Re: [Frameworks] question about fees for permission to use material

[Ted Hardin]

Just for grins and to amplify David's point, it's time to remember Paper 
Tiger TV's delicious "Herb Schiller Reads the New York Times" from 1981.

https://vimeo.com/82558179

David Tetzlaff wrote:

The soundtrack to James Benning's film "Deseret" consists entirely of some one 
reading NY Times articles aloud. I'm willing to bet he did not pay for the rights nor has 
been bothered by the NY Times about it.

I repeat my point that it is not the rights holder the experimental filmmaker 
needs to be concerned about but programmers and other gatekeepers who are 
afraid of the rights holders (however misplaced that fear may be.)

No programmer in this field is going to say 'boo' to James Benning. For less 
well-known makers, especially people starting out, it's likely to be a 
different story.


 wrote:
I think its harder to apply fair use when you've already asked them what's 
"fair" to them.

Er, no. It's a principle of law, not a matter for rights holders to decide 
themselves.


Also when you know the other creator, the concept of fair use gets trickier, 
doesn't it?

If someone you know demands a cash payment for something out of which you're 
unlikely to get even a penny in return, you need a better set of friends.


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] my new(ish) 16mm films on vimeo

[John Woods]

I recently publicly posted two short films of mine on Vimeo that did the 
festival racket last year. 


7246 120' WE:

https://vimeo.com/31825344

Shot on 10-15 year old Kodak and Agfa 16mm.


Legacies:
https://vimeo.com/33009329

All hand processed and optically printed on 7363 and 7302. Started as a 
workshop project and not finished for several years. I think I re-printed it 
completely at least 3 times as I went along the learning curve. 

-John___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] 16mm telecine?

[Jon Behrens]

Light Press right here
In sunny Seattle Wa does great telecine work .

Sent from my iPhone

On Feb 22, 2014, at 1:16 PM, "Jeff Kreines"  wrote:

> I haven’t commented because it seemed like you wanted a place in LA.  
> Telecine (transfers to “video”) is limiting — scanning to data files is the 
> best way to go.
> 
> But if that’s not the case, Kinetta Archival in NYC does 3.3K scans (5x the 
> res of HD) from all formats, 8 to 35mm.  While our specialty is archival work 
> — damaged film, shrunken film, and contrasty film — prints and reversal 
> original — we also do new film that has no problems.
> 
> We are not the cheapest, but we do high-quality work, and are 
> artist-friendly.  3.3K scans from 16mm, graded and output as ProRes (your 
> choice 2K, or HD pillar boxed, or for S16, HD) are $.68/foot, with you 
> supplying a hard drive for the files.  $210 minimum.
> 
> For information on our scanning technology, go to http://kinetta.com
> 
> Jeff Kreines
> Kinetta
> j...@kinetta.com
> kinetta.com
> 
>> Date: Sat, 22 Feb 2014 09:31:36 -0500
>> From: kreins...@gmail.com
>> To: frameworks@jonasmekasfilms.com
>> Subject: Re: [Frameworks] 16mm telecine?
>> 
>> Frame Discreet in Toronto does excellent work with 2K frame-accurate scans. 
>> They are very artist-friendly cinematographers that do high-quality 
>> transfers and have lots of examples on their site:  
>> http://framediscreet.com/home/
>> 
>> Best of luck!
>> 
>> Karl Reinsalu
>> Technical Coordinator
>> t...@lift.on.ca
>> 
>> Liaison of Independent Filmmakers of Toronto (LIFT)
>> 1137 Dupont Street
>> Toronto, Ontario   M6H 2A3
>> Tel:  416.588.6444  Ext. 224
>> Web:  http://lift.ca 
>> 
>> LIFT is dedicated to supporting the practice of independent filmmaking.
>> Charitable # 125986406RR0001
>> 
>> 
>> 
>> 
>> On Sat, Feb 22, 2014 at 1:06 AM, Stephanie Hutin 
>>  wrote:
>> I think Pro8mm does it but it might even be more expensive than Fotokem?
>> 
>> 
>> Stephanie Hutin
>> Director of Production
>> Intercollegiate Media Studies
>> Mosbacher Gartrell Center for Media Experimentation and Activism
>> Pitzer College
>> 1050 North Mills Ave., West Hall
>> Claremont, CA 91711
>> 909.607.3889
>> stephanie_hu...@pitzer.edu
>> 
>> On Feb 21, 2014, at 9:13 PM, "mariah garnett"  
>> wrote:
>> 
>> i'm looking for 16mm negative to HD prores file transfer
>> 
>> 
>> On Fri, Feb 21, 2014 at 7:57 PM, Scott Dorsey  wrote:
>> What kind of telecine do you want?  There are a lot of people who will do
>> old-style video transfers at very reasonable prices.  I can recommend Guy
>> Spiller (www.guyspiller.com) who has a Marconi line-scanning telecine.
>> 
>> Still, if you get an old-style video transfer you're stuck with interlace
>> artifacts and pulldown artifacts that you won't have from a digital scan.
>> 
>> The problem is that very few of the digital scanning systems will work
>> properly scanning a print or reversal original.  The Kinetta does lovely
>> work from a reversal original but few other machines will.
>> --scott
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> 
>> 
>> -- 
>> --
>> Karl Reinsalu
>> e.mail: kreins...@gmail.com
>> 
>> ___ FrameWorks mailing list 
>> FrameWorks@jonasmekasfilms.com 
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> Jeff Kreines
> Kinetta
> j...@kinetta.com
> kinetta.com
> kinettaarchival.com
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] LARRY JORDAN

