[Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread Alex MacKenzie
Does anyone have any expertise/experience around increasing bulb wattage over 
and above that recommended by projector manufacturer?
I want to brighten a 24V/250W 16mm bulb setup, but I obviously don’t want any 
electrical fires or overheating internally. Is there a breathing area where 
little if anything would need to be changed internally that is safe? (And no, I 
don’t want any water-cooled, heat-sinked LED setup, already researched that and 
it is a bad idea on many fronts.)
Thanks.
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Re: [Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread Scott Dorsey
Well, what is the projector?

For the most part it's probably a bad idea.  One exception is that if you
have projectors that use ordinary incandescent lamps, replacing those with
halogen lamps of the same input power and adjusting the condenser and mirror
assemblies can give you added brightness safely.

But if you have a 24V/250W lamp like the FJL lamp used in the Bauer 
classroom projectors, you already have about the brightest lamp you're going
to get with that input power.

Have you considered upgrading to a brighter projector?  There are plenty
of the Bell and Howell 500-series projectors out there and they are 
bright and fairly light on film.  The 300-series are even lighter on film
although more bulky.  Avoid the auto-thread 500-series ones, though.
--scott
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[Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Julia Gouin
*Dear all, *

*I am looking for films and videos that deal either thematically or
technically with the idea of radio and radio diffusion. *
*Any titles that come to your mind? *

*Many thanks in advance for your thoughts*

Julia Gouin
Administratrice

ATTENTION / / NOUVELLE ADRESSE / /
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Re: [Frameworks] wireless transmission to phones?

2014-05-08 Thread Sean Weitzel
The idea here would be to stream your audio to a streaming audio service,
and the audience would use the app to listen to the stream. The big problem
is going to be audio sync. Typically services like ustream the viewer sees
or hears the content several seconds later. Even if you had the ability to
stream the audio to a real telephone service, there would still be a delay
plus the audience would be burning up minutes and battery life to listen
in. In reality the best way would be to broadcast over FM. The problem is
the most popular phones don't have an FM receiver though. There are ipods
that have FM radio so that might address some of the audience.


On Thu, May 8, 2014 at 11:34 AM, Bryan McManus
bryanhaysmcma...@gmail.comwrote:

 Don't have an answer, but would be interested to hear if you do find one.



 On Thu, May 8, 2014 at 1:33 PM, Alex MacKenzie 
 alexgmacken...@gmail.comwrote:

 While maybe a little outside regular topics, I wonder if anyone has
 experience transmitting an audio signal to multiple mobile phones.
 I am planning some outdoor screenings and would love to have the option
 available for people to plug in their headphones and hear the show more
 clearly this way. It opens up the possibility of doing screenings in areas
 that have louder environmental (read: cars) sound as well.
 I am familiar with the mini fm radio transmission option a la Tetsuo
 Kogawa, but nobody regularly carries FM receivers with them anymore, and it
 would be nice to take advantage of walk-by traffic. Bluetooth is limited to
 7 receivers I believe, so I was thinking of a live audio broadcast that
 people could find on the web maybe…? But audio delay is obviously no good.
 Any thoughts or input would be greatly appreciated.



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 Bryan McManus *|* Filmmaker, Artist
 call  828.508.1129
 write  bryanhaysmcma...@gmail.com
 see  bryanmcmanus.com


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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Chuck Kleinhans

On May 8, 2014, at 9:59 AM, Julia Gouin 
ad...@cjcinema.orgmailto:ad...@cjcinema.org wrote:

Dear all,

I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion.
Any titles that come to your mind?


In the US there were a number of Hollywood films in the 1930’s that used sound 
film to make dramatic musical comedies using musicians and singers who were 
well known to the public from the new technology of broadcast radio often 
employing the “backstage musical” motif about a radio show:  E.g.. The Big 
Broadcast.  And the famous first music video when MTV launched: ”TV Killed the 
Radio Star”.

Also in the narrative film vein, there’s the start of Renoir’s RULES OF THE 
GAME, the ham radio bit in Godard’s TWO OR THREE THINGS I KNOW ABOUT HER, etc.

