[Frameworks] Experimental Film Survey
Hello everybody,I’m currently working on a semantic concept for an experimental film platform.If you are interested in information about experimental films please take a moment to answer this survey below. It would be of great help to me.Link to this survey: https://de.surveymonkey.com/s/XXN3KRWPlease do not hesitate to contact me if you have any further questions.Thank you,Isabell MüllerUniversity of Applied Sciences Darmstadt - Institut für Kommunikation und Medien (ikum)___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Films about remediation
Dear Frameworkers, Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's Chants ?or Malcolm Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated! Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films about remediation
David Larcher: EETC: an inventive fusion of of 16mm and analogue video, Nicky. -Original Message- From: Kim Knowles kim.know...@edfilmfest.org.uk To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Sent: Wed, 2 Apr 2014 9:17 Subject: [Frameworks] Films about remediation Dear Frameworkers, Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul'sScene 32, Thorsten Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset'sChants or Malcolm Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated! Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films about remediation
Common examples of film containing/being contained by still photography would include (spoiler alert) Wavelength's reduction of film to a still photograph in its final minutes (mirroring the still images on the film strip), and Morgan Fisher's Production Stills, which photo-documents its own making. Also check David MacDougall's Photo-Wallahs. Malcolm LeGrice's performance of After Leonardo 73-13 at Eyebeam last November centered on multiple (live) video reproductions of a magazine reproduction of the Mona Lisa. Warhol's Screen Tests are filmic meditations on an (ostensibly) unmoving subject per still photography portraiture. Scott Stark's Angel Beach and Posers, as well. Too many others to mention! Warhol's Outer and Inner Space is a classic film/video merger. Many of Yoko Ono's film scripts cannot necessarily be realized as films and must be performed rather than filmed. A recent Contraband Cinema show here in Atlanta presented some newer VCR-derived digital work: http://contrabandcinema.com/400/broken-beauty-a-show-on-glitch-march-22-2014.html Andy Ditzler www.filmlove.org www.johnq.org Graduate Institute of the Liberal Arts, Emory University On Wed, Apr 2, 2014 at 4:16 AM, Kim Knowles kim.know...@edfilmfest.org.ukwrote: Dear Frameworkers, Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's *Scene 32*, Thorsten Fleisch's *Wound Footage*, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's *Chants *or Malcolm Le Grice's *Little Dog For Roger*. Any suggestions would be greatly appreciated! Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films about remediation
In a similar vein to the list that Andy offers here, Hollis Frampton’s Hapax Legomena 1 (nostalgia) makes cinema out of still photos (made cinematic by burning them on a hot plate). And closer to the titles in your original list, Josh (J.B.) Mabe’s “Pastoral” reshoots on 16mm a YouTube video of Stan Brakhage’s “Stellar,” which of course was made on 16mm film. And if you’re interested in digital remediation of analogue tape, Evan Meaney’s “We Things at Play” turns a VHS tape from 1987 into a digital glitch fest. Many of his videos might actually fit this call, including the final installment of his Ceibas Cycle, “The Well of Representation,” a digital remake of Hollis Frampton’s “Gloria!” as an NES-era video game with a spectral, glitched-out ending. … Roger On Apr 2, 2014, at 10:43 AM, Andy Ditzler a...@andyditzler.commailto:a...@andyditzler.com wrote: Common examples of film containing/being contained by still photography would include (spoiler alert) Wavelength's reduction of film to a still photograph in its final minutes (mirroring the still images on the film strip), and Morgan Fisher's Production Stills, which photo-documents its own making. Also check David MacDougall's Photo-Wallahs. Malcolm LeGrice's performance of After Leonardo 73-13 at Eyebeam last November centered on multiple (live) video reproductions of a magazine reproduction of the Mona Lisa. Warhol's Screen Tests are filmic meditations on an (ostensibly) unmoving subject per still photography portraiture. Scott Stark's Angel Beach and Posers, as well. Too many others to mention! Warhol's Outer and Inner Space is a classic film/video merger. Many of Yoko Ono's film scripts cannot necessarily be realized as films and must be performed rather than filmed. A recent Contraband Cinema show here in Atlanta presented some newer VCR-derived digital work: http://contrabandcinema.com/400/broken-beauty-a-show-on-glitch-march-22-2014.html Andy Ditzler www.filmlove.orghttp://www.filmlove.org/ www.johnq.orghttp://www.johnq.org/ Graduate Institute of the Liberal Arts, Emory University On Wed, Apr 2, 2014 at 4:16 AM, Kim Knowles kim.know...@edfilmfest.org.ukmailto:kim.know...@edfilmfest.org.uk wrote: Dear Frameworkers, Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's Chants or Malcolm Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated! Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051tel:%2B44%280%29131%20228%204051 f. +44(0)131 229 5501tel:%2B44%280%29131%20229%205501 w. http://www.edfilmfest.org.ukhttp://www.edfilmfest.org.uk/ 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.commailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.commailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films about remediation
