[Finale] Accidentals - what's up with f sharp?

2006-09-23 Thread YATESLAWRENCE



I've found a similar problem in winfin2006 - in speedy I press "S" to 
sharpen a note. This works on all notes except f where it changes the note 
to f double sharp. 

I didn't have this problem in fin02.

Is this once again something that I have neglected to setup 
somewhere?

Cheers,

Lawrence
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Re: [Finale] Pdf to potential performer - advice needed

2006-09-23 Thread Noel Stoutenburg

Friends:

Responding to Don Hart, about an unsolicited request for an unpublished 
score, John Howell wrote, in part:
Noel's thought of offering perusal pages but not the complete score 
may indeed have merit, and you should at least ask whether that would 
be acceptable.  But what no one has yet suggested (and what is the 
simplest way to handle this) is simply to prepare and sell a copy of 
the music to this person at the price you consider reasonable.  
To which I would note that my suggestion for perusal pages was based in 
part on the assumption that the performer had not yet made a firm 
decision on whether to buy Don's score or not, (e.g:  I'm looking for 
material for my next recital concert, and I have some interest in your 
Opus), and further on the possibility that the score was large enough 
that the expense of printing, and shipping the score (both ways, if the 
artist decided no to make the purchase) was significant.  In the digital 
age, I see the free perusal page as the equivalent of being in a 
brick-and-mortar music store and paging through sixteen scores, of which 
one intends to purchase two or three.  Often the prospective buyer first 
pages through the scores in the files, selects the most promising half 
dozen, and looks for a practice room with a piano to make a more 
thorough evaluation.


In reference to John's question about whether this would or constitute 
publication, or not, I'm not sure, but I would note that in the U.S. 
since the mid 1970's, and in much of the rest of the world since before 
that, publication is of less significance than formerly.  The 
significance of publication in the U.S. until the mid 1970's, was that 
in order to be copyrighted, material had to be published.  In the mid 
1970's, the U.S. adapted the interpretation used in the rest of the 
world, and on items created since the mid 1970's, copyright exists from 
the time an item is placed in fixed form, either written in a score, of 
recorded.


As to John's suggestion of a MIDI demo, I would advise _NOT_ sending a 
MIDI demo; suggesting instead the use of an mp3, wav, or cda format 
file.  The latter can be played, but not opened by any notation software 
of which I am familiar; while a MIDI can be opened with most the 
notation packages.


ns

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Re: [Finale] Accidentals - what's up with f sharp?

2006-09-23 Thread Noel Stoutenburg

[EMAIL PROTECTED] wrote:
I've found a similar problem in winfin2006 - in speedy I press S to 
sharpen a note.  This works on all notes except f where it changes the 
note to f double sharp. 
 
I didn't have this problem in fin02.
My first thought is to wonder if you are working in a sharp key, in 
which case sharping the F# would be F##.


nms

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RE: [Finale] Accidentals - what's up?

2006-09-23 Thread Mike Cholewa
I have experienced this behavior in WinFin2k7 too. It only concerns Speedy
Entry. In Simple Entry there's no problem. I guess it's a bug.

Mike Cholewa
WinFin2k7

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of Rich Caldwell
 Sent: Saturday, September 23, 2006 6:11 AM
 To: finale@shsu.edu
 Subject: [Finale] Accidentals - what's up?
 
 Perhaps I've gone temporarily insane (well, more insane than usual)...
 
 I try this in Speedy Entry with a MIDI keyboard:
 
 Enter C - C# - D
 I then try to force a natural on the D with '*'.  Nothing happens.  I
 can put one in parentheses, but not by itself.   This doesn't happen
 to all notes though.  It seems to occur in rising chromatic scales
 such as the example I give.
 
 I opened a default document and tried it again, same thing.  I opened
 a default doc in Finale2k6, enter the same notes, and it gives me the
 natural as it should.  It also works if I don't use a MIDI keyboard
 while in Speedy Entry.
 
 Could someone please tell me what program or document setting I am
 neglecting to notice in 2007, and then show me where Allen Funt is
 hiding???  This can't possibly be a bug.
 
 Thanks,
 
 Rich Caldwell
 MacFin2k7
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Re: [Finale] Was: Pdf to potential performer - advice needed

2006-09-23 Thread Daniel Wolf
An an American composer who's lived across the pond for a long time, I 
have a question tangential to this:


Noel Stoutenburg wrote:
.


In reference to John's question about whether this would or constitute 
publication, or not, I'm not sure, but I would note that in the U.S. 
since the mid 1970's, and in much of the rest of the world since before 
that, publication is of less significance than formerly.  The 
significance of publication in the U.S. until the mid 1970's, was that 
in order to be copyrighted, material had to be published.  In the mid 
1970's, the U.S. adapted the interpretation used in the rest of the 
world, and on items created since the mid 1970's, copyright exists from 
the time an item is placed in fixed form, either written in a score, of 
recorded.


In my experience, I can amplify this by noting that in ordinary rights 
(not grand rights) situations, and excepting cases where large numbers 
of scores/parts will be sold (i.e. educational), there's little or no 
money to be made in selling the scores themselves, as the bulk of the 
income will derive from licenses for concerts, broadcasts, and 
recordings.  In Germany, the blanket licensing situation is very good, 
in that I can assume that radio stations, concert halls, schools, or 
churches will have paid their licenses, and if I can report the 
performance I will get paid from the blanket license.  How true is that 
now in the US?  Can I make the assumption that all schools and 
Universities have entered into a license arrangement or not?


Daniel Wolf
Frankfurt
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Re: [Finale] Pdf to potential performer - advice needed

2006-09-23 Thread Christopher Smith



Don Hart wrote:


- Is there an advantage in sending either a pdf or a hard copy?



For me, PDF saves on shipping costs and is very efficient for me;  
less so for the client, who has to print, fasten, and collate all  
those parts. I can also email edited parts very quickly (sometimes a  
matter of minutes between the phone call and the new part showing up  
in the client's email inbox.)


But the choice of paper is important, and people other than me always  
seem to choose the cheapest, thinnest  paper to print on and then  
Scotch tape it together, or not fasten it at all, making performances  
nerve-wracking occasions. When I print parts, I print them 2-up on  
thick cream paper and use acid-free paper tape to connect pages when  
necessary, so that means that I control the quality more when the  
parts are printed by me.


Christopher


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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread Christopher Smith
This happens to me consistently in FinMac 2007, too, starting from a  
new document key signature C.


Even weirder, when I hit the 9 to shift enharmonics, the D changes to  
an E with no double-flat, as it is supposed to!


Definitely a bug, and definitely one that MakeMusic needs to know  
about and squash as soon as possible. This version of Finale doesn't  
seem ready for prime time yet.


Christopher


On Sep 23, 2006, at 12:11 AM, Rich Caldwell wrote:


Perhaps I've gone temporarily insane (well, more insane than usual)...

I try this in Speedy Entry with a MIDI keyboard:

Enter C - C# - D
I then try to force a natural on the D with '*'.  Nothing happens.   
I can put one in parentheses, but not by itself.   This doesn't  
happen to all notes though.  It seems to occur in rising chromatic  
scales such as the example I give.


