Re: [SlimDevices: Audiophiles] Hi-Fi critric reveals their limited vision

2007-11-15 Thread Andrew L . Weekes

 This is why I built a PC for my parrents. It sits in their basement next
 to the wifi router on the cable modem. It's quiet, and low power (used
 old compaq biz desktop I salvaged) It runs linux so I can update it
 remotely for them, has a Xvnc server running grip that auto-rips the
 CD, tags it, and has a post-run script that activates a look for new
 music slimserver scan. Then it ejects the CD when the disc is ripped.

This sounds neat, if you don't fancy making a product out of it would
you care to share a bit more detail about the setup?

This sort of simple 'insert a disc to rip' process is exactly what
Slimserver needs in my view to make it accessible to the masses who
'don't do computers'.

Andy.


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[SlimDevices: Audiophiles] Re: The modifying crowd and the Transporter

2006-10-01 Thread Andrew L . Weekes

 I guess that depends on the guy. A lot of great things started in sheds
 I think you'll find.

Like Hewlett-Packard to name one high profile example. Naim audio
started similarly, Ivor Tiefenbrun's LP12 turntable started life in his
father's engineering company, as a one-off project.

In fact many engineering companies start in very humble and low-profile
ways, whether they survive and grow is a good way top tell whether the
output from the 'shed' had any value.

Andy (inveterate shed-dweller ;) )


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[SlimDevices: Audiophiles] Re: The modifying crowd and the Transporter

2006-10-01 Thread Andrew L . Weekes

 I guess that depends on the guy. A lot of great things started in sheds
 I think you'll find.

Like Hewlett-Packard to name one high profile example.

In fact many engineering companies start in very humble and low-profile
ways, whether they survive and grow is a good way top tell whether the
output from the 'shed' had any value.

Sean can tell us the story of those first Slim Devices products, I bet
they started similarly.

Andy (inveterate shed-dweller ;) )


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[SlimDevices: Audiophiles] Re: Power Supply Downgrade

2006-09-05 Thread Andrew L . Weekes

 Maybe one of Andrew Weeks' Super Regulators feeding a series-pass power
 transistor might be the answer?

No need for an additional series pass transistor - a standard super-reg
can provide 1.5A continuous if built to current spec.

Andy.


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[SlimDevices: Audiophiles] Re: Is max volume really max?

2006-08-09 Thread Andrew L . Weekes

 Yet when I grab the bits going to the DAC chip itself in the SB3 the
 volume is lower than when I send the same file through a normal player
 to my external DAC.

Are the analogue gains in both systems the same?

Exactly the same digital data, with a different DAC o/p spec and
analogue gain post-DAC, will result in different levels. Is your I2S
design such that the combined DAC o/p voltage + subsequent analogue
stage gains are identical to the SB3's internal gains?

 This sems to point to something in the volume control processing that
 just goes to the analog outs and not the digital out. Whatever this is
 also seems to be effecting softsqueeze in the same way as the actual
 hardware.

The volume control for both is done at exactly the same place as far as
I understand it. It's not done within the DAC, but in the data before
the DAC, so the both the digital out and the data to the DAC are the
same, hence the question above.

Andy.


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[SlimDevices: Audiophiles] Re: Raise Your Hand If You've Ordered a Transporter

2006-07-31 Thread Andrew L . Weekes

 0. A way to purchase individual songs online in lossless format.

I'm certain this will come if demand is there.

I bought my first electronic download in lossless format a while back,
interestingly from some old hippies, rather than a modern 'with it'
band ;)

http://gdstore.com/

A 'five CD' set of songs cost way less than the individual discs, the
quality is superb and I'm hooked, it's a great way to get music, the
only downside being you lose the tactile element of the packaging.

The record companies are just so far up their own backsides they really
are missing a trick here, instead of constantly whinging about their
sales, trying to make it illegal for us to use the music we own through
copy protection etc. they should be opening up and generating a whole
new generation of customers.

The problem for them is it effectively kills the current distribution
models, the ability to trial tracks in your own home and only buy the
stuff that's actually any good, instead of paying over the odds for
what often turns out as a dissapointment scares them rigid!

Andy


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[SlimDevices: Audiophiles] Re: Is SB2 (or 3) a source of RF interference?

2006-07-30 Thread Andrew L . Weekes

 Hum is a low frequency phenomena. It is more likely to be caused by
 improper grounding than by a squeezebox radiating at 2.4 GHz. Make sure
 that your preamp and turntable are grounded together.

