Re: [slim] The Automation of Selling Out

2017-12-16 Thread SlimChances

mherger wrote: 
> Am 16.12.17 um 06:07 schrieb pablolie:
> > 
> > mherger wrote:
>  . Which is
> >> still less than the 0.00012 cents they'd get from Spotify.
> >> l
> > 
> > .00012 cents * a billion is still worth more than $1 of a CD no one
> buys
> > anymore.
> 
> Exactly. Your quote is lacking a bit of context: I was saying that while
> 
> Bandcamp did pay the artists better than Spotify, this was only true if 
> you actually bought on Bandcamp, rather than just enjoyed the free ride 
> using my plugin.
> 
> -- 
> 
> Michael

Pricing on Bandcamp is quite reasonable and I have bought quite a few
albums



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Re: [slim] The Automation of Selling Out

2017-12-15 Thread Michael Herger

Am 16.12.17 um 06:07 schrieb pablolie:


mherger wrote:

. Which is

still less than the 0.00012 cents they'd get from Spotify.
l


.00012 cents * a billion is still worth more than $1 of a CD no one buys
anymore.


Exactly. Your quote is lacking a bit of context: I was saying that while 
Bandcamp did pay the artists better than Spotify, this was only true if 
you actually bought on Bandcamp, rather than just enjoyed the free ride 
using my plugin.


--

Michael
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Re: [slim] The Automation of Selling Out

2017-12-15 Thread pablolie

mherger wrote: 
> >>. Which is 
> still less than the 0.00012 cents they'd get from Spotify.
> l

.00012 cents * a billion is still worth more than $1 of a CD no one buys
anymore.

Artists make their adult business decisions. I'll respect that and shall
support them through several channels. But a very well respected jazz
artist that most would know told me he used to make close to $500k with
his yearly CD releases (and over a mill in his heyday), and now it's
barely worth his time. He now makes half of that in Amazon sales, he
didn't even know if he sold any on HDtracks (I bought some of his
remasters there), and he loves Spotify payments for his old albums. I
won't disclose his name because it's private. Been a fan for over 30
years. I repeat - live conerts and Spotify pay his bills now. His words.

It'd be easy to blame online media etc. But the culprit is the music
industry. They squeezed him out of his contract with more predatory
tactics that (I think, but don't know) Spotify would use, and he hasn't
been on a major label for 15 years. He thinks he's better off with the
current model.



...pablo
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Re: [slim] The Automation of Selling Out

2017-12-15 Thread Michael Herger

Second the motion for Bandcamp. It is a wonderful source for excellent
music from a lot of artists otherwise ignored by the big labels.


Yes I have discovered a fair bit of music there and it gives the artists
a much bigger cut of the sales than Spotify I think


But keep in mind that you're supposed to BUY stuff there, not only 
stream on your SB. Otherwise those artists don't see a cent. Which is 
still less than the 0.00012 cents they'd get from Spotify.


--

Michael
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Re: [slim] The Automation of Selling Out

2017-12-15 Thread SlimChances

mlsstl wrote: 
> Second the motion for Bandcamp. It is a wonderful source for excellent
> music from a lot of artists otherwise ignored by the big labels.

Yes I have discovered a fair bit of music there and it gives the artists
a much bigger cut of the sales than Spotify I think



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Re: [slim] The Automation of Selling Out

2017-12-15 Thread mlsstl

Second the motion for Bandcamp. It is a wonderful source for excellent
music from a lot of artists otherwise ignored by the big labels.



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Re: [slim] The Automation of Selling Out

2017-12-15 Thread bakker_be

pablolie wrote: 
> ...
> 
> What I find refreshing about this thread is people seem to be focusing
> on the music, rather than the sound quality. :-) It's rare. :-D
> 
> PS: My favs I still tend to buy on CD.
I think that qualifies us as '\"Music-First Audiophiles\"'
(http://www.digitalaudioreview.net/2017/06/what-is-a-music-first-audiophile/)
:)
I still buy music as well, but try to avoid physical formats, Bandcamp
and direct downloads from unsigned artists are the bulk of what I'm
buying these days. Add to that the tons of CD's I'm now beginning to
receive since starting a metal webzine with some friends
(www.metalheads.be, Dutch only at the moment) ... We've been online a
little over 2 weeks and I already have a backlog of around 20 albums to
review :p



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Re: [slim] The Automation of Selling Out

2017-12-15 Thread pablolie

If carrying some horrible music counts against Spotify, then it should
also equally count against any large shop selling CDs. Crappy music is
the norm in the music industry these days. Autotune is the real talent.
Ugh.

