Re: [Frameworks] Hutton

2016-12-03 Thread Chuck Kleinhans 
Gentle reminder: 

Hey Bernie, you seem to be off your meds again.  Might want to check on that.





> On Dec 3, 2016, at 5:03 PM, Bernard Roddy  wrote:
> 
> How does one respond to this sort of teaching?  Hello?
> 
> On Sat, Dec 3, 2016 at 2:10 PM, Chuck Kleinhans
>  wrote:
>> 1.  Hutton was an educator.
>> 
>> 2.  For most people, appreciation of “pure” art, of “extremely disciplined 
>> style” is learned, not an inherent given of personality, biology, or 
>> whatever.  Taste is a social construction,
>> 
>> 3.  Educating potential viewers so they can have such art experiences is (at 
>> least in part) an act of love, a social act that makes this a better world.
>> 
>> Chuck Kleinhans
>> 
>> 
>> 
>>> On Dec 3, 2016, at 11:03 AM, Bernard Roddy  wrote:
>>> 
>>> Frameworkers!  I don't know who you are, but . . .  It's like the
>>> letters my father writes that I never answer.  They just keep coming,
>>> even as I throw them directly in the trash.  What, then, is it to
>>> write someone, anyway?
>>> 
>>> But Peter Hutton work screened at Nightingale.  And I wonder, well:
>>> 
>>> What does this have to do with higher education?  That wasn't the
>>> first thing, though.  It was, is this still acceptable?  It was funny,
>>> after the show - all totally silent - I had to think of André Kertész
>>> photographs.  Is this even experimental?  The girl in the seat in
>>> front of me rested her head on her boyfriend's shoulder.  It was an
>>> experience resembling a service of some kind.  The show was very well
>>> attended.  I'm not just saying that.  And understandably so, because
>>> the experience is hard to get!  It's in film, for god's sake, and it
>>> couldn't possibly be otherwise - it's pure, it's committed to this
>>> extremely disciplined style.  You could think, you could wait, and
>>> there was never anything to distract you . .  (I'm thinking of the
>>> river film and the Polish city film) . .  But then there's that what
>>> does this have to do with higher education?  Can this really be part
>>> of a course of study?  That's where I lose it.
>>> 
>>> Bernie
>>> ___
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks=CwIGaQ=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg=JiLBS3AAMadfkJglpuKieU8d8imUaVDM21OEuoFovHA=rRyEkT_skAxGeL7iDIvr6Kv8yfS9v9XNUz2FXLcek3k=
>> 
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks=CwIGaQ=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg=23PFkHGaWBTORM8dCZ76v9oj3OtNbrU-RfVEonV8Cdk=yLpMx2Dd9KrYg5LHy69oLV82q3WXBDH82p5Wb_2VQjI=
>>  
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks=CwIGaQ=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg=23PFkHGaWBTORM8dCZ76v9oj3OtNbrU-RfVEonV8Cdk=yLpMx2Dd9KrYg5LHy69oLV82q3WXBDH82p5Wb_2VQjI=
>  

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Hutton

2016-12-03 Thread Bernard Roddy 
How does one respond to this sort of teaching?  Hello?

On Sat, Dec 3, 2016 at 2:10 PM, Chuck Kleinhans
 wrote:
> 1.  Hutton was an educator.
>
> 2.  For most people, appreciation of “pure” art, of “extremely disciplined 
> style” is learned, not an inherent given of personality, biology, or 
> whatever.  Taste is a social construction,
>
> 3.  Educating potential viewers so they can have such art experiences is (at 
> least in part) an act of love, a social act that makes this a better world.
>
> Chuck Kleinhans
>
>
>
>> On Dec 3, 2016, at 11:03 AM, Bernard Roddy  wrote:
>>
>> Frameworkers!  I don't know who you are, but . . .  It's like the
>> letters my father writes that I never answer.  They just keep coming,
>> even as I throw them directly in the trash.  What, then, is it to
>> write someone, anyway?
>>
>> But Peter Hutton work screened at Nightingale.  And I wonder, well:
>>
>> What does this have to do with higher education?  That wasn't the
>> first thing, though.  It was, is this still acceptable?  It was funny,
>> after the show - all totally silent - I had to think of André Kertész
>> photographs.  Is this even experimental?  The girl in the seat in
>> front of me rested her head on her boyfriend's shoulder.  It was an
>> experience resembling a service of some kind.  The show was very well
>> attended.  I'm not just saying that.  And understandably so, because
>> the experience is hard to get!  It's in film, for god's sake, and it
>> couldn't possibly be otherwise - it's pure, it's committed to this
>> extremely disciplined style.  You could think, you could wait, and
>> there was never anything to distract you . .  (I'm thinking of the
>> river film and the Polish city film) . .  But then there's that what
>> does this have to do with higher education?  Can this really be part
>> of a course of study?  That's where I lose it.
>>
>> Bernie
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks=CwIGaQ=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg=JiLBS3AAMadfkJglpuKieU8d8imUaVDM21OEuoFovHA=rRyEkT_skAxGeL7iDIvr6Kv8yfS9v9XNUz2FXLcek3k=
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Hutton

2016-12-03 Thread Bernard Roddy 
Oh please . .

On Sat, Dec 3, 2016 at 2:08 PM, John Knecht  wrote:
> Bernie,
>
> I used Peter Hutton's films in my university courses for forty years.  I put
> them in context by showing students, Peter's films with paintings by Monet.
> Filmmaking in celluloid or in a digital format is about light and motion at
> its base.  Artists such as Peter Hutton or Claude Monet or James Benning are
> artists who look carefully at the world.  As Benning says "Going out and
> observing and reporting back."  Peter's study of natural light and motion
> are unique in cinema.  Good art makes places for us to go.  Peter's films
> took you to a place the other night.  It took the couple in front of you
> there too.  You've never been there before. Come back again.
>
> John Knecht
>
> On Sat, Dec 3, 2016 at 2:03 PM, Bernard Roddy 
> wrote:
>>
>> Frameworkers!  I don't know who you are, but . . .  It's like the
>> letters my father writes that I never answer.  They just keep coming,
>> even as I throw them directly in the trash.  What, then, is it to
>> write someone, anyway?
>>
>> But Peter Hutton work screened at Nightingale.  And I wonder, well:
>>
>> What does this have to do with higher education?  That wasn't the
>> first thing, though.  It was, is this still acceptable?  It was funny,
>> after the show - all totally silent - I had to think of André Kertész
>> photographs.  Is this even experimental?  The girl in the seat in
>> front of me rested her head on her boyfriend's shoulder.  It was an
>> experience resembling a service of some kind.  The show was very well
>> attended.  I'm not just saying that.  And understandably so, because
>> the experience is hard to get!  It's in film, for god's sake, and it
>> couldn't possibly be otherwise - it's pure, it's committed to this
>> extremely disciplined style.  You could think, you could wait, and
>> there was never anything to distract you . .  (I'm thinking of the
>> river film and the Polish city film) . .  But then there's that what
>> does this have to do with higher education?  Can this really be part
>> of a course of study?  That's where I lose it.
>>
>> Bernie
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
>
> --
> John Knecht, Russell Colgate Distinguished
>  University Professor of Art and Art History
>  and Film and Media Studies. Emeritus.
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Hutton

2016-12-03 Thread Chuck Kleinhans 
1.  Hutton was an educator.

2.  For most people, appreciation of “pure” art, of “extremely disciplined 
style” is learned, not an inherent given of personality, biology, or whatever.  
Taste is a social construction,

3.  Educating potential viewers so they can have such art experiences is (at 
least in part) an act of love, a social act that makes this a better world.

Chuck Kleinhans



> On Dec 3, 2016, at 11:03 AM, Bernard Roddy  wrote:
> 
> Frameworkers!  I don't know who you are, but . . .  It's like the
> letters my father writes that I never answer.  They just keep coming,
> even as I throw them directly in the trash.  What, then, is it to
> write someone, anyway?
> 
> But Peter Hutton work screened at Nightingale.  And I wonder, well:
> 
> What does this have to do with higher education?  That wasn't the
> first thing, though.  It was, is this still acceptable?  It was funny,
> after the show - all totally silent - I had to think of André Kertész
> photographs.  Is this even experimental?  The girl in the seat in
> front of me rested her head on her boyfriend's shoulder.  It was an
> experience resembling a service of some kind.  The show was very well
> attended.  I'm not just saying that.  And understandably so, because
> the experience is hard to get!  It's in film, for god's sake, and it
> couldn't possibly be otherwise - it's pure, it's committed to this
> extremely disciplined style.  You could think, you could wait, and
> there was never anything to distract you . .  (I'm thinking of the
> river film and the Polish city film) . .  But then there's that what
> does this have to do with higher education?  Can this really be part
> of a course of study?  That's where I lose it.
> 
> Bernie
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks=CwIGaQ=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg=JiLBS3AAMadfkJglpuKieU8d8imUaVDM21OEuoFovHA=rRyEkT_skAxGeL7iDIvr6Kv8yfS9v9XNUz2FXLcek3k=
>  

___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Re: [Frameworks] Hutton

2016-12-03 Thread John Knecht 
Bernie,

I used Peter Hutton's films in my university courses for forty years.  I
put them in context by showing students, Peter's films with paintings by
Monet.  Filmmaking in celluloid or in a digital format is about light and
motion at its base.  Artists such as Peter Hutton or Claude Monet or James
Benning are artists who look carefully at the world.  As Benning says
"Going out and observing and reporting back."  Peter's study of natural
light and motion are unique in cinema.  Good art makes places for us to
go.  Peter's films took you to a place the other night.  It took the couple
in front of you there too.  You've never been there before. Come back again.

John Knecht

On Sat, Dec 3, 2016 at 2:03 PM, Bernard Roddy 
wrote:

> Frameworkers!  I don't know who you are, but . . .  It's like the
> letters my father writes that I never answer.  They just keep coming,
> even as I throw them directly in the trash.  What, then, is it to
> write someone, anyway?
>
> But Peter Hutton work screened at Nightingale.  And I wonder, well:
>
> What does this have to do with higher education?  That wasn't the
> first thing, though.  It was, is this still acceptable?  It was funny,
> after the show - all totally silent - I had to think of André Kertész
> photographs.  Is this even experimental?  The girl in the seat in
> front of me rested her head on her boyfriend's shoulder.  It was an
> experience resembling a service of some kind.  The show was very well
> attended.  I'm not just saying that.  And understandably so, because
> the experience is hard to get!  It's in film, for god's sake, and it
> couldn't possibly be otherwise - it's pure, it's committed to this
> extremely disciplined style.  You could think, you could wait, and
> there was never anything to distract you . .  (I'm thinking of the
> river film and the Polish city film) . .  But then there's that what
> does this have to do with higher education?  Can this really be part
> of a course of study?  That's where I lose it.
>
> Bernie
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>



-- 
John Knecht, Russell Colgate Distinguished
 University Professor of Art and Art History
 and Film and Media Studies. Emeritus.
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] Hutton

2016-12-03 Thread Bernard Roddy 
Frameworkers!  I don't know who you are, but . . .  It's like the
letters my father writes that I never answer.  They just keep coming,
even as I throw them directly in the trash.  What, then, is it to
write someone, anyway?

But Peter Hutton work screened at Nightingale.  And I wonder, well:

What does this have to do with higher education?  That wasn't the
first thing, though.  It was, is this still acceptable?  It was funny,
after the show - all totally silent - I had to think of André Kertész
photographs.  Is this even experimental?  The girl in the seat in
front of me rested her head on her boyfriend's shoulder.  It was an
experience resembling a service of some kind.  The show was very well
attended.  I'm not just saying that.  And understandably so, because
the experience is hard to get!  It's in film, for god's sake, and it
couldn't possibly be otherwise - it's pure, it's committed to this
extremely disciplined style.  You could think, you could wait, and
there was never anything to distract you . .  (I'm thinking of the
river film and the Polish city film) . .  But then there's that what
does this have to do with higher education?  Can this really be part
of a course of study?  That's where I lose it.

Bernie
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] See you this evening at MONO NO AWARE X - Closing Night

2016-12-03 Thread Mono No Aware 
View this email in your browser 
(http://us2.campaign-archive1.com/?u=bbedd09018bc9a2583cc18643=0b66649c5f=2876e3f04b)
https://www.facebook.com/events/1650176065271082


** FINAL NIGHT OF MONO NO AWARE X - FREE TO ATTEND!

Last night we all basked in incredible installation and expanded cinema 
performances for Program I of MONO X.  Join us (again) tonight as we wrap up 
MONO X with Program II and enjoy more expanded cinema together. Tonight we have 
a line-up of six performances and three installations featuring live sound, 
optical sound loops, live performance, sextuple projection installation, 
dual-animation, and live musical performance 
(https://www.facebook.com/events/1650176065271082) . Our bar is stocked with 
drinks and snacks thanks to Brooklyn Brewery and our many generous sponsors. 
We'll also be raffling some big ticket items provided by Technicolor PostWorks, 
16x40, IMPOSSIBLE Project, + Anthology Film Archives 
(https://www.facebook.com/events/1650176065271082) . DJ sets by  Lloyd Cargo 
and Sal Principato of Liquid Liquid.

DOORS AT 7PM - PERFORMANCES AT 8PM ONWARD 
(https://www.facebook.com/events/1650176065271082)
LIGHTSPACE STUDIOS @ 130 Thames Street, Brooklyn, NY - Off the L Train

https://www.facebook.com/events/933508820059818/
https://www.facebook.com/events/1650176065271082

https://www.kickstarter.com/projects/mononoaware/mono-no-aware-film-lab

Currently, Mono No Aware is running a kickstarter campaign to open the nation's 
first nonprofit film lab. We're so close, 75% - we've got 3 days to go to hit 
60k! We've got two AMAZING and RARE new rewards to share with you from our good 
friends at Anthology Film Archive. First includes a rare and out of print Jonas 
Mekas poetry book - THERE IS NO ITHACA - and a Bruce Baillie postcard.
DONATE TODAY 
(https://www.kickstarter.com/projects/mononoaware/mono-no-aware-film-lab) !


** (http://www.facebook.com/mono.aware.9)
** (http://instagram.com/mononoawarefilm)
** (http://www.twitter.com/mononoawarefilm)
** (http://www.mononoawarefilm.com)
** 2015 Partners + Sponsors (http://www.mononoawarefilm.com/partners)
** unsubscribe from this list 
(http://mononoawarefilm.us2.list-manage.com/unsubscribe?u=bbedd09018bc9a2583cc18643=18d5386b55=2876e3f04b=0b66649c5f)
** update subscription preferences 
(http://mononoawarefilm.us2.list-manage1.com/profile?u=bbedd09018bc9a2583cc18643=18d5386b55=2876e3f04b)___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] Non-profit film lab.

2016-12-03 Thread Ekrem (Squeaky Wheel) 
Haven't been keeping up with Frameworks, so apologies if this has been
posted already, however if you haven't seen it, note that Mono No Aware has
an ambitious Kickstarter to help start the nation's first non-profit film
lab.

They have 3 days left, and they're 15k short.

GIVE: http://kck.st/2epOH2v

-- 
-- 
*Ekrem Serdar*
*Media Arts Curator*
*Squeaky Wheel Film & Media Art Center*
617 Main Street, Buffalo, NY 14203
PUBLIC HOURS: Tuesday-Saturday 12:00-5:00pm
716-884-7172  |  squeaky.org 
-
---
*Celebrating 30 years of innovation in electronic media & film!*


___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

[Frameworks] This week [December 3 - 11, 2016] in avant garde cinema  

2016-12-03 Thread Flicker weekly listing 
links 
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=93ff571b8d=4e65756555

http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=5781992adb=4e65756555


** This week [December 3 - 11, 2016] in avant garde cinema


Enter your event announcements by going to the Flicker Weekly Listing Form 
(http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3=14e8661f66=4e65756555)
 .

To receive the weekly listing via email: Subscribe 
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=2874eb4b59=4e65756555)
 . To unsubscribe see the link at the bottom of this email.