Whilst hum is a low frequency phenomena, RF interference -can- manifest
itself as an audible hum. It depends on the nature of the signal and
quite how the device that's being affected demodulates it.

Naim equipment, due to the nature of it's design, is particularly
sensistive to RF problems, especially high-gain phono stages. That said
I use a Naim prefix and have no problems with the SB and it's only a
shelf or two away.

Try disconnecting the audio leads from the SB to preamp first, to
confirm it's not an earthing problem. There are Rf kits available for
the Naim bits, but they progressively worsen sound quality as the
manuals clearly state.

Distance is the best cure if it is RF!

Andy.


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[SlimDevices: Audiophiles] Re: SPDIF question - error correction and interconnect quality

2006-03-09 Thread Andrew L . Weekes

 Actually, I know there will always be some reflections, as nothing is
 perfect, but I plan to do what I can to minimize the reflections.

You want one of these then :-

http://tinyurl.com/o4cbl

Andy.


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[SlimDevices: Audiophiles] Re: SPDIF question - error correction and interconnect quality

2006-02-26 Thread Andrew L . Weekes

John,

 Do you mean 75 Ohm?

Yes.

 It seems that there are several manufacturers of 75 Ohm RCA connectors
 (Canare, et al) who would be highly vulnerable to false advertising
 suits if their product did not meet their published specifications.

I don't know what they've published, but it is physically impossible,
given teh physical dimensions of the connector, for an RCA Phono to be
75ohms and be able to plug into an RCA phono socket, period.

Ask them for verified measurements as to the wideband impedance of the
connector, and see what they come back with ;)

 The closer an impedance anomaly is to the sender or receiver, the less
 effect it will have.

Why do you say that?

It represents an impedance discontinuty that will give rise to
reflections that are serious enough to impact the performance of SPDIF.
It's specific location is largely irrelevant here - a mismatch is a
mismatch is a mismatch.

  I would expect at least the high-end units to use something else if the
 RCAs didn't work.

Well engineered units do, but the Sony/ Philips spec calls for RCA -
for a manufacturer to use something else makes it not compliant with
the SPDIF standard.

Most manufacturers don't even realise it's important and the mismatch
introduced by their SPDIF circuitry is so bad the RCA is just a factor
in the equation.

Dorkus,

 yes, i know they claim their UltraLock is completely immunte to input
 jitter, but that's what it is - a claim. if they showed spectral
 analysis of the jitter with varying input sources, that would lend it
 some credibility.

[image: http://www.benchmarkmedia.com/dac1/D-A%20JITTER%20TOL.gif]

The thing is this is just one spec the BM measures well on, who knows
what the audible effect of the ASRC circuit is?

Andy.


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[SlimDevices: Audiophiles] Re: SPDIF question - error correction and interconnect quality

2006-02-26 Thread Andrew L . Weekes

'certainly not to my ears! :) but in this age of compressed music and
ipods, i think people are not aiming very high anymore. i also feel
that mp3s and headphones are the death of music and a bane to society,
but that's another rant. :p'

Well I still enjoy dragging a rock around a lump of plastic, which I
guess gives my view on the state of 'modern' audio ;)

Andy.

P.S. I think you'll find the DAC1 is insensitive to jitter on the
SPDIF, it's a function of ASRC, but I don't think that will tell you a
lot about how it sounds overall!


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[SlimDevices: Audiophiles] Re: SPDIF question - error correction and interconnect quality

2006-02-24 Thread Andrew L . Weekes

 Fortunately, high-bandwidth cable with the proper impedance isn't
 expensive or difficult to find.

That's true, but similarly accurately engineered SPDIF inputs and
outputs aren't so readily available ;)

If they use an RCA phono (as the Philips standard specifies), you're
immediately stuffed and can't do much about it.

That's where most of the problem lies - there's no such thing as a 75R
phono anywhere in the universe, no matter what any salesman might try
and tell you :)

Andy.


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[SlimDevices: Audiophiles] Re: Q on the internal SB2/3 switcher

2006-02-15 Thread Andrew L . Weekes

http://tinyurl.com/do5ne

Producing 1.2V and 3.3V.

Andy.


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[SlimDevices: Audiophiles] Re: SB1 digital out compared to SB2 and SB3

2006-01-01 Thread Andrew L . Weekes

 Interesting. What is the equations that describe this?
 If it is too long to post, got an URL?

