Re: [Frameworks] optical sound film screening

[Izabella Pruska-Oldenhof]

Hi Peter,

 

You might want to look at films (16mm and 35mm) by Kelly Egan, all of them use 
optical animated sound. She has nine films in distribution at CFMDC (Canadian 
Filmmakers Distribution Centre) http://www.cfmdc.org/catalogue Kelly’s Doctoral 
dissertation dealt with the history of animated sound and film projector noise. 

 

Good luck with your event,

 

Izabella Pruska-Oldenhof

 

From: FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of Peter 
Szely <sz...@ima.or.at>
Reply-To: Experimental List <frameworks@jonasmekasfilms.com>
Date: Thursday, March 2, 2017 at 8:27 AM
To: Experimental List <frameworks@jonasmekasfilms.com>
Subject: [Frameworks] optical sound film screening

 

hello all,

my name is peter szely from ima, institute for media archeology.

feel free to check out our website www.ima.or.at

 I have a question:

ima always set itself a yearly topic in our work.

this years topic is optical sound.

we plan to have workshops and concerts dealing with optical sound, and we also 
plan to hav a film screening  of movies.

we are interested in movies where the sound comes from manipulations and 
treatments such as drawing or scratching directly on the celluloid, 

do you have any recommendations of fine pieces of film working like this?

thanks in advance

best szely 

Peter Szely

sz...@ima.or.at

IMA / Institut für Medienarchäologie
Heinrich-Schneidmadl-Straße 15
3100 St. Pölten

Tel: 0043 6991 9561906

 


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Re: [Frameworks] optical sound film screening

[Jason Halprin]

And, of course, much of LUTHER PRICE's output utilizes film leader,
scratched soundtrack, and/or painted/ink-blotted/decayed film as the
soundtrack for at least part of his films.

I would most highly recommend:

the INKBLOT series
the BISCUITS series
and KITTENS GROW UP - which uses these techniques sparingly but
effectively, and is an amazing film!

see my old review of these pieces here: http://cine-file.info/list-
archive/2011/MAR-11-3.html

-Jason Halprin

Jason Halprin
jihalp...@gmail.com
jasonhalprin.com 


>
>
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Re: [Frameworks] optical sound film screening

[Rob Gawthrop]

Coincidentally, I have a film called Film Noise, made by scratching t  
legnthways along the soundtrack area and picture area on 10ft of black film, 
then contact-printing, scratching again in the same place and repeating ten 
times (pos - neg - pos etc.) and joining all the sections together. 

Rob

On 6 Mar 2017, at 23:58, Cinema Project  wrote:

> The Japanese filmmaker Takashi Makino works with 16mm film leader (in 
> addition to digital) to create what he calls Film/Noise. You can read about a 
> workshop he conducted in Portland just this weekend:
> 
> http://s1portland.com/workshops/takashimakino/
> 
> Mia
> -- 
> Cinema Project
> www.cinemaproject.org
> 971-266-0085
> PO Box 5991 
> Portland, OR 97228
> 
> On Mon, Mar 6, 2017 at 11:23 AM, Dave Tetzlaff  wrote:
> Sorry Roger. Yes, yes, yes. TBTX Dance is PERFECT (maybe essential?) for the 
> theme of optical sound produced by non-traditional means, and unique afaik in 
> the use of laser printing. It’s also just a cool film, and the prefect 
> (short) length for a program that seeks to survey and explore a vasriety of 
> means of generating sound on photochemical film.
> ___
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> 
> 
> 
> 
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Re: [Frameworks] optical sound film screening

[Cinema Project]

The Japanese filmmaker Takashi Makino works with 16mm film leader (in
addition to digital) to create what he calls Film/Noise. You can read about
a workshop he conducted in Portland just this weekend:

http://s1portland.com/workshops/takashimakino/

Mia
-- 
*Cinema Project*
www.cinemaproject.org
971-266-0085
PO Box 5991
Portland, OR 97228

