Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Johannes Gebauer

On 23.02.2007 Darcy James Argue wrote:

The default Mixer setting is determined by Finale. I believe it used to be lower when 
using GPO instruments (in Fin2006a and up), but for some reason it got set back to 
101 again for Finale 2007, which is much too high. Strictly speaking, this is 
a Finale problem, not a Garritan problem, though I agree that the two companies could do 
a much better job of trying to get their products to work together for better 
out-of-the-box results.


I wasn't blaming GPO.


The Ambience reverb is actually a third-party product licensed by Garritan. I 
have no idea why the default presets are so poorly designed, but it's easy to 
create and save your own presets.


The point is, it should work out of the box. It doesn't. It's poor 
design, and it is too much hassle for me to even get a reasonable result 
most of the time. So I rarely use GPO. Once a year at most.


Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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Re: [Finale] Army Music (Way OT)

2007-02-23 Thread dhbailey
But in the U.S. Army the flag isn't lowered or raised without the bugle 
call To The Colors.


Retreat just signals the end of the official day and the start of 
evening activities.


David H. Bailey



Michael Pilgrim wrote:

http://www.usscouts.org/mb/bugle_calls.html

To the Colors seems a little perky.

Perhaps it was Retreat (signaling the end of the official day)?

Hope you find it.

Mike Pilgrim
(at the end of his official day)




At 03:53 PM 2/22/2007 -0800, you wrote:


Among many repressible memories of my days at Ft. Ord, CA ... I can
remember that, at that post at least, stopping what ever training we
were doing at 1700, I believe, to face the direction of the nearest
American flag and listening to music while it was lowered.  I can't
remember if it was a particular bugle call, or the National Anthem. I
know it was not Taps, 'cause that came later, just before lights out,
when I would always shout out, The thinking lamp is now lit!  (not
popular with the platoon sgt.). I just recall it being a gentle,
calming experience after a long day of running up and down sand
hills, and inserting my bayonet into the rubber ribs of a dummy.
Anybody remember what said music was?

Dean M. Estabrook
http://deanestabrook.googlepages.com/home

Power embraces greed and abjurs justice





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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Darcy James Argue

Hi Johannes,

I basically agree, and this is something I've been trying to impress  
upon Tom and Gary. But their vision of the typical GPO customer is  
very different from yours and mine. The library is beloved by  
sequencer-based tweakers because it's inexpensive and highly  
customizable. At the same time, it's an uneasy fit with notation  
software because of many of the problems you describe. Robert P.'s  
Human Playback goes a long way towards bridging the gap, but he can't  
do everything. At some point (hopefully sooner rather than later),  
Garritan have to get serious about making their products (or at  
least, the Notation versions) work better out of the box, and  
MakeMusic need to meet them halfway.


However, this is one area where Finale is actually currently much  
better than Sibelius. It would be nice to see MM try to widen their  
lead in the areas where they have a lead, rather than always trying  
to play catch-up.


- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 23 Feb 2007, at 5:38 AM, Johannes Gebauer wrote:

The point is, it should work out of the box. It doesn't. It's poor  
design, and it is too much hassle for me to even get a reasonable  
result most of the time.

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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread dhbailey

Darcy James Argue wrote:
[snip]
However, this is one area where Finale is actually currently much better 
than Sibelius. It would be nice to see MM try to widen their lead in the 
areas where they have a lead, rather than always trying to play catch-up.

[snip]

Yes, indeed.  GPO for Sibelius is an extra-cost add-on currently.  I'm 
sure Sibelius is close to version 5 (it's been a year and a half since 
version 4, and that came out a year and a half after version 3), so it 
will be very interesting to see if they wrap SibGPO into the package, 
and will also be interesting to see how the integrate it.


Of course, Sibelius was already interlocked with Kontakt, offering 
Kontakt Silver as a playback engine included with the package and 
Kontakt Gold as an extra-cost upgrade, so apparently adding GPO is a 
fairly easy thing, but I don't think many Sib users have made the 
plunge.  At least there hasn't been much discussion of it on the Sib list.


I agree that MM should try to widen their leads over Sib in those areas 
where it has the leads, and they should publicize those things.  Not in 
a We're better than Sibelius in these ways . . . but in a more generic 
The leading notation software package should be able to do the 
following, and Finale can do all that right out of the box.  No other 
notation software can make that claim.  Then they should list all the 
things Finale can do which Sibelius can't do.


No matter how much I like GPO or not, I will admit that when I have used 
it (for small ensembles, not having a computer with enough power to do a 
full score with GPO) it has been easy and done well.


Another way I have found to prevent clipping in GPO is to simply lower 
the output volume on my soundcard by using the speaker icon in the 
systray.  It's always visible and easy to adjust.




--
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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Darcy James Argue

On 23 Feb 2007, at 6:14 AM, dhbailey wrote:

Another way I have found to prevent clipping in GPO is to simply  
lower the output volume on my soundcard by using the speaker icon  
in the systray.  It's always visible and easy to adjust.


That's not generally an effective way to solve the problem. In fact,  
if the output volume from FInale+GPO is already where you want it,  
you will generally want to INCREASE your system volume (or external  
speaker volume) to make up for the corresponding decrease in Finale's  
mixer.


Even when my system volume is up all the way, Fin+GPO doesn't clip.  
But when the volume in Finale's Mixer is set above 80, lowering the  
system volume doesn't do anything to solve the clipping problem -- it  
will clip even at the softest setting.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread verngraham
As I have been doing almost nothing with Finale for the past year but
trying to get a handle on the Garritan/Finale experience, here's my take.
(Yes; there is a master fader on the Mixer; see under the View menu) A lot
of the problem I found with balance and levels is in the creation of the
Finale doc, when you assign the staff  score expressions (dynamics), also
the slurs do have an impact, and naturally the hairpins, which have a
global setting under the Human Playback window. What I have found gives
you more flexibility and control is to set the basic velocity for all
staves at 64; leave the Finale defaults for velocity where they are on all
the expressions. Set the HP hairpin percentage to somewhere between 19 and
30 percent, depending on the charachter of your piece and how short or
long the length of your hairpins are. When necessary, go into the midi
tool and edit velocities on individual notes. Keep the channel volume at
101 for most staves, and do not exceed! This will likely cause some nasty
clipping when it gets to a busy section of the score. Generally, it is
more helpful to keep them all the same and adjust the dynamics of the
individual staves via expressions and hairpins, etc., and as the very last
compensation for balance, if need be, change your output volume setting
(lower, never above 101). (Unfortunately, the channel LED volume indicator
is not sensitive enough to respond to small incremental increases in
volume, so you can't judge by their activity whether or not the levels are
approaching too hot; there is also no clip indicator anywhere in Finale to
let you know you've hit the ceiling. When the default expressions (mf, mp,
etc.) are not appropriate for what's desired, (either to much or too
little), create a copy and change the name from mp to poco mp and drop
the velocity value to split the difference between p and mp. It helps
control the spiking of the levels and will actually give you more of a
subtle realistic change in dynamics overall. Above all else, realize that
4 trumpets in the upper third of their range at pp would likely be equal
to a several winds at mp, and the density of the score has caused me to go
back and lower dynamic levels all over the place to get the desired
balance. I used to start off a lot of the stuff I've been working on with
a mf marking, thinking that a moderate volume was what I would get.
However, the velocity has a dramatic effect on the timbre of the Garritan
samples, and there being no EQ in Finale to bring out any of the upper mid
or higher frequencies, a lot of the sound is muffled, so you do not get a
realistic idea of the potency of the dynamic you have assigned. I have to
output everything as a sound file (sometimes one staff at a time, SAVE AS
SPECIAL .wav, .iaff reverses the stereo imaging somehow) and import into
Soundtrack or some audio editing software (Logic, etc.), apply some EQ and
then listen to find out what I need to go back and change in Finale. For a
while, I didn't get picayune in the Finale doc, assuming I could fix in
the mix, but that just doesn't work and becomes extremely labor intensive
with generally unsatisfactory results. The unwelcome news is while in
Finale, you need to solve all problems, sometimes on a note by note basis
(with the midi tool to edit velocities and durations) to really make the
resultant performance sound even close to real.
There is also another phenomenon with playback that can lead you believe
that the sound is clipping: How much music are your attempting to play and
how jammed is the CPU on your computer? If you have reverb enabled, it
also make huge demands on the computer and will cause clicks and
distortion if the brain is getting overwhelmed with data. This combo of
Finale  Garritan is ram hungry, and CPU intensive. I am using a pre-Intel
Mac G5 Dual Core 2.0 Ghz with 5.5 GB of ram, and the CPU gets loaded at
around 80% (and the sound starts deteriorating badly) when I try to play
back a busy 12-piece ensemble (with the reverb quality set low so as to
conserve processing power). I can't play a complete orchestration for
symphony sized ensemble with out complete deterioration where there is any
appreciable activity in all the sections. After much consultation with
Native Instruments, Make Music, Apple, Berkelee College music dept., and
Gary Garritan, the standard practice is to freeze tracks and import the
saved files into an audio software app. as I described above. The other
alternative is to do what I was told they do in Hollywood for film work;
daisy chain/network several high powered PC's/Macs together, each one
taking a part of the processing tasks to get real-time live playback.
By the way, for all this is have been using Finale 2K6, sys software
10.4.6, and I have had insurmountable problems with Fin 2K7 playback which
I have yet to solve with MakeMusic (in the process now; it crashes
repeatedly while loading the Garritan samples, and if they do successfully
load, playback is 

Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread verngraham
Please: can we all arrange to have a sit down meeting with Gary, whomever
is the power at MakeMusic, and a rep from NI and testify to what is need
to propel this method of composing and creating digital realizations to
the absolute top of the mountain? The potential is astounding, and much
can be done now, but it is unpredictable, labor intensive, and generally
very frustrating. If these issues were addressed head on and improved or
eliminated, this would be the ultimate platform for notation and
recording! (I already told MakeMusic they should start a partnership with
Apple to provide a notation interface for GarageBand and increase the
Finale user base by zillions. This would also challenge Garritan  NI to
work harder with MM to stay in the game.)

 Hi Johannes,

 I basically agree, and this is something I've been trying to impress
 upon Tom and Gary. But their vision of the typical GPO customer is
 very different from yours and mine. The library is beloved by
 sequencer-based tweakers because it's inexpensive and highly
 customizable. At the same time, it's an uneasy fit with notation
 software because of many of the problems you describe. Robert P.'s
 Human Playback goes a long way towards bridging the gap, but he can't
 do everything. At some point (hopefully sooner rather than later),
 Garritan have to get serious about making their products (or at
 least, the Notation versions) work better out of the box, and
 MakeMusic need to meet them halfway.

 However, this is one area where Finale is actually currently much
 better than Sibelius. It would be nice to see MM try to widen their
 lead in the areas where they have a lead, rather than always trying
 to play catch-up.

 - Darcy
 -
 [EMAIL PROTECTED]
 Brooklyn, NY



 On 23 Feb 2007, at 5:38 AM, Johannes Gebauer wrote:

 The point is, it should work out of the box. It doesn't. It's poor
 design, and it is too much hassle for me to even get a reasonable
 result most of the time.
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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Johannes Gebauer

On 23.02.2007 [EMAIL PROTECTED] wrote:

(I already told MakeMusic they should start a partnership with
Apple to provide a notation interface for GarageBand and increase the
Finale user base by zillions. This would also challenge Garritan  NI to
work harder with MM to stay in the game.)



I really do not want any of this. The result of this would undoubtedly 
be a living room music printing thing which would be utterly useless for 
serious engraving. That in itself wouldn't be a problem, but this would 
also mean that MakeMusic will spend development time on this thing, 
withdrawing even more from the serious Finale. It would also introduce 
even more bugs into the common code base, and we really have enough of 
those already.


The Finale user base would not be increased by anything like this.

Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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[Finale] TAN: Distiller problems

2007-02-23 Thread Johannes Gebauer

Is it normal that Distiller includes fonts many many times in the
resulting PDFs, even though I specifically told it to not include subsets?

Also can one of you Acrobat experts tell me a setting which will work
for publication ready PDFs?

I used to use PStill, and actually prefer it by far over Acrobat, but I
just found a rather major problem with it (the New Century Schoolbook
letter o is always distorted, no matter what i do).

Johannes


--
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http://www.camerata-berolinensis.de

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Re(2): [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Leigh Daniels
Darcy,

Thanks for the reminder about the Mixer window and your tutorial. It's
clearly time to re-read it. Pulling down the Master did the trick.

Vern,

Your suggestions were also helpful. I'm not going for total realism,
just renderings of sketches for myself and my musicians.

I was very glad to hear that you were also having frequent crashes with
2007. I've had them too and already wasted a lot of time dealing with them.

What's the easiest way to go back to 2006 from 2007?

**Leigh

On Fri, Feb 23, 2007, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:

By the way, for all this is have been using Finale 2K6, sys software
10.4.6, and I have had insurmountable problems with Fin 2K7 playback which
I have yet to solve with MakeMusic (in the process now; it crashes
repeatedly while loading the Garritan samples, and if they do successfully
load, playback is unpredictable and it crashes during editing of the
notes, playback, or sometimes just doing a Save. not even a little bit
fun.), so I have stayed with 2K6 as it works like a charm.



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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread verngraham
Johannes: I have to agree; it was a unenlightened suggestion; as you say,
more living room stuff is not what's needed, but a serious professional
high end FUNCTIONING system would be brilliant and without equal.

 On 23.02.2007 [EMAIL PROTECTED] wrote:
 (I already told MakeMusic they should start a partnership with
 Apple to provide a notation interface for GarageBand and increase the
 Finale user base by zillions. This would also challenge Garritan  NI to
 work harder with MM to stay in the game.)


 I really do not want any of this. The result of this would undoubtedly
 be a living room music printing thing which would be utterly useless for
 serious engraving. That in itself wouldn't be a problem, but this would
 also mean that MakeMusic will spend development time on this thing,
 withdrawing even more from the serious Finale. It would also introduce
 even more bugs into the common code base, and we really have enough of
 those already.

 The Finale user base would not be increased by anything like this.

 Johannes
 --
 http://www.musikmanufaktur.com
 http://www.camerata-berolinensis.de
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 http://lists.shsu.edu/mailman/listinfo/finale



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Re: Re(2): [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread verngraham
I never took 2K6 off the machine, and I didn't uninstall 2K7 as I intend
to start installing the revs until I can get it to work well, but there's
no way to rescue your 2K7 docs and get them to open in Fin 2K6, as far as
I know. I don't think saving in 2K7 as an ETF file will work either.
Anyone have any insights here?


 Darcy,

 Thanks for the reminder about the Mixer window and your tutorial. It's
 clearly time to re-read it. Pulling down the Master did the trick.

 Vern,

 Your suggestions were also helpful. I'm not going for total realism,
 just renderings of sketches for myself and my musicians.

 I was very glad to hear that you were also having frequent crashes with
 2007. I've had them too and already wasted a lot of time dealing with
 them.

 What's the easiest way to go back to 2006 from 2007?

 **Leigh

 On Fri, Feb 23, 2007, [EMAIL PROTECTED]
 [EMAIL PROTECTED] wrote:

By the way, for all this is have been using Finale 2K6, sys software
10.4.6, and I have had insurmountable problems with Fin 2K7 playback
 which
I have yet to solve with MakeMusic (in the process now; it crashes
repeatedly while loading the Garritan samples, and if they do
 successfully
load, playback is unpredictable and it crashes during editing of the
notes, playback, or sometimes just doing a Save. not even a little bit
fun.), so I have stayed with 2K6 as it works like a charm.



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RE: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Williams, Jim
They are well aware of the issue on both sides.



From: [EMAIL PROTECTED]
Sent: Fri 23-Feb-07 9:49
To: finale@shsu.edu
Subject: Re: [Finale] FinMac 2007c Playback Level Too High


Please: can we all arrange to have a sit down meeting with Gary, whomever
is the power at MakeMusic, and a rep from NI and testify to what is need
to propel this method of composing and creating digital realizations to
the absolute top of the mountain? The potential is astounding, and much
can be done now, but it is unpredictable, labor intensive, and generally
very frustrating. If these issues were addressed head on and improved or
eliminated, this would be the ultimate platform for notation and
recording! (I already told MakeMusic they should start a partnership with
Apple to provide a notation interface for GarageBand and increase the
Finale user base by zillions. This would also challenge Garritan  NI to
work harder with MM to stay in the game.)

