Re: [Frameworks] Installation works that incorporate hand-painted film

2014-02-26 Thread Jorge Lorenzo Flores Garza
Not a female artist, but I highly recommend the expanded cinema of Dirk de 
Bruyn from Australia.  There is a good text on his work at Senses of Cinema.

Date: Tue, 25 Feb 2014 12:32:47 -0600
From: rabro...@gmail.com
To: frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] Installation works that incorporate hand-painted  
film

Looks like the link I included was bad. Here's the correct one:
http://sheriwills.com/


On Tue, Feb 25, 2014 at 11:32 AM, John Knecht jkne...@colgate.edu wrote:

Adam,


I work in multiple channel video installation as well as single channel, often 
looped, pieces. All my work is hand drawn animation, beginning with paper on 
pencil.   I just did a show two weeks ago at Union Docs in Brooklyn.  I have a 
new piece which was installed at the Llwelyn Gallery at Alfred State College 
this fall, titled Considering the Probability of Divine Intervention.  The 
piece consists of five 19 flatscreens with built in dvd players, displaying 
five hand drawn animations, beginning with gouach on paper drawings,  of houses 
intermittently rising off of their foundations.  When I showed it at the 
Llewelyn Gallery I showed the original gouache paintings of each house which 
are the same size as the video screens.  These are framed.  I own all the video 
flat screen/dvd player displays.




I also currently have an exhibition at the Munson Williams Proctor Arts 
Institute in Utica, NY,  of four panels from my  fifteen channel, video 
animation Fragments from the Wheels of Ezekiel!  These four video animations, 
displayed on flat screens have recently been purchased for the Institute's 
permanent collection.  
http://www.mwpai.org/museum-of-art/museum-of-art-calendar/new-funny-and-odd-videos-on-view/




Here are some images.  Check out my web site johnknechtart.com.   I'd be glad 
to send you a dvd documenting some of my installations and a reel of single 
channel animation. 




John Knecht 
jkne...@colgate.edu


On Tue, Feb 25, 2014 at 8:20 AM, Adam R. Levine ada...@gmail.com wrote:


Dear Frameworks,
This is a very specific RFI but I am looking for artists or works that check as 
many (at least two, let's say) of the following boxes as possible, listed in 
order of preference:



1. Installations or possibly live performances...2. ...That incorporate 
abstract footage (preferably 16mm loops)3. Hand painted, scratch film, or hand 
animation4. Sculptural elements or constructed environments


5. Use of text or voice6. Preferably by female artists or filmmakers
Like I said - specific. But perhaps you can help.
Many thanks,Adam



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-- 
John Knecht, Russell Colgate Distinguished
 University Professor of Art and Art History
 and Film and Media Studies 


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Re: [Frameworks] Installation works that incorporate hand-painted film

2014-02-26 Thread Kelly Gallagher
Hey Adam,
Some of my works incorporate hand-painted celluloid. Below are two
explicitly feminist pieces
Here's video documentation of an installation/performative piece where I
projected a hand-painted/scratched film entitled Women for Self Defense
over a woman in a bed, 'sleeping/ dreaming' while I played with color gels
at times in front of the projector lamp-- https://vimeo.com/15273159
Here's a video incorporating hand painted film meant for installation
entitled Works Like Magic -- https://vimeo.com/49347152
Cheers,
Kelly Gallagher
www.purpleriot.com











On Tue, Feb 25, 2014 at 12:32 PM, Roslyn Broder rabro...@gmail.com wrote:

 Looks like the link I included was bad. Here's the correct one:
 http://sheriwills.com/


 On Tue, Feb 25, 2014 at 11:32 AM, John Knecht jkne...@colgate.edu wrote:

 Adam,


 I work in multiple channel video installation as well as single channel,
 often looped, pieces. All my work is hand drawn animation, beginning with
 paper on pencil.   I just did a show two weeks ago at Union Docs in
 Brooklyn.  I have a new piece which was installed at the Llwelyn Gallery at
 Alfred State College this fall, titled Considering the Probability of
 Divine Intervention.  The piece consists of five 19 flatscreens with
 built in dvd players, displaying five hand drawn animations, beginning with
 gouach on paper drawings,  of houses intermittently rising off of their
 foundations.  When I showed it at the Llewelyn Gallery I showed the
 original gouache paintings of each house which are the same size as the
 video screens.  These are framed.  I own all the video flat screen/dvd
 player displays.

 I also currently have an exhibition at the Munson Williams Proctor Arts
 Institute in Utica, NY,  of four panels from my  fifteen channel, video
 animation Fragments from the Wheels of Ezekiel!  These four video
 animations, displayed on flat screens have recently been purchased for the
 Institute's permanent collection.
 http://www.mwpai.org/museum-of-art/museum-of-art-calendar/new-funny-and-odd-videos-on-view/

 Here are some images.  Check out my web site johnknechtart.com.   I'd
 be glad to send you a dvd documenting some of my installations and a reel
 of single channel animation.

 John Knecht
 jkne...@colgate.edu


 On Tue, Feb 25, 2014 at 8:20 AM, Adam R. Levine ada...@gmail.com wrote:

 Dear Frameworks,

 This is a very specific RFI but I am looking for artists or works that
 check as many (at least two, let's say) of the following boxes as possible,
 listed in order of preference:

 1. Installations or possibly live performances...
 2. ...That incorporate abstract footage (preferably 16mm loops)
 3. Hand painted, scratch film, or hand animation
 4. Sculptural elements or constructed environments
 5. Use of text or voice
 6. Preferably by female artists or filmmakers

 Like I said - specific. But perhaps you can help.