On Mon, Mar 6, 2017 at 11:23 AM, Dave Tetzlaff  wrote:

> Sorry Roger. Yes, yes, yes. TBTX Dance is PERFECT (maybe essential?) for
> the theme of optical sound produced by non-traditional means, and unique
> afaik in the use of laser printing. It’s also just a cool film, and the
> prefect (short) length for a program that seeks to survey and explore a
> vasriety of means of generating sound on photochemical film.
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
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Re: [Frameworks] optical sound film screening

[Dave Tetzlaff]

Sorry Roger. Yes, yes, yes. TBTX Dance is PERFECT (maybe essential?) for the 
theme of optical sound produced by non-traditional means, and unique afaik in 
the use of laser printing. It’s also just a cool film, and the prefect (short) 
length for a program that seeks to survey and explore a vasriety of means of 
generating sound on photochemical film.
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Re: [Frameworks] optical sound film screening

[Christopher Ball]

Amanda, I would like to see that film

On Sun, Mar 5, 2017 at 7:09 PM, Amanda Christie <
ama...@amandadawnchristie.ca> wrote:

> same here…
>
> my first 16mm film from 2003… “Forever Hold Your Peace” has a lip-synced
> hand scratched optical sound track.
>
>
> http://www.cfmdc.org/node/2976
>
> http://www.amandadawnchristie.ca/forever-hold-your-peace/
>
>
>
>
>
> On Mar 4, 2017, at 12:55 PM, Beebe, Roger W.  wrote:
>
> Well, I was hoping someone would save me the embarrassment of mentioning
> my own film—Dave Tetzlaff, where are you when I need you???—but since no
> one has, TB TX DANCE is an optical sound experiment made using an office
> laser printer:
>
> https://vimeo.com/34376555
>
> FYI,
> R.
>
> On Mar 2, 2017, at 8:27 AM, Peter Szely  wrote:
>
> hello all,
>
> my name is peter szely from ima, institute for media archeology.
>
> feel free to check out our website www.ima.or.at
>
>  I have a question:
>
> ima always set itself a yearly topic in our work.
>
> this years topic is optical sound.
>
> we plan to have workshops and concerts dealing with optical sound, and we
> also plan to hav a film screening  of movies.
>
> we are interested in movies where the sound comes from manipulations and
> treatments such as drawing or scratching directly on the celluloid,
>
> do you have any recommendations of fine pieces of film working like this?
>
> thanks in advance
>
> best szely
> Peter Szely
> sz...@ima.or.at
> IMA / Institut für Medienarchäologie
> Heinrich-Schneidmadl-Straße 15
> 3100 St. Pölten
> Tel: 0043 6991 9561906
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> ___
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> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ___
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>
>
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Re: [Frameworks] optical sound film screening

[Ignacio Tamarit]

Also:
Scott Fitzpatrick *Second Star* performance is a completely AUDIO-VISUAL.

XOXO

2017-03-05 21:13 GMT-03:00 Ignacio Tamarit :

