Re: [lace] Dolphin and bobbin

2003-08-31 Thread ann DURANT
Diminutive of obstreperous - or is it obstrepherous?  Either way, that's the
derivative.

Ann in Manchester, UK

- Original Message - 
From: Patricia Dowden [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, August 29, 2003 9:50 PM
Subject: RE: [lace] Dolphin and bobbin


 . . . I think we chose well, dolphins are beautiful, do a lot of talking
and can be stroppy!

 jenny barron
 Scotland

 Oh Jenny, I am delighted.  Please tell us what 'stroppy' means.

 Patty Dowden

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[lace] dolphin bobbin

2003-08-31 Thread Patsy A. Goodman
I thought the original request on this subject was for the pattern or
pricking of the dolphin and bobbin in lace.
After the original request was made there has been no mention, at all, of
the pattern or pricking.  The subject has been changed all around.  I would
like to know if anyone ever came up with the pattern or pricking?

Patsy A. Goodman

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[lace] Re: Entry

2003-08-31 Thread Elizabeth Ligeti
Yes, if we all sit back and don't enter anything in these exhibitions, there
will be a very poor selection to view!!

Having lace made by relative beginners on display is good, as people can see
what can be achieved soon after starting lacemaking, and how a person can
progress to great heights!
If I only displayed perfect work at my annual demonstration here, I would
not have very much to show!!!

I find some people are more interested in the early pieces, as they then
feel they could, perhaps achieve that.  The more complex pieces they just
shake their heads over, thinking it would be beyond them.

It is the same with the list - if everyone was a lurker, there would not be
a list to read!

from Liz,   in a very cold, wet, Melbourne, Oz,
[EMAIL PROTECTED]

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[lace] Re: Modern Garter/Tribal Collar

2003-08-31 Thread Tamara P. Duvall
On Tuesday, Sep 30, 2003, at 15:29 US/Eastern, Linda Walton wrote:

just this afternoon I saw a display of lacy garters in a lingerie 
shop, and
one of them was so unusual that I want to tell you all about it.

Instead of being gathered and frilled, it was a smooth strip, so I 
suppose
it fastened with a velcro spot, or some such.  This strip was placed 
just
above the knee, and was the support for a fringe of narrower strips of 
lace,
about six inches long, which hung down like a string skirt, (or very 
sparse
hula skirt, perhaps).  With the leg slightly bent, the knee peeps 
through,
shy but provocative. [...]

Well, there you are.  Now I'll just leave it to you clever designers to
develop suitable patterns!
There we are, indeed... :) *Designing* such a piece would not be a lot 
of trouble; it might even be a lot of fun. But what about the *making* 
of it? If a traditional garter (one piece, twice around the leg) is an 
effort, then think about this one: a wide one, once around the leg, 
then some 20-30, narrower, short ones hanging from it... Each starting 
with bobbins wound in pairs and false footing, each sewing off 
(invisibly but securely) into the mother (once around the leg) 
one And all for a *garter*? Which few people ever see?

Unless I'm visualising it all wrong, I'd sooner trade places with 
Sysiphus... :) Winding short lengths in pairs is not my favourite 
passtime (though I do do it all the time), and finishing them off has 
even less appeal (I ought to have picked lace *other than* Milanese for 
my metier g)...

OTOH

It occurs to me that something similiar might serve as a disposal for 
all the samples we make as beginners... Attach your samples (3-6 
long), hanging down, to a part (3rd? half?) of a *circular* edging, and 
you have a collar/frontspiece, instead of a bagful of samples... :)  It 
would look a bit like those bits of bone strung on a leather thong (or 
flat pieces of silver or gold, if we go back to Roman times); very 
exotic... And, at least, you could *display* it (and more than once, 
too g)

-
Tamara P Duvall
mailto:[EMAIL PROTECTED]
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
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[lace] Re: one-handed lacing