 Many thanks,
 Adam

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 John Knecht, Russell Colgate Distinguished
  University Professor of Art and Art History
  and Film and Media Studies

 ___
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 FrameWorks@jonasmekasfilms.com
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Re: [Frameworks] Installation works that incorporate hand-painted film

2014-02-26 Thread Josephine Shokrian

Raha Raissnia is an artist based in NY that fits within your criteria. Hand 
painted 35mm film/sound performances.

http://www.miguelabreugallery.com/RahaRaissnia.htm



On Feb 26, 2014, at 9:29 AM, Kelly Gallagher ke...@purpleriot.com wrote:

Hey Adam,
Some of my works incorporate hand-painted celluloid. Below are two explicitly 
feminist pieces
Here's video documentation of an installation/performative piece where I 
projected a hand-painted/scratched film entitled Women for Self Defense over 
a woman in a bed, 'sleeping/ dreaming' while I played with color gels at times 
in front of the projector lamp-- https://vimeo.com/15273159
Here's a video incorporating hand painted film meant for installation entitled 
Works Like Magic -- https://vimeo.com/49347152
Cheers,
Kelly Gallagher
www.purpleriot.com











On Tue, Feb 25, 2014 at 12:32 PM, Roslyn Broder rabro...@gmail.com wrote:
 Looks like the link I included was bad. Here's the correct one:
 http://sheriwills.com/
 
 
 On Tue, Feb 25, 2014 at 11:32 AM, John Knecht jkne...@colgate.edu wrote:
 Adam,
 
 
 I work in multiple channel video installation as well as single channel, 
 often looped, pieces. All my work is hand drawn animation, beginning with 
 paper on pencil.   I just did a show two weeks ago at Union Docs in 
 Brooklyn.  I have a new piece which was installed at the Llwelyn Gallery at 
 Alfred State College this fall, titled Considering the Probability of 
 Divine Intervention.  The piece consists of five 19 flatscreens with built 
 in dvd players, displaying five hand drawn animations, beginning with gouach 
 on paper drawings,  of houses intermittently rising off of their 
 foundations.  When I showed it at the Llewelyn Gallery I showed the original 
 gouache paintings of each house which are the same size as the video 
 screens.  These are framed.  I own all the video flat screen/dvd player 
 displays.
 
 I also currently have an exhibition at the Munson Williams Proctor Arts 
 Institute in Utica, NY,  of four panels from my  fifteen channel, video 
 animation Fragments from the Wheels of Ezekiel!  These four video 
 animations, displayed on flat screens have recently been purchased for the 
 Institute's permanent collection.  
 http://www.mwpai.org/museum-of-art/museum-of-art-calendar/new-funny-and-odd-videos-on-view/
 
 Here are some images.  Check out my web site johnknechtart.com.   I'd be 
 glad to send you a dvd documenting some of my installations and a reel of 
 single channel animation. 
 
 John Knecht 
 jkne...@colgate.edu
 
 
 On Tue, Feb 25, 2014 at 8:20 AM, Adam R. Levine ada...@gmail.com wrote:
 Dear Frameworks,
 
 This is a very specific RFI but I am looking for artists or works that 
 check as many (at least two, let's say) of the following boxes as possible, 
 listed in order of preference:
 
 1. Installations or possibly live performances...
 2. ...That incorporate abstract footage (preferably 16mm loops)
 3. Hand painted, scratch film, or hand animation
 4. Sculptural elements or constructed environments
 5. Use of text or voice
 6. Preferably by female artists or filmmakers
 
 Like I said - specific. But perhaps you can help.
 
 Many thanks,
 Adam
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
 -- 
 John Knecht, Russell Colgate Distinguished
  University Professor of Art and Art History
  and Film and Media Studies 
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
 
 
 
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 http://www.redavadesigns.com  
 Like us on Facebook: https://www.facebook.com/redavadesigns  
 Sign up for our newsletter: http://eepurl.com/lR7Wb  
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Re: [Frameworks] Installation works that incorporate hand-painted film

2014-02-26 Thread Kelly Gallagher
Oh also this 16mm found footage film incorporating handprints on film and
some scratching/coloring...
Ceallaigh at Kilmainham (7min) - https://vimeo.com/66125453
An exploration of Irish roots, and the strength of the women who came
before me.
Cheers,
Kelly
www.purpleriot.com












On Wed, Feb 26, 2014 at 8:29 AM, Kelly Gallagher ke...@purpleriot.comwrote:

 Hey Adam,
 Some of my works incorporate hand-painted celluloid. Below are two
 explicitly feminist pieces
 Here's video documentation of an installation/performative piece where I
 projected a hand-painted/scratched film entitled Women for Self Defense
 over a woman in a bed, 'sleeping/ dreaming' while I played with color gels
 at times in front of the projector lamp-- https://vimeo.com/15273159
 Here's a video incorporating hand painted film meant for installation
 entitled Works Like Magic -- https://vimeo.com/49347152
 Cheers,
 Kelly Gallagher
 www.purpleriot.com











 On Tue, Feb 25, 2014 at 12:32 PM, Roslyn Broder rabro...@gmail.comwrote:

 Looks like the link I included was bad. Here's the correct one:
 http://sheriwills.com/