> Three Classics!
>
> Barry Spinello *Soundtrack* (1970)
> Jodie Mack *Let your light shine* (2013)
> Lis Rhodes *Dresden Dynamo* (1971)
>
> ;)
>
> 2017-03-05 21:09 GMT-03:00 Amanda Christie :
>
>> same here…
>>
>> my first 16mm film from 2003… “Forever Hold Your Peace” has a lip-synced
>> hand scratched optical sound track.
>>
>>
>> http://www.cfmdc.org/node/2976
>>
>> http://www.amandadawnchristie.ca/forever-hold-your-peace/
>>
>>
>>
>>
>>
>> On Mar 4, 2017, at 12:55 PM, Beebe, Roger W.  wrote:
>>
>> Well, I was hoping someone would save me the embarrassment of mentioning
>> my own film—Dave Tetzlaff, where are you when I need you???—but since no
>> one has, TB TX DANCE is an optical sound experiment made using an office
>> laser printer:
>>
>> https://vimeo.com/34376555
>>
>> FYI,
>> R.
>>
>> On Mar 2, 2017, at 8:27 AM, Peter Szely  wrote:
>>
>> hello all,
>>
>> my name is peter szely from ima, institute for media archeology.
>>
>> feel free to check out our website www.ima.or.at
>>
>>  I have a question:
>>
>> ima always set itself a yearly topic in our work.
>>
>> this years topic is optical sound.
>>
>> we plan to have workshops and concerts dealing with optical sound, and we
>> also plan to hav a film screening  of movies.
>>
>> we are interested in movies where the sound comes from manipulations and
>> treatments such as drawing or scratching directly on the celluloid,
>>
>> do you have any recommendations of fine pieces of film working like this?
>>
>> thanks in advance
>>
>> best szely
>> Peter Szely
>> sz...@ima.or.at
>> IMA / Institut für Medienarchäologie
>> Heinrich-Schneidmadl-Straße 15
>> 3100 St. Pölten
>> Tel: 0043 6991 9561906
>>
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>>
>> ___
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>>
>
>
> --
> Ignacio Tamarit
> Lumiton Museo Usina Audiovisual
> Cabral 2354, Munro, Vicente López.
> Tel.: 4721-9255.
>



-- 
Ignacio Tamarit
Lumiton Museo Usina Audiovisual
Cabral 2354, Munro, Vicente López.
Tel.: 4721-9255.
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Re: [Frameworks] optical sound film screening

[Ignacio Tamarit]

Three Classics!

Barry Spinello *Soundtrack* (1970)
Jodie Mack *Let your light shine* (2013)
Lis Rhodes *Dresden Dynamo* (1971)

;)

2017-03-05 21:09 GMT-03:00 Amanda Christie :

> same here…
>
> my first 16mm film from 2003… “Forever Hold Your Peace” has a lip-synced
> hand scratched optical sound track.
>
>
> http://www.cfmdc.org/node/2976
>
> http://www.amandadawnchristie.ca/forever-hold-your-peace/
>
>
>
>
>
> On Mar 4, 2017, at 12:55 PM, Beebe, Roger W.  wrote:
>
> Well, I was hoping someone would save me the embarrassment of mentioning
> my own film—Dave Tetzlaff, where are you when I need you???—but since no
> one has, TB TX DANCE is an optical sound experiment made using an office
> laser printer:
>
> https://vimeo.com/34376555
>
> FYI,
> R.
>
> On Mar 2, 2017, at 8:27 AM, Peter Szely  wrote:
>
> hello all,
>
> my name is peter szely from ima, institute for media archeology.
>
> feel free to check out our website www.ima.or.at
>
>  I have a question:
>
> ima always set itself a yearly topic in our work.
>
> this years topic is optical sound.
>
> we plan to have workshops and concerts dealing with optical sound, and we
> also plan to hav a film screening  of movies.
>
> we are interested in movies where the sound comes from manipulations and
> treatments such as drawing or scratching directly on the celluloid,
>
> do you have any recommendations of fine pieces of film working like this?
>
> thanks in advance
>
> best szely
> Peter Szely
> sz...@ima.or.at
> IMA / Institut für Medienarchäologie
> Heinrich-Schneidmadl-Straße 15
> 3100 St. Pölten
> Tel: 0043 6991 9561906
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
Ignacio Tamarit
Lumiton Museo Usina Audiovisual
Cabral 2354, Munro, Vicente López.
Tel.: 4721-9255.
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Re: [Frameworks] optical sound film screening

[todd eacrett]

 
Scott Fitzpatrick (Winnipeg!) has made a number of works in the past
couple years laser printing both image and optical track onto film.
From single channel to multiple projector performances, some of which
are entirely audial.