[Gene Youngblood]

If you have email and/or phone for Larry, please let me know.___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] Looking/Talking: a Live Cinema Improvisation with Stephanie Barber at Microscope, MON 2/24, 7pm

[LBurchill]

Mon Feb 24, doors 7pm, admission $6, artist in person.

Microscope Gallery us very happy to welcome artist and writer Stephanie
Barber, in town from Baltimore, for a night of live, improvisational
"cinema performance". The event marks the first New York performance of the
artist's ongoing project "Looking/Talking". In this work, Barber armed with
her video camera records a live feed of herself looking through photographs
and other images and responding to the spontaneous memories through stories
and poetics, inquiry and silence, sorrow and jokes. The work is related to
the artist's current project with Bonnie Jones called "New Collaboration in
Translation and Aliveness" as well as readings she has given for her book
"Night Moves", all of which are spoken improvisations.

"Some years ago I was inspired by David Antin's talk poems and have wanted
to push myself to this scary space of unpremeditated improvisation. I am
using the photographs and my lifelong obsession with photographs (both as
an art object and a memorial alembic) as a diving off point for my words
and silences." -SB


__
Stephanie Barber is an American writer and artist. She has created a
poetic, conceptual and philosophical body of work in a variety of media.
Many of her videos are concerned with the content, musicality and
experiential qualities of language. Last year, Barber completed her first
feature length narrative film DAREDEVILS. Barber's films and videos have
has been screened nationally and internationally in solo and group shows at
MoMA, NY; The Tate Modern, London; The Whitney Museum of American Art, NY;
The Paris Cinematheque; The Walker Art Center, MN; MOCA Los Angeles, The
Wexner Center for Art, OH, among other galleries, museums and festivals.
Her videos are distributed by The Video Data Bank, Chicago and her films by
Canyon Cinema. Barber's essays, stories and poems are widely published in
print and online. Her books these here separated to see how they standing
alone and Night Moves were published by Publishing Genius Press in 2010 and
2013 respectively.

more info: www.microscopegallery.com'


Microscope Gallery
4 Charles Place (at Myrtle btw Bushwick & Evergreen Aves)
Brooklyn, NY 11221
tel: 347.925.1433
i...@microscopegallery.com

Nearest Subway - J/M/Z Myrtle/Broadway stop (3-5 min walk)
Other options include L Morgan Ave or Jefferson Street (12 min walk)
B54 Myrble/Bushwick

G to Broadway and walk a block to J Lorimer, then exit at Myrtle/Broadway.

