Re: [Finale] Click Assignment

2011-12-04 Thread John Howell
At 11:48 PM -0800 12/2/11, Mark D Lew wrote:

Also, I would further suggest that correct 
hyphenation per standard hyphenation rules is 
occasionally not the best choice.  Hyphenation 
in vocal music should above all serve the 
singer.  Standard hyphenation will usually do 
that, but I've run across a few cases where I 
deliberately made a different choice.  (I'd give 
an example but I can't think of one off the top 
of my head.  The basic idea is that if the notes 
are long, or across a page break, the singer is 
going to see only one half of the word, and you 
want to avoid a hyphenation which will even 
momentarily tempt the singer into guessing the 
wrong vowel.  Even if they'll still see it in 
time to not make a mistake, it's a distraction, 
and choral music especially needs to communicate 
as quickly as possible so as to let the singers 
be less buried in their books.)

I agree with Mark in principle, but in practice 
it can be a real can of worms!  The problem he 
cites with English words in long melismas is a 
real one, simply because in English each vowel 
had a number of possible pronunciations, unlike 
several other common languages, and the singer 
has to decide which one to use right at the 
beginning of the word.

But it can create just as much confusion to 
creatively mis-hyphenate words in an ATTEMPT to 
write down what you think singers should sing.  I 
run into this fairly often in my Vocal/Choral 
Arranging class, especially when the students are 
instrumentalists and not used to seeing vocal 
music or thinking about hyphenation.  They try to 
write it the way it sounds, and end up with 
gobbledegook that would confound ANY singers 
trying to sightread it!

The fact is that hyphenation (for the printed 
word) is one thing, but the choice and placement 
of phonemes (individual sounds) in the spoken or 
sung word is often something quite different. 
Trying to transcribe Sinatra's songs is VERY 
instructive.  Not only does he break the melodic 
rhythm into groupings that are very difficult to 
notate, he divides the words into individual 
phonemes, not syllables as we know them, and 
any attempt to actually write them down the way 
he sings them turns the words into some kind of 
Esperanto!!!  (Actually Esperanto would be 
easier, since each vowel would have only one 
sound!)

I've been writing vocal charts for upwards of 60 
years, and I strongly advise using normal, 
dictionary hyphenation in ALMOST every case.  It 
comes under better the devil you know ...

And for anyone who hasn't worked with lyrics in 
other languages, guess what:  the hyphenation 
rules are completely different!!!  But there ARE 
rules.  And I think my Mom knew them all.

John


-- 
John R. Howell, Assoc. Prof. of Music
Virginia Tech Department of Music
School of Performing Arts  Cinema
College of Liberal Arts  Human Sciences
290 College Ave., Blacksburg, Virginia 24061-0240
Vox (540) 231-8411  Fax (540) 231-5034
(mailto:john.how...@vt.edu)
http://www.music.vt.edu/faculty/howell/howell.html

Machen Sie es, wie Sie wollen, machen Sie es nur schön.
(Do it as you like, just make it beautiful!)  --Johannes Brahms

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Re: [Finale] Click Assignment

2011-12-04 Thread Raymond Horton
On Sat, Dec 3, 2011 at 12:40 PM, John Howell john.how...@vt.edu wrote:

 I've been writing vocal charts for upwards of 60
 years, and I strongly advise using normal,
 dictionary hyphenation in ALMOST every case.  It
 comes under better the devil you know ...

  John



Excellent advice - I agree 100%.

And every time I think I know the rules I am surprised by some exception.
 I try to find authoritative sources whenever possible.

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com
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Re: [Finale] Click Assignment

2011-12-04 Thread Mark D Lew
On Dec 4, 2011, at 8:58 AM, Raymond Horton wrote:

 And every time I think I know the rules I am surprised by some exception.
 I try to find authoritative sources whenever possible.

Maybe it's because this is close to my specialty, but I think I would dissent 
from this.

