Re: [HG] Alexander Seidler electric HG on eBay - opinions?

2008-09-22 Thread VonHorne
Hey Kevin,
 
I would say that it is a very nice and well made instrument and the seller  ( 
I assume it is Ben) is very knowledgeable and forthright with his 
description. 
The caveat for this is that This instrument makes almost no sound  
acoustically. Which means that if you did want to play it with others or  in a 
situation where it will be played for others you must provide all the  gear 
needed to 
make it amplified enough for others to hear. The problem with all  electric 
only instruments really. Just like hauling around all the gear for an  electric 
guitar when your friends are strumming acoustics. 
So far though the price is right.
 
Scott



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[HG] whats that guy playing back there

2008-09-22 Thread VonHorne
_http://flickr.com/photos/[EMAIL PROTECTED]/2878752019/_ 
(http://flickr.com/photos/[EMAIL PROTECTED]/2878752019/) 



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Re: [HG] Over the Water newbie

2008-08-31 Thread VonHorne
Ruth,
 
The event is held in a park that used to be a military base. The  
accommodations are barracks style, although the beds are separated by  walls 
not just one 
big room filled with beds. The rooms are open to the  hallway so there is no 
privacy unless you provide it. Thus the sheet to act as a  curtain. There are 
poles that span the entrance to the rooms that you can  drape the sheet over 
and secure with safety pins. 
The beds are good but not great and there are no linens so you will need to  
provide your own or buy a cheap sleeping bag. There is a Wallmart on the  way 
so you can stop and pick one up fairly cheap. I have enough luggage to  begin 
with so I donate mine to the local mission on the way to the airport on  the 
way home. 
As suggested you will need ear plugs for more than one reason. The beds  
squeak, folks snore, people walk down the hallway in the middle of the night,  
and 
doors open and close. I usually bring my ipod with earplug style headphones  
and listen to music to put myself to sleep.
The bathrooms are communal, so be prepared. It needs to be defined here  that 
the upstairs portion of the building is generally reserved for the ladies  
and the ground floor is generally for the men and there are bathrooms on each  
floor, so when I say communal I mean mens and womens communal.
The kitchen and eating area is just next door to the dorms and the classes  
are usually very nearby. It does usually rain, although I have not been there 
in  a complete downpour, so bring some light rain gear. You will be walking  
from place to place but the trip is short and you will spend most of your day  
indoors so don't get too concerned about excessive rain gear or cold weather  
wear. 
There are fairly regular runs to the nearby town if you are in need of  
something so don't be too concerned if you find you have forgotten something.  
Also, there is a supply of items for sale that may help you out at the camp  
itself.
 
Hope this helps,
 
Scott
 



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Re: [HG] 1660 pelican flight case????

2008-07-28 Thread VonHorne
Hey David,
 
   I use the 1650 like Pieter although I did not add the metal  reinforcing 
during shipping and it held up just fine. I would, today, add at  least a piece 
of oak or maple that is cut to fit in one of the pick-n-pluck  holes to give 
it more strength. The good thing about it is that is actually  quite a bit 
over sized so you can add more stuff into the case and not have to  carry it 
around. I also suggest that you angle the HG in the case so that you  get more 
protection at the ends. 
 
Scott



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Re: [HG] Re: test

2008-07-03 Thread VonHorne
Your test is received and you are coming in loud and  clear.



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Re: [HG] Those little keys

2008-06-25 Thread VonHorne
Practice.file down your fingers..get Mr. Bouffard to play that part  
for you..
 
Try turning your hand so that your palm stays in place but your fingers  turn 
toward the wheel, in other words turn your hand at a greater angle toward  
the wheel. If you normally play with your fingers roughly 90 degrees to the key 
 
try playing with your fingers at 45 degrees to the keys (or there about 
please  do not get out the compass for this). By turning your hand you will 
find 
that  the reach between octaves is easier and that your fingers may be a bit 
more  nimble on the close keys. It is the way that most very good players 
play. 
It  means that you will be up on your thumb during playing more often though 
so  watch your wrist and thumb for fatigue. 
 
Scott



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Re: [HG] Hurdy Gurdies in museums information

2008-06-02 Thread VonHorne
Hey Collin,
 
Not to be an a'hole here but I just wanted to make note that the Last  Supper 
isn't in the Sistine Chapel but they did restore the ceiling very nicely.  I 
completely understand what you are saying though. The HGs in the Vienna museum 
 are quiet dusty and in ill repair but they spend much of their money on  
acquiring new instruments or art work not looking after the old ones as much as 
 
we would like. 
 
I went to buy an HG in France and I was offered several different  
instruments, the restored (new modern bearings, new wheel, peg pegs.no  
heart) 
instrument was offered as the best but I opted instead on one in good  shape 
but 
unrestored and will never regret my choice. Sometimes restoration is  not the 
best thing but it sure makes us sad to see an instrument sit.
 
In regards to the Strad there is an instrument in England unrepaired and  
barely played. It has not been altered from the original and may have never 
even  
seen an real time under a bow. Speculation is that it probably sounds 
terrible  based on it not being played and sitting under glass for so long. Who 
knows,  they don't seem to have plans to break it out for a symphony any time 
soon  
though.
 
Scott



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[HG] HG Joke

2008-05-29 Thread VonHorne
Okay I heard it as a Banjo joke and converted it to HG.
 
 
What is the difference between a Hurdy Gurdy and a trampoline?
 
 
 
 
 
 
You leave your shoes on to jump on a Hurdy Gurdy.
 