I opened a default document and tried it again, same thing.  I  
opened a default doc in Finale2k6, enter the same notes, and it  
gives me the natural as it should.  It also works if I don't use a  
MIDI keyboard while in Speedy Entry.


Could someone please tell me what program or document setting I am  
neglecting to notice in 2007, and then show me where Allen Funt is  
hiding???  This can't possibly be a bug.


Thanks,

Rich Caldwell
MacFin2k7


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Re: [Finale] 2007 printing question MM's response

2006-09-23 Thread dhbailey

Chuck Israels wrote:

Dear Jerry et al,

Here's MMs (prompt) response that solved the problem:

To accomodate printing score and parts at the same time with different 
orientations, we now override the printer's orientation to Finale's page 
orientation by default. However, there are some cases where this is not 
what you want, so we added a checkbox to restore the previous behavior 
where the printer orientation prevails.


Finale 2007/Program Options/Save and Print/uncheck Use Finale's Page 
Orientation Instead of the Printer's Page Orientation


This is just one more of those things hidden in 2007 that we need to 
learn and remember.




And my hat is off to all those noble pioneers such as Chuck who are 
putting the program through its paces and sharing all this knowledge 
with the rest of us!


Together we will come up with the knowledge which should have been 
included in a Befuddled by Fin2007?  Read This. document.  :-)


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Re: [Finale] Accidentals - what's up with f sharp?

2006-09-23 Thread dhbailey

[EMAIL PROTECTED] wrote:
I've found a similar problem in winfin2006 - in speedy I press S to 
sharpen a note.  This works on all notes except f where it changes the 
note to f double sharp. 
 


Not to question the obvious, but what key are you in when this occurs?

I just tried it in the key of C, winfin2006c and it gives me F# as I 
would expect.


Are you possibly in the key of G when you try this?

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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread dhbailey

Mike Cholewa wrote:

I have experienced this behavior in WinFin2k7 too. It only concerns Speedy
Entry. In Simple Entry there's no problem. I guess it's a bug.

Mike Cholewa
WinFin2k7



Maybe I'm not understanding the problem, but I just tried it in 
winfin2007, default document, single staff, entered C, C#, D -- then 
with the cursor on D I hit the * key and the natural shows up.


Could you be more specific in listing the steps you're following where 
the natural isn't showing up?



--
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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread dhbailey

Rich Caldwell wrote:

Perhaps I've gone temporarily insane (well, more insane than usual)...

I try this in Speedy Entry with a MIDI keyboard:

Enter C - C# - D
I then try to force a natural on the D with '*'.  Nothing happens.  I 
can put one in parentheses, but not by itself.   This doesn't happen to 
all notes though.  It seems to occur in rising chromatic scales such as 
the example I give.


I opened a default document and tried it again, same thing.  I opened a 
default doc in Finale2k6, enter the same notes, and it gives me the 
natural as it should.  It also works if I don't use a MIDI keyboard 
while in Speedy Entry.


Could someone please tell me what program or document setting I am 
neglecting to notice in 2007, and then show me where Allen Funt is 
hiding???  This can't possibly be a bug.


I don't know if there is any such setting -- winfin2007 works as it 
should -- in your passage, hitting the * key on the D shows a natural 
sign, no parentheses.


--
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Re: [Finale] Was: Pdf to potential performer - advice needed

2006-09-23 Thread dhbailey

Daniel Wolf wrote:
An an American composer who's lived across the pond for a long time, I 
have a question tangential to this:


Noel Stoutenburg wrote:
.


In reference to John's question about whether this would or constitute 
publication, or not, I'm not sure, but I would note that in the U.S. 
since the mid 1970's, and in much of the rest of the world since 
before that, publication is of less significance than formerly.  The 
significance of publication in the U.S. until the mid 1970's, was that 
in order to be copyrighted, material had to be published.  In the mid 
1970's, the U.S. adapted the interpretation used in the rest of the 
world, and on items created since the mid 1970's, copyright exists 
from the time an item is placed in fixed form, either written in a 
score, of recorded.


In my experience, I can amplify this by noting that in ordinary rights 
(not grand rights) situations, and excepting cases where large numbers 
of scores/parts will be sold (i.e. educational), there's little or no 
money to be made in selling the scores themselves, as the bulk of the 
income will derive from licenses for concerts, broadcasts, and 
recordings.  In Germany, the blanket licensing situation is very good, 
in that I can assume that radio stations, concert halls, schools, or 
churches will have paid their licenses, and if I can report the 
performance I will get paid from the blanket license.  How true is that 
now in the US?  Can I make the assumption that all schools and 
Universities have entered into a license arrangement or not?




I'm not a copyright lawyer, but to the best of my understanding the 
following is true:


In the US, accredited educational institutions are exempt from 
performance royalties, if the performances occur during the normal 
school hours and are a part of the curriculum.  Evening performances, 
things billed as concerts are still required to pay performance royalties.


Public schools may well be covered by blanket licenses which the 
municipalities may obtain to cover any/all public performances on 
municipally owned property.  Universities/colleges/conservatories are 
not covered by these, but it is a good bet that ASCAP/BMI have gotten 
them to buy licenses.


I feel I need to point out that I'm not sure publication was necessary 
for copyright prior to 1970 -- I thought that registration with the 
copyright office with accompanying hard-copy of the material was all 
that was necessary.  But registration was definitely necessary for 
copyright protection -- no registration, no copyright protection.


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Re: [Finale] Pdf to potential performer - advice needed

2006-09-23 Thread dhbailey

John Howell wrote:
[snip] - What options are available, other than placing a copyright

notice on
  the work, to help restrict the use of this score to the stated 
intent

  of this artist (consider the piece for performance)?


The copyright notice establishes your ownership of the work.  All else 
follows from that.




One thought I had was to put some sort of watermark, or the like, on 
several
pages of the score.  Has anyone done this?  Is there some way to do 
this in

Finale so that it would show up and print out in pdf form?


And this would accomplish what?  I don't mean at all to be sarcastic, 
but I see no advantage to you in any way.  Perhaps I don't understand 
your use of the word watermark, which is certainly NOT a watermark at 
all in the historical sense.


These days, in desktop publishing jargon, a watermark is a light graphic 
which will print and which will appear onscreen.  Light enough so it 
doesn't obscure the black ink but visible enough that it would make it 
hard to print more copies and pass them off as legitimately purchased 
copies.



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RE: [Finale] Accidentals - what's up?

2006-09-23 Thread Mike Cholewa
In Speedy Entry try to enter c e f g, change the e to f flat (enharmonic
flip), then try to hide the flat with *. I t isn't possible. I know you
wouldn't probably want to hide this accidental but I have encountered
situations where you would want to show the accidental after an enharmonic
flip and it wasn't possible in speedy. I changed to Simple and it worked
there.

Mike

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
 Of dhbailey
 Sent: Saturday, September 23, 2006 1:58 PM
 To: finale@shsu.edu
 Subject: Re: [Finale] Accidentals - what's up?
 