2003-08-31 Thread Tamara P. Duvall
On Thursday, Aug 28, 2003, at 16:47 US/Eastern, Bev Walker wrote:

remember we were chatting about one-handed lacing - I tried it with my 
Flanders
ground edging - did not last long with working with one hand. Torchon 
no
problem, but Flanders ground - it goes much better with both hands in
motion (not to say it can't be done with one hand, just that the
technician is happier using both).
Thanks for doing all those experiments; I had wondered about the 
one-handed lacemaking ever since I first heard about it here (who was 
the pianist who'd lost his hand in WWI and then Ravel wrote a concierto 
for him?), and considered trying it myself.   I suspected that I might 
be happier leaving *that* road as not taken, and I'm glad to have my 
suspiction confirmed... :)

When I first heard about the method, I was working on the piece I 
started in Loehr's class (last triangle put in today -- yippee! Need to 
finish it off, neatly, tomorrow -- shucks g). The dividing lines 
between the triangles are: 38 prs, in cloth stitch, with a pin at each 
end, or 3 cloth-stitched pprs, with a pin on the side (depending on 
which side of the triangle you're working). The fillings are Binche 
snowflakes -- 28 per triangle, and each triangle has a different 
snowflake as filling (that's what makes it the Snowflake quilt).

Each snowflake has has 6 pins to it -- 3 before you start, and 3 after 
you're done, and, most of the time, they're not there to help you 
tension; they're there to help you remember where the heck you're *at* 
g. In between, when making the snowflake, you have -- depending on 
the complexity -- anywhere from many to a busload of *different* 
movements...

Make all those single-handedly, while the other hand rests and waits 
its turn to put in a pin? Sheer madness :)

I think that the single-handed method might work very well for PG 
*ground* (and Bucks, especially, has *lots* of ground, in proportion to 
the motif area g); CTTT (with one hand), pin (with the other) makes 
sense, because there's so little time and movement *between pins* in 
the ground (OTOH, the super-dooper lacemakers didn't use *any* pins, 
and cut the time needed for production further still g). It would 
work for Torchon *ground* as well; CT, pin, CT can keep both hands 
occupied in almost equal proportion (again, Freehand lace, before 
Torchon, didn't use pins, though the patterns were often similiar)...

But, everywhere else, it's a waste of resources; one hand does most of 
the work (stitches), while the other waits to pitch in, *once in a 
while*, with a pin... Reminds me of Toni and her reminders of the 
inequality in our lives -- the pin hand would, definitely, be the lazy, 
spoiled, aristocrat or CEO :)

I agree with Bev that working one-handed on a *curved* (bolster, or 
even a sizeable roller, I'd think) surface might be easier (I mostly 
work on *flat* pillows, not even domed like cookies. And I keep them 
flat, not canted. But I have worked on a roller, and found its 
attractions and limitations g). But still, the un-learning and 
re-learning might not be worth the effort, unless one was making 
*mostly net*...

-
Tamara P Duvall
mailto:[EMAIL PROTECTED]
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
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Re: [lace] Doreen Wright

2003-08-31 Thread dora.northern
When we started our lace group way back in 1978 I suggested that we should
have a laceday. We were only l5 members, we hired a hall, advertised as best
we could, invited Doreen Wright to be our speaker.As I was the instigator, I
was naturally worried if we would get enough visitors to pay for all the
cost, but to our surprise. just over 7o lacemakers came.
Alas our speaker was very late, we thought she forgot. But in the end she
appeared, telling us that she run out of petrol on the motorway. So all was
well in the end and her talk was very helpful to us all.

Greetings Dora the Knotter

http://homepage.ntlworld.com/dora.northern

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[lace] Romaian Point Lace

2003-08-31 Thread Maxine D
The German magazine 'Anna' has published items on this lace over the past 3-4
years, including the instructions on making a vest (waistcoat).

Also Nordic Needle have several books on the subject in their catalogue and
website.-  Nordicneedle.com

Maxine,
 in unsettled spring  N.Z. - we are currently in the middle of an electrical
storm with hail!

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Re: [lace] FYI: So. CAL Bobbin lace class

2003-08-31 Thread Thelacebee
Round here (south London) it's about how much the venue costs to hire more
than the teaching.  You can easily pay £70 plus for one term.

One of my local lace groups is about £50 a year for one meeting a month
simply due to the cost of the venue.

Whenever I teach privately I always say that I'll do it for the cost of the
petrol, a peppermint tea and good company - so if you can get a few of you to
learn then it brings the cost down.  This means that if you want to have only
a
lesson a month then it costs less - the more lessons a month - say weekly or
fortnightly then you pay to get me there.