 
 
 



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Re: [HG] BUILD: Key placements (2)

2008-04-22 Thread VonHorne
John,
 
The keys get VERY tight near the wheel and it becomes an issue to even get  a 
tangent in the space between the keys. The F# is generally produced by 
pushing  a little harder on the key and sharping the note. Most (99.8%) songs 
never 
make  it that far up the keybox anyway. As far as changing the traditional 
layout I  would stick with what has been working for the past 400 years or so, 
but of  course there is no harm in experimenting.
 
Scott



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Re: [HG] hg in the movies

2008-02-18 Thread VonHorne
By the way that was also Curtis Beraks instrument.
 
 



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Re: [HG] Workshop with Sébastien TOUR NY et Marie-Pierre CANALS March 29 - 30

2008-02-09 Thread VonHorne
and it's Sebastien Tourny. I have his hurdy  gurdy.



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Re: [HG] Bearings

2008-02-07 Thread VonHorne
The oil is not poured in but rather just added one drop at a time. No mess  
at all and if you are careful you won't get it on the wheel.
 
Scott



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Re: [HG] Bearings

2008-02-07 Thread VonHorne
I use a skewer for barbeque or a small zip tie, but they are all the  same 
concept. 
 
Scott
 
 



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Re: hurdy gurdy kits was RE: [HG] accordion tuning

2008-02-03 Thread VonHorne
Kathy,
 
   Yes there are modifications that you can make to make the  instrument more 
playable. The problem with most of the kits is that they are  very very basic 
as far as sophistication. First, if possible, try to get an axle  that you 
can add a good set of bearings to. What this means is that there may be  some 
metal lathe work needed or at least some sort of locking mechanism so that  the 
axle doesn't pull out towards the back causing the wheel to rub. There are  at 
least 6 different ways to do this that I know of. Some of them are very  
complicated others not so much. I can send you some examples if you like. 
 
Next, to the best of my knowledge the top is birch but I  do not know if 
they are using birch plywood (anyone that knows can answer  directly). The 
sounding board makes a difference as well as the way the  instrument is braced 
so 
questions to the site are a must. 
 
The kit is basic it is like having a harp with no  levers. The note are 
diatonic only and that leaves out a lot of music that you  may want to play 
(even Bransle De Chevaux with the Bb). The other thing is that  the instrument 
tends to be to quiet or screechy and the sweet in  between sounds tend to be 
unattainable. Try to find someone who knows how  to set it up and have them set 
it up and teach you how.
 
The changes to the instruments that I have seen are  usually: new axle 
and bearing set up, banded wheel, new quality soundboard,  proper tangents and 
a 
lot of math.
 
 Please understand that when you said that your  husband was building it 
as a gift I did not jump in and say money wasted  because it is a gift from 
the heart and I am sorry if anything I have said has  soured the gift. As 
players we are all very enthusiastic about getting new  players and having 
people 
join our small group. So we try to steer people away  from the kits and the 
poorly made instruments so that they will not get  discouraged and give up 
because it sounds to harsh or won't play the way they  think it should. I refer 
to 
them as Closet Hurdy Gurdyists because once they  play for awhile they don't 
like the sound of it and they put it away in the  closet never to see the light 
of day again. We really do want you to play and to  play well, we just know 
the results of to many kits that were made and players  that were unmade.
 
Also, as an aside, I play at the Southern California Ren  Faire and have 
been annoying friends and family for three years with my playing.  I truly 
understand the culture and the weather of Faire (we refer to them as  Faire 
buggers too) and I have instruments that I play at Faire that I don't play  
anywhere else. 
 
 If you or your husband needs help you can ask  here. Although the 
comments may range depending on the question you should be  able to get the 
answers 
you need.
 
Scott



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Re: [HG] New Member Introduction

2008-01-13 Thread VonHorne
Kathy,
 
   What part of the world are you from?
 
Scott



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Re: [HG] How the trompette works - was a Newbie question

2008-01-09 Thread VonHorne
Alden,
 
   This is very complete and explains exactly what happens as I  had 
envisioned it. You have explained this to me, although not in so much depth,  
but it 
is exactly as I had understood it to happen. This clarifies the exact  details 
and the hits per second that I was not sure of before but I had long  
suspected was related to the tuning of the string.
 
 Thank you very much for the information,
 
   Scott Gayman



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Re: [HG] Hurdy Gurdy Plans

2008-01-04 Thread VonHorne
Scott,
 
  The plans that you mentioned by Pignol are excellent and include a  volume 
of detailed information as well as a volume on construction. The plans  are 
VERY complete and the design is sound. 
   The plans include all aspects of the build and the information  includes 
things like the sounds produced by the instrument by the placement of  the main 
bridge at various locations on sound graphs. 
 
In my opinion it is the most complete and the most  thorough of an design 
plans I have ever seen. Although it is entirely in French  most of it is 
pretty easy to make out as far as the build goes. The technical  information 
will 
require a lot of translation.
 
Scott



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Re: [HG] To all Hurdy Gurdists where ever you may be!!!!

2007-12-24 Thread vonhorne

Happy New Year and Merry Christmas from SUNNY Southern California.  We are 
thinking about going out for a motorcycle ride this week.