 On Tue, Feb 25, 2014 at 11:32 AM, John Knecht jkne...@colgate.eduwrote:

 Adam,


 I work in multiple channel video installation as well as single channel,
 often looped, pieces. All my work is hand drawn animation, beginning with
 paper on pencil.   I just did a show two weeks ago at Union Docs in
 Brooklyn.  I have a new piece which was installed at the Llwelyn Gallery at
 Alfred State College this fall, titled Considering the Probability of
 Divine Intervention.  The piece consists of five 19 flatscreens with
 built in dvd players, displaying five hand drawn animations, beginning with
 gouach on paper drawings,  of houses intermittently rising off of their
 foundations.  When I showed it at the Llewelyn Gallery I showed the
 original gouache paintings of each house which are the same size as the
 video screens.  These are framed.  I own all the video flat screen/dvd
 player displays.

 I also currently have an exhibition at the Munson Williams Proctor Arts
 Institute in Utica, NY,  of four panels from my  fifteen channel, video
 animation Fragments from the Wheels of Ezekiel!  These four video
 animations, displayed on flat screens have recently been purchased for the
 Institute's permanent collection.
 http://www.mwpai.org/museum-of-art/museum-of-art-calendar/new-funny-and-odd-videos-on-view/

 Here are some images.  Check out my web site johnknechtart.com.   I'd
 be glad to send you a dvd documenting some of my installations and a reel
 of single channel animation.

 John Knecht
 jkne...@colgate.edu


 On Tue, Feb 25, 2014 at 8:20 AM, Adam R. Levine ada...@gmail.comwrote:

 Dear Frameworks,

 This is a very specific RFI but I am looking for artists or works that
 check as many (at least two, let's say) of the following boxes as possible,
 listed in order of preference:

 1. Installations or possibly live performances...
 2. ...That incorporate abstract footage (preferably 16mm loops)
 3. Hand painted, scratch film, or hand animation
 4. Sculptural elements or constructed environments
 5. Use of text or voice
 6. Preferably by female artists or filmmakers

 Like I said - specific. But perhaps you can help.

 Many thanks,
 Adam

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




 --
 John Knecht, Russell Colgate Distinguished
  University Professor of Art and Art History
  and Film and Media Studies

 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks




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[Frameworks] Turner and Film

2014-02-26 Thread Aaron Juneau

Dear frameworks members,

I'm contacting from Tate Etc. Magazine, London in the hope that somebody at 
Frameworks might be able to help me with some research I'm undertaking with 
regard to an article we're publishing in a couple issues time. Essentially the 
article will focus on J.M.W Turner's influence on film. I was wondering whether 
somebody at Frameworks could advise on some interesting, perhaps less known 
filmmakers who have been influenced by him? I'm really looking at hard fact and 
solid evidence as opposed to conjecture.

Any assistance you can offer would be greatly appreciated.

My very best,



Aaron Juneau
Editorial Assistant
TATE ETC. magazine
20 John Islip Street
Millbank
London
SW1P 4RG
T: +44 (0)20 7821 8606
F: +44 (0)20 7887 3940
E: aaron.jun...@tate.org.uk
www.tate.org.uk/tateetc
follow us on Twitter: @TATEETCmag




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Re: [Frameworks] Turner and Film

2014-02-26 Thread director
Definitely Peter Hutton's color films, Rebecca Meyers' blue mantle and T.
Marie's Slave Ship, which is inspired by the painting of the same name.
Scott MacDonald's book the Garden in the Machine, which you may have
encountered already, may be of help.


 Dear frameworks members,

 I'm contacting from Tate Etc. Magazine, London in the hope that somebody
 at Frameworks might be able to help me with some research I'm undertaking
 with regard to an article we're publishing in a couple issues time.
 Essentially the article will focus on J.M.W Turner's influence on film. I
 was wondering whether somebody at Frameworks could advise on some
 interesting, perhaps less known filmmakers who have been influenced by
 him? I'm really looking at hard fact and solid evidence as opposed to
 conjecture.

 Any assistance you can offer would be greatly appreciated.

 My very best,



 Aaron Juneau
 Editorial Assistant
 TATE ETC. magazine
 20 John Islip Street
 Millbank
 London
 SW1P 4RG
 T: +44 (0)20 7821 8606
 F: +44 (0)20 7887 3940
 E: aaron.jun...@tate.org.uk
 www.tate.org.uk/tateetc
 follow us on Twitter: @TATEETCmag




 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



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Re: [Frameworks] Turner and Film

2014-02-26 Thread John Knecht
Larry Gotheim,Fog Lines


On Wed, Feb 26, 2014 at 11:16 AM, Aaron Juneau aaron.jun...@tate.org.ukwrote:


 Dear frameworks members,

 I'm contacting from Tate Etc. Magazine, London in the hope that somebody
 at Frameworks might be able to help me with some research I'm undertaking
 with regard to an article we're publishing in a couple issues time.
 Essentially the article will focus on J.M.W Turner's influence on film. I
 was wondering whether somebody at Frameworks could advise on some
 interesting, perhaps less known filmmakers who have been influenced by him?
 I'm really looking at hard fact and solid evidence as opposed to conjecture.

 Any assistance you can offer would be greatly appreciated.