L to Wyckoff and take M (towards the city) to Myrtle/Broadway.
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] 16mm telecine?

[Jeff Kreines]

I haven’t commented because it seemed like you wanted a place in LA.  Telecine 
(transfers to “video”) is limiting — scanning to data files is the best way to 
go.

But if that’s not the case, Kinetta Archival in NYC does 3.3K scans (5x the res 
of HD) from all formats, 8 to 35mm.  While our specialty is archival work — 
damaged film, shrunken film, and contrasty film — prints and reversal original 
— we also do new film that has no problems.

We are not the cheapest, but we do high-quality work, and are artist-friendly.  
3.3K scans from 16mm, graded and output as ProRes (your choice 2K, or HD pillar 
boxed, or for S16, HD) are $.68/foot, with you supplying a hard drive for the 
files.  $210 minimum.

For information on our scanning technology, go to http://kinetta.com

Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com

> Date: Sat, 22 Feb 2014 09:31:36 -0500
> From: kreins...@gmail.com
> To: frameworks@jonasmekasfilms.com
> Subject: Re: [Frameworks] 16mm telecine?
> 
> Frame Discreet in Toronto does excellent work with 2K frame-accurate scans. 
> They are very artist-friendly cinematographers that do high-quality transfers 
> and have lots of examples on their site:  http://framediscreet.com/home/
> 
> Best of luck!
> 
> Karl Reinsalu
> Technical Coordinator
> t...@lift.on.ca
> 
> Liaison of Independent Filmmakers of Toronto (LIFT)
> 1137 Dupont Street
> Toronto, Ontario   M6H 2A3
> Tel:  416.588.6444  Ext. 224
> Web:  http://lift.ca 
> 
> LIFT is dedicated to supporting the practice of independent filmmaking.
> Charitable # 125986406RR0001
> 
> 
> 
> 
> On Sat, Feb 22, 2014 at 1:06 AM, Stephanie Hutin  
> wrote:
> I think Pro8mm does it but it might even be more expensive than Fotokem?
> 
> 
> Stephanie Hutin
> Director of Production
> Intercollegiate Media Studies
> Mosbacher Gartrell Center for Media Experimentation and Activism
> Pitzer College
> 1050 North Mills Ave., West Hall
> Claremont, CA 91711
> 909.607.3889
> stephanie_hu...@pitzer.edu
> 
> On Feb 21, 2014, at 9:13 PM, "mariah garnett"  
> wrote:
> 
> i'm looking for 16mm negative to HD prores file transfer
> 
> 
> On Fri, Feb 21, 2014 at 7:57 PM, Scott Dorsey  wrote:
> What kind of telecine do you want?  There are a lot of people who will do
> old-style video transfers at very reasonable prices.  I can recommend Guy
> Spiller (www.guyspiller.com) who has a Marconi line-scanning telecine.
> 
> Still, if you get an old-style video transfer you're stuck with interlace
> artifacts and pulldown artifacts that you won't have from a digital scan.
> 
> The problem is that very few of the digital scanning systems will work
> properly scanning a print or reversal original.  The Kinetta does lovely
> work from a reversal original but few other machines will.
> --scott
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> -- 
> --
> Karl Reinsalu
> e.mail: kreins...@gmail.com
> 
> ___ FrameWorks mailing list 
> FrameWorks@jonasmekasfilms.com 
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks

Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
kinettaarchival.com


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Film editing bench (table)

[todd eacrett]

35mm viewers do turn up occasionally. I have one of these Murays:

http://www.ebay.co.uk/itm/Muray-35mm-Bench-Film-Viewer-/131008123687?nma=true&si=fImVBgSFTpffAerPl8MFwvHsO1Y%253D&orig_cvip=true&rt=nc&_trksid=p2047675.l2557


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Film editing bench (table)

[Scott Dorsey]

You will not find any tabletop 35mm viewers.  They exist, but there were not
many made and they were mostly used at theatre make-up tables.  It is far
easier and cheaper to find a flatbed or an upright editing machine.