The connections are virtually endless: 40k’s cop films that show police using 
the brand new technology of police  band radio to communicate; the trope of the 
late night radio personality speaking to night owls, etc.  For Hollywood you 
can do a simple search on IMDB using terms like radio, broadcast, etc to come 
up with lists.

Chuck





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Re: [Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread David Tetzlaff

On May 8, 2014, at 8:30 AM, George, Sherman wrote:

 Given that the bulb is 24 Volts means that is powered by a transformer. 
 Installing a bulb with higher current would probably overheat the transformer 
 resulting in excess smoke-never a good thing in electric devices.
 Sherman
 
 On May 8, 2014, at 7:55 AM, Alex MacKenzie wrote:
 
 Does anyone have any expertise/experience around increasing bulb wattage 
 over and above that recommended by projector manufacturer?
 I want to brighten a 24V/250W 16mm bulb setup, but I obviously don’t want 
 any electrical fires or overheating internally. Is there a breathing area 
 where little if anything would need to be changed internally that is safe? 
 (And no, I don’t want any water-cooled, heat-sinked LED setup, already 
 researched that and it is a bad idea on many fronts.)
 Thanks.
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 Sherman George
 sgeo...@ucsd.edu
 858-229-4368
 
 
 
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Re: [Frameworks] increasing bulb brightness 16mm

2014-05-08 Thread David Tetzlaff
 Does anyone have any expertise/experience around increasing bulb wattage over 
 and above that recommended by projector manufacturer? I want to brighten a 
 24V/250W 16mm bulb setup,

250W is the max they make for 24V projectors. You can't get a higher wattage 
lamp.

You probably have an ELC. It's rated at 800 lumens. An ELC-HL, also 250W, is 
rated at 950 lumens. The trade off is it doesn't last as long.

Image brightness is as much or more a factor of lens speed than lamp 
brightness. It your projector has, say, an f 1.8 lens, you'd get a 
significantly brighter picture if you could find an f 1.2 lens that fits it.

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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread sarah browne
Born in Flames
Lizzie Borden, 1984
(politics of radio broadcast – amazing feminist film)

Pontypool 
2012
(a virus transmitted through language; very clever Canadian horror film  
adapted from a book)

Talk Radio
Oliver Stone
(about the murder of a shock jock, like Pontypool filmed almost entirely within 
the setting of a radio station)





 From: Julia Gouin ad...@cjcinema.org
To: frameworks@jonasmekasfilms.com 
Sent: Thursday, 8 May 2014, 17:59:46
Subject: [Frameworks] Looking for films about the radio and on air diffusion
 


Dear all, 


I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion. 

Any titles that come to your mind? 


Many thanks in advance for your thoughts


    Julia Gouin
   
Administratrice 


    ATTENTION / / NOUVELLE ADRESSE / / 




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Re: [Frameworks] Optical Sound - filter

2014-05-08 Thread Jared Hutchinson
Thanks, Mark!
Really great stuff. Sorry I didn't thank you earlier (found these messages
in my spam). Oy.
Well thanks again. Hope all's well
Jared


On Fri, Apr 25, 2014 at 4:23 PM, Mark Toscano fiddy...@yahoo.com wrote:

 Jared and all -

 Most sound mixers will *not* take this into consideration, as making a
 16mm optical track these days is fairly uncommon from the point of view of
 pretty much all professional sound folks.  It tends to be something that
 only the old school film sound mixers and archivally oriented sound folks
 will even think about.

 What the sound house shooting your optical is referring to is the EQ'ing
 of your final sound in a manner that will help compensate for the loss of
 high and low end in your audio when it goes to optical.  (It's usually
 called Academy pre-emphasis, and the 'Academy' part refers to the Academy
 curve, which was a standard set in 1938 by the Academy of Motion Picture
 Arts and Sciences to help optimize sound for mono optical theatrical
 playback.)  You can EQ your track to emphasize the compromised high/low
 end, which will result in a better sounding optical.  Otherwise, the
 optical can sound a little squashed or muffled, though it depends on the
 nature of the sound content.  If your track is already lo-fi, and intended
 to sound lo-fi, I wouldn't worry about it.