I focus on the positive: I can find a lot of stuff I like (Jazz,
Classical, Classic R&B) on Spotify. Often even obscure 80s albums. And
have discovered new artists I like through Spotify.

What I find refreshing about this thread is people seem to be focusing
on the music, rather than the sound quality. :-) It's rare. :-D

PS: My favs I still tend to buy on CD.



...pablo
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Re: [slim] The Automation of Selling Out

2017-12-14 Thread Michael Herger

There are at least 100 songs that are
among my favorites that are NOT available on Spotify, Tidal, or Pandora
to which for 95% of them they can't give me a good reason why they are
not available.


I've still bought CDs this and last year from artists who refuse to be 
on streaming platforms. They believe that shipping a CD overseas and 
paying for a download infrastructure for 25USD still makes more money 
than they'd get from Spotify and the likes. I must assume that decision 
wasn't taken lightly, as they are re-presented on those services in 
other groups or with other albums.


--

Michael
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Re: [slim] The Automation of Selling Out

2017-12-14 Thread iPhone

SlimChances wrote: 
> Perhaps but to me while there is a wealth of music to choose from
> quality has steadily gone downhill for over 20 years

Some of the stuff released in the last 15 years SHOULDN'T be called
music (IMHO)! I listen to just about everything if one excludes Rap &
HipHop (which is mostly music ripped off from other artists or profanity
rants). My son is listening to 70s and 80's channels to be able to
listen to what he calls real music and when in the car with me, he gets
exposed to what are called Oldies Stations which makes him wonder what
will be called Oldies Stations when he is older because he just can't
see there being Rap and HipHop stations in say 20 years which would be
"his" oldies stations. He regrets listening to some of the rebeluis
music of the 90's because he missed out on the actual music of the 80s
and 90s which he is catching up to now.

As for where all this is going, only time will tell. But the simply fact
that Spotify has 4 million songs that are available for streaming that
have NEVER once been picked to stream shows a huge issue with trying to
guess what people really want. There are at least 100 songs that are
among my favorites that are NOT available on Spotify, Tidal, or Pandora
to which for 95% of them they can't give me a good reason why they are
not available. A few of them are due to copyright disputes which
prevents that from being sold/streamed/played such as a label and the
rights being sold to another company and that company going bankrupt
before really being setup so the material is in limbo. Also most
streaming services don't even a means or method for songs to be added by
request. I understand there is no good way or financial sense in adding
just songs I like or want, but if there was a method for requesting
additions and they reach X where it does make sense to add it, then make
your customer base happy!



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Re: [slim] The Automation of Selling Out

2017-12-14 Thread bakker_be

pablolie wrote: 
> Interesting thread.
> 
> I nearly asked about Spotify use patterns in the audiophile forum. Is it
> sacrilege? :-)
> 
> I am what many would call an "audiophile", yet I *adore* Spotify. Their
> collection is amazing, audio quality is great (shut up you "I could only
> listen to the mouse fart in a corner of the studio in the 192/24 HD
> re-issue" people), and convenient as hell. I have a huge collection of
> music, and Spotify these days probably covers 80% of it. Awesome. It
> means I basically wasted over $25k on stuff I could get for $10 a month.
> Do the math. I love my 1TB music collection but if I was starting off...
> it'd be Spotify playlists. There are only about 5 albums where I can or
> care to tell a difference between MP3 and uncompressed.
> 
> Spotify is not selling out. It's just about embracing a convenient way
> when it comes to enjoying a huge choice of quality music. Which is why
> we embraced CDs initially, no vinyl temperamental stuff (which some
> people embrace and love now again, not me, ever again; but to each their
> own).
> 
> I'll keep buying music, but Spotify or whatever follows is there to stay
> in my arsenal for sheer convenience.

That's about the same way I feel about Spotify. I've initially taken out
a family subscription for Tidal, on the basis of their lossless
streaming and the purportedly better remuneration for the artists, but
the gaps in their collection as well as the lack of "intelligence"
behind the whole thing is now slowly but surely convincing me to keep
just a single Tidal account for "dedicated" listening, and switch the
family account over to Spotify. I just love the way they actually keep
track of what I listen to and manage to make sensible proposals for
stuff I don't yet know ... On top of that I have a 4TB personal
collection and I do also still buy music.



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Re: [slim] The Automation of Selling Out

2017-12-13 Thread pablolie

Interesting thread.

I nearly asked about Spotify use patterns in the audiophile forum. Is it
sacrilege? :-)

I am what many would call an "audiophile", yet I *adore* Spotify. Their
collection is amazing, audio quality is great (shut up you "I could only
listen to the mouse fart in a corner of the studio in the 192/24 HD
re-issue" people), and convenient as hell. I have a huge collection of
music, and Spotify these days probably covers 80% of it. Awesome. It
means I basically wasted over $25k on stuff I could get for $10 a month.
Do the math. I love my 1TB music collection but if I was starting off...
it'd be Spotify playlists. There are only about 5 albums where I can or
care to tell a difference between MP3 and uncompressed.

Spotify is not selling out. It's just about embracing a convenient way
when it comes to enjoying a huge choice of quality music. Which is why
we embraced CDs initially, no vinyl temperamental stuff (which some
people embrace and love now again, not me, ever again; but to each their
own).

I'll keep buying music, but Spotify or whatever follows is there to stay
in my arsenal for sheer convenience.



...pablo
Server: Virtual Machine (on VMware Workstation 14 Pro) running Ubuntu
16.04 + LMS 7.9
System: SB Touch --optical->- Benchmark DAC2HGC --AnalysisPlus Oval
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Element Fire
Other Rooms: 2x SB Boom; 1x SB Radio; 1x SB Classic-> NAD D7050 -> Totem
DreamCatcher + Velodyne Minivee Sub
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Re: [slim] The Automation of Selling Out

2017-12-13 Thread ftlight

bakker_be wrote: 
> I'll take you up on that offer, thanks a lot!

Hope you enjoy my John Peel tape!  

If you're amused by his attempts to pronounce "bransle" (an
early-baroque dance), here's how it should be done:
http://www.pronunciationguide.info/sounds/bransle.mp3



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Re: [slim] The Automation of Selling Out

2017-12-13 Thread bakker_be

ftlight wrote: 
> When I worked at BBC Bush House (1968-71) we had clean feeds of Radio 1,
> 2, 3 & 4, plus audio channels for BBC 1 and BBC 2 TV.  Enterprising
> staff in the Central Tape Room would record Top of the Pops, Pick of the
> Pops, Top Gear, and other music shows every week at 15ips on 10.5" reels
> and stash them on a special shelf. Then on the night shift you could
> find a few tape ends, splice them together into a full reel, make a
> high-speed copy of anything you were interested in, and take it home. As
> long as it didn't get out of hand, management turned a blind eye -
> things were a lot more casual at the BBC then.
> 
> So around June 1970 I made copies of a couple of John Peel shows and
> spliced up a compilation of tracks I liked, complete with his intros. I
> still have the tape, about 80 minutes, and digitized it some years ago. 
> For anyone interested, the 130MB MP3 file can be downloaded from my
> server:
> http://ftldesign.com/images/Top-Gear-Compilation-1970-BB.mp3
> 
> Bill

I'll take you up on that offer, thanks a lot!



Main System: Touch; Marantz SR-5004 + TMA Premium 905 + TMA Premium 901
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Re: [slim] The Automation of Selling Out

2017-12-12 Thread ftlight

castalla wrote: 
> You could always create a public John Peel Playlist ...
When I worked at BBC Bush House (1968-71) we had clean feeds of Radio 1,
2, 3 & 4, plus audio channels for BBC 1 and BBC 2 TV.  Enterprising
staff in the Central Tape Room would record Top of the Pops, Pick of the
Pops, Top Gear, and other music shows every week at 15ips on 10.5" reels
and stash them on a special shelf. Then on the night shift you could
find a few tape ends, splice them together into a full reel, make a
high-speed copy of anything you were interested in, and take it home. As
long as it didn't get out of hand, management turned a blind eye -
things were a lot more casual at the BBC then.

So around June 1970 I made copies of a couple of John Peel shows and
spliced up a compilation of tracks I liked, complete with his intros. I
still have the tape, about 80 minutes, and digitized it some years ago. 
For anyone interested, the 130MB MP3 file can be downloaded from my
server:
http://ftldesign.com/images/Top-Gear-Compilation-1970-BB.mp3

Bill



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread d6jg

castalla wrote: 
> You could always create a public John Peel Playlist ...

Mr Peel had an advantage over most in that aspiring artists would send
him their albums etc FOC. He was our arbiter of good taste and a
necessary filter of the mundane. Spotify doesn’t fulfil this role.

I do listen to Spotify but only via LastMix / DSTM. I am listening now.
I listened to an album (local files) and as it’s bedtime I am just
letting Spotify play me something similar before I switch off for the
night.



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread castalla

d6jg wrote: 
> In the UK Spotify has replaced John Peel? No I don’t think so either.

You could always create a public John Peel Playlist ...



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread d6jg

In the UK Spotify has replaced John Peel? No I don’t think so either.



PI3 PCP/LMS STORAGE QNAP TS419P (NFS)
*Living Room* - Joggler & SB3 -> Onkyo TS606 -> Celestion F20s
*Office* - Pi3+Sreen -> Sony TAFE320 -> Celestion F10s / Pi2+DAC & SB3
-> Onkyo CRN755 -> Wharfedale Modus Cubes
*Dining Room* -> SB Boom 
*Kitchen* -> UE Radio (upgraded to SB Radio)
*Bedroom (Bedside)* - Pi2+DAC ->ToppingTP21 ->AKG Headphones
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Re: [slim] The Automation of Selling Out

2017-12-12 Thread bakker_be

usbethjim wrote: 
> THAT was funny...I spewed beer.
> 
> Jim

You should be severely punished: spew water, coffe, tea, soup, whatever,
but NOT beer ... :p



Main System: Touch; Marantz SR-5004 + TMA Premium 905 + TMA Premium 901
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Workshop: iPad 32GB Wifi + Squeezepad (local playback activated)
Wherever needed: Acer Iconia Tab A700 + Squeezeplayer
Kitchen: iPhone 5s + Squeezepad (local playback activated) + NAD 312 +
Teufel Ultima 20 Mk 2
Headphone (cozy corner): Lenovo T550 + Squeezelite-X + Aune X7S + Focal
Elear
Car: TBC ...

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Re: [slim] The Automation of Selling Out

2017-12-12 Thread usbethjim

slartibartfast wrote: 
> I don't have a clue what any of that means.

THAT was funny...I spewed beer.

Jim



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread usc95

I used to use Spotify as a "try before you buy" kind of service but now
I feel foolish for buying an album when for all intents and purposes I
have all the access to it I need with the Spotify subscription.  I had
to really take a hard look at how I listen to music and also accept that
I cannot tell the difference between my lossless ripped FLAC collection
vs. the 320 kbps OGG files that Spotify serves up on my stereo systems. 
If Spotify would allow me to upload all of the live concerts I enjoy
listening to and could play them back gaplessly then I would only use
that service as it would meet all of my needs.  I do miss the old
feelings of serendipity that came with digging through the used CD bin
at my favorite record store and finding some music I wasn't expecting or
being turned on to a new band by my favorite dj or buddy that I knew
also had good taste in music.  Something about that process was
rewarding in a way that a Spotify recommendation just cannot come close
to matching.  I also find I don't give a new album a real chance to grow
on me since I have made no financial commitment beyond my monthly
subscription.



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread castalla

SlimChances wrote: 
> Perhaps but to me while there is a wealth of music to choose from
> quality has steadily gone downhill for over 20 years

Can't argue with that ...



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread SlimChances

bb1959 wrote: 
> Um, dude, you're doing it wrong.
> 
> FWIW, I bought my first album when I was 8...in a gadda da vida

Perhaps but to me while there is a wealth of music to choose from
quality has steadily gone downhill for over 20 years



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread bb1959

Um, dude, you're doing it wrong.

FWIW, I bought my first album when I was 8...in a gadda da vida




SlimChances wrote: 
> https://thebaffler.com/salvos/the-problem-with-muzak-pelly
> 
> I could never understand the allure of services of Spotify which seem to
> spoon feed listeners rather than encouraging them to make the effort to
> research and find music on their own; through friends, concerts,
> searching music stores etc. But I guess I am out of touch with modern
> ways
> 
> 
> " What good will criticism be when all of music has coalesced into
> algorithmically preordained Muzak?"



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread bakker_be

Peter Galbavy wrote: 
> Curated music services are just the status quo (no pun intended)
> returning to where the music industry was 30 years ago - and it is an
> industry with huge vested financial interests.
> 
> I was working at the periphery of groups that were very much the
> utopians of the disintermediation fashion in the 90s, the removal of
> barriers between content producers (musicians) and the consumers. The
> music industry actively conspired to ensure this brave new world headed
> for oblivion. They actively seeded and covertly encouraged illegal
> distribution as a strawman to have something to hold up and say it's a
> bad thing.
> 
> The result is Spotify, iTunes et al. Enjoy.

On the other hand, at least for Belgian bands, I see bands which have no
record deal, who've financed, recorded and released their album
themselves, appearing on iTunes, Amazon, Tidal and Spotify.



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread slartibartfast

Peter Galbavy wrote: 
> Curated music services are just the status quo (no pun intended)
> returning to where the music industry was 30 years ago - and it is an
> industry with huge vested financial interests.
> 
> I was working at the periphery of groups that were very much the
> utopians of the disintermediation fashion in the 90s, the removal of
> barriers between content producers (musicians) and the consumers. The
> music industry actively conspired to ensure this brave new world headed
> for oblivion. They actively seeded and covertly encouraged illegal
> distribution as a strawman to have something to hold up and say it's a
> bad thing.
> 
> The result is Spotify, iTunes et al. Enjoy.I don't have a clue what any of 
> that means.

Sent from my SM-G900F using Tapatalk





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Re: [slim] The Automation of Selling Out

2017-12-12 Thread Peter Galbavy

Curated music services are just the status quo (no pun intended)
returning to where the music industry was 30 years ago - and it is an
industry with huge vested financial interests.

I was working at the periphery of groups that were very much the
utopians of the disintermediation fashion in the 90s, the removal of
barriers between content producers (musicians) and the consumers. The
music industry actively conspired to ensure this brave new world headed
for oblivion. They actively seeded and cvertly encouraged illegal
distribution as a strawman to have something to hold up and say it's a
bad thing.

The result is Spotify, iTunes et al. Enjoy.



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Re: [slim] The Automation of Selling Out

2017-12-12 Thread drmatt

I think Spotify/tidal/iTunes are the future. Seems to me that buying
physical media or even bothering to purchase digital  media will be a
side show, a curiosity for the old and nostalgic in ten years time. The
industry wants subscription, and now it has a taste for it physical
media in particular is under threat.

I will of course be one of the old and nostalgic, but there you go. I do
see it becoming the norm.


-Transcoded from Matt's brain by Tapatalk-



--
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Re: [slim] The Automation of Selling Out

2017-12-11 Thread Grumpy Bob

I find the role of Spotify (and other streaming services) quite
interesting in a generational sort of way. I grew up in an era when
finding music could be quite a challenge, particularly when one was
interested in rather 'alternative' genres. I do have a premium Spotify
subscription, but I use it to listen to music before buying a copy
(either physical or download). I don't use Spotify produced playlists. I
don't expect to have a Spotify subscription for ever - either the
service will change or go under in some way.

Spotify generated playlists don't reflect the music I listen to (the
vast majority not through Spotify) - if they used last.fm they might be
able to make a better stab at it!

So, under my purchase model, Spotify royalties are far from the only
income stream from me to the artist and record label. I'd love to know
how widespread that is!

Robert



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last.fm/user/GrumpyBob

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Re: [slim] The Automation of Selling Out

2017-12-11 Thread castalla

SlimChances wrote: 
> https://thebaffler.com/salvos/the-problem-with-muzak-pelly
> 
> I could never understand the allure of services of Spotify which seem to
> spoon feed listeners rather than encouraging them to make the effort to
> research and find music on their own; through friends, concerts,
> searching music stores etc. But I guess I am out of touch with modern
> ways
> 
> 
> " What good will criticism be when all of music has coalesced into
> algorithmically preordained Muzak?"

Strange - I use Spotify almost 100% compared to the laborious 'DIY'
process involved in in maintaining a squeezebox database, especially
with playlists ... I can search on the web for some obscure 'tune'
played in a TV series, then go to Spotify or Amazon Music, and add it to
a playlist, which is then easily managed online.

I've been defeated trying to find the BBC live sessions version of
'Wicked Game' by London Grammar  any clues?



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[slim] The Automation of Selling Out

2017-12-11 Thread SlimChances

https://thebaffler.com/salvos/the-problem-with-muzak-pelly

I could never understand the allure of services of Spotify which seem to
spoon feed listeners rather than encouraging them to make the effort to
research and find music on their own; through friends, concerts,
searching music stores etc. But I guess I am out of touch with modern
ways



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