 Hi Johannes,

 I basically agree, and this is something I've been trying to impress
 upon Tom and Gary. But their vision of the typical GPO customer is
 very different from yours and mine. The library is beloved by
 sequencer-based tweakers because it's inexpensive and highly
 customizable. At the same time, it's an uneasy fit with notation
 software because of many of the problems you describe. Robert P.'s
 Human Playback goes a long way towards bridging the gap, but he can't
 do everything. At some point (hopefully sooner rather than later),
 Garritan have to get serious about making their products (or at
 least, the Notation versions) work better out of the box, and
 MakeMusic need to meet them halfway.

 However, this is one area where Finale is actually currently much
 better than Sibelius. It would be nice to see MM try to widen their
 lead in the areas where they have a lead, rather than always trying
 to play catch-up.

 - Darcy
 -
 [EMAIL PROTECTED]
 Brooklyn, NY



 On 23 Feb 2007, at 5:38 AM, Johannes Gebauer wrote:

 The point is, it should work out of the box. It doesn't. It's poor
 design, and it is too much hassle for me to even get a reasonable
 result most of the time.
 ___
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 Finale@shsu.edu
 http://lists.shsu.edu/mailman/listinfo/finale



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Re: [Finale] TAN: Distiller problems

2007-02-23 Thread Dennis Bathory-Kitsz
At 04:04 PM 2/23/2007 +0100, Johannes Gebauer wrote:
Is it normal that Distiller includes fonts many many times in the
resulting PDFs, even though I specifically told it to not include subsets?

Did you print to PS or compile Postscript?

Now that compile Postscript works in Windows on special sizes (9.25x12.17),
the resulting files are compact, and Distilling them with Ghostscript
produces small PDFs. It still appears the fonts are shown multiple times in
the Postscript, but the resulting PDF has them only one time each.

On the other hand, in printing to Postscript and distilling, the PDF files
can be huge. I have no idea if these sizes are caused by multiple font embeds.

Dennis




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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Darcy James Argue
It's no secret that Garritan are planning their own sample playback  
software, as an alternative to/replacement for the Kontakt Player. If  
they pull it off, this could be a very good thing. Having fewer  
companies involved makes integration easier, and Native Instruments  
software has been nothing but trouble from the start, especially on  
the Mac.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 23 Feb 2007, at 10:26 AM, Williams, Jim wrote:


They are well aware of the issue on both sides.



From: [EMAIL PROTECTED]
Sent: Fri 23-Feb-07 9:49
To: finale@shsu.edu
Subject: Re: [Finale] FinMac 2007c Playback Level Too High


Please: can we all arrange to have a sit down meeting with Gary,  
whomever
is the power at MakeMusic, and a rep from NI and testify to what is  
need
to propel this method of composing and creating digital  
realizations to
the absolute top of the mountain? The potential is astounding, and  
much
can be done now, but it is unpredictable, labor intensive, and  
generally
very frustrating. If these issues were addressed head on and  
improved or

eliminated, this would be the ultimate platform for notation and
recording! (I already told MakeMusic they should start a  
partnership with

Apple to provide a notation interface for GarageBand and increase the
Finale user base by zillions. This would also challenge Garritan   
NI to

work harder with MM to stay in the game.)


Hi Johannes,

I basically agree, and this is something I've been trying to impress
upon Tom and Gary. But their vision of the typical GPO customer is
very different from yours and mine. The library is beloved by
sequencer-based tweakers because it's inexpensive and highly
customizable. At the same time, it's an uneasy fit with notation
software because of many of the problems you describe. Robert P.'s
Human Playback goes a long way towards bridging the gap, but he can't
do everything. At some point (hopefully sooner rather than later),
Garritan have to get serious about making their products (or at
least, the Notation versions) work better out of the box, and
MakeMusic need to meet them halfway.

However, this is one area where Finale is actually currently much
better than Sibelius. It would be nice to see MM try to widen their
lead in the areas where they have a lead, rather than always trying
to play catch-up.

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 23 Feb 2007, at 5:38 AM, Johannes Gebauer wrote:


The point is, it should work out of the box. It doesn't. It's poor
design, and it is too much hassle for me to even get a reasonable
result most of the time.

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Re: [Finale] TAN: Distiller problems

2007-02-23 Thread Johannes Gebauer

On 23.02.2007 Dennis Bathory-Kitsz wrote:

At 04:04 PM 2/23/2007 +0100, Johannes Gebauer wrote:

Is it normal that Distiller includes fonts many many times in the
resulting PDFs, even though I specifically told it to not include subsets?


Did you print to PS or compile Postscript?

Now that compile Postscript works in Windows on special sizes (9.25x12.17),
the resulting files are compact, and Distilling them with Ghostscript
produces small PDFs. It still appears the fonts are shown multiple times in
the Postscript, but the resulting PDF has them only one time each.

On the other hand, in printing to Postscript and distilling, the PDF files
can be huge. I have no idea if these sizes are caused by multiple font embeds.



Sorry, I should have mentioned I am on Mac, we don't have the PDF 
problems when printing to PS, or in fact using the Distiller printer driver.


Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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Re: [Finale] Army Music (Way OT)

2007-02-23 Thread Dean M. Estabrook
Ah, so there may have been two calls played ... that rings a distant  
bell in my brain. I don't recall how To the colors went at all,  
though.


Thanks,
Dean

On Feb 22, 2007, at 4:47 PM, dhbailey wrote:


David W. Fenton wrote:

On 22 Feb 2007 at 15:53, Dean M. Estabrook wrote:
Among many repressible memories of my days at Ft. Ord, CA ... I  
can remember that, at that post at least, stopping what ever  
training we were doing at 1700, I believe, to face the direction  
of the nearest American flag and listening to music while it was  
lowered.  I can't remember if it was a particular bugle call, or  
the National Anthem. I know it was not Taps, 'cause that came  
later, just before lights out, when I would always shout out,  
The thinking lamp is now lit!  (not popular with the platoon  
sgt.). I just recall it being a gentle, calming experience after  
a long day of running up and down sand hills, and inserting my  
bayonet into the rubber ribs of a dummy.  Anybody remember what  
said music was?

Er, retreat? That would be the appropriate bugle call, no?
  http://www.dfenton.com/images/Retreat.png
When I was the assistant music director for Illinois's Boys State  
program, we used a lovely 3-part arrangement of it. I don't recall  
who did it, but it was a tiny little booklet with all the bugle  
calls in it, written by an Army veteran.


At the end of the day it would be Retreat, followed by To The  
Colors as the flag was lowered.


--
David H. Bailey
[EMAIL PROTECTED]
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Power embraces greed and abjurs justice





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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Dean M. Estabrook
Second that ... the tutorial has saved me many hours of work. I find  
that the master volume on the mixer works best at no  more than about  
64.


Dean

On Feb 22, 2007, at 7:58 PM, Darcy James Argue wrote:


Hi Leigh,

In both Finale 2006 and 2007, there is a Mixer (Window - Mixer),  
where you can (and should) reduce the Master volume so GPO doesn't  
clip.


Just a friendly reminder that this is one of the tips I give in my  
Garritan Instruments tutorial, called GPOHP Tutorial  
Supplement.pdf, and found in your User Manual folder (provided you  
have an up-to-date version of Finale 2006 or Finale 2007).


Not to be too self-promotional, but I would recommend that anyone  
using Garritan instruments consult this document. Of course, I also  
welcome feedback about how to improve the tutorial for next year.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 22 Feb 2007, at 10:21 PM, Leigh Daniels wrote:


Hello All,

I've got a piece using the viola from full GPO and trombone, bass and
piano from JABB. When I play back the piece, the sections where the
music is the loundest (the viola and trombone are fff), the result is
too loud and I get clipping distortion.

Is there anything like a master fader that I could use to pull  
down the

overall output volume so it doesn't clip?

Thanks!

**Leigh


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Re: [Finale] Army Music (Way OT)

2007-02-23 Thread Dean M. Estabrook
You know, now I'm thinking it could have been To the colors, (now  
that I've seen a score), followed by the national anthem.  I  
appreciate all the responses.


