Re: [Finale] Locked systems

2014-12-30 Thread Aaron Sherber
I've done that and *still* had Finale print a page differently than it 
appears on screen. Not often, though.

Aaron.



On 12/29/2014 7:06 PM, Darcy James Argue wrote:
 On Dec 29, 2014, at 4:00 PM, Williams, Jim jwilli...@franklincollege.edu 
 wrote:

 Maybe I ought to lock everything before printing!
 Of course you should!

 Cheers,

 - DJA
 -
 WEB: http://www.secretsocietymusic.org
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Re: [Finale] Locked systems

2014-12-30 Thread Steve Parker
On a side note and if you’d not come across it:

Jari’s ‘JW Copy Part Layout’ plugin is tremendous and saves a huge amount of 
time.

Steve P.

 On 30 Dec 2014, at 20:09, Aaron Sherber aa...@sherber.com wrote:
 
 I've done that and *still* had Finale print a page differently than it 
 appears on screen. Not often, though.
 
 Aaron.
 
 
 
 On 12/29/2014 7:06 PM, Darcy James Argue wrote:
 On Dec 29, 2014, at 4:00 PM, Williams, Jim jwilli...@franklincollege.edu 
 wrote:
 
 Maybe I ought to lock everything before printing!
 Of course you should!
 
 Cheers,
 
 - DJA
 -
 WEB: http://www.secretsocietymusic.org
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Re: [Finale] Locked systems

2014-12-30 Thread Craig Parmerlee
Yes, I have had Signs and Coda symbols move to a completely different 
place after all the staves are locked.

I have also been seeing a weird one that isn't really related to 
printing (I hope).  I have some parts entered two-to-a-staff using 
layers 1 and 2.  When I do playback, some of the stems flip the other 
way and cause the articulations to move accordingly.  It goes back to 
the right placement when I stop playback, but this is quite 
disconcerting.  It is hard enough to get the music looking right without 
the music moving around on its own.



On 12/30/2014 3:09 PM, Aaron Sherber wrote:
 I've done that and *still* had Finale print a page differently than it
 appears on screen. Not often, though.

 Aaron.


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Re: [Finale] Locked systems

2014-12-30 Thread Christopher Smith
Ah, THAT is a strange thing, but I have seen it often! If you move one instance 
of a repeat marking, it doesn't move in other parts until you update layout. 
You have to jump through hoops a bit to get them to obey where you put them, 
and it all changes as soon as a staff has different sizing. This has made me 
put DSes and Codas in as expressions instead of as repeat texts, thus screwing 
up the playback. The only thing you have to watch for is a DS at the end of a 
multi measure repeat. You will have to enter a new one on the linked part and 
hide it in the score. Repeat texts show up properly on repeats.

Christopher


On Tue Dec 30, at TuesdayDec 30 4:26 PM, Craig Parmerlee wrote:

 Yes, I have had Signs and Coda symbols move to a completely different 
 place after all the staves are locked.
 
 I have also been seeing a weird one that isn't really related to 
 printing (I hope).  I have some parts entered two-to-a-staff using 
 layers 1 and 2.  When I do playback, some of the stems flip the other 
 way and cause the articulations to move accordingly.  It goes back to 
 the right placement when I stop playback, but this is quite 
 disconcerting.  It is hard enough to get the music looking right without 
 the music moving around on its own.
 
 
 
 On 12/30/2014 3:09 PM, Aaron Sherber wrote:
 I've done that and *still* had Finale print a page differently than it
 appears on screen. Not often, though.
 
 Aaron.
 
 

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Re: [Finale] Locked systems

2014-12-29 Thread Williams, Jim
What causes that parsing while printing?
That has bitten me on several occasions.
Reformatting while printing is bad enough as it is,
but reformatting so illogically while printing is 
very annoying.
It reminds me of the feature that messes with mm rests
unless I uncheck that program (or document) option.
Maybe I ought to lock everything before printing!
Jim

Sent from my iPad

  I've too often had Finale parse the spacing  
 differently while printing and I end up with my 6-bar system as 5  
 bars plus one bar by itself on its own line, then the part runs to  
 four pages instead of three and the 4th page only has one system on  
 it. Grr.
 