The authoritative sources do, in fact, get it right.  But I think we should 
strive to understand why words are hyphenated the way they are so that we too 
can come up with the best answer, rather than simply appeal to authority.  
Otherwise, how do you know which sources are authoritative?

It's the same idea as rules of harmony. The rules are not arbitrary. They 
were written for good reason. They stand as guidelines and reminders to us of 
what that good reason is. But when you follow those rules, you do so because 
they work and help you achieve the results you want, not just because the book 
said so.

mdl
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Re: [Finale] Click Assignment

2011-12-04 Thread Raymond Horton
Ok, it is very simple, then.  I am enough of an authority in harmony to
trust my own judgement.  The same is NOT true when it comes to language, so
I look for other authority.  If I find disagreement among such authorities
on hyphenation, I'll do what I like.

But your parallel is not an equal one.  If an informed composer chooses to
break the rules of harmony, the sound will be readily apparent.  If he/she
breaks the rules of hyphenation, the sound will be apparent only if it is
for some clear and obvious purpose - but the choir director or singer may
easily ignore odd divisions and sing it normally - not so with harmony.

Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com


On Sun, Dec 4, 2011 at 8:03 PM, Mark D Lew markd...@earthlink.net wrote:

 On Dec 4, 2011, at 8:58 AM, Raymond Horton wrote:

  And every time I think I know the rules I am surprised by some exception.
  I try to find authoritative sources whenever possible.

 Maybe it's because this is close to my specialty, but I think I would
 dissent from this.

 The authoritative sources do, in fact, get it right.  But I think we
 should strive to understand why words are hyphenated the way they are so
 that we too can come up with the best answer, rather than simply appeal to
 authority.  Otherwise, how do you know which sources are authoritative?

 It's the same idea as rules of harmony. The rules are not arbitrary.
 They were written for good reason. They stand as guidelines and reminders
 to us of what that good reason is. But when you follow those rules, you do
 so because they work and help you achieve the results you want, not just
 because the book said so.

 mdl
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Re: [Finale] Click Assignment

2011-12-04 Thread Mark D Lew
On Dec 4, 2011, at 6:17 PM, Raymond Horton wrote:

 But your parallel is not an equal one.  If an informed composer chooses to
 break the rules of harmony, the sound will be readily apparent.  If he/she
 breaks the rules of hyphenation, the sound will be apparent only if it is
 for some clear and obvious purpose - but the choir director or singer may
 easily ignore odd divisions and sing it normally - not so with harmony.


Good point.  I suppose a better comparison would be the typographic rules of 
engraving, which I will generally follow but would not hesitate to break for 
the sake of better clarity and communication.

mdl
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Re: [Finale] Click Assignment

2011-12-04 Thread Raymond Horton
Much better!

The Poulenc Sonata for Horn, Trumpet, and Trombone is full of jokes,
obvious and not so, in the outer movements.  These include a few in
the notation, of which my favorite are a couple of examples of
syncopated rests.  Once I told an audience to be sure and listen for
them.

I was so saddened to see a new engraving of it that eliminated them,
as well as a few other features-not-bugs.


Raymond Horton
Bass Trombonist, Louisville Orchestra
Minister of Music, Edwardsville (IN) UMC
Composer, Arranger
VISIT US AT rayhortonmusic.com



On Sun, Dec 4, 2011 at 11:26 PM, Mark D Lew markd...@earthlink.net wrote:
 On Dec 4, 2011, at 6:17 PM, Raymond Horton wrote:

 But your parallel is not an equal one.  If an informed composer chooses to
 break the rules of harmony, the sound will be readily apparent.  If he/she
 breaks the rules of hyphenation, the sound will be apparent only if it is
 for some clear and obvious purpose - but the choir director or singer may
 easily ignore odd divisions and sing it normally - not so with harmony.


