyree Cooper mix on the flip is still spinnable, with that hypnotic organ loop and just the "Git On Up" sample without the rap. Other recommendations: Doug Lazy - "Let It Roll" Tony Scott - "The Chief" Krush - "House Arrest" 2 in a Room How about "Knock you out da box" or "You ain't nobody" by Kool Rock Steady? Oh boy, there were bunch of those tracks... KC Flightt's "Let's get jazzy" -the ULTIMATE bass line. One record that never gets mentioned is The Renegades' "TAG", from 91. Though it's not Hip house, it's a classic vocal (if not SCAT) track by Mike Dunn. Love it. Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
RE: [313] UK 313ers; Mills on [EMAIL PROTECTED]
johno wrote: Hu Jim, Sven Väth's new club? You mean Cocoon? Oh yeah, you have seen >that monster line-up of last weekend in Cologne? I was tempted, but it was a 7-hour drive so... I don't think it is a club, rather an event kinda >thing. Can you get hold of a recording of this radio broadcast? I can ask my friends. Other finlanders on this list; do you have those mixes on tape? Pistakaa ne nettiin niin jengi voi kayda kuuntelemassa;) Let's see if we can put them online, or if someone's already done it, report. Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] UK 313ers; was Mills on radio 1 at the weekend?
Derek wrote: Was Mills on radio 1 at the weekend? (Pete Tong's essential mix) Y'mean the opening of Sven Vath's new club? I don' know about England but in Finland there was live broadcast on radio. Mills was playing, DJ Rush and some others I can't remember... Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
AX20-How limited?
Just how "limited" is Axis 20-Every dog... double? I ordered it today and I'm waiting with interest what it sounz like... I prefer the less bangin stuff from him, in the vein of "Cycle 30" and such. Also bought 2 copies of Paul Johnson's 12" on Chicago underground, whoow!!! S.O.S. -here I cum! Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] Mixed Up in the Hague Tracklisting
swanbon wrote: > 09. Vangelis: Blade Runner (Endtitle) And this is actually the Hypnosis re-make. Actually it's HIPnosis :) 10. Message from the future: Robot Is Systematic Can't believe he chose this version. 'Lectric workers' version was better IMO. 15. Mr Flagio: Take a Chance (Look also for the Material version produced by Bill Laswell in 1982 The Bill Laswell version IS the original... but Flagio's is better. Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] Another Month, Another Posting...
AeOtaku wrote: Is anyone else out there still waiting on items from Johanna Thomson? if anyone out there knows how to get in touch with her, please get her to check her e-mail and contact me and any other people waiting on items from her. I suggest we do a little cross-checking: List all the records you were suppose to get from her, and other 313 "customers" can check if there are similarities between your and their shop-lists... Y'know, if someone notices a records that he/she got from Johanna, then it's safe to say you'll never see that item in your collection. Unless she had multiple copies, but I doubt... She misplaced one record in my order, Warehouse 001 -> 002, which obviously was a minor "mistake" as WH002 (Armando-100% of disin' you) is less valuable than the first WH (Armando-Land of confusion)... Proffit Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] Dancing in the Streets-May speak
Yea I've heard that D'n'B track. I first saw the document, then about six months later I heard that track. I thought it was little overdramatic... the track I mean. Derrick actually stumbles with the words in the document, I guess he was so enthusiastic about speaking his mind. jurren baars wrote: That's funny, i've got a D'n'B track that uses that >sample, didn't know it was a Derrick May quote. Can't >remember what track it is, but i guess it is something >on Good Looking records or Movin Shadow since i was >really into those kind of records in '96-'97. jurren Florian wrote: I transcribed part of Derrick May's words from 'Planet >>Rock', the final episode of the BBC series 'Dancing in >>the Streets':'It's sad, in the 20th century, in the >>1990's, we have to still go the same bullshit route >>that other black artists have had to go to get >>acceptance. Because we're not entertaining bouffant idiots, we >>have to go someplace else to be accpeted, and that's >>absolute bullshit. If it wasn't for the independents, for the small, >>dinky little cities, and the few little ghetto black >>guys trying to make music, it would have never happened. As quite as it's kept some of >>these guys will never make a dime. Some of these guys will be poor and die alone. But in >>the process, they've been the true renegades, and the >>true rebels always walk alone anyway.' peace out,florian Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] Re: Ax-020-Innovators
JARED WILSON wrote: Yes, The "innovators'" music is good and important, but they are >producers just like everyone else and are not "gods". What I mean by >that is just because they touch something does not mean it turns to >gold. It certainly doesn't. I can think of couple records that are not good even if they have the maestros performing tricks on them. How about: Liaz -"House sensation" Magic Juan RMXS 12"(10 records) -Annoying sounds, sounds like the mixing was all f**ked up... One on one -"" (10 records) -This one's title I don't remember, it was "Boy..." -something. Has potential soundwise, but the track doesn't hold itself... Also a Saunderson RMX there, doesn's save it though... Wee papa girls -"" Kevin Saunderson RMX -Again I don't bother with the title. I remember this one had some awful 303 (???), somekind of acid-attempt tried. Sure there are others, gotta check my crates if I find more hidden "treasures" ;) Proffit PS. One funny curiosity when we talk about RMXs: Anyone heard the DJ International RMXs of Pet shop boys' version of "It's alright"? Tyree and Fast Eddie did some 909 work on that track, which of course, was originally Stering Void's track on DJ International. Nothing special, interesting though. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