Dean

On Feb 22, 2007, at 6:53 PM, Roger Cain wrote:




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On  
Behalf Of

Michael Pilgrim
Sent: Thursday, February 22, 2007 7:41 PM
To: finale@shsu.edu
Subject: Re: [Finale] Army Music (Way OT)

http://www.usscouts.org/mb/bugle_calls.html

To the Colors seems a little perky.

Perhaps it was Retreat (signaling the end of the official day)?

Hope you find it.

Mike Pilgrim
(at the end of his official day)




At 03:53 PM 2/22/2007 -0800, you wrote:


Among many repressible memories of my days at Ft. Ord, CA ... I can

..

Anybody remember what said music was?

Dean M. Estabrook
http://deanestabrook.googlepages.com/home

Power embraces greed and abjurs justice



Two Bugle Calls:

To the Color (singular): Parade Rest (as I recall)
And
Retreat: (attention  present arms)


Roger

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Re(4): [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Leigh Daniels
I answered my own question--deadlines do that! 

In 2007, I exported to MusicXML. In 2006, I re-created the meter
structure of the piece in a new document and imported the XML into
another new 2006 document. In 2006 I used the Mass Mover to drag the
parts to the appropriate staves from the XML document to the new
document with the recreated the meter structure. This worked well except
that the dynamics and some articulations (fermata, chord rolls) and the
chord symbols appeared in the wrong font. Everything else seemed fine.

These are minor inconveniences compared to all the crashing with 2007c.

**Leigh

On Fri, Feb 23, 2007, [EMAIL PROTECTED]
[EMAIL PROTECTED] wrote:

I never took 2K6 off the machine, and I didn't uninstall 2K7 as I intend
to start installing the revs until I can get it to work well, but there's
no way to rescue your 2K7 docs and get them to open in Fin 2K6, as far as
I know. I don't think saving in 2K7 as an ETF file will work either.
Anyone have any insights here?


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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread Dean M. Estabrook
Darcy ... I didn't catch it in the tutorial,  does it explain how to  
save the presets on the Ambiance Reverb?


Dean

On Feb 22, 2007, at 11:46 PM, Darcy James Argue wrote:


Hi Johannes,

The default Mixer setting is determined by Finale. I believe it  
used to be lower when using GPO instruments (in Fin2006a and up),  
but for some reason it got set back to 101 again for Finale 2007,  
which is much too high. Strictly speaking, this is a Finale  
problem, not a Garritan problem, though I agree that the two  
companies could do a much better job of trying to get their  
products to work together for better out-of-the-box results.


The Ambience reverb is actually a third-party product licensed by  
Garritan. I have no idea why the default presets are so poorly  
designed, but it's easy to create and save your own presets.


But at least you, as a PPC Mac user, can actually use Ambience!  
It's (still) not compatible with Intel Macs at all, and I have no  
idea if it ever will be.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 23 Feb 2007, at 2:26 AM, Johannes Gebauer wrote:


On 23.02.2007 Darcy James Argue wrote:
In both Finale 2006 and 2007, there is a Mixer (Window - Mixer),  
where you can (and should) reduce the Master volume so GPO  
doesn't clip.
Just a friendly reminder that this is one of the tips I give in  
my Garritan Instruments tutorial, called GPOHP Tutorial  
Supplement.pdf, and found in your User Manual folder (provided  
you have an up-to-date version of Finale 2006 or Finale 2007).


On the other hand it is a disgrace that clipping happens at all  
unless the fader is pulled down. It is not my main problem with  
GPO playback in Finale but it is one of those things which makes  
working with GPO playback a negative experience for me. I hardly  
ever use it these days because there are so many things which  
don't work out of the box.


To give just one more example: The Ambience reverb presets on the  
Mac all revert to 0% dry, 100% wet, 100% quality. The only way to  
use it is to set it to 100% dry and quality of no more than 50%  
(otherwise the processor explodes). Why do I have to set this  
every time myself?


Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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Re: [Finale] fermate on single-line percussion staves

2007-02-23 Thread Mark D Lew


On Feb 22, 2007, at 9:00 PM, Aaron Rabushka wrote:

It seems that every time I try to put a fermata on top of a single- 
line
percussion staff Finale moves it to the bottom of the staff by the  
time I
revisit it. I've set the articulation to use the top form  
regardless of
where the note is placed, and I still get the same result. Is there  
some

trick that I need to be aware of here?


Have you tried flipping the stem direction?  You should be able to  
place the fermata where you want regardless of stem, but that might  
be what's making it bounce around.  If it's a whole note or other  
stemless note, you wouldn't even see the stem, but the note is still  
assigned an up or down direction internally.


mdl
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[Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Darcy James Argue

Hey all,

I don't recall this topic being discussed on the Finale list before,  
so I thought I'd draw everyone's attention to it now:


Versions of Finale prior to MacFin2006d CANNOT be registered on Intel- 
based Macs. That means that if you purchase a new Mac (as I recently  
did), you cannot run Finale 2005 or 2004 on it.


I knew that I would be unable to run versions of Finale prior to  
Finale 2004 because of the lack of Classic support on Intel Macs, but  
the inability to run Fin2004 and Fin2005 is *entirely* due to  
MakeMusic's copy protection scheme. If the copy protection didn't  
exist, they would run acceptably under Rosetta, as Finale 2006 does.  
But Finale's Registration Wizard needs to be patched to run on Intel  
Macs. A decision was made to make this patch available for Finale  
2006 (which runs under Rosetta), but not earlier versions of Finale.


I just got off the phone with MM Customer Support, who agreed  
(reluctantly) to pass on my request that earlier versions also get  
this patch, so that they too can be used on Intel Macs, but his  
argument was basically that this ship had already sailed -- MM have  
decided they have no intention to support Finale 2004 or Finale 2005  
on Intel Macs. I told him I just wanted to be able to launch the old  
versions, and I don't care whether they are supported or not. He said  
if they release a patch that allows those versions to be installed,  
that implies support.


I'm quite upset about this. I had no idea this would be a problem  
when I bought my MacBook Pro. Having Finale 2004 and 2005 locked out  
on this machine hits me in the pocketbook -- hard. Many of my copying  
clients require that work be done in older versions of Finale, and  
now that's work I have to turn down. And, of course, opening  
documents created in older versions of Finale in a newer version  
inevitably introduces problems that require considerable proofreading  
to catch. I don't believe there is any legitimate reason for  
MakeMusic to disallow Intel Mac users from installing Finale 2004/  
2005 and running them under Rosetta. This will be an ongoing problem  
for MakeMusic as users gradually replace their PPC Macs with Intel  
Macs, and then wonder why they suddenly can't register Finale on  
their new machines.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



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Re: [Finale] TAN: Distiller problems

2007-02-23 Thread Dennis Bathory-Kitsz
At 05:10 PM 2/23/2007 +0100, Johannes Gebauer wrote:
Sorry, I should have mentioned I am on Mac, we don't have the PDF 
problems when printing to PS, or in fact using the Distiller printer driver.

I knew you were on a Mac, but is there no separate compile Postscript
listing? I'm just suggesting you try it to see if the files are different.
They are massively different from printing to PS or PDF on Windows.

Dennis



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Re: [Finale] fermate on single-line percussion staves

2007-02-23 Thread Aaron Rabushka
Thanks for the reply, Mark. I am trying to put the fermate over rests. How
do I flip their stems?

Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
- Original Message - 
From: Mark D Lew [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Friday, February 23, 2007 11:04 AM
Subject: Re: [Finale] fermate on single-line percussion staves



 On Feb 22, 2007, at 9:00 PM, Aaron Rabushka wrote:

  It seems that every time I try to put a fermata on top of a single-
  line
  percussion staff Finale moves it to the bottom of the staff by the
  time I
  revisit it. I've set the articulation to use the top form
  regardless of
  where the note is placed, and I still get the same result. Is there
  some
  trick that I need to be aware of here?

 Have you tried flipping the stem direction?  You should be able to
 place the fermata where you want regardless of stem, but that might
 be what's making it bounce around.  If it's a whole note or other
 stemless note, you wouldn't even see the stem, but the note is still
 assigned an up or down direction internally.

 mdl
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Re: [Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Robert Patterson

Darcy James Argue wrote:



Versions of Finale prior to MacFin2006d CANNOT be registered on Intel- 
based Macs.