 Mike Cholewa wrote:
  I have experienced this behavior in WinFin2k7 too. It only concerns
 Speedy
  Entry. In Simple Entry there's no problem. I guess it's a bug.
 
  Mike Cholewa
  WinFin2k7
 
 
 Maybe I'm not understanding the problem, but I just tried it in
 winfin2007, default document, single staff, entered C, C#, D -- then
 with the cursor on D I hit the * key and the natural shows up.
 
 Could you be more specific in listing the steps you're following where
 the natural isn't showing up?
 
 
 --
 David H. Bailey
 [EMAIL PROTECTED]
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RE: [Finale] 2007 printing question MM's response

2006-09-23 Thread Mike Cholewa

From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Chuck Israels

- snip -

Finale 2007/Program Options/Save and Print/uncheck Use Finale's Page
Orientation Instead of the Printer's Page Orientation

- snip -

Could someone please tell where this option resides in WinFin2k7? Is this a
Mac only option?
Under Finale 2007/Program Options I only have a save option not a print
option.


Mike


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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread Rich Caldwell
I just noticed something else.  This feature only occurs when I've  
enharmonically switched the previous note.  If I'm entering without a  
MIDI keyboard, I enter 'C' then sharp it - so it's not enharmonically  
flipping.  If 'favor sharps' is on, then it won't either.


Do this:  Enter 'Db-D', force natural on the 'D', then change the Db  
to C#.  The natural for me disappears.


If this is indeed a bug, I'm surprised no one had mentioned it here  
or on MM's boards yet.  After entering notes for only 5 minutes in  
2k7, it stopped me dead in my tracks.


By the way, I can run the plug-in to put in cautionaries after the  
fact, but I like to be more hands-on with them.



On Sep 23, 2006, at 7:57 AM, dhbailey wrote:


Mike Cholewa wrote:
I have experienced this behavior in WinFin2k7 too. It only  
concerns Speedy

Entry. In Simple Entry there's no problem. I guess it's a bug.
Mike Cholewa
WinFin2k7


Maybe I'm not understanding the problem, but I just tried it in  
winfin2007, default document, single staff, entered C, C#, D --  
then with the cursor on D I hit the * key and the natural shows up.


Could you be more specific in listing the steps you're following  
where the natural isn't showing up?


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Re: [Finale] Accidentals - what's up with f sharp?

2006-09-23 Thread YATESLAWRENCE



Here's the exact situation which I've just re-created in a new file:

Horn in F part, key of F major, hence key sig of no sharps or flats.

In speedy enter an F bottom space and press "s" to sharpen it - result - F 
double sharp.

As far as I can see this only happens on F.

Cheers,

Lawrence
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Re: [Finale] Accidentals - what's up with f sharp?

2006-09-23 Thread YATESLAWRENCE



Furthermore, pressing "f" to flatten the f natural to an f flat merely 
inserts a natural sign as though the programme believes it to be an f 
sharp.

This sounds like something to do with the transposition. I'll 
experiment a bit more, gotto go to a gig now.

Cheers,

Lawrence
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Re: [Finale] Was: Pdf to potential performer - advice needed

2006-09-23 Thread John Howell

At 11:19 AM +0200 9/23/06, Daniel Wolf wrote:


In Germany, the blanket licensing situation is very good, in that I 
can assume that radio stations, concert halls, schools, or churches 
will have paid their licenses, and if I can report the performance I 
will get paid from the blanket license.  How true is that now in the 
US?  Can I make the assumption that all schools and Universities 
have entered into a license arrangement or not?


Probably not.  Those schools--and more likely universities than 
secondary schools--which do have blanket licenses probably have them 
to cover guest concerts presented on campus.  This is because 
performance in the course of normal teaching at a bona fide 
non-profit educational institution is one of the few exemptions from 
payment of performance royalties in the Fair Use Guidelines--an 
exemption very tightly written, but still an exemption.  Still, 
someone who has actually dealt with this on behalf of a school would 
know better than I.


John


--
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Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
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RE: [Finale] Accidentals - what's up with f sharp?

2006-09-23 Thread Williams, Jim
I'll verify.



From: [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent: Sat 23-Sep-06 10:19
To: finale@shsu.edu
Subject: Re: [Finale] Accidentals - what's up with f sharp?


Here's the exact situation which I've just re-created in a new file:
 
Horn in F part, key of F major, hence key sig of no sharps or flats.
 
In speedy enter an F bottom space and press s to sharpen it - result - F 
double sharp.
 
As far as I can see this only happens on F.
 
Cheers,
 
Lawrence
I'll verify.



From: [EMAIL PROTECTED] on behalf of [EMAIL PROTECTED]
Sent: Sat 23-Sep-06 10:19
To: finale@shsu.edu
Subject: Re: [Finale] Accidentals - what's up with f sharp?


Here's the exact situation which I've just re-created in a new file:
 
Horn in F part, key of F major, hence key sig of no sharps or flats.
 
In speedy enter an F bottom space and press s to sharpen it - result - F 
double sharp.
 
As far as I can see this only happens on F.
 
Cheers,
 
Lawrence
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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread dhbailey

You're right, that doesn't work.

Wanna see something even more quirky?  Once you make that Fb with the 
enharmonic flip, hit the - key to lower it another half-step (which 
should show as an Fbb) and it displays as a D#.


Bizarre!  But then I rarely do such enharmonic flips, since only rarely 
is it more helpful than simply dragging the note to the proper location.


David



Mike Cholewa wrote:

In Speedy Entry try to enter c e f g, change the e to f flat (enharmonic
flip), then try to hide the flat with *. I t isn't possible. I know you
wouldn't probably want to hide this accidental but I have encountered
situations where you would want to show the accidental after an enharmonic
flip and it wasn't possible in speedy. I changed to Simple and it worked
there.

Mike


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of dhbailey
Sent: Saturday, September 23, 2006 1:58 PM
To: finale@shsu.edu
Subject: Re: [Finale] Accidentals - what's up?

Mike Cholewa wrote:

I have experienced this behavior in WinFin2k7 too. It only concerns

Speedy

Entry. In Simple Entry there's no problem. I guess it's a bug.

Mike Cholewa
WinFin2k7


Maybe I'm not understanding the problem, but I just tried it in
winfin2007, default document, single staff, entered C, C#, D -- then
with the cursor on D I hit the * key and the natural shows up.

Could you be more specific in listing the steps you're following where
the natural isn't showing up?


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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread dhbailey
I can't force the natural on the D -- it appears by default and when I 
hit the * key the natural disappears.  With the natural showing, if the 
first note is changed to C# by whatever method, the natural disappears, 
as it should.  Interestingly enough, though, with that enharmonic flip 
in place, you can't force the natural at all.


Another reason not to use the enharmonic flip, but simply drag the note 
and have Finale actually change the underlying data.


Remember, the enharmonic flip isn't changing the data, it's simply 
changing the way the data is displayed onscreen.  Internally, a Db is a 
Db is a Db, even when the program is told to display it as a C#.