 My very best,



 *Aaron Juneau*
 *Editorial Assistant*
 TATE ETC. magazine
 20 John Islip Street
 Millbank
 London
 SW1P 4RG
 T: +44 (0)20 7821 8606
 F: +44 (0)20 7887 3940
 E: aaron.jun...@tate.org.uk
 *www.tate.org.uk/tateetc* http://www.tate.org.uk/tateetc
 *follow us on Twitter:* @TATEETCmag






  Please note that any information sent, received or held by Tate may be
 disclosed under the Freedom of Information Act 2000

 ___
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-- 
John Knecht, Russell Colgate Distinguished
 University Professor of Art and Art History
 and Film and Media Studies
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Re: [Frameworks] Turner and Film

2014-02-26 Thread Heath Iverson
Hi Aaron,

I would look at Patrick Keiller's Robinson films. Each film, *London *(1994),
*Robinson in Space *(1997) and *Robinson in Ruins, *makes specific
reference to Turner and are clearly interested in engaging  with Turner's
legacy in the representation of British landscapes. In *Robinson in
Space, *there
is even a visit to the Maidenhead Bridge, which the locale featured in
Turner's *Rain, Steam and Speed* (1844). Maybe none of this is news to you,
given Keiller's history of collaboration with Tate?

Also, I know that in one of the interviews with Brakhage included in his
Criterion anthologies, Brakhage cite's Turner as an influence. I can't
remember in what context, but I have a feeling it relates to Turner's
fascination with light and atmospheric phenomena. Sorry not to be more
specific; I don't have the interview at hand.

Best,

Heath

-- 
Heath Iverson
PhD Candidate, Film Studies
University of St Andrews
99 North Street
St. Andrews, KY16 9AD
Scotland, UK
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Re: [Frameworks] Turner and Film

2014-02-26 Thread scott
Lucien Castaing-Taylor and Verena Paravel's LEVIATHAN


 Original Message 
Subject: [Frameworks] Turner and Film
From: Aaron Juneau aaron.jun...@tate.org.uk
Date: Wed, February 26, 2014 9:16 am
To: "'frameworks@jonasmekasfilms.com'" frameworks@jonasmekasfilms.com

  Dear frameworks members,  I'm contacting from Tate Etc. Magazine, London in the hope that somebody at Frameworks might be able to help me with some research I'm undertaking with regard to an article we're publishing in a couple issues time. Essentially the article will focus on J.M.W Turner's influence on film. I was wondering whether somebody at Frameworks could advise on some interesting, perhaps less known filmmakers who have been influenced by him? I'm really looking at hard fact and solid evidence as opposed to conjecture.  Any assistance you can offer would be greatly appreciated.  My very best,Aaron Juneau Editorial Assistant TATE ETC. magazine 20 John Islip Street  Millbank  London  SW1P 4RG  T: +44 (0)20 7821 8606 F: +44 (0)20 7887 3940  E: aaron.jun...@tate.org.uk  www.tate.org.uk/tateetc follow us on Twitter: @TATEETCmag Please note that any information sent, received or held by Tate may be disclosed under the Freedom of Information Act 2000___
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Re: [Frameworks] Turner and Film

2014-02-26 Thread Fred Camper

Not less known perhaps, but Brakhage is key here.

He cites Turner as an influence in a list of influences, as someone  
mentioned, in my Criterion liner notes. It might be worth recounting  
how that list was composed. I asked him on the phone for his most  
important influences from writers, painters, and composers, and added,  
You only get two of each. For painters he chose Turner and Pollock  
as the two most important. (He also added, on his own, an additional  
art, dance.)


The Text of Light would be the most important film here. Not only  
did he look at Turner, but the variability of light in Turner is  
deeply inscribed in that film. He also spoke of The Text of Light in  
terms of landscape. This aspect of light was explored even more  
radically in the Romans, Arabics, and Egyptians. The imagery in  
those films is far more removed from ideas of landscape.


Fred Camper
Chicago


Quoting Aaron Juneau aaron.jun...@tate.org.uk:



Dear frameworks members,

I'm contacting from Tate Etc. Magazine, London in the hope that  
somebody at Frameworks might be able to help me with some research  
I'm undertaking with regard to an article we're publishing in a  
couple issues time. Essentially the article will focus on J.M.W  
Turner's influence on film. I was wondering whether somebody at  
Frameworks could advise on some interesting, perhaps less known  
filmmakers who have been influenced by him? I'm really looking at  
hard fact and solid evidence as opposed to conjecture.


Any assistance you can offer would be greatly appreciated.

My very best,



Aaron Juneau
Editorial Assistant
TATE ETC. magazine
20 John Islip Street
Millbank
London
SW1P 4RG
T: +44 (0)20 7821 8606
F: +44 (0)20 7887 3940
E: aaron.jun...@tate.org.uk
www.tate.org.uk/tateetc
follow us on Twitter: @TATEETCmag









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Re: [Frameworks] Turner and Film

2014-02-26 Thread Sasha Janerus
on Brakhage and Turner, see Paul Arthur's essay in Stan Brakhage: Filmmker


On Wed, Feb 26, 2014 at 2:47 PM, Fred Camper f...@fredcamper.com wrote:

 Not less known perhaps, but Brakhage is key here.

 He cites Turner as an influence in a list of influences, as someone
 mentioned, in my Criterion liner notes. It might be worth recounting how
 that list was composed. I asked him on the phone for his most important
 influences from writers, painters, and composers, and added, You only get
 two of each. For painters he chose Turner and Pollock as the two most
 important. (He also added, on his own, an additional art, dance.)