Mind you - I've always ended up dropping a couple of my students off on the
way home too so I'm probably a good buy as a teacher grin



In a message dated 29/08/2003 22:36:06 GMT Daylight Time,
[EMAIL PROTECTED] writes:

 Fee is right
 (depending on age $10.00 or $20.00 for the younger under 50 crowd-
sometimes
 it pays to be older).

 Is that typical of the cost of lacemaking classes run by school districts
in
 the
 adult education department?

 Through adult education, I've got a choice of a 2 hour x 24 week class in
 Poole for 120 pounds (190 dollars), but 84 pounds (132 dollars) for women
 over 60 (men over 65), or 24 weeks in Bournemouth split into 2 lots of 12
 for payment, total for 24 weeks 110 pounds (173 dollars) or 55 pounds (86
 dollars)for seniors. I've been going to the Bournemouth class for a couple
 of years, but won't be going this session till after Christmas as I'm due
to
 have a knee replacement at the beginning of October.

 There are a couple of private classes running for less.

 Jean in Poole



Regards

Liz Beecher

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[lace] Re Change the Subject

2003-08-31 Thread Diana Smith
Aurelia you will find the pattern  on page 113/4 of Barbara Underwood book
'A Bedfordshire Lace Collection' published by - yes you guessed it Ruth Bean
;))
I too saw Christine Agambar working the hankie on a course at the college, I
was also lucky enough to see the completed piece on display with Barbara at
Springetts fair.
The cover Bedfordshire pattern designed and worked by Barbara is also a joy
to behold.
By the way Aurelia I think I recall sharing a table with you on a course
with Pam Nottingham at Rugby far too many years ago than I care to count.
Diana (Northamptonshire, UK)

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Re: [lace] Ms. Channer

2003-08-31 Thread Thelacebee
Spiders,

Isn't the important issue here of what was historically acceptable and what 
is acceptable now.

In the past, lacemakers got copies of patterns by taking rubbings or 
prickings of other prickings.

There were only a few designers and if you made lace you made it commercially 
from a pattern that you probably got from the person who retailed it for you.

Now there are many more lace makers and we have access to lots of patterns - 
however, if those people now make their living from designing the patterns and 
not from retailing the lace made by others then if we STEAL their pattern, 
and it is stealing if we don't pay for it, then it is important to them that 
they are able to sell their patterns.

However, and this is why the discussion has cause such an uproar - what 
happens when someone ceases to retail their patterns or worse still, dies?

We may not solve the problem but if we understand it better then we won't be 
stealing and also we will be helping new and existing designers to get on

Regards

Liz

In a message dated 28/08/2003 18:32:37 GMT Daylight Time, 
[EMAIL PROTECTED] writes:

 Subj: [lace] Ms. Channer 
  Date: 28/08/2003 18:32:37 GMT Daylight Time
  From: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  To: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  Sent from the Internet 
 
 
 
 Hi Spiders,
 
 I am struck with amount of energy we pour in to discussing Ms. Channer and 
 her mat.  What is it about us as a group that makes this topic so riveting?  
 She was determined to not let lace die, as was Doreen Wright, whom I have 
 begun to know belatedly through your anecdotes.  These thoughts are drifting 
 through my mind.
 
 snipped
 Bemusedly,
 
 Patty Dowden
 



Regards

Liz Beecher

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[lace] Roses and Thistles

2003-08-31 Thread Aurelia L. Loveman
Thank you, Edith! --  There it is, Christine Agambar's wonderful
handkerchief, photographed in Barbara Underwood's Bedfordshire Lace
Collection. There's even the pricking for it shown, taken from an original
Thomas Lester draft (and what a feat that must have been, to make a usable
pricking out of it!). Thank you again, Edith! 