  On Mar 2, 2017, at 8:27 AM, Peter Szely  wrote:
hello all,
 
my name is peter szely from ima, institute for media archeology.
 
feel free to check out our website www.ima.or.at
 
 I have a question:
ima always set itself a yearly topic in our work.
 
this years topic is optical sound.
 
we plan to have workshops and concerts dealing with optical sound, and
we also plan to hav a film screening  of movies.
 
we are interested in movies where the sound comes from manipulations
and treatments such as drawing or scratching directly on the celluloid,
 
do you have any recommendations of fine pieces of film working like this?
 
thanks in advance
 
best szely
 
Peter Szely
sz...@ima.or.at
IMA / Institut für Medienarchäologie
Heinrich-Schneidmadl-Straße 15
3100 St. Pölten
Tel: 0043 6991 9561906


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Re: [Frameworks] optical sound film screening

[Sarah Bliss]

Peter, 

Two excellent projects using direct sound:

Kathryn Ramey's double projector looping work , "Enola Em Evael"

Clint Enns' "A Day in the Shint"

Sarah Bliss
http://www.SarahBlissArt.com




> On Mar 3, 2017, at 11:50 PM, C Keefer <keef...@gmail.com> wrote:
> 
> Hi Peter,
> 
> Are you seeking film prints or digital copies?  Fischinger's Ornament Sound, 
> as Ingo mentioned (contact Center for Visual Music, Los Angeles for 
> Fischinger films). We also have a16mm print at Light Cone, Paris.
> 
> Several films by Barry Spinello, several by Norman McLaren. Many by Devon 
> Damonte, many by Richard Reeves.
> 
> Here's a direct/handmade sound program I curated for a "Seeing Sound" 
> symposium in Bath, UK, with descriptions of some of these films:
> http://www.seeingsound.co.uk/programme-2/fixed-media/
> 
> best regards,
> Cindy Keefer
> Center for Visual Music
> www.centerforvisualmusic.org
> contact:  cvmaccess (at) gmail.com
> 
>  
>>  
>>
>> 
>> 
>> -- Forwarded message --
>> From: Peter Szely <sz...@ima.or.at>
>> To: frameworks@jonasmekasfilms.com
>> Cc: 
>> Bcc: 
>> Date: Thu, 2 Mar 2017 14:27:42 +0100
>> Subject: [Frameworks] optical sound film screening
>> hello all,
>> 
>> my name is peter szely from ima, institute for media archeology.
>> 
>> feel free to check out our website www.ima.or.at
>> 
>>  I have a question:
>> 
>> ima always set itself a yearly topic in our work.
>> 
>> this years topic is optical sound.
>> 
>> we plan to have workshops and concerts dealing with optical sound, and we 
>> also plan to hav a film screening  of movies.
>> 
>> we are interested in movies where the sound comes from manipulations and 
>> treatments such as drawing or scratching directly on the celluloid,
>> 
>> do you have any recommendations of fine pieces of film working like this?
>> 
>> thanks in advance
>> 
>> best szely
>> 
>> Peter Szely
>> sz...@ima.or.at
>> IMA / Institut für Medienarchäologie
>> Heinrich-Schneidmadl-Straße 15
>> 3100 St. Pölten
>> Tel: 0043 6991 9561906
>> 
>> 
>> 
>> 
>> 
>>  - 
>>  
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Re: [Frameworks] optical sound film screening

[Beebe, Roger W.]

Well, I was hoping someone would save me the embarrassment of mentioning my own 
film—Dave Tetzlaff, where are you when I need you???—but since no one has, TB 
TX DANCE is an optical sound experiment made using an office laser printer:

https://vimeo.com/34376555

FYI,
R.