 The Text of Light would be the most important film here. Not only did he
 look at Turner, but the variability of light in Turner is deeply inscribed
 in that film. He also spoke of The Text of Light in terms of landscape.
 This aspect of light was explored even more radically in the Romans,
 Arabics, and Egyptians. The imagery in those films is far more removed
 from ideas of landscape.

 Fred Camper
 Chicago



 Quoting Aaron Juneau aaron.jun...@tate.org.uk:


 Dear frameworks members,

 I'm contacting from Tate Etc. Magazine, London in the hope that somebody
 at Frameworks might be able to help me with some research I'm undertaking
 with regard to an article we're publishing in a couple issues time.
 Essentially the article will focus on J.M.W Turner's influence on film. I
 was wondering whether somebody at Frameworks could advise on some
 interesting, perhaps less known filmmakers who have been influenced by him?
 I'm really looking at hard fact and solid evidence as opposed to conjecture.

 Any assistance you can offer would be greatly appreciated.

 My very best,



 Aaron Juneau
 Editorial Assistant
 TATE ETC. magazine
 20 John Islip Street
 Millbank
 London
 SW1P 4RG
 T: +44 (0)20 7821 8606
 F: +44 (0)20 7887 3940
 E: aaron.jun...@tate.org.uk
 www.tate.org.uk/tateetc
 follow us on Twitter: @TATEETCmag








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 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
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Re: [Frameworks] Turner and Film

2014-02-26 Thread nicky.hamlyn
I wrote about some of the Roman Numeral films in an essay for the same
Brakhage book. I think some of them are quite landscape-like, though perhaps
not as obviously as is Text of Light, which also evokes John Martin's
paintings at least as much as Turner,

Nicky.

From:  Sasha Janerus sasha.jane...@gmail.com
Reply-To:  Experimental Film Discussion List
frameworks@jonasmekasfilms.com
Date:  Wed, 26 Feb 2014 15:11:47 -0500
To:  Experimental Film Discussion List frameworks@jonasmekasfilms.com
Subject:  Re: [Frameworks] Turner and Film

on Brakhage and Turner, see Paul Arthur's essay in Stan Brakhage: Filmmker


On Wed, Feb 26, 2014 at 2:47 PM, Fred Camper f...@fredcamper.com wrote:
 Not less known perhaps, but Brakhage is key here.
 
 He cites Turner as an influence in a list of influences, as someone mentioned,
 in my Criterion liner notes. It might be worth recounting how that list was
 composed. I asked him on the phone for his most important influences from
 writers, painters, and composers, and added, You only get two of each. For
 painters he chose Turner and Pollock as the two most important. (He also
 added, on his own, an additional art, dance.)
 
 The Text of Light would be the most important film here. Not only did he
 look at Turner, but the variability of light in Turner is deeply inscribed in
 that film. He also spoke of The Text of Light in terms of landscape. This
 aspect of light was explored even more radically in the Romans, Arabics,
 and Egyptians. The imagery in those films is far more removed from ideas of
 landscape.
 
 Fred Camper
 Chicago
 
 
 
 Quoting Aaron Juneau aaron.jun...@tate.org.uk:
 
 
 Dear frameworks members,
 
 I'm contacting from Tate Etc. Magazine, London in the hope that somebody at
 Frameworks might be able to help me with some research I'm undertaking with
 regard to an article we're publishing in a couple issues time. Essentially
 the article will focus on J.M.W Turner's influence on film. I was wondering
 whether somebody at Frameworks could advise on some interesting, perhaps less
 known filmmakers who have been influenced by him? I'm really looking at hard
 fact and solid evidence as opposed to conjecture.
 
 Any assistance you can offer would be greatly appreciated.
 
 My very best,
 
 
 
 Aaron Juneau
 Editorial Assistant
 TATE ETC. magazine
 20 John Islip Street
 Millbank
 London
 SW1P 4RG
 T: +44 (0)20 7821 8606 tel:%2B44%20%280%2920%207821%208606
 F: +44 (0)20 7887 3940 tel:%2B44%20%280%2920%207887%203940
 E: aaron.jun...@tate.org.uk
 www.tate.org.uk/tateetc http://www.tate.org.uk/tateetc
 follow us on Twitter: @TATEETCmag
 
 
 
 
 
 
 
 
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 https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] Turner and Film

2014-02-26 Thread Peter Snowdon
Jon Jost has cited Turner as a some-time favourite of his, and Dennis Grunes 
made an explicit connection between them in his review of Jost's 2006 movie, 
Passages:
http://grunes.wordpress.com/2007/02/03/passages-jon-jost-2006/

Envoyé de mon iPad

 Le 26 févr. 2014 à 10:16, Aaron Juneau aaron.jun...@tate.org.uk a écrit :
 
  
 Dear frameworks members,
  
 I'm contacting from Tate Etc. Magazine, London in the hope that somebody at 
 Frameworks might be able to help me with some research I'm undertaking with 
 regard to an article we're publishing in a couple issues time. Essentially 
 the article will focus on J.M.W Turner's influence on film. I was wondering 
 whether somebody at Frameworks could advise on some interesting, perhaps less 
 known filmmakers who have been influenced by him? I'm really looking at hard 
 fact and solid evidence as opposed to conjecture.
  
 Any assistance you can offer would be greatly appreciated.
  