SNR (DBC)=#8211;20 LOG10(2#960;.FIN.TJITTER), WHERE FIN IS THE
ANALOG-INPUT FREQUENCY, TJITTER IS THE TOTAL SYSTEM JITTER IN SECONDS.

Immediately it should be clear that the fIN factor gives result
dependant upon the sampled frequency, using the figures mentioned,
20,000ps gives, assuming no other system errors, 98dB dynamic range
(non-dithered CD spec) at 20Hz, but only 51dB at 20kHz.

100pS would meet the 20kHz non-dithered spec, but what about dithered
input signals?

Factor in a 15dB additional dynamic range from a properly dithered
input signal, or a 24bit system (or worse still, a wide-bandwidth
system) and you can see things rapidly becoming much harder.

It's one reason why the newer, hi-res formats fail to live up to my
expectations, they make the engineering, which is already bloody
difficult, MUCH harder.

It really isn't as easy as many so called 'experts' make out, jitter
isn't that easy to measure (to the man in the street) and even when one
can, it's not as simple as a headline figure.

The recent volume rounding error problem of the Squeezebox gave rise to
an error at the 16bit of the audio data - so many experts would tell you
this is inaudible, yet people here (without knowledge of any change)
found it wasn't.

The human ear / brain interface is a really astonishingly complex
thing, that can at one and the same time be both amazingly sensitive,
yet easily fooled. What it isn't is measurable, in any quantitative
manner. No-one, anywhere, with any experiment or test, can 'prove' the
absolute audibility or inaudibility of anything when it comes to music.
Realising that is crucial to avoiding the often prolonged debates that
happen around these subject areas. Whilst the maths above, for example,
explains a mechanism for audibility, it tells you nothing at all about
an individual's ability to hear the effects, there are few absolutes of
'audiblity'.

Andy.


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[SlimDevices: Audiophiles] Re: The Aberdeen Components HACKsaw Mod

2005-12-12 Thread Andrew L . Weekes

 Digital out. the other picture shows a Scientific Conversions Shielded
 pulse transformer for the rca digital out.

So not only do you use a shielded transformer, which worsens the
mismatch to a purely 75R transmission line, you also use a non-75R RCA
plug.

This is supposed to be an improvement in what way exactly?

A transformer is the best way to do a good SPDIF, but I guarantee your
implementation cannot be remotely optimal.

Andy.


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[SlimDevices: Audiophiles] Re: Volume bug - can you really hear it?

2005-11-26 Thread Andrew L . Weekes

 That means that -35dB corresponds to a volume setting of 12 in the SB
 0-40 volume range.

I believe you'll find the changeover is at 16 on the 0-40 range. That's
what the measurements indicate - below this value the old and patched
code measure identically.

Andy.


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[SlimDevices: Audiophiles] Re: Volume bug - can you really hear it?

2005-11-23 Thread Andrew L . Weekes

 Can you tell me what FFT software you used to read in through the SPDIF
 of your sound card? Was it shareware or did you roll your own?

It's Spectralab.

 Also, can you tell me what type of windowing you used on the input data
 stream when you measured THD?

Windowing for those measurements was Hanning which is generally good
for distortion and noise measurements. Blackman being the other common
choice for distortion only.

Andy.

P.S. I'll install the 6.5 nightly on the test PC later, but may not be
able to make any measurements 'til Friday, as I'm busy tonight and
tomorrow.

P.P.S. Sean / Dean, does this show on the D-Scope - it should?


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[SlimDevices: Audiophiles] Re: Squeezebox 2 - Subtle noise and distortion.

2005-11-17 Thread Andrew L . Weekes

I'm not sure if this will provide any help, but I've just looked at the
sample files and performed an FFT (fast fourier transform) anlaysis on
them - the one that exhibits the noise has a 20dB increase in high
frequency noise over the good file, right out to 20kHz.

It's also varying with musical content - the music causes a rise in HF
content, which decays as the music quietens, which gives rise to the
'pumping' effect you can hear between musical phrases.

It strikes me very strongly as a processing / transcoding / file type
error of some description.

Andy.


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[SlimDevices: Audiophiles] Re: SB-3 and external DAC

2005-11-11 Thread Andrew L . Weekes

Patrick,

 Yes, but in order to upsample it, it will still need to synchronise it's
 upsampling clock(s) to the incoming signal - so it still must require a
 PLL.