What you WILL find cheaply are cineangiography viewers, which are sort of
like small 2-plate flatbeds.  The ones made by Vanguard Instrument are 
my favorite; they have a pull-down claw arrangement like a 16mm projector
rather than a prism, but they are very sharp-looking and light on film.
Will take about 500 feet of film at a time, so you can't work on a full reel,
and limited speed control compared with a real flatbed. 

tekyard.com often comes up with the Vanguards and other cineangiography
viewers, as well as with camera systems intended for cineangiography
(usually 35mm Mauers with funny controls and no finders).
--scott
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Film editing bench (table)

[Francisco Torres]

MPE 212-245-0969 may still have stuff lying around...


35 viewers are as rare as hen's teeth.


On Fri, Feb 21, 2014 at 8:32 PM, Gashouse Films wrote:

> Anyone have any leads on where I could obtain for purchase ( or free) an
> editing bench
> with rewind cranks and perhaps a light box built in.?
>
> Also looking for S8/16 & 35mm viewers.
>
> Any leads are appreciated
>
> --
> Daniel Maldonado
> Gashouse Films
>
> www.gashousefilms.com
> www.homeacronymfilm.com
>
>
> "H.O.M.E." - *LIKE * our Facebook page
> https://www.facebook.com/pages/HOME-the-film/167592933349015
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Critical update in Federal case against Lawrence Brose

[Francisco Torres]

This case is very similar to the case against Steve Kurtz We have to
wonder who will be next. Damn. All those wasted years. Who can repay them?
How? What a shame.

http://www.nytimes.com/2008/04/22/nyregion/22bioart.html?fta=y&_r=0


On Sat, Feb 22, 2014 at 11:44 AM,  wrote:

> Dear Friends and Supporters of Lawrence Brose,
>
> Very soon the United States Attorney's office will announce that Lawrence
> has agreed to accept and plead guilty to a reduced charge. In exchange it
> has offered to move to dismiss the original Indictment against Lawrence.
> This letter is to alert you to this development so you will have some of
> the facts and context to help understand it.
>
> First, and perhaps most importantly, Lawrence has not, and does not admit
> that he ever knowingly downloaded or possessed images of child
> pornography. The government's plea offer, which Lawrence has agreed to
> accept, is to a lesser charge. Like all pleas this is a compromise by the
> two parties, nothing more and nothing less. Lawrence has fought hard, but
> has decided to move on with his life and his work. The government's offer
> allows Lawrence to come out from under the cloud of accusation.  His
> artwork does not contain images of sexually exploited children.  It never
> did. Most importantly, this plea allows Lawrence to move on with his life.
>
> In the coming weeks Lawrence will be reaching out to you for letters of
> support to be submitted to the court by his attorneys, who will present
> them in their sentencing memorandum.  Your letters will go a long way in
> supporting him by speaking to his character, his importance as an artist,
> his contributions to the community and the art world.
>
> The case is not over yet, and your continued support and understanding are
> still needed. On behalf of Lawrence and the Defense Fund thank you for all
> that you have done up to now--it has been invaluable to our friend and he
> is grateful for your support and kindness.
>
> Yours truly,
>
> William C. Altreuter
> Altreuter Berlin
> Attorneys for The Lawrence Brose Legal Defense Fund
>
> *
>
>
> This certainly is a good turn of events in Lawrence's case and is the
> result of strategic negotiations on the part of Lawrence's legal team.
> While the critical changes for Lawrence are to take place at the
> sentencing stage which is at least 6 months away, for the first time we
> can see where this case is headed.
>
>
> We still need to remind everyone that freedom from this prosecution has
> cost Lawrence dearly, financially and otherwise, and we need to continue
> to raise significant funds for Lawrence's mounting debt. To make tax
> deductible donations toward Lawrence's defense please log on to
> http://ncrj.org/lawrence-brose/ and donate to the Artist Defense Fund for
> Lawrence Brose.
>
>
> We want to encourage everyone to visit Lawrence's defense fund website to
> catch up on what is new, view the artwork that has been donated for sale
> and read the compelling letters of support from notable people who have
> voiced their outrage and concern for what is happening to Lawrence.
> www.lawrencebroselegaldefensefund.com
>
>
> Thank you for your continued support.
>
>
>
> The Lawrence Brose Legal Defense Fund Team
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] Critical update in Federal case against Lawrence Brose