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[lace] FREE PATTERNS

2003-08-31 Thread WaltonVS
Change of subject, If you send a stamped address envelope (over seas two 
international postage vouchers) 31p postage I will send you three spider patterns, 
1 large spider mat, 1 dainty spider mat and 1 circular spider mat. Enjoy. A 
HREF=http://bigginslace.co.uk/;
Biggins - The Torchon Lace People/A 

 KEEP LACING, VIVIENNE, BIGGINS

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Re: [lace] Re: copyright and copying magazines

2003-08-31 Thread Avital Pinnick
Liz wrote:
 Now here's a thought - let's take the Bible - say, the new Testament - OK,
 even at latest date the last books of the New Testament are supposed to
have
 been written about the end of the first century so they are 2000 years
old -
 obviously over the 50 years since the death of the authors.

 BUT

 I can't quote from the NT here because any quote I give will be a
translation
 which is owned by the translator or their heirs.

Sorry, but that analogy doesn't hold. Quoting a fragment of the New
Testament here is certainly permitted because it falls under the category of
fair usage. If this were not the case, scholars in the humanities would
have a really tough time discussing texts! It's hard to imagine people
carving tombstones saying The Lord is my shepherd, I shall not want and
paying royalties to the translators of the King James Version.

You would not, however, be permitted to put up a Web site with the entire
text of a copyrighted translation.

 go back to the original text (if I can find it ... most of the original
greek
 texts are lost) and retranslate it (after I have learnt new testament
greek)
 and then quote it.

No, they're not lost. The New Testament papyri are numerous and quite well
preserved. That's not even taking into consideration the thousands of
quotations and references in other ancient translations and in the works of
the Church Fathers, which are also important witnesses to the original text.

I think that it's time to move this topic to lace-chat, because it's
straying into general discussion about copyright and is becoming less
lace-related.

BTW, if you think lace books are expensive, you should do an Amazon search
on my name. It's a good thing I get free copies of my books, because there's
no way I'd shell out that kind of money for them! g

Best wishes,

Avital,
Arachne moderator, PhD in New Testament and ancient Jewish literature
(Harvard University), and former Chief of Publications, Orion Center for the
Study of the Dead Sea Scrolls

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Re: [lace] copyright issues

2003-08-31 Thread Thelacebee
Yes, Yes, Yes - do you think I want to trace patterns then prick them - I 
love the fact that I can photocopy the pattern then take a true pricking from it.


In a message dated 28/08/2003 20:29:53 GMT Daylight Time, 
[EMAIL PROTECTED] writes:

 As an aside, I consider the photocopy machine a bonafide lace tool :)



Regards

Liz Beecher

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[lace] lace design portfolio

2003-08-31 Thread Tess1929
  
Thanks, Sue, for the suggestion. That certainly is just up my alley for inclusion on 
the Professor's list.   However, any books or articles, or patterns for that matter, 
have to have been published before 1923 to be eligible for the site, in case you find 
something you think I could include. So this one wouldn't work
  
 Do keep looking and please let me know if you find anything.   I can either borrow 
anything anyone might want to lend me (I'll gladly pay the postage) or try to find it 
on interlibrary loan.   Vibeke has been wonderful about lending me books, and I have 
had loans from several other people, all of which I really appreciate.
 
 Tess ([EMAIL PROTECTED])
 


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[lace] Christine Agambar and her handky

2003-08-31 Thread Helen Bell
If it's The Handky I'm thinking of, it's from Ann Buck's book on Lester
and the lace industry in the East Midlands.  Does it have roses, and
sweeps of thistles in the corners?  If so, that's the one!  There's a
pic or 2 of the original lace in the book, and a quarter of the
pricking.

I remember her starting that in a Barbara Underwood class in Sept 1989 -
I was taking an Advanced Beds class with Barbara, and Christine came
armed with that pattern, and Barbara crooned (and the rest of us
drooled) over the pattern and her perfect raised tallies all weekend.  I
believe it took 4 or 5 years to complete.

Cheers,
Helen, Aussie living in a cool and drying out Denver

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[lace] new lacemaker in camden

2003-08-31 Thread S Joy Critchfield
The new regional director for South East USA
Mary Derrick [EMAIL PROTECTED]
is looking for a bobbin lace teacher for someone in Camden SC.  Any ideas?

S Joy

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[lace] 'Bucks Point Lacemaking' by Pamela Nottingham on ebay

2003-08-31 Thread Jean Nathan
There's a copy of the above on ebay, starting price 5 pounds. Seller will
post to the Uk only, but if anyone in the US or elsewhere is desperate, I'm
willing to take delivery and post on, but the postage from the seller to me
would be 2 pounds, and it will be a lot more to post on outside the UK.