The Benchmark uses an AD1896 and upsamples asynchronously, the incoming
clock is not used at all beyond the AD1896, there's a local clock that
totally determines the jitter performance at the DAC.

Everything is upsampled to 110kHz then fed to an AD1853 DAC, the ASRC
acting as the de-jitter process. Of course the internal clock has to be
low jitter (which it appears to be, from the measurements I've seen).

Andy.


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[SlimDevices: Audiophiles] Re: DAC technical question

2005-11-02 Thread Andrew L . Weekes

 Early CDs sound bad not because of the 16 bit samples, but lack of
 dither, bad recording and mixing techniques, etc. Good RedBook can
 sound very good, and average SACD and DVD-A is not inherently better.

I mainly agree with that, in fact some early AAD CD's sound fantastic
as the analogue noise inherent in the recording acts as highly
effective dither to the A-D transfer process.

That said I don't feel that 16 bits is adequate and in my view it's
CD's greatest limitation. The pursuit of greater bandwidth is folly in
my view and makes the bulk of the engineering much harder (although
there are potential engineering benefits that have been highlighted to
me that make the A-D process that bit easier). I'll always claim though
that you cannot hear above 20k, but note I'm not saying that things
above 20k don't matter, as I feel they do, but only in as much as they
affect the performance =20k.

It's obvious to me that effects at the LSB of 16 bit audio are easily
heard and that engineering changes at levels around here or below have
audible effects.

Andy.


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[SlimDevices: Audiophiles] Re: DAC technical question

2005-11-01 Thread Andrew L . Weekes

 However, the performance of the DAC will be compromised because you are
 not using the full output range - so AFAIK your interpretation is
 correct.

Especially bearing in mind no 24 bit DAC I'm aware of achieves 24 bits
of actual performance at the analogue output. You're lucky in most
cases to get 18 bits of actual analogue resolution, so the likelihood
is you'll get losses creeping in way before the full 8 bits of
shifting.

Andy.


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[SlimDevices: Audiophiles] Re: Looking for advice on sound quality

2005-10-01 Thread Andrew L . Weekes

 Honestly, how much can you really dress that up?

Well, the 16bit part is the only real limiting factor (unless you are a
bat ;) ) and since surprisingly few systems actually to manage the full
16 bits in actual reality, you may be surprised!

Andy.


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[SlimDevices: Audiophiles] Re: RCA Digital Output Stage Impedance

2005-09-16 Thread Andrew L . Weekes

Another reason for using transformers, is they are just about the only
way to acheive any significant high frequency common mode rejection.

Trying to do this actively, is virtually impossible.

Andy.


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[SlimDevices: Audiophiles] Re: Purpose of the BigASS cap?

2005-09-14 Thread Andrew L . Weekes

 Purpose of the BigASS cap?

I thought it improved your bottom end :)

Andy.


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[SlimDevices: Audiophiles] Re: Re-boxing SB2

2005-08-30 Thread Andrew L . Weekes

 What do you mean by lower bandwidth for batteries? I understand your
 other two points, but I am not grasping this one.

D.C. power supplies are often considered as simply DC, i.e. thay have
no AC content, but of course the reality is this is never the case.

For a PSU that experiences a dynamically changing load, as most do,
it's response to this is important.

In an active regulator, it is attempting to keep it's output constant,
based upon the changes it measures through it's (internal or external)
feedback connections.

The load placed upon any power supply will have an inherent bandwidth,
i.e. it will be making current demands upon that power supply, in
relation to it's own internal activity. In the case of  something like
an audio amp, the demands placed upon the PSU will be related to the
audio frequencies it's dealing with, primarily, in the case of digital
they will be related to clock speeds and edge transitions, which can
generate very high frequency demands on a PSU.

The reality is one can never deal with very high frequency demands
actively, only through passive means, like decoupling etc.

The bandwidth of a PSU therefore needs carefully defining, in order to
ensure it is capable of meeting the demands of the loads placed upon
it, and keeping the supply within the design criteria. For feedback
based regulators one needs to define these bandwidths very precisely to
ensure that the system is stable and performs as expected. The regulator
can affect the system being powered, but equally the system can affect
the performance of the regulator, in a critical manner - it's for this
reason it's much harder to do stuff actively.

For batteries, the ability of the system to respond to transient (and
by definition higher-frequency) demands, is related to the ability of
the battery to maintain a constant DC potential, which is related to
the internal impedance of the cells and the chemical reaction that goes
on internally.