There's Hollis Frampton's TRAVELLING MATTE (1971), part of his HAPAX LEGOMENA suite. He filmed with a portapak and subsequently filmed the video with 16mm film: given the low light conditions created by Frampton's shooting through a "tube" made by his hand (his inversion of the traditional travelling matte) the "distortions" in the video and the graininess of the bw film create a strange mixed texture.Scott Original Message Subject: [Frameworks] Films about remediation From: Kim Knowles kim.know...@edfilmfest.org.uk Date: Wed, April 02, 2014 1:16 am To: Experimental Film Discussion List frameworks@jonasmekasfilms.com Dear Frameworkers,Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion ofanalogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's Chantsor Malcolm Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated!Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051+44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh.___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks CallSend SMSAdd to SkypeYou'll need Skype CreditFree via Skype ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Paul Sharits multi-projection question
Thanks for the detailed notes everyone! Very helpful. Many cheers, On Tue, Apr 1, 2014 at 3:18 PM, Andy Ditzler a...@andyditzler.comjavascript:_e(%7B%7D,'cvml','a...@andyditzler.com'); wrote: Thanks, Peter and Herb, for these clarifications. Looking back at Sharits' instructions, the only confusing thing is he asks the projectionist to follow a separate diagram of how to project Version B, and this diagram is not included. But I agree that you can work out how to do Version B from his verbal description, albeit with some keystoning. Andy Andy Ditzler www.filmlove.org www.johnq.org Graduate Institute of the Liberal Arts, Emory University On Tue, Apr 1, 2014 at 10:15 AM, Herb Shellenberger he...@ihphilly.orgjavascript:_e(%7B%7D,'cvml','he...@ihphilly.org'); wrote: What Peter said. Version B was accomplished at a screening here with relatively little difficulty a few years ago just by tilting the projectors, which were running in the middle of the stadium seating, rather than from the booth, to the side a little at timed intervals. The instructions give the times. I believe the keystoning was pretty minor, but that's not the point anyway. Seeing the gradually overlapping images was really interesting, especially when they were fully on top of each other. Peter Kubelka's Monument Film screening at NYFF 2012 also used the technique of projecting flicker films directly on top of each other. As to Ekrem's original question, I don't have anything to add unfortunately. *Herb Shellenberger* *Programs Office Manager* [image: cid:image001.jpg@01CE5258.78B1F010] 3701 CHESTNUT STREET | PHILADELPHIA, PA 19104 phone: 215.895.6575 | fax: 215.895.6562 email: he...@ihphilly.orgjavascript:_e(%7B%7D,'cvml','he...@ihphilly.org');| web: www.ihousephilly.org *From:* FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.comjavascript:_e(%7B%7D,'cvml','frameworks-boun...@jonasmekasfilms.com');] *On Behalf Of *Peter Mudie *Sent:* Tuesday, April 01, 2014 9:56 AM *To:* Experimental Film Discussion List *Subject:* Re: [Frameworks] Paul Sharits multi-projection question Andy - you slowly move the left projector to the right and the right projector to the left until the frames align as one. Peter (Perth) *From: *Andy Ditzler a...@andyditzler.comjavascript:_e(%7B%7D,'cvml','a...@andyditzler.com'); *Reply-To: *Experimental Film Discussion List frameworks@jonasmekasfilms.comjavascript:_e(%7B%7D,'cvml','frameworks@jonasmekasfilms.com'); *To: *Experimental Film Discussion List frameworks@jonasmekasfilms.comjavascript:_e(%7B%7D,'cvml','frameworks@jonasmekasfilms.com'); *Subject: *Re: [Frameworks] Paul Sharits multi-projection question Dear Ekrem, I rented and showed Shutter Interface to my students last fall, and will do so again in a few months. In preparation, I talked to some folks who have also taught the film (hi Jeanne Liotta!) and went looking through all the Sharits writings I could find for any reference to the difference between gallery and theater versions, but found very little on this. I have the same rationale - he made the two-projector version and it remains rentable, so I rent it and show it. It's a super-accessible work. A couple of things - the written instructions you get from Film Coop inside the film can are ambiguous. Use version A. Version B mentions the effect of making the two frames slowly merge on screen - but gives no instructions for how to accomplish this. (Maybe someone here can clarify?) And the soundtrack needs some extra care, since each projector will have its own sound. So if you are running it through the house PA, you will need to configure the channels so it's stereo sound, not mono. I couldn't access the house PA for this, so my solution was to bring two powered monitor speakers of my own, and run 1/4 out from each Eiki projector to its corresponding speaker. More work, but as you know that's what you're getting into with expanded cinema anyway. By the way, the sound happens only on the black frames. If you know that as you're watching the work, it's even cooler. It's a fantastic projection experience and we all loved it. I left some room behind the projectors for the students to go and observe the color frames as they moved through the projector. If you can see that as you observe the screen, there's no more spectacular lesson in the nature of film projection (that is, the conversion of still frames to motion). Andy Ditzler www.filmlove.org www.johnq.org Graduate Institute of the Liberal Arts, Emory University On Tue, Apr 1, 2014 at 1:02 AM, Ekrem Serdar ekremser...