This is not  The Technique of Bucks Point Lace' published 1981, which is
mainly edging. This one, published 1985, is mainly motifs.

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItemitem=3548203540category=112
4

or search for item number 3548203540

Jean in Poole

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Re: [lace] Apology was - Re: copyright and copying magazines

2003-08-31 Thread Thelacebee
Guys,

I was being flippant and I may have offended some on this lace thread.  
Please accept my apologies - it doesn't matter what point I was trying to make if 
it upsets anyone or causes concern.

Also, thought this one was on lace chat not lace otherwise I would have put 
all my thoughts into just one email.

As I said to someone a little earlier - I think that the vinegar in the 
chutney has addled my brain.

Apolgies to all - I'm off to lock myself in the airing cupboard with a torch, 
honiton book and a very big bar of chocolate

Regards

Liz Beecher


In a message dated 31/08/2003 17:01:55 GMT Daylight Time, [EMAIL PROTECTED] 
writes:

 Subj: Re: [lace] Re: copyright and copying magazines 
  Date: 31/08/2003 17:01:55 GMT Daylight Time
  From: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  To: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  Sent from the Internet 
 
 
 
 Spiders,
 
 Now here's a thought - let's take the Bible - say, the new Testament - OK, 
 even at latest date the last books of the New Testament are supposed to have 
 
 been written about the end of the first century so they are 2000 years old - 
 
 obviously over the 50 years since the death of the authors.
 

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[lace] Change the Subject

2003-08-31 Thread Aurelia L. Loveman
Dear friends --  On this lovely, sunny, COOL, Sunday morning I am thinking
it's time to stop slicing and dicing irrelevances (copyrights; stealing
!) and return to thoughts about lace. One of the delights of actually
getting up and going off to take a lace course is seeing what other people
are doing. About ten years ago I toddled out of Baltimore and -plop!-
across the ocean and in over my head to a class at Christine Springett's in
Thomas Lester lace. My nearest neighbor in that class was making a
handkerchief so beautiful, so complex, so breathtaking that really I
thought I was in heaven with the angels. She had rows and rows of bobbins
stacked up neatly on either side of her pillow, waiting to be taken in. And
unhurried, unflushed, undisturbed, chatting, smiling, happy, she went about
producing stars, flowers, leaves...

Fast forward. I found a little booklet, Bedfordshire Lace Old  New,
printed evidently in 1998 by the Springetts, and what is the first thing in
it? A picture of my long-ago neighboring lacemaker and her gorgeous
handkerchief. I even have her cherished name. Christine Agambar. Christine
Agambar, the maker of the most beautiful handkerchief in the world.

Forget about Miss Channer's mat with its reprints, copies, copyrights,
stealing and what else. Can anyone find out the origin of Christine
Agambar's unforgettable lace handkerchief? Was it made from an original
pattern? An antique pattern? A Thomas Lester pattern? How could one locate
the pattern?

(P.S.) One could even  -- if a mat mentality has got such a grip on 21stC
lacemakers --  alter a handkerchief pattern so as to form a mat. That would
certainly fulfil the 23% alteration requirement.   

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[lace] Re Change the Subject

2003-08-31 Thread Aurelia L. Loveman
Thank you, Diana! Guided also by another Arachne, I found Christine's
wonderful handkerchief in Barbara Underwood's Collection. A truly
precious experience, almost like having the actual piece. It still seems a
miracle how Christine did it.

Yes, I used to run back and forth to England three or four times a year, so
it is likely that you and I did meet in Pam's class. Beds and Bucks and Pam
and Springetts and Luton and Doreens Fudge and Wright and lots more are all
right here with me on my pillow (I even took a class with Barbara
Underwood) --  did somebody say on Arachne the other day that we don't need
to take lace classes anymore because now we have CD's!!  