A chemical reaction is, by it's inherent nature, slow in comparison to
the demands of either an audio, or particularly, a digital system. It
also tends to be ill-defined in terms of response to a transient
demand, which from my perspective makes batteries a poor choice unless
care is taken to limit the demands placed upon them, which ususally
requires active circuitry after them, to acheive this.

Andy.


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[SlimDevices: Audiophiles] Re: Re-boxing SB2

2005-08-29 Thread Andrew L . Weekes

I'm not a big fan of batteries, under most real-world loads they are
always worse (noisier, lower bandwidth, poorer transient performance)
than a *well-designed* linear regulator BUT they are possibly easier
for the average DIY'er to get reasonable results from, hence the
appeal, I guess.

Added to the inconvenience of charging and maintenance, they'll never
be my first choice, I've certainly never acheived state-of-the-art
performance with them. I've never tried NiMH, but have no reason to
suppose their chemistry makes them any better than NiCD for audio.

Andy.


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[SlimDevices: Audiophiles] Re: Re-boxing SB2

2005-08-28 Thread Andrew L . Weekes

I think the SB2 would be worth your attentions, mine is sounding bloody
marvellous at present, to the point I now feel it's little different,
and possibly slightly better, than my main CD player (which cost a
4-figure sum)!

Having heard Patrick's last week, with super-reg's installed it sounded
amazingly good.

This is all still without actually using any of my super-reg's (yet) in
mine as I need to do a re-box to allow this, I do have one used as an
external linear supply replacing the standard wall-wart though.

The things I've done to mine, in some approximation of sonic importance
are: -

1) Added a linear regulator (3-terminal at present) to the 'HCU04
(currently fed from the internal 14V)

2) Disabled the 12MHz clock and the SPDIF from the 'HCU04

3) Routed the clock directly to the DAC

4) Added an external linear supply (5V)

5) Changed the analogue decoupling electrolytics for polyester film
caps (with 0.5R in series)

6) Changed the output op-amp for an AD8066

7) Re-jigged the o/p stage to be a 2-pole Bessel filter and using
polystyrene caps in place of the ceramics

8) Changed the coupling electrolytics between DAC and op-amp and op-amp
o/p for Elna Silmics

9) Changed the op-amp bias voltage decoupling for a film cap

1-4 are by far the biggest winners in my view, and I'm certain there
are large gains to be had from much better reg's all around, my
intention being to replace all the analogue supplies with super-reg's
(14V, 5V, 3.3V) once I get the box drilled and ready to receive the
SB2!

I'll then examine whether the internal switchers cause any problems,
now they are isolated from the critical analogue /clock functions.

Andy.


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[SlimDevices: Audiophiles] Re: Actual jitter measurements!

2005-08-28 Thread Andrew L . Weekes

 These were in fact taken at the DAC input, except the last one which was
 taken at the hcu04.

I was tired when I read your post - now it's obvious, sorry!

Interesting then, it seems there's around 10ps or so added by the
circuitry / traces between the clock and the DAC, which is pretty good,
but explains the audible benefit of the direct feed I've now
implemented, which has made this little unassuming box sound rather
marvellous and very engaging!

It might be interesting too to try a linear reg dedicated to the 'U04,
in order to see the benefits of that, which I would expect to be
clearly resolvable, although one does need to implement it with care to
optimise results*.

Great stuff, thanks for sharing it!

Andy.

* re-reading it looks as if you may have tried this - the pk-pk change
is probably simply down to the spectra of the PSU noise, with the
skirts being affected more than the main distribution of jitter?


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[SlimDevices: Audiophiles] Re: Actual jitter measurements!

2005-08-27 Thread Andrew L . Weekes

Interesting measurements Sean, if you still have access to the
measurement apparatus, I'd be interested to see those jitter
measurements replicated at the DAC clock input.

I wouldn't be surprised if the CPU / internal digital activity had a
greater effect at that point, since you then have the cumulative
effects of the additional circuitry and the PSU interactions (some of
which is related to CPU activity, I suspect) on that same clock
signal.

I'd tend to agree with MarcBernard's observations too, that you can
generally assume a 120dB dynamic range + reserve margin when choosing
acceptable jitter specs whether the system actually acheives this in
measurement or not. 