 Good point.  I suppose a better comparison would be the typographic rules of 
 engraving, which I will generally follow but would not hesitate to break for 
 the sake of better clarity and communication.

 mdl
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Re: [Finale] Click Assignment

2011-12-03 Thread Mark D Lew
On Dec 2, 2011, at 9:30 AM, Doug Walter wrote:

 On the subject of hyphenation, since whatever rules apply have always been 
 a mystery to me and I used to sit with a dictionary in my lap as I entered 
 lyrics, the Dictionary widget included with the Mac Dashboard turns out to be 
 pretty easy and convenient. Once you have it open, it stays selected when you 
 return to Dashboard from Finale, and you can just type the word in, hit 
 Return and, like a regular dictionary, you see both the definition and the 
 hyphenation.

No hyphenation algorithm can be perfect because some words have identical 
spelling but hyphenate differently depending on how they are pronounced.  (For 
example, pre-sent vs pres-ent.)

Most standard hyphenation dictionaries are incomplete anyway, since they won't 
hyphenate short words or one-letter syllables (eg, ev-er, e-ven), which is 
necessary for music.

Also, I would further suggest that correct hyphenation per standard 
hyphenation rules is occasionally not the best choice.  Hyphenation in vocal 
music should above all serve the singer.  Standard hyphenation will usually do 
that, but I've run across a few cases where I deliberately made a different 
choice.  (I'd give an example but I can't think of one off the top of my head.  
The basic idea is that if the notes are long, or across a page break, the 
singer is going to see only one half of the word, and you want to avoid a 
hyphenation which will even momentarily tempt the singer into guessing the 
wrong vowel.  Even if they'll still see it in time to not make a mistake, it's 
a distraction, and choral music especially needs to communicate as quickly as 
possible so as to let the singers be less buried in their books.)

mdl
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Re: [Finale] Click Assignment

2011-12-02 Thread Haroldo Mauro
As far as I know click assignment is aware of ties. When I type into the score 
I type an extra space for the tied note (the note at the end of the tie).

On 02/12/2011, at 10:03, Richard Huggins wrote:

   Finalle 2012 Mac
 
 For all the new stuff they do sure wish MM would improve lots of  
 existing things, one of them being CLick Assignment and esp Option- 
 Click (Mac) where all the words go in at once. When they blow right  
 past slurs and put a word there anyway, it's frustrating to ffix it  
 with a series of Shift Right and Shift Left actions.
 
 Is there a secret I never learned about how to make if honor slurs and  
 go on to the next available note?
 
 RH
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Re: [Finale] Click Assignment

2011-12-02 Thread Haroldo Mauro
Well, maybe I'm wrong about click assignment, in which case you need to add an 
extra space for each tied note in the text window.

On 02/12/2011, at 10:30, Haroldo Mauro wrote:

 As far as I know click assignment is aware of ties. When I type into the 
 score I type an extra space for the tied note (the note at the end of the 
 tie).
 
 On 02/12/2011, at 10:03, Richard Huggins wrote:
 
  Finalle 2012 Mac
 
 For all the new stuff they do sure wish MM would improve lots of  
 existing things, one of them being CLick Assignment and esp Option- 
 Click (Mac) where all the words go in at once. When they blow right  
 past slurs and put a word there anyway, it's frustrating to ffix it  
 with a series of Shift Right and Shift Left actions.
 
 Is there a secret I never learned about how to make if honor slurs and  
 go on to the next available note?
 
 RH
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Re: [Finale] Click Assignment

2011-12-02 Thread Christopher Smith
Click assignment is TIE aware, but not SLUR aware. Type Into Score is neither, 
as you said. 

I do quite a bit of this, and indeed I wish there was a keyboard shortcut for 
Right Shift and Left Shift (maybe the comma and period keys, like for cresc and 
dim in the Smart Shape tool?)

If I am missing ONE hyphenation in my click-assigned lyrics, I have a long, 
multi-click process to go through to get the syllables right. I have submitted 
a request about this, and suggest you do the same, so that it moves up the to 
do list.

Christopher

On Fri Dec 2, at FridayDec 2 7:30 AM, Haroldo Mauro wrote:

 As far as I know click assignment is aware of ties. When I type into the 
 score I type an extra space for the tied note (the note at the end of the 
 tie).
 