 

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Re: [Finale] Locked systems

2014-12-29 Thread Darcy James Argue
On Dec 29, 2014, at 4:00 PM, Williams, Jim jwilli...@franklincollege.edu 
wrote:

 Maybe I ought to lock everything before printing!

Of course you should!

Cheers,

- DJA
-
WEB: http://www.secretsocietymusic.org
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Re: [Finale] Locked systems

2014-12-28 Thread David H. Bailey
On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't come up
 much as an issue.

It should never be any sort of an issue in scroll view, since there is 
only one very long system.

-
David H. Bailey

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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
I should try scroll view / page view prior to printing. When I get home. No
one else has experienced this?
On Dec 28, 2014 6:55 AM, David H. Bailey 
dhbai...@davidbaileymusicstudio.com wrote:

 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
  Is this a facet of the page view mode?  I work almost exclusively in
  scroll mode until the final layout time and this just doesn't come up
  much as an issue.
 
 It should never be any sort of an issue in scroll view, since there is
 only one very long system.

 -
 David H. Bailey

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Re: [Finale] Locked systems

2014-12-28 Thread Robert Patterson
There used to be a spacing option somewhere that forced X-number of
measures on each system. For the life of me I can't find it now, but that
might be the source of the problem if it still exists.

On Sun, Dec 28, 2014 at 8:37 AM, Raymond Horton horton.raym...@gmail.com
wrote:

 I should try scroll view / page view prior to printing. When I get home. No
 one else has experienced this?
 On Dec 28, 2014 6:55 AM, David H. Bailey 
 dhbai...@davidbaileymusicstudio.com wrote:

  On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
   Is this a facet of the page view mode?  I work almost exclusively in
   scroll mode until the final layout time and this just doesn't come up
   much as an issue.
  
  It should never be any sort of an issue in scroll view, since there is
  only one very long system.
 
  -
  David H. Bailey
 
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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
On Mac, cmd-sh M (probably ctr sh M on Windows) is the Fit Music command. You 
have to choose a passage first.

Christopher


On Sun Dec 28, at SundayDec 28 10:09 AM, Robert Patterson wrote:

 There used to be a spacing option somewhere that forced X-number of
 measures on each system. For the life of me I can't find it now, but that
 might be the source of the problem if it still exists.
 
 On Sun, Dec 28, 2014 at 8:37 AM, Raymond Horton horton.raym...@gmail.com
 wrote:
 
 I should try scroll view / page view prior to printing. When I get home. No
 one else has experienced this?
 On Dec 28, 2014 6:55 AM, David H. Bailey 
 dhbai...@davidbaileymusicstudio.com wrote:
 
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't come up
 much as an issue.
 
 It should never be any sort of an issue in scroll view, since there is
 only one very long system.
 
 -
 David H. Bailey

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Re: [Finale] Locked systems

2014-12-28 Thread Craig Parmerlee
I guess my work flow is different from many.  I work about 95% in scroll 
mode until it is time to do final parts layouts.  This seems so much 
faster, getting more of the most useful content on the screen, 
especially when using staff views aggressively.

Even so, when I do switch over to page view, I generally find some locks 
have been set.  I never tried to figure out why there were some locks. 
Perhaps they were inherited by starting with a copy of another score 
rather then setting up a fresh score from scratch each time.

For me it is no big deal.  I simply wipe out the locks and then put in 
my new locks.  I have locks on nearly every system because:

* I pay careful attention to page turns,

* I try to put signs at the beginning of lines and to coda at the ends 
of lines

* When possible, I avoid splitting musical lines across systems

These things all lead to more accurate reading.  By taking an extra 10 
minutes on the layout, I can save 20 minutes in rehearsal and have fewer 
errors in performance.


On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't come up
 much as an issue.

 It should never be any sort of an issue in scroll view, since there is
 only one very long system.

 -
 David H. Bailey

 ___
 Finale mailing list
 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale

 To unsubscribe from finale send a message to:
 finale-unsubscr...@shsu.edu



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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
I, like you, wait until the end to enact staff system locks. But then  
I lock EVERYTHING! I've too often had Finale parse the spacing  
differently while printing and I end up with my 6-bar system as 5  
bars plus one bar by itself on its own line, then the part runs to  
four pages instead of three and the 4th page only has one system on  
it. Grr.