I've been warning about this for some time. Infuriatin' idn'it? A direct 
consequence of the tethered copy protection many so blythely accepted a 
few years back. (Not that any of us really had a choice, other than Win 
and/or Sibelius.)


The biggest irony is that I believe there is a 3rd party program for 
Intel macs that emulates Classic thru I believe System 9.0-something. It 
is quite likely you can run Fin03 and earlier on that. Perhaps 
eventually even Fin04 in OS9 mode.


Makemusic has zero incentive to support Fin04 or Fin05 under Rosetta. 
Write those versions off before you get too much heartburn. I did long 
since. If your work really depends on them, hang on to (or buy if you 
don't still have) an old PPC laptop.


--
Robert Patterson

http://RobertGPatterson.com
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[Finale] OFFLIST Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Darcy James Argue

Hi Robert,

I actually haven't eBay'd my G4 Mac mini yet -- just haven't gotten  
around to it. I guess I'll be keeping it now, since it will easily be  
worth the $350 or so I'd get for it. Lucky break.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 23 Feb 2007, at 12:43 PM, Robert Patterson wrote:


Darcy James Argue wrote:



Versions of Finale prior to MacFin2006d CANNOT be registered on  
Intel- based Macs.


I've been warning about this for some time. Infuriatin' idn'it? A  
direct consequence of the tethered copy protection many so blythely  
accepted a few years back. (Not that any of us really had a choice,  
other than Win and/or Sibelius.)


The biggest irony is that I believe there is a 3rd party program  
for Intel macs that emulates Classic thru I believe System 9.0- 
something. It is quite likely you can run Fin03 and earlier on  
that. Perhaps eventually even Fin04 in OS9 mode.


Makemusic has zero incentive to support Fin04 or Fin05 under  
Rosetta. Write those versions off before you get too much  
heartburn. I did long since. If your work really depends on them,  
hang on to (or buy if you don't still have) an old PPC laptop.


--
Robert Patterson

http://RobertGPatterson.com
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[Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Darcy James Argue
Well, that wasn't very offlist, was it. Oh well, nothing all that  
private.


- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
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[Finale] Plugin Power

2007-02-23 Thread Robert Patterson

Matthew Hindson fastmail acct wrote:
I will have to go to Sibelius very soon (publisher reasons) but the ease 
of use combined with sheer power of your plugins are forcing me to 
thoroughly investigate how I can stick with Finale.  They're that good!




I hope you will let Makemusic know that plugin power is a major factor 
keeping you clinging to Finale if at all possible. Makemusic has begun 
to marginalize plugins.


Thru Fin05, plugins had low-level, essentially unfettered access to most 
of the raw data. This meant that plugin developers were not dependent on 
Makemusic for their innovations. Plugin developers were free to think 
outside Makemusic's box and occasionally they could even offer 
alternatives to some of their many poor choices. Starting with Fin06, 
that low-level access began to evaporate as follows.


1. In Fin06 they changed the internal format of text blocks but failed 
to make that format available to plugins. Instead, when plugins access 
text blocks, Finale converts the internal format to the old format. This 
could turn out to be very bad for plugins if and when Finale finally 
supports Unicode natively.


2. Fin06 added a slew of new program options that are not available to 
plugins.


3. Fin07 deprecated the ETF format. Of all the cuts, this has the most 
far-reaching consequences. ETF allowed plugin developers to discover 
data structures that were not documented, thus allowing plugins to 
support new Finale features without any dependency on Makemusic.


4. If Fin06 wrapped text blocks in a plugin compatibility layer, Fin07 
wraps just about everything else, due to linked parts. Plugins do not 
have access to any part-linkage information, nor can they hide/show most 
items. Furthermore, the plugin-compatibility layer introduced many bugs 
for which there is no possibile workaround due to the lack of low-level 
access.


Where we are now is that we have simulated low-level access to all 
Finale features before Fin06. Starting with Fin07 features, we will 
essentially be able only to support new features that Makemusic 
explicitly makes available to us. Given Makemusic's recent history of 
lack or responsiveness, apparent refusal to fully integrate plugins in 
future development plans, and general lack of priority for the plugin 
PDK, I am pessimistic that plugins can continue to keep pace with new 
Finale features.


--
Robert Patterson

http://RobertGPatterson.com
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Re: [Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread verngraham
I also do not understand why MakeMusic refused to sell the 2K6 upgrade to
a registered Finale user who did not want to migrate to 2K7 yet, but
needed to get up to 2K6 to collaborate with me on a potentially long term
project: and this was in September, 2006 just after the pre-release of
2K7. This put them in the position of having to buy a newer Mac to install
2K7, and with the problems with 2K7 that many people have experienced, I
feel like I've led a new client down an expensive and unrewarding path. To
say nothing of the fact that the work that was scheduled to begin months
ago is still on hold. I still have 2005 and 2006 on my pre-Intel Mac and
will not make any plans to get an Intel machine until after the 2nd
generation is released and all the issues are ironed out with software the
companies caught up.


 Hey all,

 I don't recall this topic being discussed on the Finale list before,
 so I thought I'd draw everyone's attention to it now:

 Versions of Finale prior to MacFin2006d CANNOT be registered on Intel-
 based Macs. That means that if you purchase a new Mac (as I recently
 did), you cannot run Finale 2005 or 2004 on it.

 I knew that I would be unable to run versions of Finale prior to
 Finale 2004 because of the lack of Classic support on Intel Macs, but
 the inability to run Fin2004 and Fin2005 is *entirely* due to
 MakeMusic's copy protection scheme. If the copy protection didn't
 exist, they would run acceptably under Rosetta, as Finale 2006 does.
 But Finale's Registration Wizard needs to be patched to run on Intel
 Macs. A decision was made to make this patch available for Finale
 2006 (which runs under Rosetta), but not earlier versions of Finale.

 I just got off the phone with MM Customer Support, who agreed
 (reluctantly) to pass on my request that earlier versions also get
 this patch, so that they too can be used on Intel Macs, but his
 argument was basically that this ship had already sailed -- MM have
 decided they have no intention to support Finale 2004 or Finale 2005
 on Intel Macs. I told him I just wanted to be able to launch the old
 versions, and I don't care whether they are supported or not. He said
 if they release a patch that allows those versions to be installed,
 that implies support.

 I'm quite upset about this. I had no idea this would be a problem
 when I bought my MacBook Pro. Having Finale 2004 and 2005 locked out
 on this machine hits me in the pocketbook -- hard. Many of my copying
 clients require that work be done in older versions of Finale, and
 now that's work I have to turn down. And, of course, opening
 documents created in older versions of Finale in a newer version
 inevitably introduces problems that require considerable proofreading
 to catch. I don't believe there is any legitimate reason for
 MakeMusic to disallow Intel Mac users from installing Finale 2004/
 2005 and running them under Rosetta. This will be an ongoing problem
 for MakeMusic as users gradually replace their PPC Macs with Intel
 Macs, and then wonder why they suddenly can't register Finale on
 their new machines.

 Cheers,

 - Darcy
 -
 [EMAIL PROTECTED]
 Brooklyn, NY



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Re: [Finale] FinMac 2007c Playback Level Too High

2007-02-23 Thread dhbailey

Darcy James Argue wrote:
I think Apple's already happy with the (primitive) notation capabilities 
in GarageBand. It is what it is.


Where MakeMusic and Apple could *really* help each other would be in 
improving the notation capabilities in Logic. Now that Avid owns 
Sibelius, MM needs to develop similar partnerships.




Cakewalk/Sonar's notation module leaves a lot to be desired, and it has 
a huge installed user base.