 On 02/12/2011, at 10:03, Richard Huggins wrote:
 
  Finalle 2012 Mac
 
 For all the new stuff they do sure wish MM would improve lots of  
 existing things, one of them being CLick Assignment and esp Option- 
 Click (Mac) where all the words go in at once. When they blow right  
 past slurs and put a word there anyway, it's frustrating to ffix it  
 with a series of Shift Right and Shift Left actions.
 
 Is there a secret I never learned about how to make if honor slurs and  
 go on to the next available note?
 
 RH

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Re: [Finale] Click Assignment

2011-12-02 Thread Richard Huggins
Haroldo, I never thot of extra spaces. I tried it and by gum it works.  
On the Mac, Option-SPacebar inserts a forced space. So, EX: Be-hold  
the rose, where hold spans three notes, would be entered hold (os)  
(os) the Rose. Note it's a common space (no Option held down) then  
Option-Space etc.  ThAnks much!

Christopher, exactly! A fast key combo would make SUCH a difference!  
Along with that, the ability to use arrow keys and a key combo to  
cause the next word to be entered, thus eliminating mouse positioning,  
would be glorious. Lastly would someone
please create a word-dividing app, putting the hyphens in the right  
place in one fell swoop? !

RH
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Re: [Finale] Click Assignment

2011-12-02 Thread Raymond Horton
On Fri, Dec 2, 2011 at 10:11 AM, Richard Huggins huggin...@yahoo.comwrote:


 ..  A fast key combo would make SUCH a difference!
 Along with that, the ability to use arrow keys and a key combo to
 cause the next word to be entered, thus eliminating mouse positioning,
 would be glorious. Lastly would someone
 please create a word-dividing app, putting the hyphens in the right
 place in one fell swoop? !

 RH


I second those motions, heartily!
   RH
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Re: [Finale] Click Assignment

2011-12-02 Thread Richard Huggins
Oops...back to the drawing board..I ran into a problem on  how to make  
it work withIN a word where you've got hypens to deal with. I tried a  
forced hyphen but didn't think that would work and it didn't.. What  
DID work but with a problem attached was Sav-(fp)-ior -- that's two  
regular hypens on each side of a forced space (fp)

The word then worked but I have two hyphens where only one is desired,  
and if I could mke oe invisible I'd still have to move the remaining  
hypjen to make it look right. I havent seen a way to move a hyphen,  
and after all would that be less work than typing the lyrics and  
abandoning CLick Assignment?

RH


On Dec 2, 2011, at 9:11 AM, Richard Huggins wrote:

 Haroldo, I never thot of extra spaces. I tried it and by gum it works.
 On the Mac, Option-SPacebar inserts a forced space. So, EX: Be-hold
 the rose, where hold spans three notes, would be entered hold (os)
 (os) the Rose. Note it's a common space (no Option held down) then
 Option-Space etc.  ThAnks much!

 Christopher, exactly! A fast key combo would make SUCH a difference!
 Along with that, the ability to use arrow keys and a key combo to
 cause the next word to be entered, thus eliminating mouse positioning,
 would be glorious. Lastly would someone
 please create a word-dividing app, putting the hyphens in the right
 place in one fell swoop? !

 RH
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Re: [Finale] Click Assignment

2011-12-02 Thread christopher.smith
Adding extra spaces doesn't work for click assignment, as Finale seems to 
ignore them. It also treats carriage returns and multiple carriage returns as a 
space, moving to the next note as if it were a space.

The opt-spacebar on Mac will NOT add space the way you might think! It will add 
a space that Finale thinks is a normal character, attaching to a note or 
allowing two words on the same note. I think the shift right is our best 
option, I just want a way to do it faster.

For hyphenation, I use this website:

http://juiciobrennan.com/hyphenator/

You have to check the results, as it doesn't always return what you think is 
right (bless-ed instead of blessed: pleas-ed instead of pleased, for 
example) and it doesn't seem to know contractions (hadn't comes back 
undivided), and it doesn't know slang (gonna and havin' stump it) as well 
as many proper names don't get divided. But it's great!