I agree wholeheartedly with your philosophy on proper part layout. I  
find, however, that having a to coda in the middle of a line is not  
so bad. Not having a repeat starting a system is WAY worse!

Christopher


On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:

 I guess my work flow is different from many.  I work about 95% in  
 scroll
 mode until it is time to do final parts layouts.  This seems so much
 faster, getting more of the most useful content on the screen,
 especially when using staff views aggressively.

 Even so, when I do switch over to page view, I generally find some  
 locks
 have been set.  I never tried to figure out why there were some locks.
 Perhaps they were inherited by starting with a copy of another score
 rather then setting up a fresh score from scratch each time.

 For me it is no big deal.  I simply wipe out the locks and then put in
 my new locks.  I have locks on nearly every system because:

 * I pay careful attention to page turns,

 * I try to put signs at the beginning of lines and to coda at the  
 ends
 of lines

 * When possible, I avoid splitting musical lines across systems

 These things all lead to more accurate reading.  By taking an extra 10
 minutes on the layout, I can save 20 minutes in rehearsal and have  
 fewer
 errors in performance.


 On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't  
 come up
 much as an issue.

 It should never be any sort of an issue in scroll view, since  
 there is
 only one very long system.

 -
 David H. Bailey

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 Finale mailing list
 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale

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 finale-unsubscr...@shsu.edu



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Re: [Finale] Locked systems

2014-12-28 Thread Williams, Jim


Sent from my iPhone, so please pardon all the typos.

 On Dec 28, 2014, at 11:14 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 I've too often had Finale parse the spacing  
 differently while printing and I end up with my 6-bar system as 5  
 bars plus one bar by itself on its own line, then the part runs to  
 four pages instead of three and the 4th page only has one system on  
 it. Grr.
 
 I agree wholeheartedly with your philosophy on proper part layout. I  
 find, however, that having a to coda in the middle of a line is not  
 so bad. Not having a repeat starting a system is WAY worse!
 
 Christopher
 
 
 On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:
 
 I guess my work flow is different from many.  I work about 95% in  
 scroll
 mode until it is time to do final parts layouts.  This seems so much
 faster, getting more of the most useful content on the screen,
 especially when using staff views aggressively.
 
 Even so, when I do switch over to page view, I generally find some  
 locks
 have been set.  I never tried to figure out why there were some locks.
 Perhaps they were inherited by starting with a copy of another score
 rather then setting up a fresh score from scratch each time.
 
 For me it is no big deal.  I simply wipe out the locks and then put in
 my new locks.  I have locks on nearly every system because:
 
 * I pay careful attention to page turns,
 
 * I try to put signs at the beginning of lines and to coda at the  
 ends
 of lines
 
 * When possible, I avoid splitting musical lines across systems
 
 These things all lead to more accurate reading.  By taking an extra 10
 minutes on the layout, I can save 20 minutes in rehearsal and have  
 fewer
 errors in performance.
 
 
 On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't  
 come up
 much as an issue.
 
 It should never be any sort of an issue in scroll view, since  
 there is
 only one very long system.
 
 -
 David H. Bailey
 
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 Finale mailing list
 Finale@shsu.edu
 https://lists.shsu.edu/mailman/listinfo/finale
 
 To unsubscribe from finale send a message to:
 finale-unsubscr...@shsu.edu
 
 
 
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Re: [Finale] Locked systems

2014-12-28 Thread Robert Patterson
What could be going on with the OP is that the default file used to start
the project contained the locks already. A long-term issue with Finale is
that if you create a piece with locked systems, especially if only a system
is locked here and there, when you delete the measures the locks are
retained. The issue may have been fixed in recent versions, but if you
carried forward a default file from earlier versions, it might have this
issue. The way to fix it is to add a bunch of measures to your default file
(1000 is probably enough) then select all and unlock systems, then delete
the measures down to the number you want in your default file, then save.