Fascinating Fascism: Propaganda Films of the 1930’S (#anchor4) [December 7, 
Tucson
DEADLINES APPROACHING:
Chicago Underground Film Festival (Chicago, IL, USA; Deadline: January 06, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=01539bd110=4e65756555
ANOTHER EXPERIMENT by WOMEN FILM FESTIVAL (NY NY; Deadline: December 15, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3=e99acd9fa2=4e65756555
GAZE Animation Showcase III (San Francsico, CA, USA; Deadline: December 21, 
2016)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=15522c2d1d=4e65756555

Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):
* Mono X: Program 2 (#anchor1) [December 3, New York, New York]
* Dec.3: Cox’ First Women In Space + Perkowski's Virtual Boys (#anchor2) 
[December 3, San Francisco, California]
* Perpetual Motion, Program Seven: Cinema of Confrontation/ the End (#anchor3) 
[December 7, San Francisco, California]
* Fascinating Fascism: Propaganda Films of the 1930’S (#anchor4) [December 7, 
Tucson]
* Abstracta - the Poetry of Time In the Image (#anchor5) [December 10, Rio de 
Janeiro, Brazil ]
* Dec.10: Kevin B. Lee + Harun Farocki's Parallel (#anchor6) [December 10, San 
Francisco, California]

, DECEMBER 3, 2016

12/3
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3=f6117e830f=4e65756555
7:00pm - 2:00am, LightSpace Studio: 1115 Flushing Ave, Brooklyn, NY 11237
MONO X: PROGRAM 2
MONO NO AWARE is excited to present MONO X: PROGRAM 2, day two of our tenth 
annual community curated cinema arts festival and exhibition of expanded 
cinema, performance, installation, and sculpture. Installations by ANTONIO 
CASTLES (BOGOTA, COLOMBIA) & LUCAS MAIA (SAO PAOLO, BRASIL), OLYA ZARAPINA 
(MONTREAL, CANADA), ADAM R LEVINE (MONTAGUE, MA). Performances by ADRIANA VILA 
GUEVARA (BARCELONA, SPAIN), LUIS MACIAS (BARCELONA, SPAIN) & ALFREDO COSTA 
MONTEIRO (BARCELONA, SPAIN); KELLIE BRONIKOWSKI (MILWAUKEE, WI), ERIKA JANE 
BARRETT (ROCKAWAY BEACH, NY), LILY JUE SHENG (BROOKLYN, NY) & MICHAEL SIDNAM 
(BROOKLYN, NY); JOSHUA CHURCHILL (SAN FRANCISCO, CA), PAUL CLIPSON (SAN 
FRANCISCO, CA) & JOHN DAVIS (SAN FRANCISCO, CA); SIMON LIU (BROOKLYN, NY), 
WARREN NG (BROOKLYN, NY) & BEN HOZIE (BROOKLYN, NY). With DJ sets by LLOYD 
CARGO (INTER-PROGRAM) & SAL P. (AFTER PARTY).

12/3
San Francisco, California: Other Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=f7968dcbc6=4e65756555
8:30 PM, 992 Valencia St.
DEC.3: COX’ FIRST WOMEN IN SPACE + PERKOWSKI’S VIRTUAL BOYS
Back with the finale of his Rocket Opera trilogy is Mission Renaissance man 
David Cox! His ensemble epic consummates his quest for a musical translation of 
the Space Race, especially in the figures of Tereshkova and Ride. His keys cue 
collaborators John Smalley, Rachel Levin, Jonathan Parnell, Zac Fisher, Jono 
Jones, Molly Hankwitz, and Simon Cox. After intermission, the focus moves from 
outer to inner space: Beaming in from LA, Andre Perkowski premieres his VR 
Stigmata of Palmer Lucky, an immersive exploration of the Augmented-Reality 
revolution in the offing! Andre’s adroit editing and bottomless humor are in 
full effect in this inside (and over-the-top) scoop on our new virtual-reality 
wunderkind. ALSO erotic VR! AND Welles’ Future Shock, Rosentrater’s Star Wars 
Wars, speculative treats from Soda_Jerk and Jordan Belson, adastra.*$9

WEDNESDAY, DECEMBER 7, 2016

12/7
San Francisco, California: San Francisco Cinematheque
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3=885edac4a4=4e65756555
8:00 PM, 2665 Mission Street
PERPETUAL MOTION, PROGRAM SEVEN: CINEMA OF CONFRONTATION/ THE END
Perpetual Motion goes out with a bang! As centerpiece to this conclusive 
program, Greg Pope (UK/Norway) returns to the Bay with Oslo/Oakland acoustic 
noise trio Sult to perform Skeleton, a dance macabre in four movements.The 
program is closed by Performance Cinema powerhouse Bruce McClure (Brooklyn). 
McClure presents two performance sets of Rotorattlers—deconstructive prepared 
projector performances for flickering film loops, optical sound, effects