 This said, there's no standard formula for EQ'ing for optical
 compensation.  In restoration projects (and some of my own films), I create
 an optical-ready version with John Polito at Audio Mechanics, and he
 tailors it beautifully each time to the track and its quality/content.  And
 the tracks always sound excellent as a result.

 All the best,

 Mark Toscano



   On Friday, April 25, 2014 1:27 PM, Roger Wilson 
 rogerdwil...@sympatico.ca wrote:
   Ok I'm not a sound guy but I think this is just an audio filter used to
 improve the signal to noise ratio. Did you have a final sound mix completed
 on the sound track for the film? I think your sound designer/final mixer
 would have taken this into account but you should check. I create my own
 sound designs for my films but then have a professional sound tech do the
 final sound mix and prep it for optical print.

 Hope this helps some!


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process and
 my career as an experimental film artist on this statement; and I welcome
 it as it pushes me forward as an artist to try something different,
 something new.


 --
 From: jaredphutchin...@gmail.com
 Date: Fri, 25 Apr 2014 14:46:44 -0500
 To: frameworks@jonasmekasfilms.com
 Subject: Re: [Frameworks] Optical Sound - filter

 Thanks for the quick reply. It's 16mm.


 On Fri, Apr 25, 2014 at 2:40 PM, Roger Wilson 
 rogerdwil...@sympatico.cawrote:

 I have had a number of optical tracks created over the years and have
 never had the lab (Skylight Studios in Toronto) make this request. Is it a
 16mm mono track or 35mm?


 Roger D. Wilson
 Film Scientist
 613 324 - 7504
 rogerdwil...@sympatico.ca
 http://www.rogerdwilson.ca

 Without failure you can never achieve success. I have based my process and
 my career as an experimental film artist on this statement; and I welcome
 it as it pushes me forward as an artist to try something different,
 something new.


 --
 From: jaredphutchin...@gmail.com
 Date: Fri, 25 Apr 2014 14:35:21 -0500
 To: frameworks@jonasmekasfilms.com
 Subject: [Frameworks] Optical Sound - filter


 Hello, all,
 I am almost ready to send out for an optical track for my first sync-sound
 print.
 I gave a call to the lab which photographs for optical tracks and I was
 told that my sound needed to be treated with an academy pre-emphasis
 filter. I was wondering if this (possibly expensive?) stage is necessary
 for my film sound. The soundtrack to my short is pretty primitive-sounding
 and not reliant on great fidelity.
 Thanks!
 Jared

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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Francisco Torres
2 early films TV as an abject object. Which it is... Proto Videodrome.
Murder by Television (1930s)
The Twoonky (1950s)


On Thu, May 8, 2014 at 3:20 PM, sarah browne sarahjbro...@yahoo.ie wrote:

 Born in Flames
 Lizzie Borden, 1984
 (politics of radio broadcast – amazing feminist film)

 Pontypool
 2012
 (a virus transmitted through language; very clever Canadian horror film
 adapted from a book)

 Talk Radio
 Oliver Stone
 (about the murder of a shock jock, like Pontypool filmed almost entirely
 within the setting of a radio station)


  --
  *From:* Julia Gouin ad...@cjcinema.org
 *To:* frameworks@jonasmekasfilms.com
 *Sent:* Thursday, 8 May 2014, 17:59:46

 *Subject:* [Frameworks] Looking for films about the radio and on air
 diffusion



 *Dear all, *

 *I am looking for films and videos that deal either thematically or
 technically with the idea of radio and radio diffusion. *
 *Any titles that come to your mind? *

 *Many thanks in advance for your thoughts*

 Julia Gouin
 Administratrice

 ATTENTION / / NOUVELLE ADRESSE / /




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 FrameWorks@jonasmekasfilms.com
 https://mailman-mail5.webfaction.com/listinfo/frameworks



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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Jorge Lorenzo Flores Garza
Jesse Lerner's T.S.H. is a wonderful cutup film-sound piece that uses an old 
avant-garde Mexican poem by Kyn Tanilla from the 20's that talks about the 
first radio transmission in Mexico.