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Re: [lace] Miss Channer/enforcement issues (Soapbox)

2003-08-31 Thread Thelacebee
typicall lacers - I could make that ... if I had all the bobbins

grin

Liz


In a message dated 28/08/2003 18:10:18 GMT Daylight Time, [EMAIL PROTECTED] 
writes:

 Subj: Re: [lace] Miss Channer/enforcement issues (Soapbox) 
  Date: 28/08/2003 18:10:18 GMT Daylight Time
  From: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  To: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  CC: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  Sent from the Internet 
 
 
 
 Yes, if you own something it is your right what you do with it. Also a lot 
 of 
 the people on this soap box have never seen the mat, second it is quite 
 boring, third they couldn't do it and finally the only thing that excites 
 people is 
 the number of bobbins!
 
  KEEP LACING, VIVIENNE, BIGGINS
 



Regards

Liz Beecher

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Re: [lace] Miss Channer/enforcement issues

2003-08-31 Thread Thelacebee
Just another thought - I bought a software program from a Jewish company and 
on the disk it had the following caveat:

You make make a copy of this software for personal back up purposes.  
Illegal copying of this software is against US and GOD's laws

I felt that I had been truely warned.

You are right - it is NOT morally right

Liz


In a message dated 27/08/2003 22:01:05 GMT Standard Time, [EMAIL PROTECTED] 
writes:

 Subj: Re: [lace] Miss Channer/enforcement issues 
  Date: 27/08/2003 22:01:05 GMT Standard Time
  From: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  To: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A, A 
 HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  Sent from the Internet 
 
 
 
 Any thoughts of stealing copies of the mat are dreadful. However annoying 
 it may be not being able to get a copy even copying and giving it to your 
 friend is illegal. Okay perhaps I feel really strongly about it because 
 Biggins 
 design and produce patterns which are blatantly copied but it is not morally 
 
 right.
 
  KEEP LACING, VIVIENNE, BIGGINS
 
 

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Re: [lace] Miss Channer/enforcement issues

2003-08-31 Thread Thelacebee
Vivienne and all the spiders,

Apologies for not joining this thread earlier but I've been making chutney -
I'm sure you can all smell it from here.

Here you have hit the nail on the head.

For some reason, we lace makers think that to own more patterns than we could
make in a life time is a really good idea.  Apparantly normal women who would
never break the law think nothing of photocopying a pattern and swopping it
with a friend.

Why?

I think that the main reasons and our thinking are as follows:

a) Why should I buy a book for £20 or $35 dollars when I only want one
pattern.
b) But it's out of print and I just HAVE to have that pattern.
c) It doesn't harm anyone.
d) Everyone else does it.

But it does harm someone - the person who designed it, the person who
published it and all of us who want it reprinted but can't get it done because
apparantly there is no call for it because we've all photocopied it.

OK, so when I buy a pattern I always take a copy and prick from that - why?
Because then I don't mess up my original from which I work.  We wouldn't prick
through a page in a book so I wouldn't prick through a single sheet pattern
I've bought.

That's ok.

Legally, I'm allowed to do this as I am doing it for my personal use in order
to make the lace so long as I either keep the copy or destroy it ie I don't
give it to anyone.

However, I am on sticky ground if I give the the single sheet pattern or the
pricking to someone else to work from.  Some lace designers (but certainly not
all) place the caveat on their work that you may give the pricking to a
friend to work from but when it falls to pieces they cannot make another
pricking.
Dodgy.

I know that the traditional way to make a pricking was to prick it from
another pricking and then true it up (if required) and we are all guilty of at
sometime saying to someone -hey give me a copy of that pricking.

I've done it (once - I admit it but I claim ignorance and have never done it
since) and I've been asked on many an occasion when demonstrating - Oh, I love
that - please give me a copy - No bugger off and buy it you cheapskate - that
should be our answer but we smile, pleased that someone loved the piece we
were making and say - Of course, give me your name and address.

Sometimes, I feel like shouting at people - hey it's only 65p including
postage to buy it - are you that poor?

Or are we saying that we want the pattern at any cost so long as it is
nothing.  I want this lace pattern and I am going to make it - it is
wonderful, such
a pretty thing but of course it isn't worth me paying any money for - well,
actually I have paid at least 4p for a photocopy - hey if it's only A4 I can
scan it on my pc and not pay anything - yippee.