Christopher



- Original Message -
From: Richard Huggins huggin...@yahoo.com
Date: Friday, December 2, 2011 10:26 am
Subject: Re: [Finale] Click Assignment
To: finale@shsu.edu

 Haroldo, I never thot of extra spaces. I tried it and by gum it 
 works.  
 On the Mac, Option-SPacebar inserts a forced space. So, EX: Be-
 hold  
 the rose, where hold spans three notes, would be entered 
 hold (os)  
 (os) the Rose. Note it's a common space (no Option held down) 
 then  
 Option-Space etc.  ThAnks much!
 
 Christopher, exactly! A fast key combo would make SUCH a 
 difference!  
 Along with that, the ability to use arrow keys and a key combo 
 to  
 cause the next word to be entered, thus eliminating mouse 
 positioning,  
 would be glorious. Lastly would someone
 please create a word-dividing app, putting the hyphens in the 
 right  
 place in one fell swoop? !
 
 RH
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Re: [Finale] Click Assignment

2011-12-02 Thread Raymond Horton
I've wanted this for years!  Thank you so much!

Raymond Horton


 For hyphenation, I use this website:

 http://juiciobrennan.com/hyphenator/

 You have to check the results, as it doesn't always return what you think is 
 right (bless-ed instead of blessed: pleas-ed instead of pleased, for 
 example) and it doesn't seem to know contractions (hadn't comes back 
 undivided), and it doesn't know slang (gonna and havin' stump it) as well 
 as many proper names don't get divided. But it's great!

 Christopher



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Re: [Finale] Click Assignment

2011-12-02 Thread Randolph Peters
Thanks! This is useful.

-Randolph Peters

On 2011-12-02, at 11:16 AM, christopher.sm...@videotron.ca wrote:

 For hyphenation, I use this website:
 
 http://juiciobrennan.com/hyphenator/

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Re: [Finale] Click Assignment

2011-12-02 Thread cr new
I use this online tool for English hyphenation occasionally because it's 
fast and requires little tweaking of the results (also, it can handle very 
long text blocks): http://juiciobrennan.com/hyphenator/

There are some extant hyphenation databases available for free online, but 
it takes a while to sort through the junk to find them. The older ones are 
mostly TeX or similar files.

Matthew Hindson's work is still available, too: 
http://www.hindson.com.au/wordpress/free/free-english-language-hyphenation-dictionary

Circa 1999, when I was using Finale on a Mac and engraving a huge number of 
pieces in Latin, I created a word base to do this very thing to help out 
Philip Aker while he was developing his TextEditor plugin. Later on Giovanni 
(Doro?) sent some updates to the word base, too. 
http://home.swipnet.se/~w-52653/Finale/plugins.html#TEXT_EDITOR   but none 
of the links work anymore.  I have a copy somewhere. I'll try to locate it. 
Or you might find someone with an old version of Finale that installed it as 
a freebie around 2000-01 version? It went standalone at some point.

Hope something of all this helps!
-Cecil Rigby
Clemson, SC

- Original Message - 
From: Raymond Horton horton.raym...@gmail.com
To: finale@shsu.edu
Sent: Friday, December 02, 2011 11:23 AM
Subject: Re: [Finale] Click Assignment


 On Fri, Dec 2, 2011 at 10:11 AM, Richard Huggins 
 huggin...@yahoo.comwrote:


 ..  A fast key combo would make SUCH a difference!
 Along with that, the ability to use arrow keys and a key combo to
 cause the next word to be entered, thus eliminating mouse positioning,
 would be glorious. Lastly would someone
 please create a word-dividing app, putting the hyphens in the right
 place in one fell swoop? !

 RH


 I second those motions, heartily!
   RH
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Re: [Finale] Click assignment

2004-10-30 Thread Johannes Gebauer
Christopher Smith wrote:
3) Grace note spacing was broken for a long time. It may be fixed now (I 
haven't checked in 2005)

Actually, grace note spacing was working as designed, only it was not 
particularly well designed. One could say it was broken by design.