Date: Thu, 8 May 2014 16:47:47 -0400
From: fjtorre...@gmail.com
To: sarahjbro...@yahoo.ie; frameworks@jonasmekasfilms.com
Subject: Re: [Frameworks] Looking for films about the radio and on air  
diffusion

2 early films TV as an abject object. Which it is... Proto Videodrome.Murder by 
Television (1930s)The Twoonky (1950s)

On Thu, May 8, 2014 at 3:20 PM, sarah browne sarahjbro...@yahoo.ie wrote:

Born in Flames

Lizzie Borden, 1984
(politics of radio broadcast – amazing feminist film)

Pontypool 
2012
(a virus transmitted through language; very clever Canadian horror film  
adapted from a book)


Talk Radio
Oliver Stone
(about the murder of a shock jock, like Pontypool filmed almost entirely within 
the setting of a radio station)



  From: Julia Gouin
 ad...@cjcinema.org
 To: frameworks@jonasmekasfilms.com 

 Sent: Thursday, 8 May 2014, 17:59:46
 Subject: [Frameworks] Looking for films about the radio and on air diffusion

   
Dear all, 

I am looking for films and videos that deal either thematically or technically 
with the idea of radio and radio diffusion. 


Any titles that come to your mind? 

Many thanks in advance for your thoughts

Julia Gouin
   
Administratrice 

ATTENTION / / NOUVELLE ADRESSE / / 







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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Peter Snowdon

The King of Marvin Gardens.
The Ploughman's Lunch.

Valentina Monti has made a series of documentaries about radio stations 
in Argentina, Afghanistan, etc.

http://www.valentinamonti.com

On 8 May 2014, at 22:00, Jorge Lorenzo Flores Garza wrote:

Jesse Lerner's T.S.H. is a wonderful cutup film-sound piece that 
uses an old avant-garde Mexican poem by Kyn Tanilla from the 20's that 
talks about the first radio transmission in Mexico.



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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Mike Kartje
Guy Maddin's *Brand on The Brain!* (2006) includes a radio-like aerophone
that the mother uses to command and spy on her children.


On Thu, May 8, 2014 at 5:06 PM, Peter Snowdon pe...@redrice.net wrote:

 The King of Marvin Gardens.
 The Ploughman's Lunch.

 Valentina Monti has made a series of documentaries about radio stations in
 Argentina, Afghanistan, etc.
 http://www.valentinamonti.com


 On 8 May 2014, at 22:00, Jorge Lorenzo Flores Garza wrote:

  Jesse Lerner's T.S.H. is a wonderful cutup film-sound piece that uses
 an old avant-garde Mexican poem by Kyn Tanilla from the 20's that talks
 about the first radio transmission in Mexico.

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-- 
Mike Kartje
Southern Illinois University Carbondale
(618) 303-5154
mkar...@siu.edu
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Re: [Frameworks] Looking for films about the radio and on air diffusion

2014-05-08 Thread Eric Theise
Not sure if this is within the bounds of what the original poster had
in mind, but this discussion is making me think of the injection of
live radio broadcasts into one section of Ken Jacobs' Blonde Cobra.


On Thu, May 8, 2014 at 6:52 PM, Mike Kartje mkar...@siu.edu wrote:
 Guy Maddin's Brand on The Brain! (2006) includes a radio-like aerophone
 that the mother uses to command and spy on her children.


 On Thu, May 8, 2014 at 5:06 PM, Peter Snowdon pe...@redrice.net wrote:

 The King of Marvin Gardens.
 The Ploughman's Lunch.

 Valentina Monti has made a series of documentaries about radio stations in
 Argentina, Afghanistan, etc.
 http://www.valentinamonti.com


 On 8 May 2014, at 22:00, Jorge Lorenzo Flores Garza wrote:

 Jesse Lerner's T.S.H. is a wonderful cutup film-sound piece that uses
 an old avant-garde Mexican poem by Kyn Tanilla from the 20's that talks
 about the first radio transmission in Mexico.

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 --
 Mike Kartje
 Southern Illinois University Carbondale
 (618) 303-5154
 mkar...@siu.edu

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