--
David H. Bailey
[EMAIL PROTECTED]
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[Finale] EXPLODE function not working correctly

2007-02-23 Thread Kim Richmond
Again, maybe this has been covered, but if so, I didn't see it.  
FinMac2007c.
	Example: I have two parts I enter on the flute line. They are in  
4ths. I explode them so that the top note will be on the flute staff,  
and the bottom note will be on the oboe (2nd) staff. The HIGHER notes  
of the figure, appear, on the top staff as the LOWER notes in unison  
with the oboe.
	More detail, same example. It is a three-note figure, 2 8ths and a  
half note. The top voice is D (middle of treble staff) up to high C,  
down to Bb. The low voice is A (under the D), up to G, down to F.  
When I explode, the low voice is right, but the top voice is D, G, F  
(the last 2 note unison with the low part).
	Any solutions? Using the Note Mover tool is one solution, but a lot  
more steps.

All the best,
KIM R
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Re: [Finale] TAN: Distiller problems

2007-02-23 Thread Johannes Gebauer

On 23.02.2007 Dennis Bathory-Kitsz wrote:

At 05:10 PM 2/23/2007 +0100, Johannes Gebauer wrote:
Sorry, I should have mentioned I am on Mac, we don't have the PDF 
problems when printing to PS, or in fact using the Distiller printer driver.


I knew you were on a Mac, but is there no separate compile Postscript
listing? I'm just suggesting you try it to see if the files are different.
They are massively different from printing to PS or PDF on Windows.



I realize that, but this has never been necessary on Mac, the file size 
is small.


Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de

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RE: [Finale] Army Music (Way OT)

2007-02-23 Thread Richard Willis
You might find the call you are looking for on the website for the army
band:  http://bands.army.mil/music/bugle/default.asp

Hope this helps (and don't blame me if you didn't want to hear them again).

Richard

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Dean M. Estabrook
Sent: Friday, February 23, 2007 11:37 AM
To: finale@shsu.edu
Subject: Re: [Finale] Army Music (Way OT)

You know, now I'm thinking it could have been To the colors, (now that
I've seen a score), followed by the national anthem.  I appreciate all the
responses.

Dean

On Feb 22, 2007, at 6:53 PM, Roger Cain wrote:



 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Michael Pilgrim
 Sent: Thursday, February 22, 2007 7:41 PM
 To: finale@shsu.edu
 Subject: Re: [Finale] Army Music (Way OT)

 http://www.usscouts.org/mb/bugle_calls.html

 To the Colors seems a little perky.

 Perhaps it was Retreat (signaling the end of the official day)?

 Hope you find it.

 Mike Pilgrim
 (at the end of his official day)




 At 03:53 PM 2/22/2007 -0800, you wrote:

 Among many repressible memories of my days at Ft. Ord, CA ... I can
 ..
 Anybody remember what said music was?

 Dean M. Estabrook
 http://deanestabrook.googlepages.com/home

 Power embraces greed and abjurs justice


 Two Bugle Calls:

 To the Color (singular): Parade Rest (as I recall) And
 Retreat: (attention  present arms)


 Roger

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Re: [Finale] fermate on single-line percussion staves

2007-02-23 Thread shirling neueweise



Thanks for the reply, Mark. I am trying to put the fermate over rests. How
do I flip their stems?


speedy entry, hit L

or just assign your artic to always show above the note; if this 
doesn't work your defult settings are likely the cause (with a 
different symbol set to appear when flipped; use min 12 EVPU 
default vertical positioning.


you might even want to define a new artic for use with rests, they 
don't centre the same way as for notes.


--

shirling  neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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[Finale] JW SPACE SYSTEMS

2007-02-23 Thread Dan Carno

Hello everyone,

Has anyone been able to get JW's Space Systems to work in Finale 2007 on 
the Windows platform?
Hours of experimentation has locked up Finale repeatedly, eventually 
freezing my computer as well.


I personally would be willing to pay for a working version of this unique 
and valuable plug-in.


Related to this, does anyone have a copy of  PDK tools, version 2.16 they 
could send me?


Thanks in advance for any cues, advice, etc.

Dan Carno


Daniel Carno
Music Engraving Services
Quality work in Sibelius, Finale, and Score
4514 Makyes Road
Syracuse, New York 13215
(315) 492-2987
[EMAIL PROTECTED]  



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Re: [Finale] EXPLODE function not working correctly

2007-02-23 Thread Randolph Peters

Again, maybe this has been covered, but if so, I didn't see it. FinMac2007c.
	Example: I have two parts I enter on the flute line. They are 
in 4ths. I explode them so that the top note will be on the flute 
staff, and the bottom note will be on the oboe (2nd) staff. The 
HIGHER notes of the figure, appear, on the top staff as the LOWER 
notes in unison with the oboe.
	More detail, same example. It is a three-note figure, 2 8ths 
and a half note. The top voice is D (middle of treble staff) up to 
high C, down to Bb. The low voice is A (under the D), up to G, down 
to F. When I explode, the low voice is right, but the top voice is 
D, G, F (the last 2 note unison with the low part).
	Any solutions? Using the Note Mover tool is one solution, but 
a lot more steps.

All the best,
KIM R


I have reported this bug to this list and to tech support at MM. So 
far their response has been infuriatingly dumb. (2 months of stupid 
delays and seeming inability to read what I have written to them.)


Please send your file and complaint to MM so that they might start to 
take this seriously.


Just out of curiosity, did this file start with an older template or 
have material pasted into it from another file? I think that might 
have something to do with it.


-Randolph Peters
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Re: [Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Fiskum, Steve
FWIW: I have a co-worker who was able to register (or fake register) his
2005 so it works under Rosetta.

He (doesn't recall the process exactly) either installed 2005 then installed
2006 (without registering). Or installed 2006 then installed 2005 (without
registering). Either way, he registered 2006 first then registered 2005 and
everything is working well on his intel mac.

Hope this helps and it just wasn't a lucky mistake.

Steve

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Re: [Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Darcy James Argue

Steve,

I'm afraid I don't see how this is possible. It if is, I'd love to  
know exactly how it was done. The registration for Fin2006 doesn't  
have anything to do with the registration for Fin2005 or Fin2004. All  
versions need to be registered via the Registration Wizard -- but the  
2004/2005 Registration Wizard won't run under Rosetta.


Is it possible your friend is still in the 30-day grace period for  
Finale 2005?


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 23 Feb 2007, at 3:27 PM, Fiskum, Steve wrote:

FWIW: I have a co-worker who was able to register (or fake  
register) his

2005 so it works under Rosetta.

He (doesn't recall the process exactly) either installed 2005 then  
installed
2006 (without registering). Or installed 2006 then installed 2005  
(without
registering). Either way, he registered 2006 first then registered  
2005 and

everything is working well on his intel mac.

Hope this helps and it just wasn't a lucky mistake.

Steve

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[Finale] Re: Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Matthew Hindson fastmail acct

Darcy Argue wrote:

  Versions of Finale prior to MacFin2006d CANNOT be registered on Intel-
based Macs. That means that if you purchase a new Mac (as I recently  
did), you cannot run Finale 2005 or 2004 on it.


I knew that I would be unable to run versions of Finale prior to  
Finale 2004 because of the lack of Classic support on Intel Macs, but  
the inability to run Fin2004 and Fin2005 is *entirely* due to  
MakeMusic's copy protection scheme. If the copy protection didn't  
exist, they would run acceptably under Rosetta, as Finale 2006 does.  
But Finale's Registration Wizard needs to be patched to run on Intel  
Macs. A decision was made to make this patch available for Finale  
2006 (which runs under Rosetta), but not earlier versions of Finale.


Yes, you are correct: it's purely due to the copy protection scheme.  I 
have kept a copy of Finale 2005 on my recent intel iMac and it works 
fine because I used the transfer settings application, and it seems to 
have transferred the registration factor or whatever across as well.


Another way around the problem is to use the Networking/labpack 
licensing feature, which apparently is available through Makemusic.  We 
have a lab full of intel Mac Minis all running Finale 2005 without a 
problem.  (I'm not sure whether you need a non-Intel mac to run the 
hosting application).


It would be a fairly trivial matter for Makemusic to supply a 
one-license version of this to you I'm sure: whether they'd want to or 
not is another question.


Good luck,

Matthew
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Re: [Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Fiskum, Steve
He registered 2006 first. Then register 2005. He has been working this way
for the last 6 months. It works beautifully and it is possible...we just
cannot remember the exact steps.

