Re: [slim] New York Times Article on Digital Music

2008-02-22 Thread tamanaco

I think the NY Times article is focused on the mechanics (logistics) of
converting one's music library from one physical medium to another
(CDs/LPs/Cassettes to Hard Drive Storage). I guess its purpose was not
to communicate the benefits once the conversion process is finalized.
The time I wasted digitalizing/converting my music library will be
recovered over the years of not having to get my fat a$$ off the couch
to find/change CDs/Tracks. Not to mention the extra time saved when
the CD I want to play has been placed in the wrong cover by my
wonderful wife. The benefits of having the whole library digitized and
in one single place (hard drive) also bring a bunch of benefits that
are impossible or very hard to achieve when your music library is in
separated media. Being able to quickly find CD/Tracks using searches,
creating multiple playlists and having access to listen and share your
music online are great benefits. Also, not having to put anything away
after listening to a few songs is very convenient. The existing and
potential benefits one gets from using programs and online services to
manage and manipulate one's music library are countless. Programs like
MusicIP to create intelligent music mixes that let you rediscover your
own music library. Online services like LastFM that let you compare
your music preferences with that of other folks around the world. I can
go on an on... As mentioned before, saving floor space and outsourcing
the ripping process are the most mundane things about digitizing music.
Of course, if like me, you're looking some WAF to buy the Controller
the CD storage space saved in the living room is a great excuse.


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Re: [slim] New York Times Article on Digital Music

2008-02-22 Thread mflint

seanadams;271736 Wrote: 
 Actually, none of the ripping operations are allowed to do this because
 of a precedent set by a record industry lawsuit against a tape dubbing
 company some 20 years ago. You have to rip _the customer's_ CD to make
 a copy for him, even if you've ripped it a million times before.  Sorry
 I can't find a reference - maybe someone else remembers the name of the
 company.
Ack, what a pain. But at least the ripping can be automated... they can
probably reuse the cleaned-up tags from one rip to the next. (And the
making the tagging consistent is my least favourite task)

maggior;271771 Wrote: 
 A ripping business I'm sure would have an automated setup with a robotic
 arm that would load the discs into the reader from a hopper and use some
 special database.   Though somebody has to load the hopper! :-)
... and they need to get the CDs back in the correct box!

M


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Re: [slim] New York Times Article on Digital Music

2008-02-22 Thread Jacob Grydholt Jensen
On 22/02/2008, Peter [EMAIL PROTECTED] wrote:

  On Thu, 21 Feb 2008 15:21:47 -0800, seanadams
  [EMAIL PROTECTED] said:
  
   Peter;271683 Wrote:
   
As a business it's not a bad thing. You just store everything you ever
   
ripped on a big RAID system and the next time someone comes and gives
you Hotel California you just  hand 'm the pre-ripped copy. Money easy
   
made. The more customers you get the less you do...
   
  
   Actually, none of the ripping operations are allowed to do this because
   of a precedent set by a record industry lawsuit against a tape dubbing
   company some 20 years ago. You have to rip _the customer's_ CD to make
   a copy for him, even if you've ripped it a million times before.  Sorry
   I can't find a reference - maybe someone else remembers the name of the
   company.


 Ah, so you looked into this... For the US, that may be the case, but the
  world's (thankfully) bigger than that. Still I can imagine you wouldn't
  want the record company lawyers on you back.


In Denmark at least one ripping service has temporarily stopped its
service. It seems that companies are not allowed to rip their
customer's music.

And if I ordered a rip of my CD's I would insist that my CD's were
actually ripped. I don't want other people's old bits to fill up my
harddrive.


/grydholt
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Re: [slim] New York Times Article on Digital Music

2008-02-22 Thread blakeh

 Just out of interest, what type/size hard drive do you use to store 5300
 CDs in FLAC? What backup do you do?

I'm probably not a good example of the typical user.  I certainly was a
bit more particular than the person who wrote the NYT article.