On Mar 2, 2017, at 8:27 AM, Peter Szely 
> wrote:

hello all,
my name is peter szely from ima, institute for media archeology.
feel free to check out our website www.ima.or.at
 I have a question:
ima always set itself a yearly topic in our work.
this years topic is optical sound.
we plan to have workshops and concerts dealing with optical sound, and we also 
plan to hav a film screening  of movies.
we are interested in movies where the sound comes from manipulations and 
treatments such as drawing or scratching directly on the celluloid,
do you have any recommendations of fine pieces of film working like this?
thanks in advance
best szely
Peter Szely
sz...@ima.or.at
IMA / Institut für Medienarchäologie
Heinrich-Schneidmadl-Straße 15
3100 St. Pölten
Tel: 0043 6991 9561906



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Re: [Frameworks] optical sound film screening

[C Keefer]

Hi Peter,

Are you seeking film prints or digital copies?  Fischinger's *Ornament
Sound*, as Ingo mentioned (contact Center for Visual Music, Los Angeles for
Fischinger films). We also have a16mm print at Light Cone, Paris.

Several films by Barry Spinello, several by Norman McLaren. Many by Devon
Damonte, many by Richard Reeves.

Here's a direct/handmade sound program I curated for a "Seeing Sound"
symposium in Bath, UK, with descriptions of some of these films:
http://www.seeingsound.co.uk/programme-2/fixed-media/

best regards,
Cindy Keefer
Center for Visual Music
www.centerforvisualmusic.org
contact:  cvmaccess (at) gmail.com

  <https://mailman-mail5.webfaction.com/listinfo/frameworks>

>
>
>
>
> -- Forwarded message --
> From: Peter Szely <sz...@ima.or.at>
> To: frameworks@jonasmekasfilms.com
> Cc:
> Bcc:
> Date: Thu, 2 Mar 2017 14:27:42 +0100
> Subject: [Frameworks] optical sound film screening
>
> hello all,
>
> my name is peter szely from ima, institute for media archeology.
>
> feel free to check out our website www.ima.or.at
>
>  I have a question:
>
> ima always set itself a yearly topic in our work.
>
> this years topic is optical sound.
>
> we plan to have workshops and concerts dealing with optical sound, and we
> also plan to hav a film screening  of movies.
>
> we are interested in movies where the sound comes from manipulations and
> treatments such as drawing or scratching directly on the celluloid,
>
> do you have any recommendations of fine pieces of film working like this?
>
> thanks in advance
>
> best szely
> Peter Szely
> sz...@ima.or.at
> IMA / Institut für Medienarchäologie
> Heinrich-Schneidmadl-Straße 15
> 3100 St. Pölten
> Tel: 0043 6991 9561906
>
>
>
>
>
>  -
>
>
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Re: [Frameworks] optical sound film screening

[Esperanza Collado]

Dear Peter,

Two of my films, *The Gas Thus Cuts in Bits* (2012-13) and *The
Illuminating Gas* (2012) were made entirely as explorations of optical
sound. Images are subsidiary to the soundtrack. I usually present them in a
performance setting (The Gas Works
) that includes
pre-recorded
voice, sewing machine, gas mask, feather duster, and altered loops apart
from the projection of the two mentioned films. During the performance,
cinema is literally derailed and subjected to stitching (not without a
great dose of humour). I'd be happy to show you videos and documentation if
interested. The two films were intended to break during projection (there's
no copies and no negatives), but they are still in one piece. I also have
digital scans of them.

Best,

Esperanza Collado
- - - - - - - - - - - - - -
www.esperanzacollado.org
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Re: [Frameworks] optical sound film screening

[Ryder White]

Maybe it falls outside your curatorial criteria but Norman McLaren's "Pen
Point Percussion" is a good overview of his approach to the process:
https://www.nfb.ca/film/pen_point_percussion/

His "Dots" is a good illustration of that technique in use.