If you drag it to a C and add the sharp, then the data really IS C#.

David


Rich Caldwell wrote:
I just noticed something else.  This feature only occurs when I've 
enharmonically switched the previous note.  If I'm entering without a 
MIDI keyboard, I enter 'C' then sharp it - so it's not enharmonically 
flipping.  If 'favor sharps' is on, then it won't either.


Do this:  Enter 'Db-D', force natural on the 'D', then change the Db to 
C#.  The natural for me disappears.


If this is indeed a bug, I'm surprised no one had mentioned it here or 
on MM's boards yet.  After entering notes for only 5 minutes in 2k7, it 
stopped me dead in my tracks.


By the way, I can run the plug-in to put in cautionaries after the fact, 
but I like to be more hands-on with them.



On Sep 23, 2006, at 7:57 AM, dhbailey wrote:


Mike Cholewa wrote:
I have experienced this behavior in WinFin2k7 too. It only concerns 
Speedy

Entry. In Simple Entry there's no problem. I guess it's a bug.
Mike Cholewa
WinFin2k7


Maybe I'm not understanding the problem, but I just tried it in 
winfin2007, default document, single staff, entered C, C#, D -- then 
with the cursor on D I hit the * key and the natural shows up.


Could you be more specific in listing the steps you're following where 
the natural isn't showing up?


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Re: [Finale] 2007 printing question MM's response

2006-09-23 Thread Chuck Israels

Thank you David.

Please see my comment and re-read MM's reply below.

My hat was off to MM as soon as they came up with the prompt response  
to the problem (within an hour or two on Friday - I thought I'd have  
to wait over the weekend).  I was so glad that I could print the  
parts that I didn't take the time to recognize the confused logic in  
the response.  I am baffled by what seems to say, We've changed  
things to 'this' way so you can do what you need to do, but in order  
to do what you need to do, please undo what we've done and go back to  
the old way.


Am I alone in reading the reply this way?  Seems remarkably perverse.

Chuck


On Sep 23, 2006, at 4:50 AM, dhbailey wrote:


Chuck Israels wrote:

Dear Jerry et al,
Here's MMs (prompt) response that solved the problem:
To accomodate printing score and parts at the same time with  
different orientations, we now override the printer's orientation  
to Finale's page orientation by default. However, there are some  
cases where this is not what you want, so we added a checkbox to  
restore the previous behavior where the printer orientation prevails.
Finale 2007/Program Options/Save and Print/uncheck Use Finale's  
Page Orientation Instead of the Printer's Page Orientation
This is just one more of those things hidden in 2007 that we need  
to learn and remember.


And my hat is off to all those noble pioneers such as Chuck who are  
putting the program through its paces and sharing all this  
knowledge with the rest of us!


Together we will come up with the knowledge which should have been  
included in a Befuddled by Fin2007?  Read This. document.  :-)


--
David H. Bailey
[EMAIL PROTECTED]
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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread Éric Dussault
It has been mentionned on MM's Forum last week in a post by Peter West I believe.Éric DussaultLe 06-09-23 à 09:49, Rich Caldwell a écrit :If this is indeed a bug, I'm surprised no one had mentioned it here or on MM's boards yet.  After entering notes for only 5 minutes in 2k7, it stopped me dead in my tracks. ___
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Re: [Finale] Accidentals - what's up with f sharp?

2006-09-23 Thread dhbailey

[EMAIL PROTECTED] wrote:

Here's the exact situation which I've just re-created in a new file:
 
Horn in F part, key of F major, hence key sig of no sharps or flats.
 
In speedy enter an F bottom space and press s to sharpen it - result - 
F double sharp.
 
As far as I can see this only happens on F.
 


Yep, you're right, that's what happens and that's wierd.

However, it wasn't until your post earlier that I even knew that an S
was supposed to sharp a note -- I've always used the + key to raise an
entered pitch a half-step, and when I use that method, a single + makes
the F into F#.  It takes ++ (2 keypresses) to make it into a double sharp.

I just tried something else as an experiment, hitting F to see if that
would lower a note a half-step, and on the F, nothing happens, but on B,
it does make it into Bb.

Very bizarre, and definitely a lesson to me, that even though I just
learned that 's' and 'f' may be supposed to serve the same function as
'+' and '-' they really don't and I'll continue to avoid them just as if
I had never learned about them.

Maybe you should start using the - and + keys for flats and sharps,
Lawrence, and avoid those headaches.  :-)

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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread Éric Dussault
to be more precise, here is the link:http://forum.makemusic.com/default.aspx?f=6m=164013g=164117#m164117Le 06-09-23 à 11:16, Éric Dussault a écrit :It has been mentionned on MM's Forum last week in a post by Peter West I believe.Éric Dussault___
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Re: [Finale] 2007 printing question MM's response

2006-09-23 Thread dhbailey
Well, they did say in some cases ... so we provided a checkbox to 
restore the previous behavior and that says a lot about MM:

1) they did explain what they did (sometimes rare)
2) they did provide an easy way out (also sometimes rare)
3) they're not forcing the new behavior on every user (which, too, is 
something rare)


A bit perverse, perhaps, but at least they did try to accomodate a wide 
range of possibilities.  :-)


David



Chuck Israels wrote:

Thank you David.

Please see my comment and re-read MM's reply below.

My hat was off to MM as soon as they came up with the prompt response to 
the problem (within an hour or two on Friday - I thought I'd have to 
wait over the weekend).  I was so glad that I could print the parts that 
I didn't take the time to recognize the confused logic in the response.  
I am baffled by what seems to say, We've changed things to 'this' way 
so you can do what you need to do, but in order to do what you need to 
do, please undo what we've done and go back to the old way.


Am I alone in reading the reply this way?  Seems remarkably perverse.

Chuck


On Sep 23, 2006, at 4:50 AM, dhbailey wrote:


Chuck Israels wrote:

Dear Jerry et al,
Here's MMs (prompt) response that solved the problem:
To accomodate printing score and parts at the same time with 
different orientations, we now override the printer's orientation to 
Finale's page orientation by default. However, there are some cases 
where this is not what you want, so we added a checkbox to restore 
the previous behavior where the printer orientation prevails.
Finale 2007/Program Options/Save and Print/uncheck Use Finale's Page 
Orientation Instead of the Printer's Page Orientation
This is just one more of those things hidden in 2007 that we need to 
learn and remember.


And my hat is off to all those noble pioneers such as Chuck who are 
putting the program through its paces and sharing all this knowledge 
with the rest of us!


Together we will come up with the knowledge which should have been 
included in a Befuddled by Fin2007?  Read This. document.  :-)


--David H. Bailey
[EMAIL PROTECTED]
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phone (360) 671-3402
fax (360) 676-6055
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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread Chuck Israels
I can confirm that there is some strange behavior with accidentals in  
2k7; I just haven't been able to pin it down.  When I encounter some  
of these things, I'm often not sure if Finale is at fault, or I am,  
so I can be slow to catch them.  As you can see, if you've been  
following the 2007 saga, sometimes what I consider to be Finale's  
misbehavior is a result of a misunderstanding on my part.