On Sun, Dec 28, 2014 at 10:16 AM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 I, like you, wait until the end to enact staff system locks. But then
 I lock EVERYTHING! I've too often had Finale parse the spacing
 differently while printing and I end up with my 6-bar system as 5
 bars plus one bar by itself on its own line, then the part runs to
 four pages instead of three and the 4th page only has one system on
 it. Grr.

 I agree wholeheartedly with your philosophy on proper part layout. I
 find, however, that having a to coda in the middle of a line is not
 so bad. Not having a repeat starting a system is WAY worse!

 Christopher


 On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:

  I guess my work flow is different from many.  I work about 95% in
  scroll
  mode until it is time to do final parts layouts.  This seems so much
  faster, getting more of the most useful content on the screen,
  especially when using staff views aggressively.
 
  Even so, when I do switch over to page view, I generally find some
  locks
  have been set.  I never tried to figure out why there were some locks.
  Perhaps they were inherited by starting with a copy of another score
  rather then setting up a fresh score from scratch each time.
 
  For me it is no big deal.  I simply wipe out the locks and then put in
  my new locks.  I have locks on nearly every system because:
 
  * I pay careful attention to page turns,
 
  * I try to put signs at the beginning of lines and to coda at the
  ends
  of lines
 
  * When possible, I avoid splitting musical lines across systems
 
  These things all lead to more accurate reading.  By taking an extra 10
  minutes on the layout, I can save 20 minutes in rehearsal and have
  fewer
  errors in performance.
 
 
  On 12/28/2014 6:53 AM, David H. Bailey wrote:
  On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
  Is this a facet of the page view mode?  I work almost exclusively in
  scroll mode until the final layout time and this just doesn't
  come up
  much as an issue.
 
  It should never be any sort of an issue in scroll view, since
  there is
  only one very long system.
 
  -
  David H. Bailey
 
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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
Yes, I am sure you are right. But you also have to repeat the break locks FOR 
EVERY SEPARATE PART. So this little fix might end up taking a few minutes for a 
large orchestra score. And large orchestra scores with voiced linked parts are 
exactly the type of file that benefits from having a template ready to go (it's 
a giant pain to create those voiced part after the Setup Wizard!)

Christopher


On Sun Dec 28, at SundayDec 28 11:52 AM, Robert Patterson wrote:

 What could be going on with the OP is that the default file used to start
 the project contained the locks already. A long-term issue with Finale is
 that if you create a piece with locked systems, especially if only a system
 is locked here and there, when you delete the measures the locks are
 retained. The issue may have been fixed in recent versions, but if you
 carried forward a default file from earlier versions, it might have this
 issue. The way to fix it is to add a bunch of measures to your default file
 (1000 is probably enough) then select all and unlock systems, then delete
 the measures down to the number you want in your default file, then save.
 
 
 On Sun, Dec 28, 2014 at 10:16 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 I, like you, wait until the end to enact staff system locks. But then
 I lock EVERYTHING! I've too often had Finale parse the spacing
 differently while printing and I end up with my 6-bar system as 5
 bars plus one bar by itself on its own line, then the part runs to
 four pages instead of three and the 4th page only has one system on
 it. Grr.
 
 I agree wholeheartedly with your philosophy on proper part layout. I
 find, however, that having a to coda in the middle of a line is not
 so bad. Not having a repeat starting a system is WAY worse!
 
 Christopher
 
 
 On 28-Dec-14, at 28-Dec-14  10:51 AM, Craig Parmerlee wrote:
 
 I guess my work flow is different from many.  I work about 95% in
 scroll
 mode until it is time to do final parts layouts.  This seems so much
 faster, getting more of the most useful content on the screen,
 especially when using staff views aggressively.
 
 Even so, when I do switch over to page view, I generally find some
 locks
 have been set.  I never tried to figure out why there were some locks.
 Perhaps they were inherited by starting with a copy of another score
 rather then setting up a fresh score from scratch each time.
 
 For me it is no big deal.  I simply wipe out the locks and then put in
 my new locks.  I have locks on nearly every system because:
 
 * I pay careful attention to page turns,
 
 * I try to put signs at the beginning of lines and to coda at the
 ends
 of lines
 
 * When possible, I avoid splitting musical lines across systems
 
 These things all lead to more accurate reading.  By taking an extra 10
 minutes on the layout, I can save 20 minutes in rehearsal and have
 fewer
 errors in performance.
 