[defensefund]

Dear Friends and Supporters of Lawrence Brose,

Very soon the United States Attorney’s office will announce that Lawrence
has agreed to accept and plead guilty to a reduced charge. In exchange it
has offered to move to dismiss the original Indictment against Lawrence.
This letter is to alert you to this development so you will have some of
the facts and context to help understand it.

First, and perhaps most importantly, Lawrence has not, and does not admit
that he ever knowingly downloaded or possessed images of child
pornography. The government’s plea offer, which Lawrence has agreed to
accept, is to a lesser charge. Like all pleas this is a compromise by the
two parties, nothing more and nothing less. Lawrence has fought hard, but
has decided to move on with his life and his work. The government’s offer
allows Lawrence to come out from under the cloud of accusation.  His
artwork does not contain images of sexually exploited children.  It never
did. Most importantly, this plea allows Lawrence to move on with his life.

In the coming weeks Lawrence will be reaching out to you for letters of
support to be submitted to the court by his attorneys, who will present
them in their sentencing memorandum.  Your letters will go a long way in
supporting him by speaking to his character, his importance as an artist,
his contributions to the community and the art world.

The case is not over yet, and your continued support and understanding are
still needed. On behalf of Lawrence and the Defense Fund thank you for all
that you have done up to now—it has been invaluable to our friend and he
is grateful for your support and kindness.

Yours truly,

William C. Altreuter
Altreuter Berlin
Attorneys for The Lawrence Brose Legal Defense Fund

*


This certainly is a good turn of events in Lawrence’s case and is the
result of strategic negotiations on the part of Lawrence’s legal team.
While the critical changes for Lawrence are to take place at the
sentencing stage which is at least 6 months away, for the first time we
can see where this case is headed.


We still need to remind everyone that freedom from this prosecution has
cost Lawrence dearly, financially and otherwise, and we need to continue
to raise significant funds for Lawrence’s mounting debt. To make tax
deductible donations toward Lawrence’s defense please log on to
http://ncrj.org/lawrence-brose/ and donate to the Artist Defense Fund for
Lawrence Brose.


We want to encourage everyone to visit Lawrence’s defense fund website to
catch up on what is new, view the artwork that has been donated for sale
and read the compelling letters of support from notable people who have
voiced their outrage and concern for what is happening to Lawrence. 
www.lawrencebroselegaldefensefund.com


Thank you for your continued support.



The Lawrence Brose Legal Defense Fund Team


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] 16mm telecine?