I ended up building my own music server with 6 x 400GB SATA drives in a
RAID5 configuration.  '*_This_is_a_post_I_wrote_*'
(http://www.stateofgrace.net/images/server01.html) when I was planning
out the project, and '*_here_*'
(http://www.stateofgrace.net/images/server02.html) is what I ended up
building.  Both posts were made in December of 2005, and I had the
server built around February of 2006.

The decision to have RAID5 redundancy had paid off at least once over
the past two years, as I had an electrical problem that took out one of
the drives in the array a few months back.  With the amount of time I
spent ripping discs, scanning cover art and tagging each disc, I wanted
to make sure I would never have to do it over.

For backup purposes, I purchased an external
'_Quantum_LTO_3_Ultrium_400/800GB_tape_drive_'
(http://www.quantum.com/ServiceandSupport/SoftwareandDocumentationDownloads/LTO-3Half-Height/Index.aspx#Specifications).
I made my first backup just a few weeks ago.  It took four tapes
(obviously FLAC files don't compress very well since they are already
compressed to some degree), and they are now sitting in a safety
deposit box offsite.  The backup has all the tracks, the MediaMonkey
database, and all the cover art.  As I rip new discs, I am backing them
up to an external USB drive connected to the music server until I hit
another 400GB, and then I'll make another tape backup of the new
music.

 How many individual songs/tracks do you have?

I currently have 46,745 FLAC files which use 1.41 terabytes of hard
drive space.  This represents 5,529 CDs.

Music is by far my biggest hobby, so it didn't bother me to spend some
decent money on a good setup.  I am very happy with the
Squeezebox3/MediaMonkey solution.  As I said before, it's so much
easier to listen to music now.

Cheers,
Blake


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[slim] New York Times Article on Digital Music

2008-02-21 Thread jfalk

Thought folks might be interested here.  Not to say that this guys
experience is common, he seems to have rejected the Slim solution only
because commercial services to convert CDs are too expensive.  For
those without 2500 CD collections to digitize, though, this article
might sell a Squeezebox or two.

http://www.nytimes.com/2008/02/21/technology/personaltech/21basics.html?_r=1scp=1sq=slim+devicesst=nytoref=slogin


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread mflint

It's funny that he identified both a problem, and found a set of
solutions. Then he discounted the solutions because he couldn't be
bothered implementing them.

His loss...


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Sike

Does Slimdevices no longer rip CDs? Thet would of been his solution..


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread twylie

what scares me most about reviews like these and single box solutions is
the lack of backup and the cost (time and/or $) to re-rip CDs.  I
completely get the I want one transaction to cover equipment and
ripping mentality, but he doesn't have a backup solution, nor the
current ability to add additional playback units.  From a marketing
standpoint, these are the caveats/features I talk up most when getting
someone into ripping/streaming audio. 

I know that Stereophile and most high end magazines give the
manufacturer the ability to respond to a review before printing time to
correct any errors or address any concerns.  IMHO, it would be wise for
Logitech SMS Marketing to reach out to these web authors with a
thanks for the review, we are working to help customers differentiate
our solutions and the unique benefits they offer.  Here are some
additional considerations should you decide to revisit our products in
the future.  From my experience, education is the biggest gap in
getting the mainstream to adopt streaming/digital storage concepts. 
SlimDevices offers some unique differences and features that require
some awareness above the obvious issues in order to be fully
appreciated.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Peter
twylie wrote:
 what scares me most about reviews like these and single box solutions is
 the lack of backup and the cost (time and/or $) to re-rip CDs.  I
 completely get the I want one transaction to cover equipment and
 ripping mentality, but he doesn't have a backup solution, nor the
 current ability to add additional playback units.  From a marketing
 standpoint, these are the caveats/features I talk up most when getting
 someone into ripping/streaming audio. 

 I know that Stereophile and most high end magazines give the
 manufacturer the ability to respond to a review before printing time to
 correct any errors or address any concerns.  IMHO, it would be wise for
 Logitech SMS Marketing to reach out to these web authors with a
 thanks for the review, we are working to help customers differentiate
 our solutions and the unique benefits they offer.  Here are some
 additional considerations should you decide to revisit our products in
 the future.  From my experience, education is the biggest gap in
 getting the mainstream to adopt streaming/digital storage concepts. 
 SlimDevices offers some unique differences and features that require
 some awareness above the obvious issues in order to be fully
 appreciated.
   