Certainly my experience is that anything to reduce jitter is audible,
even in the best engineered of devices, even when at very low levels
already. I'm not convinced of the evidence cited by the late Julian
Dunn, or the other figures quoted. The reality is jitter is one of the
most critical issues to deal with, in my view, from a sound quality
perspective, certainly my onw mods on an SB2 confirm that improvement
on those already good figures, is clearly audible.

One thing that is important though is the jitter spectrum - it's one of
the things Guido has openly talked about, he openly admits the clock's
he sources are not specially designed, but they have been chosen from a
range of candidates, most of which sounded far worse, as much due to the
different jitter spectra ans any absolute jitter number.

As mentioned, Guido is very approachable and open, if a little busy, so
it may be worth talking to him, or reading some of his output in places
like diyudio.com.

Andy.

Andy.


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[SlimDevices: Audiophiles] Re: SB2 mods by The Bolder Cable Co. - First impressions

2005-08-27 Thread Andrew L . Weekes

 Jitter doesn't have as much effect on the sound of the complete unit as
 does the power supply, coupling capacitors, op-amps, etc.

The PSU stuff is inextricably related to jitter, as Patrick has pointed
out. Replacing the internal switcher with a linear supply will have had
a big impact on this aspect.

Certainly in my experience the analog circuitry is of far less
importance than the jitter performance, I've changed a few things in
mine, including the op-amp and the coupling caps, but attempts to
reduce jitter have had by far the greatest effect on my SB2.

Andy.


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[SlimDevices: Audiophiles] Re: Trichord Research

2005-07-28 Thread Andrew L . Weekes

-Just to update anyone who is interested, Trichord are investigating the
Squeezebox after I contacted them with a view to clock and PSU upgrades.
I'll let you know what they say as they also believe there are other
upgrade possibilties. They work wonders with CD transports, so I'm
looking forward to their response.-

Make sure they get one in their hands before offering solutions, since
without actually doing that first it's impossible for Trichord to know
what improvements you can gain from their advice.

Andy.


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[SlimDevices: Audiophiles] Re: Wired vs. Wireless audio differences

2005-07-10 Thread Andrew L . Weekes

In the interests of science, would you do another test comparing your CD
player (assuming you have one) to the SB2 in a blind test.

The results may be interesting!

Andy.


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[SlimDevices: Audiophiles] Re: Wired vs. Wireless audio differences

2005-07-08 Thread Andrew L . Weekes

-From my understanding jitter is a time based issue that occurs when the
timing on the transmission side is unstable and the DAC uses this
unstable timing as a basis for conversion.-

That is true.

-I would presume the Squeezebox or XBMC in my case would read the FLAC
file into a buffer and then send it via the digital output to the
receiver where the DA conversion would take place. If this were the
case as long as the buffer was never empty the wireless-ness of the
transmission should not contribute to jitter in my opinion.-

What you may have overlooked here is there will be jitter on the
transmission interface to the DAC and it is this jitter (and this
jitter only) that can cause audible degradation, depending on the DAC's
jitter transfer function (i.e. how much jitter on the interface gets to
the DAC clock). In the case of a Benchmark DAC1, it's none, for other
DAC's it varies a lot, depending upon how well engineered they are in
terms of the SPDIF interface, the receiver circuitry, the clock
regeneration etc.

Andy.


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[SlimDevices: Audiophiles] Re: Wired vs. Wireless audio differences

2005-07-08 Thread Andrew L . Weekes

These links make good reading: -

http://www.benchmarkmedia.com/appnotes-d/jittercu.html

lots more here: -

http://www.pinkfishmedia.net/forum/showthread.php?s=threadid=10480

Andy.


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[SlimDevices: Audiophiles] Re: Wired vs. Wireless audio differences

2005-07-07 Thread Andrew L . Weekes

-It is very easy to verify bit-perfect output from SB2 either by playing
non-PCM material or by recording with a PC.-

The only problem with this (from the perspective of audible
differences) is that the bit perfect test is in the digital domain,
where jitter is almost irrelevant unless gross enough to exceed the
SPDIF receiver's jitter limits.

The conversion to analogue is where the problem arises. If for any
reason the jitter spectra changes on the SPDIF, between wireless and
wired operation, even if 'bit perfect', there will most likely be
audible differences.

I'm not saying either party is right here, since I've not yet tried it,
but it's easy to think that just because it's bit perfect in the digital
domain, it remains so when converted to analogue, which isn't true. 

Jitter only matters at the point of domain conversion, from A-D, or
D-A, whereupon its effects are totally dominated by the digital
receiver's jitter transfer function. Most SPDIF receivers use a single
PLL, with a corner 5k, so any jiter below that remains unattenuated.