Good Luck,

Steve


On 2/23/07 2:51 PM, Darcy James Argue [EMAIL PROTECTED] wrote:

 Steve,
 
 I'm afraid I don't see how this is possible. It if is, I'd love to
 know exactly how it was done. The registration for Fin2006 doesn't
 have anything to do with the registration for Fin2005 or Fin2004. All
 versions need to be registered via the Registration Wizard -- but the
 2004/2005 Registration Wizard won't run under Rosetta.
 
 Is it possible your friend is still in the 30-day grace period for
 Finale 2005?
 
 Cheers,
 
 - Darcy
 -
 [EMAIL PROTECTED]
 Brooklyn, NY
 
 
 
 On 23 Feb 2007, at 3:27 PM, Fiskum, Steve wrote:
 
 FWIW: I have a co-worker who was able to register (or fake
 register) his
 2005 so it works under Rosetta.
 
 He (doesn't recall the process exactly) either installed 2005 then
 installed
 2006 (without registering). Or installed 2006 then installed 2005
 (without
 registering). Either way, he registered 2006 first then registered
 2005 and
 everything is working well on his intel mac.
 
 Hope this helps and it just wasn't a lucky mistake.
 
 Steve
 
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Re: [Finale] Re: Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Darcy James Argue

On 23 Feb 2007, at 3:31 PM, Matthew Hindson fastmail acct wrote:

Yes, you are correct: it's purely due to the copy protection  
scheme.  I have kept a copy of Finale 2005 on my recent intel iMac  
and it works fine because I used the transfer settings application,  
and it seems to have transferred the registration factor or  
whatever across as well.


What is this transfer settings application? Do you mean the  
FireWire Target Mode transfer that you get asked about when you turn  
on your new Mac for the first time? That's exactly what I used. It  
didn't work -- Finale knows that my computer has changed and the  
copied registration isn't valid.


It would be a fairly trivial matter for Makemusic to supply a one- 
license version of this to you I'm sure: whether they'd want to or  
not is another question.


The guy I spoke to emphatically did not want to help me.

Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



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Re: [Finale] JW SPACE SYSTEMS

2007-02-23 Thread Robert Patterson
I've added the Windows version of PDKTools 2.16 to the download page at 
my site. I'll leave it up unless Jari asks me to take it down.


--
Robert Patterson

http://RobertGPatterson.com
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Re: [Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Darcy James Argue

Steve,

I have no idea what kind of crazy voodoo your friend pulled, but the  
reason I cannot register Finale 2005 is because the Finale 2005  
Registration Wizard will flat-out not run on Intel Macs. Period. It  
didn't run when Finale 2006 was unregistered, and it still doesn't  
run now that Finale 2006 was registered. It's just not compatible  
with Intel Macs.


Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



On 23 Feb 2007, at 4:21 PM, Fiskum, Steve wrote:

He registered 2006 first. Then register 2005. He has been working  
this way
for the last 6 months. It works beautifully and it is possible...we  
just

cannot remember the exact steps.

Good Luck,

Steve


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Re: [Finale] Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Fiskum, Steve
Well I will have to say, before he figured this out he was wiping his drive
every 30 days. So maybe the key is to wipe your drive, install 2006,
register it, then install 2005 and register it with a clean drive.

I know it sounds crazy but he was desperate and worked very hard to get 2005
registered. If you take the time to start with a clean drive you may be able
to do it also.

Steve


On 2/23/07 3:30 PM, Darcy James Argue [EMAIL PROTECTED] wrote:

 Steve,
 
 I have no idea what kind of crazy voodoo your friend pulled, but the
 reason I cannot register Finale 2005 is because the Finale 2005
 Registration Wizard will flat-out not run on Intel Macs. Period. It
 didn't run when Finale 2006 was unregistered, and it still doesn't
 run now that Finale 2006 was registered. It's just not compatible
 with Intel Macs.
 
 Cheers,
 
 - Darcy
 -
 [EMAIL PROTECTED]
 Brooklyn, NY
 
 
 
 On 23 Feb 2007, at 4:21 PM, Fiskum, Steve wrote:
 
 He registered 2006 first. Then register 2005. He has been working
 this way
 for the last 6 months. It works beautifully and it is possible...we
 just
 cannot remember the exact steps.
 
 Good Luck,
 
 Steve
 
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Re: [Finale] Army Music (Way OT)

2007-02-23 Thread Dean M. Estabrook
Hey, Richard ... that's a cool site. No blame ... but it did bring  
back some memories ... mostly good.


Thanks,

Dean

On Feb 23, 2007, at 10:29 AM, Richard Willis wrote:

You might find the call you are looking for on the website for the  
army

band:  http://bands.army.mil/music/bugle/default.asp

Hope this helps (and don't blame me if you didn't want to hear them  
again).


Richard

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On  
Behalf Of

Dean M. Estabrook
Sent: Friday, February 23, 2007 11:37 AM
To: finale@shsu.edu
Subject: Re: [Finale] Army Music (Way OT)

You know, now I'm thinking it could have been To the colors, (now  
that
I've seen a score), followed by the national anthem.  I appreciate  
all the

responses.

Dean

On Feb 22, 2007, at 6:53 PM, Roger Cain wrote:




-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Michael Pilgrim
Sent: Thursday, February 22, 2007 7:41 PM
To: finale@shsu.edu
Subject: Re: [Finale] Army Music (Way OT)

http://www.usscouts.org/mb/bugle_calls.html

To the Colors seems a little perky.

Perhaps it was Retreat (signaling the end of the official day)?

Hope you find it.

Mike Pilgrim
(at the end of his official day)




At 03:53 PM 2/22/2007 -0800, you wrote:


Among many repressible memories of my days at Ft. Ord, CA ... I can

..

Anybody remember what said music was?

Dean M. Estabrook
http://deanestabrook.googlepages.com/home

Power embraces greed and abjurs justice



Two Bugle Calls:

To the Color (singular): Parade Rest (as I recall) And
Retreat: (attention  present arms)


Roger

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Re: [Finale] Plugin Power

2007-02-23 Thread Dan Carno

Hi Robert,

Well, MM is cutting off their nose to spite their face, if that's their 
plan.  I work in a situation where I am often struggling to meet deadlines 
with long, last-minute hours.  Your plug-ins along with those of Tobias 
Giesen and Jari Williamsson, take much of the tedium, stress, and fatigue 
out of dealing with Finale's menus, boxes, handles, etc.


These plug-in's are essential to my getting projects done in a timely, sane 
fashion, and worth every penny of the small fees that you charge.


My thanks to all of you.

Dan Carno

At 12:16 PM 2/23/2007, you wrote:

Matthew Hindson fastmail acct wrote:
I will have to go to Sibelius very soon (publisher reasons) but the ease 
of use combined with sheer power of your plugins are forcing me to 
thoroughly investigate how I can stick with Finale.  They're that good!


I hope you will let Makemusic know that plugin power is a major factor 
keeping you clinging to Finale if at all possible. Makemusic has begun to 
marginalize plugins


Daniel Carno
Music Engraving Services
Quality work in Sibelius, Finale, and Score
4514 Makyes Road
Syracuse, New York 13215
(315) 492-2987
[EMAIL PROTECTED] 



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Re: [Finale] Re: Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Chuck Israels

Hi Darcy,

I wish I could say that I was having more success communicating with  
MM than others on this list, but my experience is the same.  Still, I  
encourage you to call Jim Bruce and speak to him about this  
impossible situation.  You've paid for the use of the software and it  
is unethical for them to do anything that prevents you from  
continuing to use it.


Jim Bruce - customer support chief  1-800-843-2066 xt. 3644

Good luck,

Chuck


On Feb 23, 2007, at 1:26 PM, Darcy James Argue wrote:


On 23 Feb 2007, at 3:31 PM, Matthew Hindson fastmail acct wrote:

Yes, you are correct: it's purely due to the copy protection  
scheme.  I have kept a copy of Finale 2005 on my recent intel iMac  
and it works fine because I used the transfer settings  
application, and it seems to have transferred the registration  
factor or whatever across as well.


What is this transfer settings application? Do you mean the  
FireWire Target Mode transfer that you get asked about when you  
turn on your new Mac for the first time? That's exactly what I  
used. It didn't work -- Finale knows that my computer has changed  
and the copied registration isn't valid.


It would be a fairly trivial matter for Makemusic to supply a one- 
license version of this to you I'm sure: whether they'd want to or  
not is another question.