Ryder

On Thu, Mar 2, 2017 at 8:43 AM mrktosc  wrote:

> Primary Stimulus by Robert Russett
>
> the Chromesthetic Response Series films by Scott Stark
>
> No Art of Memory by James Otis
>
> Dresden Dynamo and Light Music by Lis Rhodes
>
> Persian Pickles (and others) by Jodie Mack
>
> Photogrammetry Series by Louis Hock
>
> -Mark Toscano
>
> On Mar 2, 2017, at 5:27 AM, Peter Szely  wrote:
>
> hello all,
>
> my name is peter szely from ima, institute for media archeology.
>
> feel free to check out our website www.ima.or.at
>
>  I have a question:
>
> ima always set itself a yearly topic in our work.
>
> this years topic is optical sound.
>
> we plan to have workshops and concerts dealing with optical sound, and we
> also plan to hav a film screening  of movies.
>
> we are interested in movies where the sound comes from manipulations and
> treatments such as drawing or scratching directly on the celluloid,
>
> do you have any recommendations of fine pieces of film working like this?
>
> thanks in advance
>
> best szely
> Peter Szely
> sz...@ima.or.at
> IMA / Institut für Medienarchäologie
> Heinrich-Schneidmadl-Straße 15
> 3100 St. Pölten
> Tel: 0043 6991 9561906
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
> ___
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> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
-- 
Sent from mobile device, please forgive typographic errors. -RTW
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Re: [Frameworks] optical sound film screening

[mpiso2]

Fly screen by Richard Tuohy 

> On Mar 2, 2017, at 8:27 AM, Peter Szely  wrote:
> 
> hello all,
> 
> my name is peter szely from ima, institute for media archeology.
> 
> feel free to check out our website www.ima.or.at
> 
>  I have a question:
> 
> ima always set itself a yearly topic in our work.
> 
> this years topic is optical sound.
> 
> we plan to have workshops and concerts dealing with optical sound, and we 
> also plan to hav a film screening  of movies.
> 
> we are interested in movies where the sound comes from manipulations and 
> treatments such as drawing or scratching directly on the celluloid,
> 
> do you have any recommendations of fine pieces of film working like this?
> 
> thanks in advance
> 
> best szely
> 
> Peter Szely
> sz...@ima.or.at
> IMA / Institut für Medienarchäologie
> Heinrich-Schneidmadl-Straße 15
> 3100 St. Pölten
> Tel: 0043 6991 9561906
> 
> 
> 
> ___
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Re: [Frameworks] optical sound film screening

[mrktosc]

Primary Stimulus by Robert Russett

the Chromesthetic Response Series films by Scott Stark

No Art of Memory by James Otis

Dresden Dynamo and Light Music by Lis Rhodes

Persian Pickles (and others) by Jodie Mack

Photogrammetry Series by Louis Hock

-Mark Toscano

> On Mar 2, 2017, at 5:27 AM, Peter Szely  wrote:
> 
> hello all,
> 
> my name is peter szely from ima, institute for media archeology.
> 
> feel free to check out our website www.ima.or.at
> 
>  I have a question:
> 
> ima always set itself a yearly topic in our work.
> 
> this years topic is optical sound.
> 
> we plan to have workshops and concerts dealing with optical sound, and we 
> also plan to hav a film screening  of movies.
> 
> we are interested in movies where the sound comes from manipulations and 
> treatments such as drawing or scratching directly on the celluloid,
> 
> do you have any recommendations of fine pieces of film working like this?
> 
> thanks in advance
> 
> best szely
> 
> Peter Szely
> sz...@ima.or.at
> IMA / Institut für Medienarchäologie
> Heinrich-Schneidmadl-Straße 15
> 3100 St. Pölten
> Tel: 0043 6991 9561906
> 
> 
> 
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
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Re: [Frameworks] optical sound film screening

[Scott Dorsey]

I cannot help with this, but I suggest that you use "Optical Sound" by
the Human Expression as your walk-in music.  It was on one of the
"Nuggets: Original Artifacts from the First Psychedelic Era" albums.

https://www.youtube.com/watch?v=L1agCbIrlTw

This always goes over very well with film people.
--scott
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Re: [Frameworks] optical sound film screening

[Ingo Petzke]