 
 On 12/28/2014 6:53 AM, David H. Bailey wrote:
 On 12/27/2014 7:49 PM, Craig Parmerlee wrote:
 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't
 come up
 much as an issue.
 
 It should never be any sort of an issue in scroll view, since
 there is
 only one very long system.
 
 -
 David H. Bailey
 
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 Finale mailing list
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 https://lists.shsu.edu/mailman/listinfo/finale
 
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 finale-unsubscr...@shsu.edu
 
 
 
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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
On Sun, Dec 28, 2014 at 11:59 AM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 ​​
 voiced linked parts
 ​


​???​


 ​




Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
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Re: [Finale] Locked systems

2014-12-28 Thread Andrew Levin
Hi all

Just to state the obvious, when moving measures that affect systems 10 and 11 
and you do an update layout, you must do so at least from the page that 
contains system 10. Update layout doesn't work globally but only from the 
current location forward. 

Andrew Levin

 Often, when I move systems​, the file fails to update and shows one system
 in two places at once. Alt-U doesn't help.

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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
I appreciate all suggestions, but I don't think that was the problem,
Andrew.  I'll observe more closely if it happens again.
On Dec 28, 2014 1:35 PM, Andrew Levin ale...@clemson.edu wrote:

 Hi all

 Just to state the obvious, when moving measures that affect systems 10 and
 11 and you do an update layout, you must do so at least from the page that
 contains system 10. Update layout doesn't work globally but only from the
 current location forward.

 Andrew Levin

  Often, when I move systems​, the file fails to update and shows one
 system
  in two places at once. Alt-U doesn't help.

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Re: [Finale] Locked systems

2014-12-28 Thread Christopher Smith
Linked parts, I imagine you know that it only means that the parts are 
contained in the same file as the score. Voiced means that 2 flutes can share 
the same score staff, yet each have their own separate linked part, using the 
voicing rules you set up in the part definition. Say, flute 1 uses only the 
top note when there are two notes on the same stem or only layer 1 when there 
are two layers. Flute 2 uses the only the bottom note when there are two notes 
on the same stem or only layer 2 when there are two layers.

Using voiced linked parts saves a lot of bother, but there are two huge 
obstacles still, which are cues and grace notes. Cues are a problem when you 
have used the voicing rules to include only one layer, but your cues have to 
be in a second layer. There are kludges for this, but it is much easier just to 
have a separate file from the score file with all the linked parts in it (NOT 
voiced, but split to their own staves). Grace notes do not space correctly when 
used on a voiced linked part. This is a bug. Unvoiced linked parts are fine, so 
the same solution (separate parts file) can save you, or just extract the flute 
parts to their own files.

Christopher


On Sun Dec 28, at SundayDec 28 12:22 PM, Raymond Horton wrote:

 On Sun, Dec 28, 2014 at 11:59 AM, Christopher Smith 
 christopher.sm...@videotron.ca wrote:
 
 ​​
 voiced linked parts
 ​
 
 
 ​???​
 


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Re: [Finale] Locked systems

2014-12-28 Thread Raymond Horton
Thanks!

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com

On Sun, Dec 28, 2014 at 4:03 PM, Christopher Smith 
christopher.sm...@videotron.ca wrote:

 Linked parts, I imagine you know that it only means that the parts are
 contained in the same file as the score. Voiced means that 2 flutes can
 share the same score staff, yet each have their own separate linked part,
 using the voicing rules you set up in the part definition. Say, flute 1
 uses only the top note when there are two notes on the same stem or only
 layer 1 when there are two layers. Flute 2 uses the only the bottom note
 when there are two notes on the same stem or only layer 2 when there are
 two layers.