Andy.


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[SlimDevices: Audiophiles] Re: Wired vs. Wireless audio differences

2005-07-07 Thread Andrew L . Weekes

-It is very easy to verify bit-perfect output from SB2 either by playing
non-PCM material or by recording with a PC.-

The only problem with this (from the perspective of audible
differences) is that the bit perfect test is in the digital domain,
where jitter is almost irrelevant unless gross enough to exceed the
SPDIF receiver's jitter limits.

The conversion to analogue is where the problem arises. If for any
reason the jitter spectra changes on the SPDIF, between wireless and
wired operation, even if 'bit perfect', there will most likely be
audible differences.

I'm not saying either party is right here, since I've not yet tried it,
but it's easy to think that just because it's bit perfect in the digital
domain, it remains so when converted to analogue, which isn't true. 

Jitter only matters at the point of domain conversion, from A-D, or
D-A, whereupon its effects are totally dominated by the digital
receiver's jitter transfer function. Most SPDIF receivers use a single
PLL, with a corner 5k, so any jitter below that remains unattenuated.

To measure the effects of jitter (on the analogue output) is quite hard
to do, yet the effects are clearly audible.

Andy.


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[SlimDevices: Audiophiles] Re: Off The Shelf Power Supply

2005-07-06 Thread Andrew L . Weekes

-Just curious: how low in frequency do you see these components and how
far down (magnitude) from the fundamental (if you have that handy)?-

I'll re-run the test when I get a moment, but from memory the products
I was seeing were around -65dB just above 20k.

You can tell they are aliasing products (produced by the analyser, not
the SB2 directly) since in response to a rising sweep, the resultant
signals drop in frequency, which is classic aliasing behaviour. This is
just with an audio band (20Hz to 20kHz) sweep too, I'll produce some
wider band test files when I get a moment.

Andy.


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[SlimDevices: Audiophiles] Re: SB Audiophile Wish List

2005-06-26 Thread Andrew L . Weekes

-I've seen these on some equipment, is there consensus (audiophiles, 
consensus? HA!) on BNC vs. RCA for S/PDIF?-

The simple fact is that compliance with the consumer spec. mandates
RCA, but this will *always* sound worse, unless the external DAC is
completely insensitive to incoming jitter (e.g. Benchmark DAC1) since
the RCA can never be a true 75R. AES / EBU allows XLR's, which are
nominally 110R, but discontinuous impedance characteristics, which
makes them pretty poor too (but not as bad as RCA).

The reflections introduced will add significant jitter, for most
consumer grade units the jitter on SPDIF with an RCA is likely to be in
the order of 500-1000ns, with a really good one being maybe 10ns. You
wan't picoseconds here...the sonic results usually largely depend on
how well engineered the DAC is.

Even with a BNC it's hard to get it right, but at least it's not
intentionally handicapped from the outset.

Andy.


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[SlimDevices: Audiophiles] Re: Digital Radio audio quality

2005-06-10 Thread Andrew L . Weekes

You'd have to check the bitrates used on the various online BBC
stations, and compare it to DAB to try and get an idea of a
comparison.

But bearing in mind the different compression systems (Real Audio vs.
Mpeg L2) it will be hard to do.

As a country we have the worst DAB quality of anywhere in the world and
I predict it will get worse still, as time goes on, since the economics
of the service almost guarantee it, so I suspect it's a bit of 6 of
one, half a dozen of the other!

Neither come remotely close to the FM broadcasts, in terms of quality,
I wonder if a way could be found to stream a feed from an FM tuner to
the SB for best quality?

That all said, the convenience and access of either DAB or the
Internet-based stations are a huge bonus to me, and the 'Listen Again'
stuff really adds the icing on a great cake!

Andy.


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[SlimDevices: Audiophiles] Re: Upgrading my power supply

2005-06-09 Thread Andrew L . Weekes

-I'm amazed by the 40+ dB delta between the light blue and dark blue. Is
this attributable solely to cable length and connectors?-

It's not so surprising when you work out the maths: -

Those plots are calibrated, so if you take the worst case scenario of a
change from around -145dBV to -80dBV, from light blue (as you say,
measured at the regulator) to the top magenta trace, that represents
only around 1mV of noise, give or take a few nV.