Pay for them you cheapskates - if it's beautiful it must be worth the money
or go buy something else.  Am I the only person in the world who has books of
patterns and files of A4 / A3 patterns that I could never make in one life
time
simply because they are beautiful patterns that I can look at and if I want
to, make?  There must be more people out there like me ... aren't there ...
now
I'm worried.

So, here's my suggestion - be good bunnies (or frogs if you want) and

a) BUY the pattern because it encourages the designers to design more of
them.

b) Check if it is in copyright before you copy it - if you can't buy it
because it is out of print then some publishers are willing for you to send a
royalty to them to pass onto the designer if they are still alive or to their
estate - IT MAKES YOU FEEL GOOD - when I wanted to copy something (non lace)
for
teaching in my day job, I contacted the copyright owner who allowed me to do
so
so long as I gave him credit when I used it and made a donation to charity -
mind you he is a really wonderful guy.

c) Suggest to the publisher that they pre-sell a piece that they want to
republish - say if they get 1/2 to 2/3 of the patterns presold (perhaps 1/2 or
all
the cost up front and the rest when it's done) which would raise the money to
reprint.

d) when all else fails, GO MAKE SOMETHING ELSE - it's not the end of the
world.

My love to you all - I'm off to label my chutney

Liz





In a message dated 27/08/2003 22:01:05 GMT Standard Time, [EMAIL PROTECTED]
writes:

 Subj: Re: [lace] Miss Channer/enforcement issues
  Date: 27/08/2003 22:01:05 GMT Standard Time
  From: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  To: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A, A
HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  Sent from the Internet



 Any thoughts of stealing copies of the mat are dreadful. However annoying
 it may be not being able to get a copy even copying and giving it to your
 friend is illegal. Okay perhaps I feel really strongly about it because
 Biggins
 design and produce patterns which are blatantly copied but it is not morally

 right.

  KEEP LACING, VIVIENNE, BIGGINS

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Re: [lace] Copyright -- again :)

2003-08-31 Thread Thelacebee
In a message dated 29/08/2003 23:34:37 GMT Standard Time, 
[EMAIL PROTECTED] writes:

 Whether Buck's pricking of the Channer Mat is even copyrightable by Bean  
 or
 Buck is a thorny legal question, since Channer had published the mat
 previously and it was already in the public domain.

I believe that the copyright is of the interpretation / version published.  
If you had access to the original pricking and trued up a pattern from there 
and published it with the permission of the owner of the original pricking (who 
owns the original pricking and therefore the copyright to that) then you would 
own the copyright to your version.

But if you are going to court then don't quote me - get legal advice

Liz

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[lace] Queen Mary's lace

2003-08-31 Thread Esther Perry
From a August 3, 1911 Newspaper:

QUEEN'S LACE MAKER
AGED LADY HAS MADE EMBROIDERY FOR THE CORONATION
Mrs. Jane Morris of Shelton in Northamptonshire Has Been Working Hard 
Weaving Three-Quarters of an Inch a Day of Exquisite Pillow Lace For Her 
Majesty's Ceremonial Robes.

In a little cottage in the pastoral village of Shelton, near Rushden, in 
Northamptonshire in England, Mrs. Jane Morris, a little old woman, has 
been putting forth every energy to complete an assignment given her by 
Queen Mary. Mrs. Morris must have a certain number of yards of wonderful 
lace ready for her Majesty's use,on the occasion of the coronation. The 
lace is known as Bedfordshire pillow lace, and with it Queen Mary will 
have some of her coronation garments embroidered. Mrs. Morris has been 
at work on the lace since last October and must have it done on time. 
THe lace is of exquisite beauty and it takes the little old woman a full 
day to make three-quarters of an inch of it. It is five inches wide and 
it requires 184 bobbins to work out the design.
Just what Mrs. Morris is to be paid is not known, but it stands to 
reason that after having such an assignment from the Queen she will have 
no cause to fear the workhouse or to ask the Government for an old-age 
pension.
--
The illustration accompanying this article is clearly a handdrawn copy 
of the photograph of Mrs. Morris that is found in Thomas Wright's book 
Romance of the Lace Pillow.