 Using voiced linked parts saves a lot of bother, but there are two huge
 obstacles still, which are cues and grace notes. Cues are a problem when
 you have used the voicing rules to include only one layer, but your cues
 have to be in a second layer. There are kludges for this, but it is much
 easier just to have a separate file from the score file with all the linked
 parts in it (NOT voiced, but split to their own staves). Grace notes do not
 space correctly when used on a voiced linked part. This is a bug. Unvoiced
 linked parts are fine, so the same solution (separate parts file) can save
 you, or just extract the flute parts to their own files.

 Christopher


 On Sun Dec 28, at SundayDec 28 12:22 PM, Raymond Horton wrote:

  On Sun, Dec 28, 2014 at 11:59 AM, Christopher Smith 
  christopher.sm...@videotron.ca wrote:
 
  ​​
  voiced linked parts
  ​
 
 
  ​???​
 


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Re: [Finale] Locked systems

2014-12-27 Thread Lawrence David Eden
Thanks, I know that method and am forced to use it every time I move a measure 
to another system.  I am looking for a way to eliminate locked systems.  I 
don’t want Finale to lock anything automatically.  

Larry



On Dec 27, 2014, at 1:28 AM, Craig Parmerlee cr...@parmerlee.com wrote:

 And you can easily clear all locks by selecting the entire score and 
 doing ctl-shft-L (I believe that is the command on Windows).
 
 
 
 
 
 On 12/22/2014 3:38 PM, j...@thomastudios.com wrote:
 To my knowledge, the only time Finale will lock the systems is either by the 
 keyboard command, CMD-L, or if you physically move a measure to another 
 system using the old Mass Mover tool, now the Selection tool.  Otherwise 
 they stay unlocked.  I know this because there have been many times where 
 I’ve forgotten to lock the systems and Finale moves measures in a way I was 
 not expecting.
 
 J D Thomas
 ThomaStudios
 
 On Dec 22, 2014, at 12:28 PM, Lawrence David Eden lde...@comcast.net 
 wrote:
 
 Happy Holidays, Listers
 
 I am using FinMac 2k11c.r1 on a Mac Mini running Mavericks.
 
 Is there a way to prevent Finale from locking my systems?  I prefer to have 
 control over this feature, instead of it having control of me.
 
 Please advise.
 
 Larry Eden
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Re: [Finale] Locked systems

2014-12-27 Thread Aaron Sherber
Ah, but that's exactly the issue -- you're moving measures by hand to 
another system. Finale has used its spacing algorithm to decide where it 
thinks measures should go, and you're overriding that. If Finale 
*didn't* lock the systems, then your measure would just pop back to 
where it came from. The lock is what keeps things where you put them.

In my workflow, I find that I most often move a measure or two down a 
system, in order to make more room on the previous one. So if I move a 
measure from system 10 to system 11, Finale does lock both of them -- 
and then I usually wind up unlocking system 11 so that it and the 
following systems will reflow. It's a minor hassle, but it makes sense 
because Finale has no way of knowing my real intentions -- maybe I did 
mean for system 11 to have one more measure, rather than wanting to have 
things reflow. (If I unlocked both 10 and 11, Finale's spacing algorithm 
would eventually put the measure back on system 10 -- either when it 
runs automatically or when I choose Update Layout.)

Aaron.



On 12/27/2014 10:22 AM, Lawrence David Eden wrote:
 Thanks, I know that method and am forced to use it every time I move a 
 measure to another system.  I am looking for a way to eliminate locked 
 systems.  I don’t want Finale to lock anything automatically.

 Larry



 On Dec 27, 2014, at 1:28 AM, Craig Parmerlee cr...@parmerlee.com wrote:

 And you can easily clear all locks by selecting the entire score and
 doing ctl-shft-L (I believe that is the command on Windows).





 On 12/22/2014 3:38 PM, j...@thomastudios.com wrote:
 To my knowledge, the only time Finale will lock the systems is either by 
 the keyboard command, CMD-L, or if you physically move a measure to another 
 system using the old Mass Mover tool, now the Selection tool.  Otherwise 
 they stay unlocked.  I know this because there have been many times where 
 I’ve forgotten to lock the systems and Finale moves measures in a way I was 
 not expecting.

 J D Thomas
 ThomaStudios

 On Dec 22, 2014, at 12:28 PM, Lawrence David Eden lde...@comcast.net 
 wrote:

 Happy Holidays, Listers

 I am using FinMac 2k11c.r1 on a Mac Mini running Mavericks.