For ease of maths, make the current consumption 1A (it's actually lower
than this) and using good old Ohms law, we can see than the impedance
that represents is: -

R=V/I = 1e-3 / 1 = 1mOhm, not a lot, really!

Remember these are sensitive measurements, that reveal tiny voltages
and as alluded to before, they don't necessarily correlate directly
with sound, that depends more upon the nature of the noise and what
it's correlated with and what the noisly supply feeds.

They also exclude all the stuff above 90kHz or so, that I can't measure
;)

Andy.


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[SlimDevices: Audiophiles] Re: Upgrading my power supply

2005-06-09 Thread Andrew L . Weekes

-Andrew, do you hear differences with an external DAC or with the
internal DAC?-

Internal DAC - I don't have an external one at present.

-What i would say though is that a price has been paid - I'm finding
the treble a bit overbearing now and will need to tame it by
recorrecting on the Tact RCS though ill probably wait a while and let
it settle down.-

Thanks for the report - I found that the most obvious change from SMPS
to linear supply was a removal of a treble harshness and lack of
clarity that actually bothers me when using the supplied PSU.

The linear one really helped here, I wonder if the RA unit is suffering
a similar problem?

Andy.


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[SlimDevices: Audiophiles] Re: Upgrading my power supply

2005-06-08 Thread Andrew L . Weekes

-Do you think (theoretically even) that the sound on the SB2 could be
improved by changing the power supply?-

In my experience (having done it) there's no doubt at all. I do have
some reservations over the RA Powerpak's though - they are SMPS, which
is part of the 'problem' in my view, with the supplied PSU.

I've had a bit of a prod around inside and outside my SB2 (wireless
version) and discovered some intersting stuff (like Sean did a good job
on the design ;) ).

For starters the supplied SMPS supply is pretty noisy, compared to what
is possible from a well-designed linear PSU: -

[image:
http://www.alw.audio.dsl.pipex.com/Downloads/SB2/Noise%20Comparison.gif]

BUT, as Sean has pointed out, this external supply has a long way to go
before it reaches the circuits inside. Even though, the linear supply
has a quite marked effect on some of the internals, for example: -

[image:
http://www.alw.audio.dsl.pipex.com/Downloads/SB2/14V_internal_supply.gif]

The above shows the effect of the noise out of the 14V internal supply
(derived from the display) when fed from the SMPS and the linear supply
(red trace is the noise floor of the measurement system). The 14V supply
is a lot noisier, especialy at HF, when the SMPS is used.

Interestingly it also changes with the brightness level of the display:
-

[image:
http://www.alw.audio.dsl.pipex.com/Downloads/SB2/14V_vs_display_brightness.gif]

Both of these plots are worse again with the SMPS supply (not shown).

Having said all that, the most critical supplies, the 5V and 9V linear
internally regualted supplies are commendably quiet and show good
engineering, design and layout around the audio sections: -

[image:
http://www.alw.audio.dsl.pipex.com/Downloads/SB2/5V_internal_supply.gif]

and

[image:
http://www.alw.audio.dsl.pipex.com/Downloads/SB2/9V_internal_supply.gif]

These don't tell all in my view or experience though - whilst there's
little evidence in most cases of the 14V supply (that feeds the 5V / 9V
regs) breaking through to the audio circuits, the reg's will be affected
by this noise, and in my view (and actual experience) the effect of a
better external supply is clearly audible in my experience. Measurement
in this relatively simplistic manner doesn't tell the whole story.

Andy.


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[SlimDevices: Audiophiles] Re: SB2 and Audiophile go together?

2005-06-08 Thread Andrew L . Weekes

-However, the thing about an opto/mechanical (CD) transport is that you
have to deal with how well the, uh, transport itself is working - and
that's a real-world error-prone process involving light, motors, and
quite fragile media. I have several real-life, perfectly reproducible
cases where a slightly scratched CD plays fine in one player, and with
skips/clicks in another. On a CD with even the most utterly
microsocopic imperfections (even a brand new one), you'll find one
transport plays it with more errors than another. Impercipble to the
ear, maybe, (a single bad sample just gets interpolated) but it's not
digital perfection.-

It's often salient to remember that the signal from the CD player
pickup (mechanism) isn't digital at all, it's a high-frequency RF
signal, with plenty of opportunity for it to get messed up before we
even get to processing it!

Anyway, to try and understand and visualise jitter better, this little
FAQ may help: -

http://www.pinkfishmedia.net/forum/showthread.php?s=threadid=10480

Andy.


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