The guy I spoke to emphatically did not want to help me.

Cheers,

- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY



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230 North Garden Terrace
Bellingham, WA 98225-5836
phone (360) 671-3402
fax (360) 676-6055
www.chuckisraels.com

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Re: [Finale] fermate on single-line percussion staves

2007-02-23 Thread Christopher Smith


On 23-Feb-07, at 12:04 PM, Mark D Lew wrote:



On Feb 22, 2007, at 9:00 PM, Aaron Rabushka wrote:

It seems that every time I try to put a fermata on top of a single- 
line
percussion staff Finale moves it to the bottom of the staff by the  
time I
revisit it. I've set the articulation to use the top form  
regardless of
where the note is placed, and I still get the same result. Is  
there some

trick that I need to be aware of here?


Have you tried flipping the stem direction?  You should be able to  
place the fermata where you want regardless of stem, but that might  
be what's making it bounce around.  If it's a whole note or other  
stemless note, you wouldn't even see the stem, but the note is  
still assigned an up or down direction internally.


I find the fermatas (and other articulations set to show up ABOVE the  
notes) sometimes migrate to belwo when I'm not looking, but hitting  
redraw screen (command-D on Mac) repairs the view. This happens in  
FinMac 2006d right now.


Christopher



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[Finale] Re: Hiding stems

2007-02-23 Thread Dhlindblom
I am entering chant for the first time in Finale 2002 with reasonable 
success. But I need black notes, and am having difficulty hiding quarter-note 
stems.

I was told to click the Staff Tool and double-click the staff, then in the 
Items to Display section to uncheck stems and click OK.  BUT--in my version 
of Finale 2002 there is no check-box marked stems.

I can remove the stems by going to the Special Tools Tool Custom Stem Tool, 
selecting the stems, and shortening each to the position of the notehead.  
(Double-clicking a stem in this situation does not open the Shape Selection 
Dialog Box, so I can't go this route).

Can someone explain to me (simply!) what I am missing?

Dan Lindblom
[EMAIL PROTECTED]
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[Finale] Re: Finale 2005, 2004 can't be registered on Intel Macs

2007-02-23 Thread Brian Williams
Darcy,

I'm currently working on a project (a very graphics-intensive beginning band
method book) in Finale 2003 in MacOS 9.2 on my G4 TiBook because the text
line spacing and imported eps graphics are completely unusable in any
version of Finale OSX -- even in classic. The worst offender is the imported
eps graphics. They print out fine, but on screen in page view they are
garishly reversed with big black rectangles surrounding white images, the
black background obliterating any overlapping text or music. Apparently, MM
never fixed this bug so I continue to work on this project in an older
version in an older OS, backing up my work using Adobe Acrobat 5.

There is definitely something to be said for keeping an older computer
around in order to be *completely* backward compatible.

Brian

 I'm quite upset about this. I had no idea this would be a problem
 when I bought my MacBook Pro. Having Finale 2004 and 2005 locked out
 on this machine hits me in the pocketbook -- hard. Many of my copying
 clients require that work be done in older versions of Finale, and
 now that's work I have to turn down. And, of course, opening
 documents created in older versions of Finale in a newer version
 inevitably introduces problems that require considerable proofreading
 to catch. I don't believe there is any legitimate reason for
 MakeMusic to disallow Intel Mac users from installing Finale 2004/
 2005 and running them under Rosetta. This will be an ongoing problem
 for MakeMusic as users gradually replace their PPC Macs with Intel
 Macs, and then wonder why they suddenly can't register Finale on
 their new machines.

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[Finale] Re: Army Music (Way OT)

2007-02-23 Thread Brian Williams
At Disneyland, the trumpet players play Retreat after the color guard
takes the rope from the pole, then the band plays the National Anthem while
the flag is lowered. I believe this is consistent with Military protocol.

Brian

 Among many repressible memories of my days at Ft. Ord, CA ... I can
 remember that, at that post at least, stopping what ever training we
 were doing at 1700, I believe, to face the direction of the nearest
 American flag and listening to music while it was lowered.  I can't
 remember if it was a particular bugle call, or the National Anthem. I
 know it was not Taps, 'cause that came later, just before lights out,
 when I would always shout out, The thinking lamp is now lit!  (not
 popular with the platoon sgt.). I just recall it being a gentle,
 calming experience after a long day of running up and down sand
 hills, and inserting my bayonet into the rubber ribs of a dummy.
 Anybody remember what said music was?
 
 Dean M. Estabrook

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Re: [Finale] Re: Hiding stems

2007-02-23 Thread Aaron Sherber

At 08:10 PM 2/23/2007, [EMAIL PROTECTED] wrote:
I was told to click the Staff Tool and double-click the staff, then in the
Items to Display section to uncheck stems and click OK.  BUT--in
my version
of Finale 2002 there is no check-box marked stems.

Really? Sounds odd, but I don't have Fin02 here to check.

I can remove the stems by going to the Special Tools Tool Custom 
Stem Tool,

selecting the stems, and shortening each to the position of the notehead.
(Double-clicking a stem in this situation does not open the Shape Selection
Dialog Box, so I can't go this route).

Again, that's just plain odd, unless this behavior has also changed 
since 2002. When I select the Custom Stem Tool in Fin07 and then 
click a measure, each note in that measure gets a handle. 
Double-clicking the handle gets me the Shape Selection dialog, and 
then I can pick a blank shape.


If you want to get rid of all stems in the piece, you can go to 
Document Options | Stems, and set all stem lengths to 0.


Aaron.

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[Finale] MULTIMEASURE catastrophe

2007-02-23 Thread Kim Richmond
OK, here's another shortcoming for MacFin2007c, and this one almost  
completely sabotaged my rehearsal of my orchestra today. It's a good  
thing is wasn't a recording session.
	In going to tweak Linked Parts after placing all entries in the  
score, I discovered that some measures were left out with a group of  
number (like below an expanse of multimeasure rests) underneath one  
measure of music. I quickly learned that that meant there were  
measures filled with music not showing on the part. The solution was,  
on each part, with the Measure Tool selected, choose Create  
Multimeasure Rests. That reveals the hidden music. But it has to be  
done on every part. Doing it when viewing the score doesn't do it.
	Unfortunately, I hadn't done that with all 22 parts, and there was a  
lot of missing music in the parts today.

It appears this 2007 version has a LOT of problems.
All the best,
KIM R
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Re: [Finale] Re: Army Music (Way OT)

2007-02-23 Thread David W. Fenton
On 23 Feb 2007 at 17:12, Brian Williams wrote:

 At Disneyland, the trumpet players play Retreat after the color
 guard takes the rope from the pole, then the band plays the National
 Anthem while the flag is lowered. I believe this is consistent with
 Military protocol.

This is the way we did it at Illinois Boys' State for the 15 years I 
was assistant music director. And, of course, our National Anthem was 
always preceded with a canon blast. ;)

I recall, though, that there was some agreement that we were actually 
not doing it entirely correctly, though I don't recall the details.

-- 
David W. Fentonhttp://dfenton.com
David Fenton Associates   http://dfenton.com/DFA/

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Re: [Finale] MULTIMEASURE catastrophe

2007-02-23 Thread Aaron Sherber

At 09:48 PM 2/23/2007, Kim Richmond wrote:
I quickly learned that that meant there were
measures filled with music not showing on the part. The solution was,
on each part, with the Measure Tool selected, choose Create
Multimeasure Rests. That reveals the hidden music. But it has to be
done on every part. Doing it when viewing the score doesn't do it.

You can also do Measure | Multimeasure Rest | Create for Parts/Score 
and do all the parts in one go.


Or you can go to Document Options | Multimeasure Rests and check 
Update Automatically. Then as you add music, MM rests in the part 
should break themselves as needed. I think the downside to this is 
that Finale actually recalculates each MM rest when you switch to the 
part, and you will lose any manual edits. For example, if you have 
adjusted the endpoint of an MM rest to avoid a clef change, you will 
lose that edit.


It appears this 2007 version has a LOT of problems.

Maybe, but this is actually working as designed. Take a look at 37-23 
in the manual, which spells most of this out. I'm not saying this is 
the best approach, but it's not a bug either.


Aaron.

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