However, I have had these problems with accidentals in speedy: Typing  
p dose not always force the parenthesized accidental to appear.   
When that happens, *p will do it.  I have had trouble with the  
Cautionary Accidentals plugin going haywire and putting all kinds of  
things in, in spite of a careful selection of options.  I have  
abandoned it for the moment and am relying on myself to put them in.   
Problem with that is that I sometimes don't notice where they're needed.


Anyway, I can confirm that I have seen erratic behavior with  
accidentals in 2k7 - nothing I couldn't override, but not as  
consistent as it used to be, or needs to be.


Chuck




On Sep 23, 2006, at 8:02 AM, dhbailey wrote:

I can't force the natural on the D -- it appears by default and  
when I hit the * key the natural disappears.  With the natural  
showing, if the first note is changed to C# by whatever method, the  
natural disappears, as it should.  Interestingly enough, though,  
with that enharmonic flip in place, you can't force the natural at  
all.


Another reason not to use the enharmonic flip, but simply drag the  
note and have Finale actually change the underlying data.


Remember, the enharmonic flip isn't changing the data, it's simply  
changing the way the data is displayed onscreen.  Internally, a Db  
is a Db is a Db, even when the program is told to display it as a C#.


If you drag it to a C and add the sharp, then the data really IS C#.

David


Rich Caldwell wrote:
I just noticed something else.  This feature only occurs when  
I've enharmonically switched the previous note.  If I'm entering  
without a MIDI keyboard, I enter 'C' then sharp it - so it's not  
enharmonically flipping.  If 'favor sharps' is on, then it won't  
either.
Do this:  Enter 'Db-D', force natural on the 'D', then change the  
Db to C#.  The natural for me disappears.
If this is indeed a bug, I'm surprised no one had mentioned it  
here or on MM's boards yet.  After entering notes for only 5  
minutes in 2k7, it stopped me dead in my tracks.
By the way, I can run the plug-in to put in cautionaries after the  
fact, but I like to be more hands-on with them.

On Sep 23, 2006, at 7:57 AM, dhbailey wrote:

Mike Cholewa wrote:
I have experienced this behavior in WinFin2k7 too. It only  
concerns Speedy

Entry. In Simple Entry there's no problem. I guess it's a bug.
Mike Cholewa
WinFin2k7


Maybe I'm not understanding the problem, but I just tried it in  
winfin2007, default document, single staff, entered C, C#, D --  
then with the cursor on D I hit the * key and the natural shows up.


Could you be more specific in listing the steps you're following  
where the natural isn't showing up?

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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread Rich Caldwell
I never really thought of how Finale thinks of the notes.  I just  
know that I more often work in atonal work, where I'd be clicking and  
dragging notes all over the place if that were the only solution.  I  
prefer to keep my hands on the keyboards - a lot quicker.


For now, I'll enter the notes with 'favor sharps' on until Finale  
fixes this.  I wonder what broke it?


On Sep 23, 2006, at 11:02 AM, dhbailey wrote:

I can't force the natural on the D -- it appears by default and  
when I hit the * key the natural disappears.  With the natural  
showing, if the first note is changed to C# by whatever method, the  
natural disappears, as it should.  Interestingly enough, though,  
with that enharmonic flip in place, you can't force the natural at  
all.


Another reason not to use the enharmonic flip, but simply drag the  
note and have Finale actually change the underlying data.


Remember, the enharmonic flip isn't changing the data, it's simply  
changing the way the data is displayed onscreen.  Internally, a Db  
is a Db is a Db, even when the program is told to display it as a C#.


If you drag it to a C and add the sharp, then the data really IS C#.

David

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Re: [Finale] O.T. Pixelation issues with embedded tiffs

2006-09-23 Thread Johannes Gebauer

On 22.09.2006 Kim Patrick Clow wrote:

My publisher uses a modern copier machine to do his print work; and he uses 
Microsoft WORD to create the coversheets and files and then blends them all 
into a PDF to print. On the cover of my edition, I have a transparent tif of 
the composer's autograph. This was created from a digital photograph at 300 
DPI, pulled into Illustrator cleaned up, and then turned into a vector, then 
exported as transparent tiff.


Well, you shouldn't turn it into a vector image. Ideally you should scan 
it at 1200 dpi, I guess, at least if it is b/w.


Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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Re: [Finale] 2007 printing question MM's response

2006-09-23 Thread Gerald Berg

All true.

Finale (to me) feels more like a house going through major and 
(seemingly) haphazard renovations while at the same time the tenants 
are expected to live there and pay the rent.  Great, carbuncular 
structures are being grafted to it, with a lot of dust to be inhaled 
then, occasionally, one finds a room  with a fan going.  I'm so happy!


Jerry


On 23-Sep-06, at 11:25 AM, dhbailey wrote:

Well, they did say in some cases ... so we provided a checkbox to 
restore the previous behavior and that says a lot about MM:

1) they did explain what they did (sometimes rare)
2) they did provide an easy way out (also sometimes rare)
3) they're not forcing the new behavior on every user (which, too, is 
something rare)


A bit perverse, perhaps, but at least they did try to accomodate a 
wide range of possibilities.  :-)


David



Chuck Israels wrote:

Thank you David.
Please see my comment and re-read MM's reply below.
My hat was off to MM as soon as they came up with the prompt response 
to the problem (within an hour or two on Friday - I thought I'd have 
to wait over the weekend).  I was so glad that I could print the 
parts that I didn't take the time to recognize the confused logic in 
the response.  I am baffled by what seems to say, We've changed 
things to 'this' way so you can do what you need to do, but in order 
to do what you need to do, please undo what we've done and go back to 
the old way.

Am I alone in reading the reply this way?  Seems remarkably perverse.
Chuck
On Sep 23, 2006, at 4:50 AM, dhbailey wrote:

Chuck Israels wrote:

Dear Jerry et al,
Here's MMs (prompt) response that solved the problem:
To accomodate printing score and parts at the same time with 
different orientations, we now override the printer's orientation 
to Finale's page orientation by default. However, there are some 
cases where this is not what you want, so we added a checkbox to 
restore the previous behavior where the printer orientation 
prevails.
Finale 2007/Program Options/Save and Print/uncheck Use Finale's 
Page Orientation Instead of the Printer's Page Orientation
This is just one more of those things hidden in 2007 that we need 
to learn and remember.


And my hat is off to all those noble pioneers such as Chuck who are 
putting the program through its paces and sharing all this knowledge 
with the rest of us!


Together we will come up with the knowledge which should have been 
included in a Befuddled by Fin2007?  Read This. document.  :-)


--David H. Bailey
[EMAIL PROTECTED]
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phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com
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Gerald Berg

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[Finale] Is there a COPYING problem in 2007?

2006-09-23 Thread Kim Richmond
I'm sure this has been covered, or at least mentioned, recently, so  
excuse me for asking this.
	Is there a wrinkle in the copying process in Fin2007? Can we longer  
highlight the bar we want copied, then option-shift-click the target  
area? If so, is there a combination to replace it? Do we now drag  
everything (or copy and paste)?
	I don't have 2007 yet, but one of my students has it and the option- 
shift-click combination doesn't work on her Mac.