[Jason Halprin]

In LA, Spectra does 16mm (as well as S8 and R8) transfers to 2K. I haven't used them in a few years, but I was happy with what I got in 2011, which was an HD transfer.Also, I'm not sure about their Santa Monica office, but I've used Optimus in Chicago for 16mm and sent my students there. They do great work, and if you can make a friend, you can often get discount rates if you're willing to wait until they have a slow time.I started to do a quick search on this, and here's the Home Movie Day listing of transfer houses: http://www.homemovieday.com/transferhouses.html-Jason Halprin   On Saturday, February 22, 2014 8:55 AM, Roger Wilson  wrote:I too recommend Frame Discreet! They are the best for artist projects and very affordable!Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.cahttp://www.rogerdwilson.caWithout failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. Date: Sat, 22 Feb 2014 09:31:36 -0500From: kreins...@gmail.comTo: frameworks@jonasmekasfilms.comSubject: Re: [Frameworks] 16mm telecine?Frame Discreet in Toronto does excellent work with 2K
 frame-accurate scans. They are very artist-friendly cinematographers that do high-quality transfers and have lots of examples on their site:  http://framediscreet.com/home/

Best of luck!Karl ReinsaluTechnical Coordinatort...@lift.on.ca
Liaison of Independent Filmmakers of Toronto (LIFT)1137 Dupont Street
Toronto, Ontario   M6H 2A3Tel:  416.588.6444  Ext. 224
Web:  http://lift.ca 
LIFT is dedicated to supporting the practice of independent filmmaking.Charitable # 125986406RR0001

On Sat, Feb 22, 2014 at 1:06 AM, Stephanie Hutin  wrote:





I think Pro8mm does it but it might even be more expensive than Fotokem?


Stephanie Hutin
Director of Production
Intercollegiate Media Studies
Mosbacher Gartrell Center for Media Experimentation and Activism
Pitzer College
1050 North Mills Ave., West Hall
Claremont, CA 91711
909.607.3889
stephanie_hu...@pitzer.edu

On Feb 21, 2014, at 9:13 PM, "mariah garnett"  wrote:




i'm looking for 16mm negative to HD prores file transfer


On Fri, Feb 21, 2014 at 7:57 PM, Scott Dorsey 
 wrote:

What kind of telecine do you want?  There are a lot of people who will do
old-style video transfers at very reasonable prices.  I can recommend Guy
Spiller (www.guyspiller.com) who has a Marconi line-scanning telecine.

Still, if you get an old-style video transfer you're stuck with interlace
artifacts and pulldown artifacts that you won't have from a digital scan.

The problem is that very few of the digital scanning systems will work
properly scanning a print or reversal original.  The Kinetta does lovely
work from a reversal original but few other machines will.
--scott


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks









___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks




___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
-- --Karl Reinsalue.mail: kreins...@gmail.com

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks 		 	   		  ___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks  ___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] 16mm telecine?

[Roger Wilson]

I too recommend Frame Discreet! They are the best for artist projects and very 
affordable!

Roger D. WilsonFilm Scientist613 324 - 
7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.ca
Without failure you can never achieve success. I have based my process and my 
career as an experimental film artist on this statement; and I welcome it as it 
pushes me forward as an artist to try something different, something new. 

Date: Sat, 22 Feb 2014 09:31:36 -0500
From: kreins...@gmail.com
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] 16mm telecine?

Frame Discreet in Toronto does excellent work with 2K frame-accurate scans. 
They are very artist-friendly cinematographers that do high-quality transfers 
and have lots of examples on their site:  http://framediscreet.com/home/


Best of luck!
Karl ReinsaluTechnical coordinatort...@lift.on.ca
Liaison of Independent Filmmakers of Toronto (LIFT)1137 Dupont Street
Toronto, Ontario   M6H 2A3Tel:  416.588.6444  Ext. 224
Web:  http://lift.ca 
LIFT is dedicated to supporting the practice of independent 
filmmaking.Charitable # 125986406RR0001





On Sat, Feb 22, 2014 at 1:06 AM, Stephanie Hutin  
wrote:






I think Pro8mm does it but it might even be more expensive than Fotokem?