 Is there a way to prevent Finale from locking my systems?  I prefer to 
 have control over this feature, instead of it having control of me.

 Please advise.

 Larry Eden
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Re: [Finale] Locked systems

2014-12-27 Thread Raymond Horton
​Often, when I move systems​, the file fails to update and shows one system
in two places at once. Alt-U doesn't help.   If I exit the file (or even
exit the part I am editing) and come back, all is well, but herein lies the
rub: If I print without doing one of those exits, I get multiple copies of
the same system.   This bit me just before Xmas on a chart for middle
schoolers in which we had only two rehearsals(!) so I know it can hurt. Any
solutions are appreciated!

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com

On Sat, Dec 27, 2014 at 5:39 PM, Aaron Sherber aa...@sherber.com wrote:

 Ah, but that's exactly the issue -- you're moving measures by hand to
 another system. Finale has used its spacing algorithm to decide where it
 thinks measures should go, and you're overriding that. If Finale
 *didn't* lock the systems, then your measure would just pop back to
 where it came from. The lock is what keeps things where you put them.

 In my workflow, I find that I most often move a measure or two down a
 system, in order to make more room on the previous one. So if I move a
 measure from system 10 to system 11, Finale does lock both of them --
 and then I usually wind up unlocking system 11 so that it and the
 following systems will reflow. It's a minor hassle, but it makes sense
 because Finale has no way of knowing my real intentions -- maybe I did
 mean for system 11 to have one more measure, rather than wanting to have
 things reflow. (If I unlocked both 10 and 11, Finale's spacing algorithm
 would eventually put the measure back on system 10 -- either when it
 runs automatically or when I choose Update Layout.)

 Aaron.



 On 12/27/2014 10:22 AM, Lawrence David Eden wrote:
  Thanks, I know that method and am forced to use it every time I move a
 measure to another system.  I am looking for a way to eliminate locked
 systems.  I don’t want Finale to lock anything automatically.
 
  Larry
 
 
 
  On Dec 27, 2014, at 1:28 AM, Craig Parmerlee cr...@parmerlee.com
 wrote:
 
  And you can easily clear all locks by selecting the entire score and
  doing ctl-shft-L (I believe that is the command on Windows).
 
 
 
 
 
  On 12/22/2014 3:38 PM, j...@thomastudios.com wrote:
  To my knowledge, the only time Finale will lock the systems is either
 by the keyboard command, CMD-L, or if you physically move a measure to
 another system using the old Mass Mover tool, now the Selection tool.
 Otherwise they stay unlocked.  I know this because there have been many
 times where I’ve forgotten to lock the systems and Finale moves measures in
 a way I was not expecting.
 
  J D Thomas
  ThomaStudios
 
  On Dec 22, 2014, at 12:28 PM, Lawrence David Eden lde...@comcast.net
 wrote:
 
  Happy Holidays, Listers
 
  I am using FinMac 2k11c.r1 on a Mac Mini running Mavericks.
 
  Is there a way to prevent Finale from locking my systems?  I prefer
 to have control over this feature, instead of it having control of me.
 
  Please advise.
 
  Larry Eden
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Re: [Finale] Locked systems

2014-12-27 Thread Craig Parmerlee
Is this a facet of the page view mode?  I work almost exclusively in 
scroll mode until the final layout time and this just doesn't come up 
much as an issue.



On 12/27/2014 10:22 AM, Lawrence David Eden wrote:
 Thanks, I know that method and am forced to use it every time I move a 
 measure to another system.  I am looking for a way to eliminate locked 
 systems.  I don’t want Finale to lock anything automatically.

 Larry


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Re: [Finale] Locked systems

2014-12-27 Thread Raymond Horton
Yes, page view. Thanks
On Dec 27, 2014 7:50 PM, Craig Parmerlee cr...@parmerlee.com wrote:

 Is this a facet of the page view mode?  I work almost exclusively in
 scroll mode until the final layout time and this just doesn't come up
 much as an issue.