All the best,
KIM R
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Re: [Finale] O.T. Pixelation issues with embedded tiffs

2006-09-23 Thread Kim Patrick Clow
[EMAIL PROTECTED] wrote:
What I don't understand is the point of reconverting a vector image to abitmap...Dennis

I think because the publisher is using WORD, which doesn't support embedded vector art work (*.ai file variety)?
I'm going to the publisher, that he consider using either Quark or Adobe's InDesign, which will give him a lot more
options for layout design and typography and image control.

Thanks!

Kim


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Re: [Finale] O.T. Pixelation issues with embedded tiffs

2006-09-23 Thread Kim Patrick Clow
dc [EMAIL PROTECTED] wrote:
What I don't understand is the point of reconverting a vector image to abitmap..


*snip* Sorry, first reply got out before I finished proofing ;) *snip*I think because the publisher is using WORD, which doesn't support embedded vector art work (*.ai file variety)? 
I'm going suggestthat the publisherconsider using either Quark or Adobe's InDesign, which will give him a lot more
options for layout design and typography and image control.


Thanks,
Kim
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Re: [Finale] Accidentals - what's up?

2006-09-23 Thread Rich Caldwell
Oops.  Never mind about using 'favor sharps' as a workaround.  It  
happens the other way around with flats as well.


I have to decide now whether to chuck the time I spent setting up  
this huge score and start over in 2k6 or stick with it and drag notes  
or apply the plug-in at the end (and put up with more problems, I hear).


Oddly, this is the bug that's bothered me the most in 10 years of  
using Finale.


(bug has been reported to MM, by the way)


On Sep 23, 2006, at 11:36 AM, Rich Caldwell wrote:
I never really thought of how Finale thinks of the notes.  I just  
know that I more often work in atonal work, where I'd be clicking  
and dragging notes all over the place if that were the only  
solution.  I prefer to keep my hands on the keyboards - a lot quicker.


For now, I'll enter the notes with 'favor sharps' on until Finale  
fixes this.  I wonder what broke it?


On Sep 23, 2006, at 11:02 AM, dhbailey wrote:


I can't force the natural on the D -- it appears by default and  
when I hit the * key the natural disappears.  With the natural  
showing, if the first note is changed to C# by whatever method,  
the natural disappears, as it should.  Interestingly enough,  
though, with that enharmonic flip in place, you can't force the  
natural at all.


Another reason not to use the enharmonic flip, but simply drag the  
note and have Finale actually change the underlying data.


Remember, the enharmonic flip isn't changing the data, it's simply  
changing the way the data is displayed onscreen.  Internally, a Db  
is a Db is a Db, even when the program is told to display it as a C#.


If you drag it to a C and add the sharp, then the data really IS C#.

David


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Re: [Finale] Was: Pdf to potential performer - advice needed

2006-09-23 Thread John Howell

At 8:03 AM -0400 9/23/06, dhbailey wrote:


I'm not a copyright lawyer, but to the best of my understanding the 
following is true:


In the US, accredited educational institutions are exempt from 
performance royalties, if the performances occur during the normal 
school hours and are a part of the curriculum.  Evening 
performances, things billed as concerts are still required to pay 
performance royalties.


There may have been a court case with this outcome, but this is NOT 
in the Fair Use Guidelines.  The wording is something like, 
performance in the normal course of instruction, but nowhere is the 
time of day specified.  If an evening performance is normal it 
would be covered.  The exemption is not tied to actual classroom use, 
as are some of the other provisions.  What the publishers wanted to 
do was to close the loophole in the 1909 law that only allowed them 
to collect performance royalties in for-profit situations, a 
situation which led my father and most other school chorus, band and 
orchestra directors to go to a suggested donation format for 
admissions.  (Well, the real reason AT THE TIME was to avoid the 
entertainment tax levied to help pay for WW 2, but the result was the 
same.)


Some of the restrictions on this exemption are that admission not be 
charged, or if it is charged the proceeds be used only for 
educational or charitable purposes, and that no one profit from the 
performances, including guest artists.  Those provisions alone 
suggest that it is exactly concert performances that are meant.


An interesting gotcha in the Guidelines is that the exemption 
applies only to non-profit educational institutions, which if taken 
literally means that private, for-profit schools are NOT exempt from 
paying performance royalties.  That's the kind of thing that lurks in 
the background until a court case results in an interpretation of the 
law, or in this case of the Guidelines agreed to by the Music 
Publishers Association.


You might be thinking about the religious exemption, which exempts 
performances in the course of religious services but does not exempt 
performances that simply use the church's facilities without their 
being a religious service, and which quite often do take place in the 
evening.


And like David, I'm not an attorney, just a musician trying to puzzle 
out this whole mess!!


John


--
John  Susie Howell
Virginia Tech Department of Music
Blacksburg, Virginia, U.S.A 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
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Re: [Finale] Finale 2007 and JW Space Systems

2006-09-23 Thread Robert Patterson
I have added a couple of free downloads to my download site. These are 
updates of some of Jari Williamsson's things, which I hope he won't mind 
if I host. (I'll take them down if he does.)


Right now, there are 2 items: the last Mac PDKTools (v2.16) and a 
Universal Binary version of JW Space Systems. The latter does not 
require PDKTools.


--
Robert Patterson

http://RobertGPatterson.com
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Re: [Finale] Is there a COPYING problem in 2007?

2006-09-23 Thread Christopher Smith


On Sep 23, 2006, at 12:36 PM, Kim Richmond wrote:

I'm sure this has been covered, or at least mentioned, recently, so  
excuse me for asking this.
	Is there a wrinkle in the copying process in Fin2007? Can we  
longer highlight the bar we want copied, then option-shift-click  
the target area? If so, is there a combination to replace it? Do we  
now drag everything (or copy and paste)?
	I don't have 2007 yet, but one of my students has it and the  
option-shift-click combination doesn't work on her Mac.

All the best,
KIM R


As far as I can tell, everything is fine there. There is one little  
change we saw where you can't overlap the source section with the  
target section any more, but other than that, all is the same.


Christopher



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Re: [Finale] Pdf to potential performer - advice needed

2006-09-23 Thread Don Hart
Thanks to everyone who chipped in on this topic.  I received a number of
takes on how to handle my situation, which is so often the case on this
list.  This always seems to help sort things out and, at least this time, I
feel like I haven't overlooked anything important.

I decided to go the route Noel suggested and send pdfs of several pages of
the score and one of the parts, and quote my best take on a market price for
the score if he has further interest.  I decided not to use a watermark this
time around because, apparently, I don't own the necessary software, and I
was able handle (and deliver) Noel's suggestion in a more timely fashion.  I
may check that option out another time.

FYI, I'll answer some of John Howell's queries.
 
 1.  Is this artist a conductor, and instrumental soloist, a vocal
 soloist, a chamber musician?

instrumental soloist - classical mandolinist
 
 2.  For what forces is your composition written?

The piece is a chamber orchestra work for 2 mondolin soloists, guitar and
strings.
 
 3.  Do you have a demo to send, even if it is only a MIDI demo?

I have a live recording of a Nashville Chamber Orchestra performance, which
I offered when I sent the pdfs.  The NCO commissioned the piece and have
programmed it three times, the third of which is coming up Oct. 14 in the
new Schermerhorn Symphony Center here in Nashville.
 
 4.  Are you a member of ASCAP, BMI, or SESAC (which would take care
 of the performance rights question)?

Yes - ASCAP
 
 5.  When you say yet unpublished what is the possibility of
 publication in the future, and if you are in negotiation with a
 publisher would this have any negative effect on that negotiation?

I haven't pursued publication, but may try to do that if I don't decide to
sell it myself on line. I didn't think this potential sale or another
performance would adversely affect a publishing deal though, and would have
thought that, if anything, it just might help.
 
 One thought I had was to put some sort of watermark, or the like, on several
 pages of the score.  Has anyone done this?  Is there some way to do this in
 Finale so that it would show up and print out in pdf form?
 
 And this would accomplish what?  I don't mean at all to be sarcastic,
 but I see no advantage to you in any way.  Perhaps I don't understand
 your use of the word watermark, which is certainly NOT a watermark
 at all in the historical sense.

I had in mind David Bailey's recent understanding of the term watermark, not
the traditional definition, which I think you are referring to.  It all
depends on how badly someone wants to steal something; deterrents can only
go so far.

Don Hart

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[Finale] Tan: Henle engraving video

2006-09-23 Thread Randolph Peters
If you want to see music engraving done old school, there is a 
fascinating video at this URL:


http://www.henle.de/video/vollversion/Notenstich_E.wmv

-Randolph Peters
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Re: [Finale] Finale 2007 and JW Space Systems

2006-09-23 Thread Darcy James Argue

Thanks Robert. Much obliged.

- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY



On 23 Sep 2006, at 1:32 PM, Robert Patterson wrote:

I have added a couple of free downloads to my download site. These  
are updates of some of Jari Williamsson's things, which I hope he  
won't mind if I host. (I'll take them down if he does.)


Right now, there are 2 items: the last Mac PDKTools (v2.16) and a  
Universal Binary version of JW Space Systems. The latter does not  
require PDKTools.


--
Robert Patterson

http://RobertGPatterson.com
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Re: [Finale] Is there a COPYING problem in 2007?

2006-09-23 Thread Darcy James Argue

Chris,

The little change is exactly what Kim was writing about -- Can we  
longer highlight the bar we want copied, then option-shift-click the  
*target* [emphasis added] area?


The answer is no. This is an incredibly annoying bug. MM are aware  
of it, but it couldn't hurt to write them and add your voice to those  
requesting a fix for maintenance.


Drag-copy doesn't work within the selected area either. You must cut,  
then select your target area, and paste. (Shift-left arrow can be  
helpful here.)


I don't consider this a little change by any means. It's a huge  
productivity-killer for me.


- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY



On 23 Sep 2006, at 2:05 PM, Christopher Smith wrote:



On Sep 23, 2006, at 12:36 PM, Kim Richmond wrote:

I'm sure this has been covered, or at least mentioned, recently,  
so excuse me for asking this.
	Is there a wrinkle in the copying process in Fin2007? Can we  
longer highlight the bar we want copied, then option-shift-click  
the target area? If so, is there a combination to replace it? Do  
we now drag everything (or copy and paste)?
	I don't have 2007 yet, but one of my students has it and the  
option-shift-click combination doesn't work on her Mac.

All the best,
KIM R


As far as I can tell, everything is fine there. There is one little  
change we saw where you can't overlap the source section with the  
target section any more, but other than that, all is the same.


Christopher



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Re: [Finale] Tan: Henle engraving video

2006-09-23 Thread Richard Yates
Great video. It makes our complaints seem petty and pathetic. 

Richard Yates

 http://www.henle.de/video/vollversion/Notenstich_E.wmv
 -Randolph Peters

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Re: [Finale] Is there a COPYING problem in 2007?

2006-09-23 Thread Darcy James Argue

Oops,

I read much too hastily and mentally inserted words into Kim's post  
that were not there!


To answer Kim's question:

Opt-shift-click and opt-click still work, but only if your target  
measure is *oustside* the selected area. If the target measure is  
*within* the selected area, the copy operation won't work. (Neither  
will drag and drop.)


Hope that clears things up.

Cheers,

- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY



On 23 Sep 2006, at 5:30 PM, Darcy James Argue wrote:


Chris,

The little change is exactly what Kim was writing about -- Can  
we longer highlight the bar we want copied, then option-shift-click  
the *target* [emphasis added] area?


The answer is no. This is an incredibly annoying bug. MM are  
aware of it, but it couldn't hurt to write them and add your voice  
to those requesting a fix for maintenance.


Drag-copy doesn't work within the selected area either. You must  
cut, then select your target area, and paste. (Shift-left arrow can  
be helpful here.)


I don't consider this a little change by any means. It's a huge  
productivity-killer for me.


- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY



On 23 Sep 2006, at 2:05 PM, Christopher Smith wrote:



On Sep 23, 2006, at 12:36 PM, Kim Richmond wrote:

I'm sure this has been covered, or at least mentioned, recently,  
so excuse me for asking this.
	Is there a wrinkle in the copying process in Fin2007? Can we  
longer highlight the bar we want copied, then option-shift-click  
the target area? If so, is there a combination to replace it? Do  
we now drag everything (or copy and paste)?
	I don't have 2007 yet, but one of my students has it and the  
option-shift-click combination doesn't work on her Mac.

All the best,
KIM R


As far as I can tell, everything is fine there. There is one  
little change we saw where you can't overlap the source section  
with the target section any more, but other than that, all is the  
same.


Christopher



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Re: [Finale] Tan: Henle engraving video

2006-09-23 Thread Chuck Israels

Astounding!

Chuck


On Sep 23, 2006, at 2:27 PM, Richard Yates wrote:


Great video. It makes our complaints seem petty and pathetic.

Richard Yates


http://www.henle.de/video/vollversion/Notenstich_E.wmv

 -Randolph Peters

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Chuck Israels
230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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[Finale] TG tools

2006-09-23 Thread Dean M. Estabrook
A couple of days ago I downloaded the new TG tools stuff from the URL  
suggested. Now none of my TG tools work.  I'm on FinMac 2007. I tried  
the Opt/Control R click process, but it didn't work.  Any thoughts?


Dean

Dean M. Estabrook
[EMAIL PROTECTED]

Have you ever heard of an eleven or thirteen step program?



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Re: [Finale] TG tools

2006-09-23 Thread Leigh Daniels
I downloaded them about the same time as you and mine are working fine;
at least harmonics and Alt. Bass are. I Select the desired measures and
use the TGTools menu items, though.

Maybe there is a prefs file you need to delete or a older .bundle file
that didn't get replaced.