 My very best,
  
  
  
 Aaron Juneau
 Editorial Assistant
 TATE ETC. magazine
 20 John Islip Street 
 Millbank 
 London 
 SW1P 4RG 
 T: +44 (0)20 7821 8606
 F: +44 (0)20 7887 3940 
 E: aaron.jun...@tate.org.uk
 www.tate.org.uk/tateetc
 follow us on Twitter: @TATEETCmag
  
  
  
  
 
 
 Please note that any information sent, received or held by Tate may be 
 disclosed under the Freedom of Information Act 2000
 
 ___
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 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks
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Re: [Frameworks] Turner and Film

2014-02-26 Thread Gene Youngblood
Some of Jordan Belson's films evoke Turner's more shimmering work, and they 
even have suggestions of land. He may even have referenced Turner in an 
interview, although his need to be seen as an original might preclude that. 
Cindy Keefer would know.


-Original Message- 
From: Fred Camper

Sent: Wednesday, February 26, 2014 12:47 PM
To: Experimental Film Discussion List
Subject: Re: [Frameworks] Turner and Film

Not less known perhaps, but Brakhage is key here.

He cites Turner as an influence in a list of influences, as someone
mentioned, in my Criterion liner notes. It might be worth recounting
how that list was composed. I asked him on the phone for his most
important influences from writers, painters, and composers, and added,
You only get two of each. For painters he chose Turner and Pollock
as the two most important. (He also added, on his own, an additional
art, dance.)

The Text of Light would be the most important film here. Not only
did he look at Turner, but the variability of light in Turner is
deeply inscribed in that film. He also spoke of The Text of Light in
terms of landscape. This aspect of light was explored even more
radically in the Romans, Arabics, and Egyptians. The imagery in
those films is far more removed from ideas of landscape.

Fred Camper
Chicago


Quoting Aaron Juneau aaron.jun...@tate.org.uk:



Dear frameworks members,

I'm contacting from Tate Etc. Magazine, London in the hope that  somebody 
at Frameworks might be able to help me with some research  I'm undertaking 
with regard to an article we're publishing in a  couple issues time. 
Essentially the article will focus on J.M.W  Turner's influence on film. I 
was wondering whether somebody at  Frameworks could advise on some 
interesting, perhaps less known  filmmakers who have been influenced by 
him? I'm really looking at  hard fact and solid evidence as opposed to 
conjecture.


Any assistance you can offer would be greatly appreciated.

My very best,



Aaron Juneau
Editorial Assistant
TATE ETC. magazine
20 John Islip Street
Millbank
London
SW1P 4RG
T: +44 (0)20 7821 8606
F: +44 (0)20 7887 3940
E: aaron.jun...@tate.org.uk
www.tate.org.uk/tateetc
follow us on Twitter: @TATEETCmag









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Re: [Frameworks] Turner and Film

2014-02-26 Thread Mary
Has anyone mentioned Babette Magnolte's film yet?
Cheers,
Mary

Sent from my NOOK

Peter Snowdon pe...@redrice.net wrote:

Jon Jost has cited Turner as a some-time favourite of his, and Dennis Grunes 
made an explicit connection between them in his review of Jost's 2006 movie, 
Passages:
http://grunes.wordpress.com/2007/02/03/passages-jon-jost-2006/

Envoyé de mon iPad

 Le 26 févr. 2014 à 10:16, Aaron Juneau aaron.jun...@tate.org.uk a écrit :
 
  
 Dear frameworks members,
  
 I'm contacting from Tate Etc. Magazine, London in the hope that somebody at 
 Frameworks might be able to help me with some research I'm undertaking with 
 regard to an article we're publishing in a couple issues time. Essentially 
 the article will focus on J.M.W Turner's influence on film. I was wondering 
 whether somebody at Frameworks could advise on some interesting, perhaps 
 less known filmmakers who have been influenced by him? I'm really looking at 
 hard fact and solid evidence as opposed to conjecture.
  
 Any assistance you can offer would be greatly appreciated.
  
 My very best,
  
  
  
 Aaron Juneau
 Editorial Assistant
 TATE ETC. magazine
 20 John Islip Street 
 Millbank 
 London 
 SW1P 4RG 
 T: +44 (0)20 7821 8606
 F: +44 (0)20 7887 3940 
 E: aaron.jun...@tate.org.uk
 www.tate.org.uk/tateetc
 follow us on Twitter: @TATEETCmag
  
  
  
  
 
 
 Please note that any information sent, received or held by Tate may be 
 disclosed under the Freedom of Information Act 2000
 
 ___
 FrameWorks mailing list
 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks

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Re: [Frameworks] Turner and Film

2014-02-26 Thread Mary Billyou
Babette Magnolte's film is called The Sky On Location.

http://www.nytimes.com/movies/movie/158358/The-Sky-On-Location/overview

 
http://marybillyou.com/



 From: Mary marybill...@yahoo.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com 
Sent: Wednesday, February 26, 2014 7:49 PM
Subject: Re: [Frameworks] Turner and Film
 


Has anyone mentioned Babette Magnolte's film yet?
Cheers,
Mary

Sent from my NOOK

Peter Snowdon pe...@redrice.net wrote:


Jon Jost has cited Turner as a some-time favourite of his, and Dennis Grunes 
made an explicit connection between them in his review of Jost's 2006 movie, 
Passages:
http://grunes.wordpress.com/2007/02/03/passages-jon-jost-2006/

Envoyé de mon iPad

Le 26 févr. 2014 à 10:16, Aaron Juneau aaron.jun...@tate.org.uk a écrit :


  
Dear frameworks members,
 
I'm contacting from Tate Etc. Magazine, London in the hope that somebody at 
Frameworks might be able to help me with some research I'm undertaking with 
regard to an article we're publishing in a couple issues
time. Essentially the article will focus on J.M.W Turner's influence on film. I 
was wondering whether somebody at Frameworks could advise on some interesting, 
perhaps less known filmmakers who have been influenced by him? I'm really 
looking at hard fact and
solid evidence as opposed to conjecture.
 