Stephanie Hutin

Director of Production

Intercollegiate Media Studies

Mosbacher Gartrell Center for Media Experimentation and Activism

Pitzer College

1050 North Mills Ave., West Hall

Claremont, CA 91711

909.607.3889

stephanie_hu...@pitzer.edu


On Feb 21, 2014, at 9:13 PM, "mariah garnett"  wrote:






i'm looking for 16mm negative to HD prores file transfer




On Fri, Feb 21, 2014 at 7:57 PM, Scott Dorsey 
 wrote:


What kind of telecine do you want?  There are a lot of people who will do

old-style video transfers at very reasonable prices.  I can recommend Guy

Spiller (www.guyspiller.com) who has a Marconi line-scanning telecine.



Still, if you get an old-style video transfer you're stuck with interlace

artifacts and pulldown artifacts that you won't have from a digital scan.



The problem is that very few of the digital scanning systems will work

properly scanning a print or reversal original.  The Kinetta does lovely

work from a reversal original but few other machines will.

--scott



___

FrameWorks mailing list

FrameWorks@jonasmekasfilms.com

https://mailman-mail5.webfaction.com/listinfo/frameworks











___

FrameWorks mailing list

FrameWorks@jonasmekasfilms.com

https://mailman-mail5.webfaction.com/listinfo/frameworks






___

FrameWorks mailing list

FrameWorks@jonasmekasfilms.com

https://mailman-mail5.webfaction.com/listinfo/frameworks




-- 
--
Karl Reinsalu
e.mail: kreins...@gmail.com


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks
  <>___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] 16mm telecine?

[Karl Reinsalu]

Frame Discreet in Toronto does excellent work with 2K frame-accurate scans.
They are very artist-friendly cinematographers that do high-quality
transfers and have lots of examples on their site:
http://framediscreet.com/home/

Best of luck!

Karl Reinsalu
Technical Coordinator
t...@lift.on.ca

Liaison of Independent Filmmakers of Toronto (LIFT)
1137 Dupont Street
Toronto, Ontario   M6H 2A3
Tel:  416.588.6444  Ext. 224
Web:  http://lift.ca

LIFT is dedicated to supporting the practice of independent filmmaking.
Charitable # 125986406RR0001




On Sat, Feb 22, 2014 at 1:06 AM, Stephanie Hutin  wrote:

>  I think Pro8mm does it but it might even be more expensive than Fotokem?
>
> 
> Stephanie Hutin
> Director of Production
> Intercollegiate Media Studies
> Mosbacher Gartrell Center for Media Experimentation and Activism
> Pitzer College
> 1050 North Mills Ave., West Hall
> Claremont, CA 91711
> 909.607.3889
> stephanie_hu...@pitzer.edu
>
> On Feb 21, 2014, at 9:13 PM, "mariah garnett" 
> wrote:
>
>   i'm looking for 16mm negative to HD prores file transfer
>
>
> On Fri, Feb 21, 2014 at 7:57 PM, Scott Dorsey  wrote:
>
>> What kind of telecine do you want?  There are a lot of people who will do
>> old-style video transfers at very reasonable prices.  I can recommend Guy
>> Spiller (www.guyspiller.com) who has a Marconi line-scanning telecine.
>>
>> Still, if you get an old-style video transfer you're stuck with interlace
>> artifacts and pulldown artifacts that you won't have from a digital scan.
>>
>> The problem is that very few of the digital scanning systems will work
>> properly scanning a print or reversal original.  The Kinetta does lovely
>> work from a reversal original but few other machines will.
>> --scott
>>  ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>   ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
--
Karl Reinsalu
e.mail: kreins...@gmail.com
<>___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] Eiki voltage switch?

[nicky.hamlyn]

I have just purchased an Eiki NT-1 16mm projector from eBay (ex UK Ministry
of defence!) and discovered when it arrived that it's a 115 volt version,
whereas the voltage here is 240. Blew a few 13 amp fuses before this dawned
on me. The seller thinks there might be a tapping for 240 volts but I can't
see one. Does anyone have any suggestions about this or about suitable
transformers? 

Thanks,

Nicky.


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks