Re: [-empyre-] Meillassoux / Harman

2012-06-25 Thread Clough, Patricia
Dear All   I agree with Ian   that reading is helpful and interesting Just 
finishing  Democracy of Objects  by  Levi Bryant  I can say there is quite a 
bit of exposition there.   Difference between him and Graham (and much that is 
similar)   Differences between him and Deleuze (also some similarities)  and 
Lacan and Zizek   all there  and clearly.   And all clarifying about ideas and 
materiality, objects and subjects  and even  politics.   I think what gets 
confusing is how to take this new upsurge in philosophical thought  and I think 
that is a matter of one's own intellectual searchWhile OOO has been 
accompanied by an interest in objects and animals  and computers  (in the 
rather conventional sense) OOO is not primarily about thatIt is an ontology 
and so has to be brought to those different inquires in a way that demands 
one's own desires interests  not to mention a subject matter that may be 
alluring.For me this is a matter of writing  or creating--to join with the 
creations shared over the past weeks.  Writing is my way of queering the 
intimacies  between philosophy, politics, aesthetics and my own field 
sociology. P

From: empyre-boun...@lists.cofa.unsw.edu.au 
[empyre-boun...@lists.cofa.unsw.edu.au] On Behalf Of Ian Bogost 
[ian.bog...@lcc.gatech.edu]
Sent: Monday, June 25, 2012 11:28 AM
To: soft_skinned_space
Subject: Re: [-empyre-] Meillassoux / Harman

A chair is a chair. A picture of a chair is a picture of a chair. A definition 
of a chair is a definition of a chair. None are all chairs, but all have 
something to do with chairs. At least, that's the OOO contention. There are no 
planes of existence… except for Harman (and Tim, to some extent), who 
distinguishes sensual from real objects. For Graham, the idea of a chair is 
different from the real chair, which recedes from all encounters. I think this 
is maybe the conclusion you arrive at in your second paragraph below.

NOTHING about OOO privileges the material (i.e., the tangible, physical) chair 
primacy over the others. As for the same weight — well, that depends on what 
you mean by weight. What do you mean?

I hate to say it, but it's maybe not possible to make further progress without 
reading some of this material in depth…

Ian

On Jun 25, 2012, at 3:13 AM, davin heckman wrote:

Ian and Tim,

Do the differences with which we treat objects syncs up with
ontological difference, and thus, is there something to some of the
different categorizations we could possibly develop for objects?

I do think there is plenty of room to see these things from a fresh
perspective, but I also wonder if not, for instance, Kosuth's chairs
http://en.wikipedia.org/wiki/One_and_Three_Chairs highlight the ways
that discrete objects can differ from each other, but also the ways in
which there are consistencies that can yoke them together in odd ways.
A picture of a chair is not a chair, a definition of chair is not a
chair, instructions about a chair is not a chair, a chair as a
sculpture is not necessarily a chair.  yet, in some fundamental
way, all are chairs in a general sense of their concept and
recognition.  Put all three things together, and you have a chair
which occupies all three planes of existence simultaneously.  On the
other hand, they can occupy niches within conceptual frameworks (a
chair within a game, for instance, can be very real to the other
objects in the game).

Each way of recognizing the chair (the picture, instructions, the
chair as chair, chair as sculpture, three chairs as conceptual work,
etc) would suggest that each is a distinct object in some sense, which
makes me wonder then, whether or not all other possible thoughts about
a chair have being, or if we afford the material object of the chair
primacy.  In which case, does a digital rendering of the chair carry
the same weight as an unexpressed idea about a chair, too.  At some
point, doesn't ontology lead into this thicket?

Davin

On Sun, Jun 24, 2012 at 9:08 PM, Ian Bogost 
ian.bog...@lcc.gatech.edumailto:ian.bog...@lcc.gatech.edu wrote:
There is no reason why holding that everything exists equally entails
reducing all that can be known about a being to a simple recognition of
being.