Weirdest thing is that he first drops the Squeezebox because it's too 
much hassle to do the ripping and then chooses a much more expensive 
device (with less functionality) and he still wants to outsource the 
ripping.

Also, the Sonos gets its feature-laden remote control ($399), complete 
with scroll wheel and full-color screen mentioned, but the fact that 
the Duet has a very similar remote is not mentioned at all.

This type of review is just a little bit to superficial.

Regards,
Peter

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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread tyler_durden

Didn't anyone notice that first he looked at $300 SB3 plus $2500 for a
service to rip all his CDs, and decided $2500 to rip his discs was too
expensive, then he finally settles on a $5000 solution?  

This guy must be a product of public education in the US.  Or did the
$4000 box maker have some influence on his article to which we are not
privy (they didn't pay for the article, did they?)?

Pffft!

TD


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Timothy Stockman

jfalk;271558 Wrote: 
 Not to say that this guys experience is common, he seems to have
 rejected the Slim solution only because commercial services to convert
 CDs are too expensive.
This problem will eventually work itself out.  In the future, CD will
not be the delivery vehicle.  IMHO the iTunes music store is one reason
the iPod is popular, you can buy the music ready to go, no ripping
required.  I just hope that FLAC (or some lossless) becomes popular
before CDs go extinct.  There are several problems which must be worked
out before music-on-the-hard-drive, be it Slimserver, Itunes/iPod or
another solution is ready for prime time.  Besides ditribution, there's
tagging.  The wide variations in online tag databases with popular
music, not to mention that the tagging schemes are do not really handle
classical all that well, and with FLAC only the most basic tags have
been de-facto standardized, these are other problems which need to be
dealt with.  And there's the problem of what to do with gapless
playback.  And, while this is mainly a problem for audiophiles, how to
handle various resolutions of source material on various playback
devices.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread twylie

tyler_durden;271622 Wrote: 
 Didn't anyone notice that first he looked at $300 SB3 plus $2500 for a
 service to rip all his CDs, and decided $2500 to rip his discs was too
 expensive, then he finally settles on a $5000 solution?  
 
 This guy must be a product of public education in the US.  Or did the
 $4000 box maker have some influence on his article to which we are not
 privy (they didn't pay for the article, did they?)?
 
 Pffft!
 
 TD

I did notice the $2k price disparity, but he would have still needed a
PC or NAS and then had to load his music, install server software, etc.
Time and effort to set these up must have been worth $2k in his eyes. 
The one stop shopping experience seems to have driven his decision. 
It's easy for us to point out the SlimDevices overall superiority from
a technical and feature standpoint, but his views didn't align with
ours.  I have a few friends that have seen my setup (NAS feeding SB3
for whole house audio + Transporter in 2 channel rig, SB3 in  garage)
yet when it comes time to buy, they went with Sonos for the display
remote.  They also would have been willing to pay someone to rip all
their music, but didn't know where to begin.  The various choices
offered for these setups comes across as FUD to the consumer, so they
often purchase the simple solution, even if its more expensive and not
the best.  All this ties to the average Joe thread and will
continue to be a serious problem until streaming media becomes
commonplace.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread blakeh

I spent about 18 months ripping each of my 5,300 CDs into FLAC format
and I never really thought of it as much of a chore.  I guess I saw it
as a fun way to re-visit my CD collection one last time before I went
all digital.  Even if you made a goal of ripping 10 CDs per day (which
would take around 20-30 minutes), you could rip a 3,600+ CD collection
in a year.  In the meantime you'd still have your CDs to pop in your CD
player for listening purposes.

Granted, it took some time to tag them correctly and add cover art (I
had to scan about 1,000 covers in that weren't available online) but
what I'm left with is a searchable, lossless collection of all my music
with catalog numbers, country of origin, record label information and
cover art.

The Squeezebox has made it so much easier to listen to music.  And I'm
eagerly awaiting the new remote so that I can view cover art while the
music is playing.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread haunyack

blakeh;271655 Wrote: 
 P.S. There is absolutely *NO WAY* I would ever send my discs to another
 company to rip.