@gmail.comjavascript:_e(%7B%7D,'cvml','ekremser...@gmail.com'); wrote: Heyya Framers, So based on his notes, it seems that many of Paul Sharits' multi-projector pieces (Shutter Interface, Dream Displacement, among others) are primarily conceived as installations. However, as many of
Re: [Frameworks] Films about remediation
Just had another thought about remediation, although one that moves in a slightly different direction than the previous posts. I was thinking about the history of Kinescope recordings, where live TV would be shot on film off of a video monitor prior to the introduction of videotape (and, in certain circumstances and geographical regions, significantly after that as well). I remember the first time I saw one of these films, I was confused by the feeling that there was an extra screen inside the screen. (I think it was the slight reflection off the glass of the monitor that tipped me off.) There are decades of such recordings out there, some fairly significant. Not sure if this would fit in with your programming, but I still thought I'd share. ... Roger From: FrameWorks [frameworks-boun...@jonasmekasfilms.com] on behalf of sc...@financialcleansing.com [sc...@financialcleansing.com] Sent: Wednesday, April 02, 2014 1:48 PM To: Experimental Film Discussion List Subject: Re: [Frameworks] Films about remediation There's Hollis Frampton's TRAVELLING MATTE (1971), part of his HAPAX LEGOMENA suite. He filmed with a portapak and subsequently filmed the video with 16mm film: given the low light conditions created by Frampton's shooting through a tube made by his hand (his inversion of the traditional travelling matte) the distortions in the video and the graininess of the bw film create a strange mixed texture. Scott Original Message Subject: [Frameworks] Films about remediation From: Kim Knowles kim.know...@edfilmfest.org.ukmailto:kim.know...@edfilmfest.org.uk Date: Wed, April 02, 2014 1:16 am To: Experimental Film Discussion List frameworks@jonasmekasfilms.commailto:frameworks@jonasmekasfilms.com Dear Frameworkers, Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's Chants or Malcolm Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated! Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051+44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.commailto:FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks Call Send SMS Add to Skype You'll need Skype CreditFree via Skype ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films about remediation
How about Godard's *Numéro Deux* (1975) I've only seen it once on 3/4 umatic tape. I recall a section of the film being just two televisions on which the characters and narrative unfolded. On Wed, Apr 2, 2014 at 4:16 AM, Kim Knowles kim.know...@edfilmfest.org.ukwrote: Dear Frameworkers, Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's *Scene 32*, Thorsten Fleisch's *Wound Footage*, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's *Chants *or Malcolm Le Grice's *Little Dog For Roger*. Any suggestions would be greatly appreciated! Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Films about remediation
Hi Kim - I'm thinking about Jody Mack's Glitch Envy, Evan meaney's Ceibus epilogue - the well of representation also maybe Frederic moffet's Postface - Benjamin pearson On Apr 2, 2014, at 3:16 AM, Kim Knowles kim.know...@edfilmfest.org.uk wrote: Dear Frameworkers, Does anyone have any suggestions of films that involve remediation of some sort? I'm thinking the fusion of analogue-digital (which I've posted about before so I have some titles already - Shambhavi Kaul's Scene 32, Thorsten Fleisch's Wound Footage, Jurgen Reble, Dietmar Brehm), but I'm also interested in earlier examples of one medium/format being contained within or reworked by another medium, for example Martine Rousset's Chants or Malcolm Le Grice's Little Dog For Roger. Any suggestions would be greatly appreciated! Many thanks Kim === KEEP IN TOUCH WITH EIFF Become a web member for FREE and receive news and offers: http://www.edfilmfest.org.uk/register Follow EIFF at: https://twitter.com/edfilmfest or http://www.facebook.com/edfilmfest === t. +44(0)131 228 4051 f. +44(0)131 229 5501 w. http://www.edfilmfest.org.uk 88 Lothian Road, Edinburgh EH3 9BZ Scotland, United Kingdom The Edinburgh International Film Festival Limited is a subsidiary of the Centre for the Moving Image. Registered in Scotland No: SC132453. VAT No: 502 548861. Registered Office: 88 Lothian Road, Edinburgh. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Student Film/Video Fests?