Any assistance you can offer would be greatly appreciated.
 
My very best,
 
 
 
Aaron Juneau
Editorial Assistant
TATE ETC. magazine
20 John Islip Street
Millbank
London
SW1P 4RG
T: +44 (0)20 7821 8606
F: +44 (0)20 7887 3940
E: aaron.jun...@tate.org.uk
www.tate.org.uk/tateetc
follow us on Twitter: @TATEETCmag 
 
 
 
  


Please
note that any information sent, received or held by Tate may be disclosed under
the Freedom of Information Act 2000 
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Re: [Frameworks] would you send unexposed film by us mail to europe?

2014-02-26 Thread ev petrol
thanks lads for the advice!!
would bring it with me if i was travelling, won't be for a while though, will 
mull over your suggestions
cheers! moira


 
moiratierney.net
vimeo.com/moiratierney




On Saturday, February 1, 2014 10:35 AM, Marco Poloni mar.pol...@gmail.com 
wrote:
 
Isaac is right about motion picture film. You might end up in a hand
inspection siuation for the very simple reason that a motion picture
film can, contrarily to a still photography roll, contain a knife
(16mm) or a gun (35mm). So make sure your film is packaged in its
original light-tight plastic inside the can in case an operator asks
to open the can.
M

On 1 February 2014 17:28, Isaac Brooks isaacbrook...@gmail.com wrote:
 No, I've never mentioned it. I have always been afraid of the package being
 held up due to its uniqueness. Probably a risky idea.

 I'll say again, that precautions are justifiable, and that Marco's previous
 comment about the overseas scanning is correct when it comes to the mail.
 I've often just taken film with me as carry on, as those machines subject
 the film to less. But motion picture film is supposedly more prone to harm,
 and if you are going through more than one security checkpoint, you may want
 to ask them to hand inspect it.


 On Saturday, February 1, 2014, Roshanak Elmendorf roshana...@optonline.net
 wrote:

 Hi Isaac,
 When you use FedEx do you( is it necessary to) mention unexposed film and
 do you request special handling?

 On Feb 1, 2014, at 10:06 AM, Isaac Brooks isaacbrook...@gmail.com wrote:

 Moira,

 I've received and sent both unexposed and exposed film quite a few times
 through the mail, more usually domestically as opposed to overseas, but I
 have never once had a problem with either x-rays or handling. I think both
 Francisco and Marco are in good practice however, as they're encouraging you
 to protect your materials from the inconsistent stuff that happens from one
 place to another.

 That said, I have had film go through the x ray machines at airport
 security a lot, and practically all the film I have received is the mail,
 or, I am willing to bet, was mailed at some point. Regarding the service
 used, I'd actually trust FedEx over USPS + another postal service ANY day of
 the week. Better tracking, better handling, less multiple carriers, faster,
 but certainly a bit more $. But not worse in terms of handling or reliable
 delivery. Just insure it for the max.

 I say perhaps mail some, and bring some with you personally. If anyone's
 traveling with you, beg them to bring some too. Bring a dummy can/roll to
 show airport people what you are carrying. Also, have a plan to protect your
 exposed stock even more, as that's the priceless entity. I'd say that's your
 bigger issue actually, unless you'll be processing somewhere over there.
 Good luck,

 Isaac

 On Saturday, February 1, 2014, Marco Poloni mar.pol...@gmail.com wrote:

 i would never ever send unexposed film through the mail. it's against
 all safety rules in filmmaking practice. how would you really know
 it's not going to be exposed to x-rays, even if you're told so by the
 people at the counter? how do they know what the guys at some remote
 airport or facility really do? not to mention mishandling, as
 Francisco points out.
 Marco

 On 31 January 2014 21:12, Francisco Torres fjtorre...@gmail.com wrote:
  Maybe by a courier service, never through fedex or HDL I have heard
  horror stories of missing film. X rays may be a minor risk compared to
  misplaced negative.
 
 
  On Fri, Jan 31, 2014 at 3:29 PM, ev petrol epetr...@yahoo.com wrote:
 
  hey folks
  wondering if it's safe to use the US postal service (in terms of
  x-rays 
  the like) for sending unexposed film from the US to Ireland ...? Any
  advice?
  thanks! Moira
 
  moiratierney.net
  vimeo.com/moiratierney
 
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 --

 A brave flat world.


 marco poloni
 usedomer strasse 8
 d - 13355 berlin
 gsm de +49.163.6294080
 gsm ch +41.78.6322028
 skype marcopoloni
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 Roshanak Elmendorf
 roshana...@optonline.net
 roshanakelmendorf.com



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-- 

A brave flat world.


marco poloni
usedomer strasse 8
d - 13355 berlin
gsm de 

[Frameworks] Studio Two Three Call for Submissions!