I'm in total agreement.
Can you imagine the junior, underpaid, under-geek finding a vintage
release or two and deciding that he needs a copy, then while pilfering
a copy for himself, drops the original on the floor?
Then decides that he should clean it up a bit and gets out the bottle
of glass cleaner and a paper towel?

The myriad of possibilities makes me want to lock my collection up in a
safe.

.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Peter
haunyack wrote:
 blakeh;271655 Wrote: 
   
 P.S. There is absolutely *NO WAY* I would ever send my discs to another
 company to rip.
 

 I'm in total agreement.
 Can you imagine the junior, underpaid, under-geek finding a vintage
 release or two and deciding that he needs a copy, then while pilfering
 a copy for himself, drops the original on the floor?
 Then decides that he should clean it up a bit and gets out the bottle
 of glass cleaner and a paper towel?

 The myriad of possibilities makes me want to lock my collection up in a
 safe.
   

As a business it's not a bad thing. You just store everything you ever 
ripped on a big RAID system and the next time someone comes and gives 
you Hotel California you just  hand 'm the pre-ripped copy. Money easy 
made. The more customers you get the less you do...

Regards,
Peter
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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Shredder

I am with Blake. The ripping is not that much of a chore, can be fun in
certain ways, and has a huge upside upon completion. I, too, would
never let a service do it for me.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread snarlydwarf

twylie;271642 Wrote: 
 I did notice the $2k price disparity, but he would have still needed a
 PC or NAS and then had to load his music, install server software, etc.

Yes, but then he admits that Olive doesn't network, so he would need to
duplicate his effort for each room  Real Soon Now there are
rumors that may change... of course, no price is given on a rumored
product. (Oh, yeah, well the Olive you bought last year won't work as
a server, you need the new model... and the new clients for every
room...)

Basing purchases like that on rumors is silly: Sonos or Squeezebox can
network right now 

$2k can buy a very overpowered SC server.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread rydenfan

iIn my experience so far, Blake's ripping time of 2-3 minutes per disc
is way to low. I average closer to 20 minutes and my discs are in
pristine condition.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread blakeh

rydenfan: About half my collection are CD singles, so for me an average
of 3-5 minutes sounds about right.  But you're right as well; if you
had full length, 80-minute discs it would take you a while longer.  I
also haven't used Slimserver to rip my discs -- I used DBPowerAMP (with
Accuraterip) which may be a bit faster.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Zten

blakeh;271655 Wrote: 
 I spent about 18 months ripping each of my 5,300 CDs into FLAC format
 and I never really thought of it as much of a chore.  I guess I saw it
 as a fun way to re-visit my CD collection one last time before I went
 all digital.  Even if you made a goal of ripping 10 CDs per day (which
 would take around 20-30 minutes), you could rip a 3,600+ CD collection
 in a year.  In the meantime you'd still have your CDs to pop in your CD
 player for listening purposes.
 
 Granted, it took some time to tag them correctly and add cover art (I
 had to scan about 1,000 covers in that weren't available online) but
 what I'm left with is a searchable, lossless collection of all my music
 with catalog numbers, country of origin, record label information and
 cover art.
 
 The Squeezebox has made it so much easier to listen to music.  And I'm
 eagerly awaiting the new remote so that I can view cover art while the
 music is playing.
 
 P.S. There is absolutely *NO WAY* I would ever send my discs to another
 company to rip.  That sounds like a recipe for disaster to me.  I guess
 I might consider it if my collection was available for replacement at
 Best Buy, but I would venture a guess that most of us have discs that
 are no longer in print and simply cannot be replaced if the ripping
 company should lose or damage them.

I must say the ripping was my least favorite part. The second least
favorite part was adding album art and tweaking tags. Adding replay
gain was not so painful since it can be done flawlessly in large
batches 

I still think Slim would be wise to include thier own, super simple to
use ripper/tagger/replay gain-er that is fully automated and does it
all in one step. 

I talked my neighbor into buying a SB3 a year ago. The ripping and
tagging was a daunting task for him, so he hired his very reliable and
honest son to do it for $0.25 a disc. 2000 CDs. I helped him set up EAC
and at that point, it was monkey work. It cost him $500 and the kid
thought he died and went to heaven. It comes out to about $3 an hour. 
I think most everyone on the board is worth more than 3 bucks and
hour... Maybe you don't have a reliable son looking for easy money, but
I bet you can find one if you ask your friends and neighbors.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread seanadams

Peter;271683 Wrote: 
 
 As a business it's not a bad thing. You just store everything you ever
 
 ripped on a big RAID system and the next time someone comes and gives 
 you Hotel California you just  hand 'm the pre-ripped copy. Money easy
 
 made. The more customers you get the less you do...
 

Actually, none of the ripping operations are allowed to do this because
of a precedent set by a record industry lawsuit against a tape dubbing
company some 20 years ago. You have to rip _the customer's_ CD to make
a copy for him, even if you've ripped it a million times before.  Sorry
I can't find a reference - maybe someone else remembers the name of the
company.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread seanadams

Also I think that was the precedent used against MP3.com - if you
remember, they let you have access to the contents of a CD by proving
you physically had it via a serial number read from the disc.  Today,
music locker services have to store separate copies of everyone's
tunes, uploaded from the customer.


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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread norderney

blakeh;271655 Wrote: 
 I spent about 18 months ripping each of my 5,300 CDs into FLAC format
 and I never really thought of it as much of a chore.


Just out of interest, what type/size hard drive do you use to store
5300 CDs in FLAC?  What backup do you do?

How many individual songs/tracks do you have?


-- 
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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread maggior

haunyack;271678 Wrote: 
 I'm in total agreement.
 Can you imagine the junior, underpaid, under-geek finding a vintage
 release or two and deciding that he needs a copy, then while pilfering
 a copy for himself, drops the original on the floor?
 Then decides that he should clean it up a bit and gets out the bottle
 of glass cleaner and a paper towel?
 
 The myriad of possibilities makes me want to lock my collection up in a
 safe.
 
 .

A ripping business I'm sure would have an automated setup with a
robotic arm that would load the discs into the reader from a hopper and
use some special database.   Though somebody has to load the hopper!
:-)

Regarding providing a customer with a rip from a previous customer's
disc - that wouldn't fly when the customer comes in with the latest and
greatest remastered release and find that his ripped copy ends up being
the initial disc release from the late 80's!

Ripping and tagging is a bit of a pain.  Yes, it is labor intensive and
we are all worth more than $3.00/hr.  But once you have a process set
up, you can do it as a background task while watching TV.  I set my
laptop on a snack tray in front of the TV along with an external USB
hard drive and my Plextor in a USB enclosure.  I'll rip a stack of
25-50 discs in an evening while sitting with my wife on the couch. 
Before bed, I plug it into a desktop box to convert to FLAC overnight. 
In the morning, I tag 'em using foobar2000.  That takes about 20 sec. 
Then I use foobar to make my mp3's.  A couple hours later, it is done! 
Next evening (or the evening after that), repeat.

Part of the problem I think is that we live in a society that expects
instant gratification.  In the SB context, this means I have a SB and
my server set up, tomorrow I want to be able to access my entire 2000
CD collection with it!.  You have to take a deep breath before you
start and need to accept that it is going to take time.  Prioritize
what discs you must have - do those first.  Then get to those that you
feel like listening to at the moment.  Then perhaps you chose some that
have been collecting dust that you'd like to rediscover.  Before you
know it, you are 3/4 through your colleciton!  Oh, and new stuff you
obtain takes priority.  I've disciplined myself that I can't listen to
new purchases until they've been ripped onto my server.


-- 
maggior

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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread agentsmith

I am in a similar situation with a couple of thousand CDs which I still
have not finished ripping after a couple of years. I also do not mind
going through my collectin this way. However, I do notice that I am
spending much less time listening to music since a lot of time is
preoccupied on ripping, organizing and tagging, and sometimes playing
with Slimserver configuration etc.

blakeh;271655 Wrote: 
 I spent about 18 months ripping each of my 5,300 CDs into FLAC format
 and I never really thought of it as much of a chore.  I guess I saw it
 as a fun way to re-visit my CD collection one last time before I went
 all digital.  Even if you made a goal of ripping 10 CDs per day (which
 would take around 20-30 minutes), you could rip a 3,600+ CD collection
 in a year.  In the meantime you'd still have your CDs to pop in your CD
 player for listening purposes.
 