The one and only „Ornament Sound“ by Oskar Fischinger [c. 1932]

 

--- | Ingo Petzke | Alte Steige 17 | 97204 Höchberg | Germany | ph +49 931
4049949 | mob +49 176 83733444 | ---

 

From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf
Of Peter Szely
Sent: Donnerstag, 2. März 2017 14:28
To: frameworks@jonasmekasfilms.com
Subject: [Frameworks] optical sound film screening

 

hello all,

my name is peter szely from ima, institute for media archeology.

feel free to check out our website www.ima.or.at <http://www.ima.or.at> 

 I have a question:

ima always set itself a yearly topic in our work.

this years topic is optical sound.

we plan to have workshops and concerts dealing with optical sound, and we
also plan to hav a film screening  of movies.

we are interested in movies where the sound comes from manipulations and
treatments such as drawing or scratching directly on the celluloid, 

do you have any recommendations of fine pieces of film working like this?

thanks in advance

best szely 

Peter Szely

sz...@ima.or.at <mailto:sz...@ima.or.at> 

IMA / Institut für Medienarchäologie
Heinrich-Schneidmadl-Straße 15
3100 St. Pölten

Tel: 0043 6991 9561906

 

 

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Re: [Frameworks] optical sound film screening

[Albert Alcoz]

Hi,

Here are some avant-garde films about the optical sound issue:

*Trees in Autumn* by Kurt Kren
*Ten Drawings* by Steve Farrer
Those included in the *Optical Sound Films* by Guy Sherwin:
https://lux.org.uk/artist/guy-sherwin
*Angular Momentum* by Bill Brand: https://vimeo.com/72722809

I recommend you to check this academic investigation:
Puetz, Michelle Adrianna. "Variable Area: Hearing and Seeing Sound in
Structural Cinema, 1966-1978." Diss., University of Chicago, 2012.

Here's a good staring point too.
http://blogs.saic.edu/cate/variable-area-hearing-and-seeing-sound-1966%E2%80%9378/

And here's a little film Alberto Cabrera Bernal and I did some years ago
named *14 x 14*:
https://vimeo.com/49840802

If you want to see it entirely, just let me know it.

Albert

On Thu, Mar 2, 2017 at 2:27 PM, Peter Szely  wrote:

> hello all,
>
> my name is peter szely from ima, institute for media archeology.
>
> feel free to check out our website www.ima.or.at
>
>  I have a question:
>
> ima always set itself a yearly topic in our work.
>
> this years topic is optical sound.
>
> we plan to have workshops and concerts dealing with optical sound, and we
> also plan to hav a film screening  of movies.
>
> we are interested in movies where the sound comes from manipulations and
> treatments such as drawing or scratching directly on the celluloid,
>
> do you have any recommendations of fine pieces of film working like this?
>
> thanks in advance
>
> best szely
> Peter Szely
> sz...@ima.or.at
> IMA / Institut für Medienarchäologie
> Heinrich-Schneidmadl-Straße 15
> 3100 St. Pölten
> Tel: 0043 6991 9561906
>
>
>
>
> ___
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
>
>


-- 
http://visionaryfilm.net/ 
http://albertalcoz.com/ 
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[Frameworks] optical sound film screening

[Peter Szely]

hello all,

my name is peter szely from ima, institute for media archeology.

feel free to check out our website www.ima.or.at

 I have a question:

ima always set itself a yearly topic in our work.

this years topic is optical sound.

we plan to have workshops and concerts dealing with optical sound, and we also 
plan to hav a film screening  of movies.

we are interested in movies where the sound comes from manipulations and 
treatments such as drawing or scratching directly on the celluloid,

do you have any recommendations of fine pieces of film working like this?

thanks in advance

best szely

Peter Szely
sz...@ima.or.at
IMA / Institut für Medienarchäologie
Heinrich-Schneidmadl-Straße 15
3100 St. Pölten
Tel: 0043 6991 9561906



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