**Leigh

On Sat, Sep 23, 2006, Dean M. Estabrook [EMAIL PROTECTED] wrote:

A couple of days ago I downloaded the new TG tools stuff from the URL  
suggested. Now none of my TG tools work.  I'm on FinMac 2007. I tried  
the Opt/Control R click process, but it didn't work.  Any thoughts?

Dean

Dean M. Estabrook
[EMAIL PROTECTED]

Have you ever heard of an eleven or thirteen step program?



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Re: [Finale] Is there a COPYING problem in 2007?

2006-09-23 Thread Don Hart
Hi Kim,

If you're coming from 2005 or earlier, a new behavior in the program is that
copying with opt/shift/click automatically brings up the Items to Copy
dialog box, which is handy once you get used to it.  Opt/click copies as
before, without bringing up the dialog.  Maybe that's the difference your
student noticed.

Don Hart


on 9/23/06 4:37 PM, Darcy James Argue at [EMAIL PROTECTED] wrote:

 Oops,
 
 I read much too hastily and mentally inserted words into Kim's post
 that were not there!
 
 To answer Kim's question:
 
 Opt-shift-click and opt-click still work, but only if your target
 measure is *oustside* the selected area. If the target measure is
 *within* the selected area, the copy operation won't work. (Neither
 will drag and drop.)
 
 Hope that clears things up.
 
 Cheers,
 
 - Darcy
 -
 [EMAIL PROTECTED]
 http://secretsociety.typepad.com
 Brooklyn, NY
 
 
 
 On 23 Sep 2006, at 5:30 PM, Darcy James Argue wrote:
 
 Chris,
 
 The little change is exactly what Kim was writing about -- Can
 we longer highlight the bar we want copied, then option-shift-click
 the *target* [emphasis added] area?
 
 The answer is no. This is an incredibly annoying bug. MM are
 aware of it, but it couldn't hurt to write them and add your voice
 to those requesting a fix for maintenance.
 
 Drag-copy doesn't work within the selected area either. You must
 cut, then select your target area, and paste. (Shift-left arrow can
 be helpful here.)
 
 I don't consider this a little change by any means. It's a huge
 productivity-killer for me.
 
 - Darcy
 -
 [EMAIL PROTECTED]
 http://secretsociety.typepad.com
 Brooklyn, NY
 
 
 
 On 23 Sep 2006, at 2:05 PM, Christopher Smith wrote:
 
 
 On Sep 23, 2006, at 12:36 PM, Kim Richmond wrote:
 
 I'm sure this has been covered, or at least mentioned, recently,
 so excuse me for asking this.
 Is there a wrinkle in the copying process in Fin2007? Can we
 longer highlight the bar we want copied, then option-shift-click
 the target area? If so, is there a combination to replace it? Do
 we now drag everything (or copy and paste)?
 I don't have 2007 yet, but one of my students has it and the
 option-shift-click combination doesn't work on her Mac.
 All the best,
 KIM R
 
 As far as I can tell, everything is fine there. There is one
 little change we saw where you can't overlap the source section
 with the target section any more, but other than that, all is the
 same.
 
 Christopher
 
 
 
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Re: [Finale] Pdf to potential performer - advice needed

2006-09-23 Thread David W. Fenton
On 23 Sep 2006 at 14:51, Don Hart wrote:

 I decided not to use a watermark this
 time around because, apparently, I don't own the necessary software

The free editing tools from pdf995.com can do a watermark through its 
stationery feature.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/

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Re: [Finale] Pdf to potential performer - advice needed

2006-09-23 Thread Don Hart
I checked the page out and couldn't find any mention of support for Mac.
Otherwise, I'd definitely be interested.

Does anyone know of a similar product (free) for the mac?

Thanks,

Don Hart


on 9/23/06 8:42 PM, David W. Fenton at [EMAIL PROTECTED] wrote:

 On 23 Sep 2006 at 14:51, Don Hart wrote:
 
 I decided not to use a watermark this
 time around because, apparently, I don't own the necessary software
 
 The free editing tools from pdf995.com can do a watermark through its
 stationery feature.

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Re: [Finale] Tan: Henle engraving video

2006-09-23 Thread ThomaStudios

Absolutely fascinating!!

J D  Thomas
ThomaStudios

On Sep 23, 2006, at 2:11 PM, Randolph Peters wrote:

If you want to see music engraving done old school, there is a  
fascinating video at this URL:


http://www.henle.de/video/vollversion/Notenstich_E.wmv

-Randolph Peters
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Re: [Finale] Pdf to potential performer - advice needed

2006-09-23 Thread Noel Stoutenburg

Don Hart wrote:

I decided not to use a watermark this
time around because, apparently, I don't own the necessary software, and I
was able handle (and deliver) Noel's suggestion in a more timely fashion.
The last two _printers_ that I used extensively for Finale both had a 
watermark option as part of the printer software.  The printers in 
question were an Epson 1120 inkjet, and a Ricoh Aficio 610 N laser 
printer.  I haven't used the feature in either system (Although I seem 
to remember using it once on the Epson, just to get a feel for how it 
worked; but the Epson failed about a year ago, so I don't remember for 
certain, now.)


So my advice is to check your printer software, and see if some sort of 
a watermark is not supported there.


As far as an alternative that runs on MAC for pdf995, I prefer the 
Ghostscript / Ghostview combination.  These are open source packages 
that do run on the MAC. 


ns

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Re: [Finale] TG tools

2006-09-23 Thread Dean M. Estabrook
Hey, thanks. I think I stumbled upon the correct icons to click, and  
it seemed to work ok.  I'll test it out some more and see.


Dean

On Sep 23, 2006, at 4:12 PM, Leigh Daniels wrote:

I downloaded them about the same time as you and mine are working  
fine;
at least harmonics and Alt. Bass are. I Select the desired measures  
and

use the TGTools menu items, though.

Maybe there is a prefs file you need to delete or a older .bundle file
that didn't get replaced.

**Leigh

On Sat, Sep 23, 2006, Dean M. Estabrook [EMAIL PROTECTED] wrote:


A couple of days ago I downloaded the new TG tools stuff from the URL
suggested. Now none of my TG tools work.  I'm on FinMac 2007. I tried
the Opt/Control R click process, but it didn't work.  Any thoughts?

Dean

Dean M. Estabrook
[EMAIL PROTECTED]

Have you ever heard of an eleven or thirteen step program?



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Dean M. Estabrook
[EMAIL PROTECTED]

Have you ever heard of an eleven or thirteen step program?



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Re: [Finale] Tan: Henle engraving video

2006-09-23 Thread Dean M. Estabrook
I started to open the URL, but it was taking so long, I gave up.   
Maybe I'll relax and try again.


Dean

On Sep 23, 2006, at 7:10 PM, ThomaStudios wrote:


Absolutely fascinating!!

J D  Thomas
ThomaStudios

On Sep 23, 2006, at 2:11 PM, Randolph Peters wrote:

If you want to see music engraving done old school, there is a  
fascinating video at this URL:


http://www.henle.de/video/vollversion/Notenstich_E.wmv

-Randolph Peters
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Have you ever heard of an eleven or thirteen step program?



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