 Granted, it took some time to tag them correctly and add cover art (I
 had to scan about 1,000 covers in that weren't available online) but
 what I'm left with is a searchable, lossless collection of all my music
 with catalog numbers, country of origin, record label information and
 cover art.
 
 The Squeezebox has made it so much easier to listen to music.  And I'm
 eagerly awaiting the new remote so that I can view cover art while the
 music is playing.
 
 P.S. There is absolutely *NO WAY* I would ever send my discs to another
 company to rip.  That sounds like a recipe for disaster to me.  I guess
 I might consider it if my collection was available for replacement at
 Best Buy, but I would venture a guess that most of us have discs that
 are no longer in print and simply cannot be replaced if the ripping
 company should lose or damage them.


-- 
agentsmith

System 1: SB2, Pioneer DV-S733A, Benchmark DAC1, Naim Nait 2 (sold 5i),
Naim Ariva.  PS 3 for Blu-Ray, Pioneer 43 Plasma, Harmony 880.  

System 2: SB2 connected digitally to a Meridian F80

Storage via Buffalo 250GB LANStation, Linksys NSLU2 300GB USB drive,
720GB RAID One USB drive, Slimserver in Thinkpad R61.   Network using
Panasonic Ethernet over Powerline and DLink DIR-655

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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread EnochLight

I've had my SB3 for a couple of years and still haven't plowed through
ripping all of my 2000+ CD collection.  I got through 181 of them in
the first month or two and gave up.

I spend a lot of time on Rhapsody as a result, which is disappointing
seeing as how the sound quality of my FLAC's are much better in
comparison.  I hope to one day get through the other 1819 CD's, but
it's hard to devote that kind of time to ripping.

*sigh*


-- 
EnochLight

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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread syburgh

The analysis in the NYT article seems limited, and appears to miss the
benefits (beyond saving floorspace) that would motivate one to transfer
their library to digital form... 

From SO point of view, outsourcing the initial ripping is probably a
requirement (not worth trading that kind of time for ~$1/CD), so the
(infrequently used) ability of the device to rip audio is less than it
may initially appear. Would rather buy a few rooms worth SD or Sonos
equipment for the same price...

Will avoid ranting on this as this audience is already converted :)


-- 
syburgh

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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Peter

On Thu, 21 Feb 2008 15:21:47 -0800, seanadams
[EMAIL PROTECTED] said:
 
 Peter;271683 Wrote: 
  
  As a business it's not a bad thing. You just store everything you ever
  
  ripped on a big RAID system and the next time someone comes and gives 
  you Hotel California you just  hand 'm the pre-ripped copy. Money easy
  
  made. The more customers you get the less you do...
  
 
 Actually, none of the ripping operations are allowed to do this because
 of a precedent set by a record industry lawsuit against a tape dubbing
 company some 20 years ago. You have to rip _the customer's_ CD to make
 a copy for him, even if you've ripped it a million times before.  Sorry
 I can't find a reference - maybe someone else remembers the name of the
 company.

Ah, so you looked into this... For the US, that may be the case, but the
world's (thankfully) bigger than that. Still I can imagine you wouldn't
want the record company lawyers on you back.

Regards,
Peter
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Re: [slim] New York Times Article on Digital Music

2008-02-21 Thread Peter
On Thu, 21 Feb 2008 15:25:37 -0800, seanadams
[EMAIL PROTECTED] said:
 
 Also I think that was the precedent used against MP3.com - if you
 remember, they let you have access to the contents of a CD by proving
 you physically had it via a serial number read from the disc.  Today,
 music locker services have to store separate copies of everyone's
 tunes, uploaded from the customer.

Yes, I think I remember that one. Perhaps that's where I got the idea ;)

Regards,
Peter
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