Scott


-Original Message-
From: Billy Horne [EMAIL PROTECTED]
To: hg@hurdygurdy.com
Sent: Sun, 23 Dec 2007 9:42 am
Subject: [HG] To all Hurdy Gurdists where ever you may be



Hi to all from a SNOWLESS Finland 
 
HYVÄÄ JOULUA ja ONNELLISTA UUTTA VUOTTA 2008 
 
Good Christmas and Happy New Year 2008 
 
Bill Horne 



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Re: [HG] Possition of octave chanters

2007-12-16 Thread VonHorne
I am not sure if there is a reason today. Although as a note, there are  some 
earlier instruments that have a main bridge that is heavier (thicker) on  the 
bass side to help transfer more sound to the sound board. It is not all that  
common but it does appear on the instruments from time to time.
 
Scott



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Re: [HG] Stringing

2007-12-08 Thread VonHorne
I would not suggest the gimped string. I have not had it produce a good  
quality sound when played. I may have been using the wrong string diameter  for 
the desired note but it fit the spec and it just sounded bad on the  HG.
 
Scott



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Re: [HG] Stringing

2007-12-08 Thread VonHorne
Leonard,
 
   The gimped string that I used was from Gamut and it was a high  drone I 
was thinking of adding in the Mouche position. It just sounded dead.  They may 
work well plucked but it sounded flat and lifeless bowed. As I said I  may have 
been using the wrong string for the sound I wanted but it seemed to  sound 
dead throughout an upper and lower range. I tried it in higher and lower  key 
ranges ( instead of D I tried upping it toward G). 
 
As far as sound are you looking for a modern sound with  an historic 
string or a 415 to 385 range with a historic style string. 
 
Have you asked at Gamut Strings about the over-twist  string history. 
Daniel seems to be a very personable man. He may have a year or  era that the 
string took the shape that it did. 
 
On a side note, I just tried the varnished string and so  far have found 
no sound difference. I am hoping I to eliminate the fray that I  was getting 
(mind you this took 6 months) on the natural strings. 
 
Scott



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Re: [HG] Perfection Pegs

2007-12-05 Thread VonHorne
I have spoken extensively with Mr. Herin and I am going to send him  a 
complete keybox that he can work with to try and develop a version that will  
work 
for HGs. Stay tuned. He see it as a challenge and hopes to have a  replacement 
for HGs.
 
Scott



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Re: [HG] Strange shudder on low A key

2007-12-01 Thread VonHorne
Arle,
 
   Consider that the plane of the wheel is a curve and the plane  of the keys 
is a straight line. Therefore, if you push on the keys the pressure  of each 
string on the wheel changes with each push of the key. In essence, you  are 
pushing the string farthest from you harder into the wheel as you play and  the 
string closest to you away from the wheel. This is aggravated by the fact  
that the keybox you have is wider that most and thus the pressure on the wheel  
changes more dramatically. This causes the string to lighten its pressure on 
the  wheel and, although it plays while the key is pressed, it causes the 
string 
to  have to catch again before the open note will begin to play which 
causes a  warbled effect. Much like having to pluck the heavy drones in order 
to 
get them  to start ringing.
 
   My suggestion is to very slightly increase the pressure on the  wheel for 
that single string and try to find a happy medium between the pressure  on the 
wheel and the sound of the string. This may take some work but I know you  
are up to it.
 
Scott
 
Thanks to Curtis Berak for pointing this simple but often missed point out  
to me.



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Re: [HG] Strange shudder on low A key

2007-12-01 Thread VonHorne
Arle,
 
   I unfortunately can not describe the reason this happens at  the low keys. 
Maybe it takes more energy to get the longer sound wave going or  the 
inference pattern causes issues. I am not sure but it happened on my HG and  it 
took 
quite a lot of effort to get the combination just right. 
 
   It sounds like you have the problem well in hand though. 
 
   Have fun cranking.
 
   Scott



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[HG] Super dry weather and the tangent twist

2007-10-15 Thread VonHorne
Howdy all,
 
I just got back from doing the Las Vegas Renaissance  Faire and it was 
super dry yet again. While there I spent the majority of day  one just trying 
to 
make the tangents stay put while I played. I tried the  wetting trick and it 
worked until they shrunk and did the tangent tango again. I  thought I'll 
just use thread, only to find I didn't have any and was to lazy  to go 
looking. 
So I invented (reinvented, stole, borrowed ect.) the idea of  using cotton to 
tighten the tangents. I rolled it like thread, only thicker, and  put it in 
place for the rest of the show and it worked great. 
 
If this has already been suggested for a temporary fix I  thought I would 
mention it as I had not yet heard it. 
 
 Scott



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Re: [HG] Macedonian scale

2007-10-03 Thread VonHorne
I ready over that site and then followed the Wikipedia  link and found the 
music portion of the site. It is very informative. Thank you  very much for 
your 
response, I have found it all very helpful.
 
 
Scott
 



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Re: [HG] Macedonian scale

2007-10-03 Thread VonHorne
Wow, very nice. I would never have known to look for that title or that  
film. 
 
Thanks for the ABC as well. I am going to add it into the ABC player and  see 
if I can print some dots from it as well.
 
Thanks again,
 
Scott 



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Re: [HG] Paypal in Europe: off-topic, but HG related

2007-10-02 Thread VonHorne
Arle,
 
To the best of my knowledge the fee for PayPal is the  same as most 
credit cards at 4%. Just as people do not get charged the 4% as  purchasers on 
cards neither do the buyers using PayPAl. I have known Ebay  sellers to add the 
4% 
to the price if you use the service to pay for an item but  it is not always 
the case.
 I recently (in the past 2 weeks) sent a wire  transfer to Europe and the 
cost for the transfer was $42 versus the 85 Euro for  the 4% that the seller 
wanted for using PayPal. When the seller received the  transfer it came up 
short because my bank charged me the buy rate on the Euro  and his bank 
charged 
him the sell rate. He ended up loosing about 30 Euro in  the transaction 
and I ended up paying the $42. Really it was the banks making  the money but we 
both understand how that works.
 
 I believe that Hungary is now a member of the EU  and has a traffic in 
old and new currency (although that will change shortly I'm  sure). Which 
should make it easy for them to set up a PayPal account.
 
Scott
 
Once again from the American side not the European  side



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[HG] Macedonian scale

2007-10-02 Thread VonHorne
Does anyone know the traditional Macedonian scale?  I am trying  to learn a 
song and knowing the scale would help in learning it. I think. 
 
  If it helps, the song is Underground Cocek as played by Tarif De  Nuit. 
 
  In the mean time I will try to learn it by ear.
 
Thanks, 
 
Scott



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Re: [HG] Macedonian scale

2007-10-02 Thread VonHorne
I have looked online for the dots and can't find them. 
 
I'll let you know if I have problems.
 
Thanks Simon.
 
Scott



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Re: [HG] OTW Festival essentials?

2007-09-10 Thread VonHorne
It is in with the classes for this year. You should be able to find it by  
clicking Hurdy Gurdy Festival and then classes. Scroll down and they should 
 
be there.
 
Scott



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[HG] Trying to reach Bob Green

2007-07-26 Thread VonHorne
Does anyone have information or a way to reach Bob Green in  France at the 
Chaterauex (sp?) music class, or anyone else that mat be at the  event. I am 
trying to reach Curtis Berak while he is in France and Bob is the  only person 
that I know of in the area. 
 
   If anyone could help it would be greatly appreciated.
 
   Thank you,
 
   Scott Gayman



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Re: [HG] Searching for a book

2007-07-23 Thread VonHorne
Marcello,
 
   It looks as though the publication is for dissertation for  purposes of 
gaining a Ph.D and may not be in print or available for copy. The  best route 
is 
to try to contact the University of Pittsburgh for a copy of the  microfilm. 
You might try contacting them directly, although the last publication  from 
them shows to be 1986. 
 
ISBN 0-253-21252-9 The Garden of Earthly Delights


A direct search only turned up the same microfilm  records that you are 
referring to. It is listed at the Library of Congress and  in various 
facilities 
throughout Europe.
 
   Scott 
 
   



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Re: [HG] tune in Captain Coragious movie

2007-07-04 Thread VonHorne
_http://www.mustrad.org.uk/articles/french.htm_ 
(http://www.mustrad.org.uk/articles/french.htm) 
 
   Look about 3/4 of the way down the page. 
 
   Scott



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Re: [HG] Unwanted harmonic

2007-06-10 Thread VonHorne
Matt,
 
   Do you have traditional wood tangents in hardwood keys? If so  try pushing 
in on the key while playing and then push down on the offending  tangent and 
see if the sound goes away. If it does you need to remake a tangent  for the 
hole or re drill the hole to the tiniest fraction of an inch larger.  Sometimes 
the holes begin to wear and taper, this taper allows the tangent to  rock 
back in the hole while you play. Much like the dog taps on the sound board  it 
causes the front of the tangent to tap on the key and make a high pitched  
noise, it also affects the way that the string sounds.
   Another fix for this could be to undercut the tangent a bit so  that the 
end of the tangent farthest from the post touches the key and taper the  cut 
farther up as it gets to the post. A 1/16 of an inch is good don't go crazy. 
 
I know that this will get lots of comments but I have  done a lot of 
tangent work and this is usually the answer for the problem you  are 
describing. 
Look carefully at the tangent as you put pressure on the string  if it rocks 
back in the slightest it can cause the high pitch. Sometimes its the  hole and 
not the tangent so look carefully at the whole thing before you start  cutting 
things up. 
 
   Scott
 



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Re: [HG] Arcade Fire?

2007-06-02 Thread VonHorne
Also, I left out that they have about 40,000 band members and that must  cost 
a lot to ship from one place to another so go out and buy an album so they  
can feed their armyer.band.
 
   Scott



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Re: [HG] Arcade Fire?

2007-06-02 Thread VonHorne
Melissa,
 
   Yes, somewhere in there is a hurdy gurdy. The thing that  everyone says is 
so cool about Arcade Fire and the hurdy gurdy is that, and  here's the big 
build up, someone plays one on stage!!
   Yep that's it, no Bouffard hiding in the music, no  Chabenat creating 
melodies in the midst of it all. The thing that makes everyone  so surprised is 
that someone plays hurdy gurdy on stage in a rock band.  Ohdid I happen to 
mention that it is for a popular current band and that  they play in North 
America. They also did an award show with Bowie so they have  the buzz going 
for 
them right now. 
 
As a side note, I find some of their music very good and  others, for a 
lack of a better word, mushy. The thing that makes the audience so  amazed at 
their shows is that they jump from one instrument to the next in a  kind of 
Chinese-fire-drill way (no offence to anyone here, I just can't find a  better 
description) and the unknowing public loves this. Reports from regular  
musicians are that they don't really play all the instruments but rather sort 
of  
strum or pound out a basic rhythm. Some of them are very good on certain  
instruments but they are not good on all of them, and that is what gives it 
that  
mushy sound that I am talking about. Reports also say (I have never seen them  
except on videos) that they are good on stage dynamically and they provide the  
audience with value for dollar as far as entertainment, which is what most  
people want anyway. 
 
So now you know, and knowing is.good.
 
   Scott



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[HG] HG games

2007-05-29 Thread VonHorne
Has every one else seen this. 
 
_http://www.ncsxshop.com/cgi-bin/shop/ULJS-00099.html_ 
(http://www.ncsxshop.com/cgi-bin/shop/ULJS-00099.html) 
 
Scott



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Re: [HG] Backwards

2007-04-12 Thread vonhorne
Mike,
 
   Another trick is to friction heat the rosin and smooth it out. I take a 
clean cotton cloth and hold it against  the wheel (no strings on) and turn the 
wheel as fast as I can while press on the cloth. The extra rosiin will lift off 
on the cloth and the remainder will heat and smooth out on the wheel. It is a 
good way to smooth out the sound if you over rosin as well. Watch out for 
burning your finger it will actually get hot enough to hurt.
 
Scott
 
 
-Original Message-
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thu, 12 Apr 2007 2:18 AM
Subject: [HG] Backwards


All, 
 
Now here's an interesting thing.  My low D chanter has been squealing at me for 
a couple of weeks  - jumping into harmonics.  I've tried all the usual tricks:  
shimming the string to reduce the pressure, replacing the cotton, applying 
rosin to the string before replacing the cotton, taking the rosin off the wheel 
and replacing it afresh, changing the string for a brand new one ... nothing 
has worked.  
 
And yet, if I turn the handle backwards, it plays as sweet as can be.
 
What's going on here  - can anyone offer an explanation for this?
 
Mike


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Re: [HG] Unusual bodied HG

2007-03-24 Thread vonhorne
So if it is a gourd does that make it a fruitback?
 
Scott 
 
-Original Message-
From: [EMAIL PROTECTED]
To: hg@hurdygurdy.com
Sent: Sat, 24 Mar 2007 1:17 AM
Subject: Re: [HG] Unusual bodied HG


I was lucky to try and play that instrument last Summer in Budapest, when it 
was exhibited at the national folk festival. It has a wonderful, mellow sound, 
medium loud, I am surprised that nobody has bought it yet. I was fallen in love 
with it, it talked to me, but had no money to buy it.

Cecilia


On 23/3/07 23:40, Fredrik Johansson [EMAIL PROTECTED] wrote:


I found another page with information, 

body made of a large South-American gourd

http://www.szerenyi.hu/angol/hangszer_aktualiseng.htm

It looks a little out of the ordinary, I wonder what it sounds like?

 

/Fredrik




 Från: Seth Hamon [EMAIL PROTECTED]
 Till: hg@hurdygurdy.com
 Rubrik: [HG] Unusual bodied HG
 Datum: Fri, 23 Mar 2007 15:33:23 -0700 (PDT)

What is the body made from on this unusual HG.
http://www.szerenyi.hu/magyar/hangszerk/modellek/emil_modellek.jpg
 
Cheer, Seth



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som är bäst kan vinna mycket pengar. Till spelen: Spray Spel 
http://www.spray.se/underhallning/spel/ 

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Re: [HG] The Great Gurdy Hunt

2007-03-18 Thread vonhorne
HOPE...sorry 
 
-Original Message-
From: [EMAIL PROTECTED]
To: hg@hurdygurdy.com
Sent: Sat, 17 Mar 2007 7:39 PM
Subject: [HG] The Great Gurdy Hunt


Hello all:

As I mentioned in my last (I mean previous; don't get your hopes up!) message, 
I've started considering the acquisition of a proper, pro-built HG. 

Alden is, of course, the prime source for such instruments here in the US; but, 
considering the great demands being put on the shop these days (yes, I refer to 
the waiting list), I thought I would try looking overseas. There seem to be a 
fair number of builders in Europe and the UK, offering HGs at what seem to be 
reasonable prices; as a matter of prudence, I'd like to run some of them by the 
List members, to see what you think. You may have your particular 
preferences..

* Chris Allen offers a rather nice Colson copy for a little under US$4000: I've 
corresponded a bit with him... Chris has also recommended Mike Gilpin, who also 
does a good-looking Baroque style for around that price, not to mention an 
interesting Bosch style...

*Neil Brook also has a good variety, including the 'St. Thomas' model for less 
than $3000.

*Moving over to the Continent, my first reaction was to check out Helmut 
Gotschy's site. I was rather taken by his 'Renaissance' model; and his Phoenix 
'Da Vinci' seemed rather nice. (I have yet to get a reply on the price range 
for the former).

*Kurt Reichmann's HGs were also interesting and attractively priced; but 
perhaps the most striking designs were from Helmut Seibert.

To tell the truth, I haven't looked much yet at French makers; but I will 
probably remedy that soon.

Now, is there anyone who could give an experienced opinion on some of these 
builders and their work:  their usual backlogs, waiting lists and such; 
maintenance histories and so on? That, plus the advantages/disadvantages of 
buying instruments from overseas, would go a long way towards helping to 
resolve my mind (I think). As for the type of music I'm interested in 
playing, I'd say it is rather eclectic: a mixture of 
Medieval/Renaissance/Baroque/FolkTrad, plus plain old noodling around on the 
instrument to see what I can get away with.

I hope to attend  Jocelyn's NE gathering in July; and perhaps there I can get 
some more hands-on experience and personal advice. Till then, I'll continue 
searching, comparing, contrasting and, most inportantly, obsessing..

-Bill Steinmayer


**
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Re: [HG] Re: strings

2007-02-27 Thread VonHorne
I use a 70 and a 94 for melody strings from Gamut  string. He has a low twist 
high tension string that works well for the high D.  try the same size for 
the trompette. If you have a large C drone tune it to D. I  can't recall the 
last diameter I used for the heaviest drone.
 
   Gamut is quick and very helpful if you call. He is happy to  help out. 
 
   Scott
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Re: [HG] For those with the Dewit book..

2007-02-17 Thread VonHorne
I think that this has been pointed out before but I will reiterate here.  The 
book La vielle a roue written by Michael Pignol, for sale from Pascal  
Caranga's site or available through AMTA (I think), has a lot of information in 
 
it. Including the effects of placement of the main bridge in the regards to the 
 wheel. The problem here being that it is all in French. If you are seriously 
 working on the research you will have to translate the pages. I can scan the 
 pertinent pages and send them to you for private use only. I don't think it 
will  be a problem with the copy write. I do suggest that you get a copy of 
the book  for general information. If you pick out a few words you can get much 
of the  basics from the book and there are a lot of good diagrams and  
measurements.
 
   Scott


Re: [HG] A new project, Bruegel

2007-02-05 Thread VonHorne
Oh, there are so many HGs from Bruegel. I found them in the  fantasy 
painting, in the festival painting and in the dance/wedding paintings. I  think 
he did 
the blind leading the blind painting where the lead blind man, the  one 
already on the ground, has an HG. 
   Also, how many people are making the HG with the removable  handles and 
cranks. I forget the painter but there is the painting with the  musicians 
fighting (that never really happens right) and the HG player is using  the pull 
off 
crank handle as a weapon. Thanks Curtis for pointing that out to  me.
 
   The problem being that most early paintings were commissioned  or 
religious or commissioned religious. There are very few painting based on the  
pastoral life or the common man. I have not look to closely at illuminated  
manuscripts but that may be a good source, who knows. I have looked through  
the 
pictures I have and have not come across any HGs in early art (at least the  
art I 
have).
 
   Scott 


Re: [HG] Sympathetic string tuning pegs

2007-02-02 Thread VonHorne
Thanks Roy, I was starting to get twitchy waiting for it.
 
Scott


Re: [HG] Sympathetic string tuning pegs

2007-01-31 Thread VonHorne
I have seen something similar on harpsichords. You might start there.

Scott


Re: [HG] Newcomer

2007-01-27 Thread VonHorne
It's never to late to start. I have just started into to music  myself at 38 
and I am not sorry that I did. There are several excellent makers  in the UK 
they may be able to help you with getting the HG playing the way it  should. 
 
Scott


Re: [HG] the new guy

2007-01-25 Thread VonHorne
If I understand your question correctly (once you get the kit you'll see  
clearly), you simply turn the tangents to hit the string in the proper place to 
 
produce the note you want. The tangents should be adjustable (turnable) so 
that  they can swivel side to side and allow you to change the pitch. 
 
The steps to tuning properly are to tune the string to the desired note  
(probably G in your case). Then with the octave key tangent 90 degrees to the  
string (that would be key 7 from the head of the instrument with the  tangent 
hitting the string straight on) check the tuning for the octave. If  the note 
is 
dead on tune the rest of the tangents according to the note. If the  octave 
note is off adjust the nut and retune the open string then check the  octave 
again. Repeat as necessary. Remember to push on the string about the same  
strength that you would during play during tuning.
 
By moving the nut you are shortening or lengthening the string sometimes by  
only a millimeter. The octave tangent should hit the string at exactly  half 
the length of the string which gives you a good base to tune the  rest of the 
tangents from. Note: some kits and instruments don't have a nut  (no jokes Roy).
 
I am only surmising that this is the answer that you are asking for. Hope  it 
helps and thanks to all those that helped me learn so that I can ramble to  
others.
 
Scott


Re: [HG] Which way shall I turn?

2006-12-09 Thread vonhorne
Roy,
 
I have several pictures of a luteback that is fully torn apart if you are 
in need of internal pictures (thanks Curtis for the pictures). As for the head 
if you want to buy one premade I know you can get one from Caranga.
 
Scott 
 
 
-Original Message-
From: [EMAIL PROTECTED]
To: hg@hurdygurdy.com
Sent: Fri, 8 Dec 2006 10:49 PM
Subject: [HG] Which way shall I turn?


I have decided that I need to build a lute-back, for several reasons,
but mostly because I can strut around and say I did. I can't decide
whether I should buy a set of plans or generate my own.
I really like the size/ shape of that Siorat (aka Princess Leia) and
I have a pretty good idea of what goes on inside, so I'm tempted to
make a copy of it. The biggest problem I can foresee from here is that
I would like to redesign the pegbox, but I may be able to put that off
until I can get a clear visualization of what I have in mind. 

Anybody got any opinions either way?

Thanks,
Roy

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[HG] Teflon

2006-10-14 Thread VonHorne



I bought and use this stuff it seems to work fine.
http://cgi.ebay.com/Teflon-Powder-1-9-Micron-1-4-Pound_W0QQitemZ270036594211QQihZ017QQcategoryZ22700QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

 Scott


[HG] shirt

2006-10-13 Thread VonHorne



Has everyone seen this?

http://www.zazzle.com/annettetruong/product/235918266078340174


Re: [HG] Thank you FROM Scott

2006-09-30 Thread VonHorne



Okay, so after reading this again I must edit it. 

 It is, thanks to Derek FOR playing Amazing 
Grace(auto word correct).


Re: [HG] new WW-HG

2006-09-17 Thread VonHorne



 I played one at St Chartier and I must say thatit has a 
very nice and distinctive sound. I found it to resonate well and to have a pure 
mellow sound that I found very pleasing. I am also not aware of the going price. 


 It would make an excellentbeginning HG that anyone 
would be happy to own for the rest of theirplaying life.

 Scott

 Thanks to Wolfgang for letting me spend time playing at the 
end of a hot and miserable day. 

 


Re: [HG] Collective Nouns

2006-09-13 Thread VonHorne



Well there is always aHURD of gurdies. Although I thinka Crank 
is the best.

 Scott


Re: [HG] UPDATE! hurdy-gurdy crises averted...for the moment...

2006-09-11 Thread VonHorne



Alison,

 Most older HGs are tied back with wire or gut to the tail 
piece. This keeps it from moving quite well. I replaced the gut on one of mine 
with wire and now it doesn't budge at all. 
 It sounds like the plastic nut that you are talking about is 
stripped out and is allowing the adjuster to slip back through the threads. Just 
guessing as I have no real idea what the whole system is but usually if it is 
slipping back in a situation like this the plastic has given out. 

 Hope you get the problem worked out,

 Scott


Re: [HG] Costumes

2006-09-02 Thread VonHorne



Arle,

 There is a long history of groups doing the dance of the dead 
or "Dance Macabre". I am not sure what you mean by Ghost Walk and it may seem 
somewhat bland but it was typical to see people dressing up during certain times 
of year as skeletons or as death and to dance through the streets. Liszt wrote a 
song called Dance Macabre. There may be other but my cursory search found 
him.

 It is an embracing of death that we in the modern world seem 
to find odd or offensive. However, done properly it can look as though it were 
an oldstyle of dress. This is a custom that began, as I understand, during 
the plagues and has continued in some countries even today. Dios Los Mortes 
(sp?) is an example. There are many early woodcuts that depict the dance or the 
look in general of the dancers.

http://www.gregoland.com/bones/

http://altreligion.about.com/library/graphics/bl_danse.htm

http://www.lamortdanslart.com/danse/dance.htm

http://altreligion.about.com/library/graphics/bl_galleryholbein6.htm(hurdy 
gurdy player in the back)

Scott


Re: [HG] a melissa sighting on youtube

2006-09-02 Thread VonHorne



 I have seen him live and listened to him play and 
although it is painful to those of us that have been drilled repeatedly to 
never-ever-ever play backwards. It works for him because that is the way that he 
learned to play and without a buzzing bridge it really makes no difference which 
way he chooses to play it. He really isn't playing it to do French dance nor is 
working on playing with the buzz so it is not a matter of whether he is 
developing bad habits either.

 Actually the part I like the most is when he uses his 
cymbal playing monkey (on his left in the video) as a back up percussion player. 
It is eclectic and fun and the HG is just another element of his gig. 
Sothat you are all clear, the HG is a part time instrument not his main 
focus or his main instrument in the show.

 Just to clear it up. Even though I enjoy him it is painful to 
watch him play but that is a function of mylearning and not his playing, 
which is slow, but still matches the melody well. This is not meant to chastise 
but rather to give you a different view of the man as a player.

 Scott


Re: [HG] a melissa sighting on youtube

2006-09-02 Thread VonHorne




In a message dated 9/2/2006 2:45:44 P.M. Pacific Standard Time, 
[EMAIL PROTECTED] writes:
http://www.youtube.com/watch?v=TZ360Gip56M

Sorry I meant the monkey was on the left not HIS 
left


Re: [HG] Nice Pajot Jeune

2006-08-31 Thread VonHorne



Will do. We'll miss you at OTW.

Scott


[HG] Nice Pajot Jeune

2006-08-30 Thread VonHorne



This site occasionally has HGs. You have to request the price though.

http://www.instrumantiq.com/pages_html/galeries_ACT-vielles-a-roue.htm

 Scott

 To start from the home page select the "Galeries" 
button.


[HG] St Chartier and European weather

2006-07-30 Thread VonHorne



First of all, as an American who was raised in the climate of Southern 
California this may seem like I am being a whiney American tourist but it must 
be understood that I do not deal well with the heat even at home and I suffer 
from an inability to cool down once I get overheated.

 Europe sucks..at least in July, and probably August. I have 
never been to an area that continually denies that the series of consecutive 
heat waves is a fluke, and the deaths of peopledo to the inability to 
accept this is mind numbing. BUY AN ICE MACHINE! Why is it that the in room air 
conditioning produces more heat than it can actually cool? I am surprised that 
the summer in Europe doesn't cause more anger related killings from lack of 
sleep and over heating. If you live there you can cope with the issue just the 
way I can at home, but if you are traveling you rely on others to help and more 
than once I was told to just deal with it. And I paid these people to tell me 
this? My suggestion is to see Europe in the Fall or Spring unless you like the 
Winter cold (the in room heaters work great).
 That is the worst of it now unto the actual 
festival.

 I don't suggest that you go if you are a beginner like 
me (unless you are like Tobie and are just good from the start, then please go 
and play your heart out). The reason I say this is fairly simple, no matter who 
your are and how outgoing you can be it is all rather humbling and you tend to 
feel pretty left out. It is like joining a philharmonic orchestra with a 
beginners violin and a years worth of practice under your belt. 
 That beingsaid, you should go at least once. It is 
not at all what I expected. It surprised me in how the people could all play and 
dance all night and they all seemed to know the dances.There were people 
that were dancing traditional dances from all ages and all backgrounds. It 
seemed as though they had all learned the dances when they were young and were 
all still happy to dance them into their old age. My wife commented that it was 
odd to see traditional dances being performed by kids with dreadlocks next to a 
couple in their 70s and everyone was happy. The best dancers were still there 
dancing at 4 AM and that 70 year old couple was out there with them. Not one 
fight or disturbance during the whole time I was there. Not something that would 
ever have happen here.
 The music was great. I can't tell you how many times I 
heard the songs that I know and felt comfortable with during the day and night. 
The players were amazing and the music never stopped. I don't know that I want 
to hear a bagpipe for a while. No offence to bagpipers but after four days of 
the same songs at the volumes that can break ear drums it tends to wear on you. 

 I tried to see all the music that I could but 
sadly I missed the show with Patrick and Gille, accompanied but our now famous 
Tobie. It was rather hard on occasion to get things together during the day and 
still have time to eat and sleep. 

 It is truly a trip to take but the weather (from what I hear) 
is variable and it can hail during the hottest part of the day, rain until the 
mud is thick enough to stick your shoes to the ground, roast you all day without 
let up, or it can be perfect weather that everyone is happy in. So bring clothes 
for all occasions. 

 I am aware that most people don't want a weather 
report so I will stop here and continue in a new vain in my next report.

 Scott


[HG] St Chartier

2006-07-30 Thread VonHorne



 I had a great time while I was there despite my newness 
to the whole of the culture.

 The site is spread out over a large area with each area 
being free or paid access. The areas where the dancers were was a free access 
area that surrounded the lower portion of the local chateau and the streets of 
St. Chartier. The music and performances seemed to go to be in very corner of 
the town. There was a food court type area that combined food and little booths 
selling everything from scarves to African art, also free, that was up the hill 
from the chateau. The concerts were in a huge circus style tent next to the 
booth area (you had to pay to get up close to the concert but you could hear it 
outside). In the middle of it all on the back side of the chateau was the music 
vendor booths. There was even the local farmers market area just as you enter 
the town.

 The vendors area closed at 7 PM and the food booth area 
closed at 3 AM (that was good planning on the side of the organizers) but the 
music in the town was 24 hours. 
 It seemed that when one group stopped the next began and if 
you didn't like the style of music you only had to move a few yards up the way 
to find a new group doing something completely different. There were fire 
twirlers and drummers playing next to bagpipers next to a band playing fiddles 
and accordion. There was even a band playing what sounded like Cajun music and 
doing it very well. Not to leave out of course the HG players that seemed to be 
playing all night long on one stage or another. 

 In the town there is an Irish pub that attracts the 
Irish music players who played without endand behind that was a booth for 
drinks that seemed to have 40 tables around it. It seems that the Center France 
bagpipe players (short version of the longer name) have bought the local hotel 
just across from the pub where, in a story written by George Sand (a woman for 
those who were unaware), there was a bagpipers contest. They are renovating it 
as a house for the players in the group (being that it is on the main street I 
don't know about actually "sleeping" there).

 The town as a whole is not big by any means. A 20 minute 
walk gets you though the whole thing including some of the back roads, this walk 
could take you an hour during the festival as you try to move through the packed 
streets. It amazes me that the small town turns into a big four day party and no 
one seems to mind. I guess it is like Sturgis during the bike festival the 
locals just turn over the town for a few daysand enjoy the rest of the 
year in solitude.

 The parking is close by and an easy walk although it is 
in a cow pasture and the ankles may suffer a bit if you are not careful. I wore 
shorts and found out that it also contains thistles and nettles, so you'll want 
to bring aflashlight at night. 

 The concert stage is pretty amazing. The sound is good 
and the seating is nicely set in a gradual climb so that you can see all the way 
in the back. There were huge screens and great lighting for every show, and the 
performers were divers and talented. 

 All in all I would say that the show is very nicely 
presented and well thought out in most places. I think that the vendors suffered 
in the heat more than most and should be highly commended for staying with it in 
the heat and the direct sun. If I were laying out the plans for the vendors and 
music gallery I would have used the trees and the natural shading more. 

 I would like to thank Brian Tully for helping me to 
store my gear during the day. I would also like to thank everyone that put up 
with my questions and my very poor French while I was there. The amount of 
English speakers was amazing and if they didn't speak English someone was 
usually nearby to help translate. Pointing and gesturing was good enough for 
most purchases though. 

 If you have never been I suggest it at least once, although 
asI wrote previously you may want tolearn a good list of French Trad 
music before you go. It can be overwhelming at first but you learn 
aboutthe area and culture quickly.

 Scott
 Scott


Re: [HG] new hurdy gurdy player / players nearby?

2006-07-28 Thread VonHorne



Have you seen this sight?

http://freespace.virgin.net/hurdy.gurdy/hurdy%20gurdy%20tips.html

Sorry if this is a double post, I just got back and I have over 500 emails 
waiting.

 Scott


Re: [HG] La vielle l'univers de l'infinie roue-archet

2006-07-28 Thread VonHorne



I saw this book a lot in St Chartier. I even met the nice man that wrote 
it. Sadly the book is entirely in French and the book to my knowledge will not 
be coming out in English. It seems quite extensive and I would suggest it to a 
native French speaker. I can not verify its content but I can say that it seemed 
well received by the makers and players.

 Scott


Re: [HG] Saint Chartier/emails

2006-07-03 Thread VonHorne



If I was taking my computer and my room was equipped I would be happy to 
send back reports, butthe laptopis too big totake on the trip 
and still bring back the mass of items I'll be buying there. If my handheld 
works (if the hotel has wireless) then I will be sending out reports to all. 


 I'll take lots of pictures to show at the OTW.

 Scott