 On 12/27/2014 10:22 AM, Lawrence David Eden wrote:
  Thanks, I know that method and am forced to use it every time I move a
 measure to another system.  I am looking for a way to eliminate locked
 systems.  I don’t want Finale to lock anything automatically.
 
  Larry
 
 
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Re: [Finale] Locked systems

2014-12-26 Thread Craig Parmerlee
And you can easily clear all locks by selecting the entire score and 
doing ctl-shft-L (I believe that is the command on Windows).





On 12/22/2014 3:38 PM, j...@thomastudios.com wrote:
 To my knowledge, the only time Finale will lock the systems is either by the 
 keyboard command, CMD-L, or if you physically move a measure to another 
 system using the old Mass Mover tool, now the Selection tool.  Otherwise they 
 stay unlocked.  I know this because there have been many times where I’ve 
 forgotten to lock the systems and Finale moves measures in a way I was not 
 expecting.

 J D Thomas
 ThomaStudios

 On Dec 22, 2014, at 12:28 PM, Lawrence David Eden lde...@comcast.net wrote:

 Happy Holidays, Listers

 I am using FinMac 2k11c.r1 on a Mac Mini running Mavericks.

 Is there a way to prevent Finale from locking my systems?  I prefer to have 
 control over this feature, instead of it having control of me.

 Please advise.

 Larry Eden
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 https://lists.shsu.edu/mailman/listinfo/finale

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[Finale] Locked systems

2014-12-22 Thread Lawrence David Eden
Happy Holidays, Listers

I am using FinMac 2k11c.r1 on a Mac Mini running Mavericks.

Is there a way to prevent Finale from locking my systems?  I prefer to have 
control over this feature, instead of it having control of me.

Please advise.

Larry Eden
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Re: [Finale] Locked systems

2014-12-22 Thread j...@thomastudios.com
To my knowledge, the only time Finale will lock the systems is either by the 
keyboard command, CMD-L, or if you physically move a measure to another system 
using the old Mass Mover tool, now the Selection tool.  Otherwise they stay 
unlocked.  I know this because there have been many times where I’ve forgotten 
to lock the systems and Finale moves measures in a way I was not expecting.

J D Thomas
ThomaStudios

 On Dec 22, 2014, at 12:28 PM, Lawrence David Eden lde...@comcast.net wrote:
 
 Happy Holidays, Listers
 
 I am using FinMac 2k11c.r1 on a Mac Mini running Mavericks.
 
 Is there a way to prevent Finale from locking my systems?  I prefer to have 
 control over this feature, instead of it having control of me.
 
 Please advise.
 
 Larry Eden
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 https://lists.shsu.edu/mailman/listinfo/finale
 
 To unsubscribe from finale send a message to:
 finale-unsubscr...@shsu.edu


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[Finale] locked systems and errant pdfs

2010-09-14 Thread mmathew1942

We're experiencing similar problems and hoping several people have solutions? 

mmathew_musicp...@comcast.net 
mmathew_musicp...@yahoo.com 
http://www.musicengravers.com/cgi-bin/engravers.pl 
http://oregonmts.com/mathew/ 
Phone and Fax: 503 641 6127 


- Forwarded Message - 
From: eisenb...@aol.com 
To: mmathew1...@comcast.net 
Sent: Tuesday, September 14, 2010 11:00:37 AM 
Subject: Re: Updated glossary 




Michael , 

I’ve locked in the systems as you described a few weeks ago. 
However sometimes the systems become unlocked and that is really annoying. 
Basically, as I work on the score I save the changes. As I lock the systems 
down I then save the changes. Then when I want to close out the document, 
Finale asks me if I want to save the changes. If I do save the changes , at 
this closing point, the systems become unlocked and the score becomes a mess. 
So at the closing point, I do not save the changes. 

The PDF is a reflection of the way I want the layout/reading of the score to 
look. Even if I change notes, add instructions, expressions or other parts, I 
will not be adding measures. 
I want the systems locked down so it doesn’t get messed up. 

Do you have any suggestions for this? 

Also, sometimes Finale hides accidentals. We can’t have that. As a precaution, 
I’ve gone through a lot of parts and added naturals to notes that don’t have 
accidentals. 



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