2014-02-26 Thread Film Series
STUDIO TWO THREE CALL FOR SUBMISSIONS



*FILMS FROM THE ATTIC*



The Studio Two Three Film + Video Series is currently seeking submissions
from student and established artists that utilizes older film + video
techniques, methods, and/ or formats. This could include shooting with DVs,
VHS, older digital cameras, discontinued/expired film stocks, older style
film cameras, optical printing, hand processing, camera less films, etc.
etc. NO DSLR work or work done on a new style HD1080p digital camera
(unless used sparingly or as a method for digital transfer). The films or
videos must have been completed after 2004 and must be under 20 minutes in
length. The work can be any genre (including found footage and animation)
and can cover any subject matter. Guidelines for submissions and more info
on the Studio Two Three film series can be found at this link:
http://studiotwothree.com/s23s-film--video-series



DEADLINE FOR SUBMISSIONS IS: MARCH 15TH, 2014


We ask that applicants include in their submissions:


-the title of the work

-run time

-medium of the work

-year completed

-genre

-a data DVD or online link to/with your submission (preferable
downloadable)


Please include in your submission a $5 US submission fee through either
check or

money order to Studio Two Three. (if using paypal please attach receipt to
submission).

Inquiries and Email submissions may send their submissions/questions to:


Cody Huff -  f...@printrva.org


If your film is selected we will require a downloadable copy of the film
(preferred) or a data DVD. Selected artist will receive a digital copy of
the screening's poster and program for their records.


Thanks,


Cody Huff
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Re: [Frameworks] Installation works that incorporate hand-painted film

2014-02-26 Thread luis ?
In Spain...

Esperanza Collado, Oriol sanchez, Miguel Mariño and Luis Macías/Adriana
Vila www.cratercolective.com

Best


 http://vimeo.com/luismacias/videoswww.luismacias.es

http://www.cratercollective.com/


2014-02-26 16:14 GMT+01:00 Kelly Gallagher ke...@purpleriot.com:

 Oh also this 16mm found footage film incorporating handprints on film and
 some scratching/coloring...
 Ceallaigh at Kilmainham (7min) - https://vimeo.com/66125453
 An exploration of Irish roots, and the strength of the women who came
 before me.
 Cheers,
 Kelly
 www.purpleriot.com












 On Wed, Feb 26, 2014 at 8:29 AM, Kelly Gallagher ke...@purpleriot.comwrote:

 Hey Adam,
 Some of my works incorporate hand-painted celluloid. Below are two
 explicitly feminist pieces
 Here's video documentation of an installation/performative piece where I
 projected a hand-painted/scratched film entitled Women for Self Defense
 over a woman in a bed, 'sleeping/ dreaming' while I played with color gels
 at times in front of the projector lamp-- https://vimeo.com/15273159
 Here's a video incorporating hand painted film meant for installation
 entitled Works Like Magic -- https://vimeo.com/49347152
 Cheers,
 Kelly Gallagher
 www.purpleriot.com











 On Tue, Feb 25, 2014 at 12:32 PM, Roslyn Broder rabro...@gmail.comwrote:

 Looks like the link I included was bad. Here's the correct one:
 http://sheriwills.com/


 On Tue, Feb 25, 2014 at 11:32 AM, John Knecht jkne...@colgate.eduwrote:

 Adam,


 I work in multiple channel video installation as well as single
 channel, often looped, pieces. All my work is hand drawn animation,
 beginning with paper on pencil.   I just did a show two weeks ago at Union
 Docs in Brooklyn.  I have a new piece which was installed at the Llwelyn
 Gallery at Alfred State College this fall, titled Considering the
 Probability of Divine Intervention.  The piece consists of five 19
 flatscreens with built in dvd players, displaying five hand drawn
 animations, beginning with gouach on paper drawings,  of houses
 intermittently rising off of their foundations.  When I showed it at the
 Llewelyn Gallery I showed the original gouache paintings of each house
 which are the same size as the video screens.  These are framed.  I own all
 the video flat screen/dvd player displays.

 I also currently have an exhibition at the Munson Williams Proctor Arts
 Institute in Utica, NY,  of four panels from my  fifteen channel, video
 animation Fragments from the Wheels of Ezekiel!  These four video
 animations, displayed on flat screens have recently been purchased for the
 Institute's permanent collection.
 http://www.mwpai.org/museum-of-art/museum-of-art-calendar/new-funny-and-odd-videos-on-view/

 Here are some images.  Check out my web site johnknechtart.com.
 I'd be glad to send you a dvd documenting some of my installations and a
 reel of single channel animation.

 John Knecht
 jkne...@colgate.edu


 On Tue, Feb 25, 2014 at 8:20 AM, Adam R. Levine ada...@gmail.comwrote:

 Dear Frameworks,

 This is a very specific RFI but I am looking for artists or works that
 check as many (at least two, let's say) of the following boxes as 
 possible,
 listed in order of preference:

 1. Installations or possibly live performances...
 2. ...That incorporate abstract footage (preferably 16mm loops)
 3. Hand painted, scratch film, or hand animation
 4. Sculptural elements or constructed environments
 5. Use of text or voice
 6. Preferably by female artists or filmmakers

 Like I said - specific. But perhaps you can help.

 Many thanks,
 Adam

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 --
 John Knecht, Russell Colgate Distinguished
  University Professor of Art and Art History
  and Film and Media Studies

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