Ian


On Jun 24, 2012, at 5:44 AM, davin heckman wrote:

I agree, this is a good starting point  that all things that exist
have being as their common condition of existence (that is, they are
not not beings), which is a sort of foundational ontological
similarity.  But if the only significant ontological claim we can make
about things is either yes or no, do they exist or not, then this
means all things carry this single quality, which is to say that there
is no difference between things.  If we admit difference, then we must
account for those differences in meaningful ways.  For instance,
waffle #1 differs from waffle #2 in a different way than waffle #1
differs from a toaster (or waffle #1 changes in the 

Re: [-empyre-] Week 4 - Bio/Nano/Materialisms

2012-06-25 Thread Clough, Patricia
Yes  my more Deleuzian self   argues  that affect is at every scale of matter.  
 Matter is affective.   Luciana Parisi also has recently argued similarly.
This would not work with all OOO's  or speculative realism.   p

From: empyre-boun...@lists.cofa.unsw.edu.au 
[empyre-boun...@lists.cofa.unsw.edu.au] On Behalf Of Heather Davis 
[heathermarga...@gmail.com]
Sent: Sunday, June 24, 2012 8:27 PM
To: soft_skinned_space
Subject: Re: [-empyre-] Week 4 - Bio/Nano/Materialisms

Hi all,
Apologies for my tardy arrival. I am so excited to be a part of this 
conversation with each of you, and find myself stunned by the quality of 
thought and engagement of my brilliant interlocutors here. Thank you for your 
contributions so for and to Zach and Micha for initiating and curating this 
conversation. I am curious about the way in which the nano, in each of your 
work, becomes a kind of significant imperceptibility. I am thinking about how, 
in a previous discussion this month, the idea of 'queer is everywhere' was 
broached. My initial reaction to this was a kind of doubt, not trusting the 
utopic overtones, nor the amorphous quality of the statement that lacked the 
dissensus that characterizes politics. What I appreciate about the nano, in 
each of your works, Pinar, Ricardo, and Elle, is the way in which this kind of 
utopic moment of the viral meets with an politics of imperceptibility not as 
simply an aversion or counter-move to surveillant systems (of sex, the state, n
 eoliberal corporate models, etc.) but as an imperceptibility that moves 
through the body to make significant changes. It makes me wonder about the nano 
as being a kind of material corollary of affect - that which carries a force, 
but is seen through its effects, rather than in a chain of causes or origins. 
this is indeed a queer position, a kind of passing that is important in its 
movement, of what it touches and shifts, that is locatable in its actions. the 
nano seems particularly adapted to this kind of effect, movement.

I cannot present here as beautiful a summary of the work that I am doing, as it 
has yet to begin. Aside from dirt, which I love because of its 
contaminating/contaminated qualities, because of its amorphousness and its 
ability to be distinct while encompassing a range of materials, metaphors, etc, 
I have become increasingly fascinated with plastic. It marks our current age 
that is seemingly ubiquitous, unfathomable (in its scale, duration, reach) and 
also makes the nano a human possibility. for it is only because of the creation 
of purely synthetic polymers that we both have the ability to manipulate things 
at a nanoscale, and are able to perceive the nano as a separate measurable 
scale. I am interested in the way in which plastic, as a medium, connects to a 
politics of imperceptibility.

heather.

On Sun, Jun 24, 2012 at 11:57 AM, Clough, Patricia 
pclo...@gc.cuny.edumailto:pclo...@gc.cuny.edu wrote:
Thanks to all who engaged during week 3   and welcome week 4Patricia

From: 
empyre-boun...@lists.cofa.unsw.edu.aumailto:empyre-boun...@lists.cofa.unsw.edu.au
 
[empyre-boun...@lists.cofa.unsw.edu.aumailto:empyre-boun...@lists.cofa.unsw.edu.au]
 On Behalf Of Elle Mehrmand 
[ellemehrm...@gmail.commailto:ellemehrm...@gmail.com]
Sent: Saturday, June 23, 2012 8:43 PM
To: empyre@lists.cofa.unsw.edu.aumailto:empyre@lists.cofa.unsw.edu.au
Subject: [-empyre-] Week 4 - Bio/Nano/Materialisms

Hello out there,

I am honored to have this opportunity to neuro-jaculate on this list. The 
notions of materialisms/ immaterialisms/ bio-materialisms/ -erialisms, within 
the context of the bio-political, bring to mind the pixellated flesh of my 
holographic/ fauxlographic clones who live in my most recent performative 
installation entitled fauxlographic. For the past year I have been working 
within the speculative space of an ethno-dysphoric cloning laboratory, where 
diasporic anxiety is analyzed through the process of fauxlographic cloning. The 
clones enact sonic rituals, singing in Farsi, English and Perz-ish [a faux-ish 
language], based on multiple sources of information including embodied 
memories, wikileaks cables, and textual/ visual/ aural references concerning 
Iran and Persia. The ethno-dysphoric scientist analyzes her dislocated 
subjectivity by performing a daily neurotic ritual within a glass computing 
chamber while wearing an EEG neuro-headset. As she neuro-jaculates with the 
clones
 in order to (pars)e their data streams, the diasporic computing sounds of the 
EEG oscillate in pitch based on her neural activity. When high levels of CO2 
are detected by the lab's sensors, the clones become aware of those gazing upon 
them, resulting in an anxious act of erasure and multiplication of their 
pixellated flesh on the fauxlographic screen, reciprocating the affective 
presence and implications of other bodies within the laboratory. 

Re: [-empyre-] Meillassoux / Harman

2012-06-25 Thread davin heckman
You are right  I should do more reading.  I find the thoughts
engaging and, since I am in transit, I am eager to get more
information where I can.

Ultimately, underneath my questions, I suppose, are some thoughts on
relationality and time.  You have all of these things that have to do
with chairs, but only the chair is the chair.  And there are these
things that have to do with chairs, but which are real in their own
right.  But an idea about a chair kind of flickers in and out of
consciousness, never having a discrete edge, and only become something
definitive when their edges are marked out in some way. It's tempting
to think that one's writing about a thought is separate from the
thought itself, but typically the act of writing or performing a
thought tends to calcify and reinforce it through a feedback loop.
Every time one thinks about a chair, one does not invent a new object.
 Similar to a computer program pulling modular entities and reusing
them again and again, our thoughts repeat the concept in our
imagination.  On the other hand, imaginary iterations are not the same
as digital iterations.  Less like a computer, we pull the modular
concept into action and interpret it with a variety of tones.  I
wouldn't want to say these singular thoughts don't exist, but on the
other hand, they don't have the same reality as those thoughts which
are articulated and taken up into collective discourse  and even
still, a discursive thing gains a level of significance when it
represents some empirical process.

I care about this because a chair changes from one moment to the next.
 It becomes materially altered as time unfolds, yet we are comfortable
saying that the chair on day one is that chair on day five.  In other
words, each moment does not unleash a separate chair.  In my mind,
weight might be its subjective intensity, its empirical durability,
its social hegemony, its procedural utility, its digital ubiquity, its
aesthetic elegance  though none of these qualities are directly
analogous to the other, suggesting that there are a variety of types
of being.

All these thoughts are a jumble  I'll take your advice and do some reading.

Davin

On Mon, Jun 25, 2012 at 11:28 AM, Ian Bogost ian.bog...@lcc.gatech.edu wrote:
 A chair is a chair. A picture of a chair is a picture of a chair. A
 definition of a chair is a definition of a chair. None are all chairs, but
 all have something to do with chairs. At least, that's the OOO contention.
 There are no planes of existence… except for Harman (and Tim, to some
 extent), who distinguishes sensual from real objects. For Graham, the idea
 of a chair is different from the real chair, which recedes from all
 encounters. I think this is maybe the conclusion you arrive at in your
 second paragraph below.

 NOTHING about OOO privileges the material (i.e., the tangible, physical)
 chair primacy over the others. As for the same weight — well, that depends
 on what you mean by weight. What do you mean?

 I hate to say it, but it's maybe not possible to make further progress
 without reading some of this material in depth…

 Ian

 On Jun 25, 2012, at 3:13 AM, davin heckman wrote:

 Ian and Tim,

 Do the differences with which we treat objects syncs up with
 ontological difference, and thus, is there something to some of the
 different categorizations we could possibly develop for objects?

 I do think there is plenty of room to see these things from a fresh
 perspective, but I also wonder if not, for instance, Kosuth's chairs
 http://en.wikipedia.org/wiki/One_and_Three_Chairs highlight the ways
 that discrete objects can differ from each other, but also the ways in
 which there are consistencies that can yoke them together in odd ways.
 A picture of a chair is not a chair, a definition of chair is not a
 chair, instructions about a chair is not a chair, a chair as a
 sculpture is not necessarily a chair.  yet, in some fundamental
 way, all are chairs in a general sense of their concept and
 recognition.  Put all three things together, and you have a chair
 which occupies all three planes of existence simultaneously.  On the
 other hand, they can occupy niches within conceptual frameworks (a
 chair within a game, for instance, can be very real to the other
 objects in the game).

 Each way of recognizing the chair (the picture, instructions, the
 chair as chair, chair as sculpture, three chairs as conceptual work,
 etc) would suggest that each is a distinct object in some sense, which
 makes me wonder then, whether or not all other possible thoughts about
 a chair have being, or if we afford the material object of the chair
 primacy.  In which case, does a digital rendering of the chair carry
 the same weight as an unexpressed idea about a chair, too.  At some
 point, doesn't ontology lead into this thicket?

 Davin

 On Sun, Jun 24, 2012 at 9:08 PM, Ian Bogost ian.bog...@lcc.gatech.edu
 wrote:

 There is no reason why holding that everything exists