In 2k5 it has been redesigned, only in my opinion it's not really any 
better. It just has a few more options, but the options I need are still 
missing.

Johannes
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Re: [Finale] Click assignment

2004-10-30 Thread Christopher Smith
On Oct 30, 2004, at 7:54 AM, Johannes Gebauer wrote:
Christopher Smith wrote:
3) Grace note spacing was broken for a long time. It may be fixed now 
(I haven't checked in 2005)

Actually, grace note spacing was working as designed, only it was not 
particularly well designed. One could say it was broken by design.

In 2k5 it has been redesigned, only in my opinion it's not really any 
better. It just has a few more options, but the options I need are 
still missing.

Johannes

Strictly speaking, the Chromatic Transposition was working as designed, 
too, it was just a colossally bad design to omit chord symbol 
transposition. I suppose I wasn't making a distinction between faulty 
design and faulty implementation, as I should have.

Christopher
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Re: [Finale] Click assignment

2004-10-30 Thread Johannes Gebauer
Although I am with you, the problem with the grace note spacing was not 
that the design was broken either. It was simply bad design, but design 
nonetheless. It took me a while to understand how grace note spacing 
worked, but in the end I had to admit that really it was working as 
designed, and the design itself sort-of made sense, too. It was still 
useless and impractical.

I don't really believe it is much better now (as it still doesn't solve 
the really major problem I have with grace note spacing) but again, it 
is working as designed, and the design all makes sense. It's just that 
it still is impractical and only about 10% more useful than before. 
Which makes it 10% useful I guess.

Johannes
dhbailey wrote:
In my opinion it doesn't matter if the design is broken or the 
implementation is broken, broken is broken.  If something doesn't work 
as it should, so that the end users are not able to use it properly, the 
end result is the same -- the feature doesn't work.

On the other hand, it doesn't matter what we end-users call it (feature 
that doesn't work properly or a bug), if the software company won't 
acknowledge that it's broken they don't feel they have a moral 
obligation to fix it.

Denial that there is a problem is always easier than solving the problem.
--
http://www.musikmanufaktur.com
http://www.camerata-berolinensis.de
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Re: [Finale] Click assignment

2004-10-29 Thread Christopher Smith
Yes, this has happened regularly to me for a few versions now (since at 
least FinMac2003). I just clear the syllables starting with the 
repeated one, and re-enter with single clicks for the last measure.

Christopher

On Oct 29, 2004, at 5:59 AM, Stig Christensen wrote:
it seems that fin 2005 MAC has some problems with this function. I use 
to use this function with the alt key, so a whole verse will have the 
text assigned but sometimes the end of the verse will have a repeated 
syllable for several bars, and not the text actually in the verse!

Is this a part of your experience too?
regards
Stig
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Re: [Finale] Click assignment

2004-10-29 Thread Stig Christensen
funny that bugs stay alive during several generations of a program!
Stig
Den 29/10-2004, kl. 14.36, skrev Christopher Smith:
Yes, this has happened regularly to me for a few versions now (since 
at least FinMac2003). I just clear the syllables starting with the 
repeated one, and re-enter with single clicks for the last measure.

Christopher

On Oct 29, 2004, at 5:59 AM, Stig Christensen wrote:
it seems that fin 2005 MAC has some problems with this function. I 
use to use this function with the alt key, so a whole verse will have 
the text assigned but sometimes the end of the verse will have a 
repeated syllable for several bars, and not the text actually in the 
verse!

Is this a part of your experience too?
regards
Stig
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Re: [Finale] Click assignment

2004-10-29 Thread Bonnie Harris
Yikes! Is this true always?  How inconvenient!
Bonnie
On Friday, October 29, 2004, at 05:16 AM, Christopher Smith wrote:
On Oct 29, 2004, at 8:52 AM, Stig Christensen wrote:
1) Chord symbols do not transpose when Chromatic transposition is 
selected.
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