Hello all! I am wondering if anyone has any leads/suggestions for fests that are friendly to (undergraduate) student experimental film and video makers? By friendly I mean something along the lines of no/low cost, preferential focus on young/emerging artists (or have specific categories for such artists as part of a larger fest) whose emphasis is on works other than traditional narrative, documentary or music videos. Any and all ideas would be greatly appreciated by me, and even more by the young artists who are subject to benefit from such info!! thank you in advance! -Benjamin Pearson ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Student Film/Video Fests?
Visions Film Festival and Conference at University of North Carolina Wilmington. Going on this week, as a matter of fact... http://www.visionsfilm.org/ James Kreul kre...@gmail.com On Wed, Apr 2, 2014 at 10:59 PM, Benjamin Pearson b.seth.pear...@gmail.comwrote: Hello all! I am wondering if anyone has any leads/suggestions for fests that are friendly to (undergraduate) student experimental film and video makers? By friendly I mean something along the lines of no/low cost, preferential focus on young/emerging artists (or have specific categories for such artists as part of a larger fest) whose emphasis is on works other than traditional narrative, documentary or music videos. Any and all ideas would be greatly appreciated by me, and even more by the young artists who are subject to benefit from such info!! thank you in advance! -Benjamin Pearson ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Student Film/Video Fests?
Hey Benjamin! Temple University in the past has put on a really awesome student film festival called Next Frame. I think it's still running!-- http://smc.temple.edu/fma/projects/film-festivals/nextframe-student-film-festival/ (I think it's for both grad students and undergrads). I'll keep racking my brain for others... -Kelly On Wed, Apr 2, 2014 at 11:02 PM, James Kreul kre...@gmail.com wrote: Visions Film Festival and Conference at University of North Carolina Wilmington. Going on this week, as a matter of fact... http://www.visionsfilm.org/ James Kreul kre...@gmail.com On Wed, Apr 2, 2014 at 10:59 PM, Benjamin Pearson b.seth.pear...@gmail.com wrote: Hello all! I am wondering if anyone has any leads/suggestions for fests that are friendly to (undergraduate) student experimental film and video makers? By friendly I mean something along the lines of no/low cost, preferential focus on young/emerging artists (or have specific categories for such artists as part of a larger fest) whose emphasis is on works other than traditional narrative, documentary or music videos. Any and all ideas would be greatly appreciated by me, and even more by the young artists who are subject to benefit from such info!! thank you in advance! -Benjamin Pearson ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Student Film/Video Fests?
I think NextFrame may be kaput, or maybe on hiatus. They always used to show the finalists at UFVA, but there was nothing on the program last year. I didn't actually go to the conference, so I don't know if there was some late appearance, but the NextFrame website still says, Check back for the winners in August 2013. Anyway, NextFrame was never a good venue for experimental work, especially for undergrads. Their experimental program was always short, and always dominated by entries from European film academies that employed a lot of 'clever' high-tech special effects. It would be nice if some of the established festivals or venues that show experimental-as-we-understand-it stuff had the sort of thing Benjamin is talking about: a 'young makers showcase limited to first-time makers and/or makers under a certain age limit (say, 21 and under). Steve? Roger? Bryan? Anybody? Bueller? :-) ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
