Re: [Frameworks] Svema 16mm

[Pip Chodorov]

Nicolas Rey shot his three-hour travel feature 
"Les Soviets Plus l'Electricité" on Sviema 
super-8 stock. The film includes a visit to the 
Sviema factory in Kiev where he was able to wrest 
the developing formula from Vladimir Ivanovitch. 
He hand-developed all the rolls back in Paris. 
This was color stock by the way.


http://www.lafilmforum.org/archive/fall-2013-schedule/les-soviets-plus-l-electricite-soviets-plus-electricity-by-nicolas-rey/




At 2:44 + 9/03/17, Morgan Hoyle-Combs wrote:
I was recently shopping on eBay for black and 
white 16mm and I kept seeing reels for a brand 
called Svema. This is the first time I've ever 
heard of this type of film and was wondering if 
anyone had success in shooting with it? Does it 
require different chemicals and different times?___
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[Frameworks] Svema 16mm

[Morgan Hoyle-Combs]

I was recently shopping on eBay for black and white 16mm and I kept seeing 
reels for a brand called Svema. This is the first time I've ever heard of this 
type of film and was wondering if anyone had success in shooting with it? Does 
it require different chemicals and different times? 
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[Frameworks] Researching films that use footage from Other Cinema archive

[INCITE Journal of Experimental Media]

Dear Frame Workers,

I'm currently gathering info on works that use footage from Craig Baldwin's
Other Cinema collection. If this applies to anything that you've made, or
are aware of, please send the following info (on-list on off):

Film title, artist, year, format, brief description.

This research is part of a larger project exploring Other Cinema as an
archive and an anti-archive & creative workshop, which will be the basis
for a forthcoming essay (and maybe more).

Thanks!

Brett Kashmere
Oakland

-- 
INCITE Journal of Experimental Media
edi...@incite-online.net
www.incite-online.net
facebook.com/incite.journal
Current Issue: INCITE #∞, Forever 
Next Issue #7: Sports
, edited by Astria
Suparak and Brett Kashmere
New Online: Interview with Margaret Honda
, by J. Louise Makary
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[Frameworks] 35mm rem-jet removal + spool down

[Peter Bo Rappmund]

Hi All,

Looking for help to remove the rem-jet backing from a 400' roll of 35mm
Kodak motion picture film, and spooling down to 35mm stills canisters. End
result would be something like what these folks do:

https://cinestillfilm.com/


...if anyone is interested I can provide the empty stills canisters, and
will be happy to give you a 400' roll of 35mm motion picture Kodak film of
your choosing as payment, or cash.

Thanks,

Peter
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Re: [Frameworks] Pageant lenses for 'Empire' screening

[Robert Schaller]

I have identical 1" lenses.  Contact me at robert at robertschaller d0t
org if you still need them.

Robert

On Wed, March 8, 2017 10:09 am, David Sherman wrote:
> We are looking to borrow/rent  for a pair of matched 1"-1.5" lenses for a
>  Pageant projectors for screening of Warhol's compete *Empire * at
> Exploded
> View Microcinema in Tucson on April 29. A generous patron is sponsoring
> the print rental for this screening and this show will be a benefit
> fundraiser for Exploded View as we are finishing up our 4th year of
> experimental film/music programing in Tucson.  We obviously want to do
> this a cross-over projection w/ 2 projectors. We have a line on 2
> teleconverters, but wondered if anyone on Frameworks has 2 identical fast
> wide lenses that we could use for this special occasion.
>
> Thanks, David
>
>
>
> --
> David Sherman
> 520-366-1573
> www.explodedviewgallery.org www.davidshermanfilms.com
> ___
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>
>


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[Frameworks] Pageant lenses for "Empire" screening

[David Sherman]

We are looking to borrow/rent  for a pair of matched 1"-1.5" lenses for a
Pageant projectors for screening of Warhol's compete *Empire * at Exploded
View Microcinema in Tucson on April 29. A generous patron is sponsoring the
print rental for this screening and this show will be a benefit fundraiser
for Exploded View as we are finishing up our 4th year of experimental
film/music programing in Tucson.  We obviously want to do this a cross-over
projection w/ 2 projectors. We have a line on 2 teleconverters, but
wondered if anyone on Frameworks has 2 identical fast wide lenses that we
could use for this special occasion.

Thanks, David


-- 
David Sherman
 520-366-1573
www.explodedviewgallery.org
www.davidshermanfilms.com
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Re: [Frameworks] orwo un54/n74 dev as Negative

[Scott Dorsey]

Rodinol is always going to give much much grainier results than a fine-grain
developer like D-76 or a developer with a silver solvent like Microdol-X.

But, Rodinol is also going to give you much better separation in highlights.
It's not very compensating, but it will stretch the head of the curve enough
that you'll see some compensation and highlights won't block up as easily
as they would with a D-76.

You could try adding additional sulfite to Rodinol to reduce grain at the
expense of film speed; the sulfite will act as a silver solvent and feather
the edges of the grains so they aren't as well-defined.  Microdol-X uses
thiocyanate for that, but thiocyanate is very touchy about concentration
and finding the precise amount you want will be difficult, whereas adding
sulfite will have much less dramatic effects.
--scott


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Re: [Frameworks] orwo un54/n74 dev as Negative

[Chris G]

In a Lomo tank I've done UN54 as negative with the Adox Rodinal remake in a 
1:50 dilution for 10 min development time at 20c. I got this time from the 
massive development chart. For the same formula and temp the massive dev chart 
says 13' for UN74 at 400 ISO. Not sure if Rodinal would be ideal for the faster 
emulsion. Hope this helps! 

Chris

> On Mar 5, 2017, at 12:45, franco base  wrote:
> 
> Hi,
> have you got some experience to share 
> with orwo un54 and n74 film developed as negative?
> 
> I'd like know the developer and times also for pull and push processing,
> particularly for the n74 exposed at 800/1600 asa.
> 
> Thanks a lot.
> F.
> 
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