Greetings from Beautiful British Columbia
Esther Perry
 

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Re: [lace] Re Change the Subject

2003-08-31 Thread Jeriames
In a message dated 8/31/03 2:00:45 PM Eastern Daylight Time, 
[EMAIL PROTECTED] writes:

 I used to run back and forth to England three or four times a year, so
 it is likely that you and I did meet in Pam's class. Beds and Bucks and Pam
 and Springetts and Luton and Doreens Fudge and Wright and lots more are all
 right here with me on my pillow (I even took a class with Barbara
 Underwood) --  did somebody say on Arachne the other day that we don't need
 to take lace classes anymore because now we have CD's!!  
  

Dear Aurelia and Lacemakers,

To clarify --

That was probably me -- I suggested videos for new lacemakers in far-flung 
locations where there is no qualified lace teacher.  Some newbies need to see 
the lace being made -- by which I meant those who cannot learn exclusively from 
a book.  Especially a problem in the U.S., Canada, and Australia where 
distances are great.  (I think the original discussion was about how far one must 
travel to take a lace class, and how much it cost.)

I am very mindful that few new lacemakers can afford trips to Europe (or even 
from one part of their country to another) to study lacemaking, and that 
Videos are a helpful substitute for those on a tight budget, caring for children, 
working outside the home, etc.  With a video, you can be exposed to a good 
instructor and learn at your own speed - rewinding and watching again, taking out 
the video to review after a spell away from your lace pillow, etc.  It is 
nice to be in a class with other lacemakers, but it is not always possible.

Jeri Ames in Maine USA
Lace and Embroidery Resource Center

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[lace] Re: ...observation and question

2003-08-31 Thread Brenda Paternoster
On Sunday, August 31, 2003, at 05:39 PM, Liz wrote:

Spiders - this has made me think - how many of you who design use computer
programs and which do you use
I use an old Acorn RISC OS computer and !Draw which comes with every RISC 
OS machine for the straightforward grid laces (torchon etc) and then 
!TypeStudio to bend and stretch those designs if required.

It was for these programs that I bought the first Acorn machine - at the 
time there was nothing else available that could do what I wanted to do; it'
s different now and any vector drawing program should be capable of 
producing dots and lines, but I still think that the RISC OS machine is 
best.   I've managed to draw a basic grid and simple patterns on the Mac 
but it all seems so clumsy and long winded compared to RISC OS !Draw.

Brenda

http://users.argonet.co.uk/users/paternoster/
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[lace] Patricia Bury and that mat

2003-08-31 Thread Jean Nathan
If the pricking published by Ruth Bean is Patricia Bury's copyright, as it
looks like it is, then that puts a totally different complexion on things.
It will remain her copyright until 70 years after her death. If she has the
same type of contract that Rosemary Shepherd and Jane Atkinson had, and that
I have, when the publisher won't reprint at the copyright holder's request,
the copyright holder must be given all the printing plates, etc, and can
choose to republish either themselves or through another publisher.

Rosemary Shepherd and Jane Atkinson are both republishing their own books
(Jane as a CD) because Batsford refused to do another print run. So its
Patricia Bury that needs to be persuaded to ask for a reprint if there's
really a demand for it.

Jean in Poole

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[lace] Re: Patricia Bury and that mat and Further Steps in Honiton Lace

2003-08-31 Thread Karen Butler
Jean Nathan wrote:
If she has the same type of contract that Rosemary Shepherd and Jane
Atkinson had, and that
I have, when the publisher won't reprint at the copyright holder's request,
the copyright holder must be given all the printing plates, etc, and can
choose to republish either themselves or through another publisher.

So does anyone know how I can contact Suzanne Thompson about a reprint of
Further Steps in Honiton Lace?  According to the library copy I've borrowed,
Suzanne holds the copyright.  It might be more successful than asking
Batsford (which I have already done).

The book on Ebay eventually went for $55.99, and there would have been $16
to $25 postage on top.  By the time I had found out the postage, it was
already going at too high a price for me, but thanks for sharing the
information that it was on offer.

Karen, in Coventry, England
Wondering how long I can manage to keep this library book out on loan.

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Re: [lace] Channer's Mat

2003-08-31 Thread palmhaven
This makes Miss Channer's mat look like kindergarten work!

http://blondecaen.chez.tiscali.fr/cou7.htm#cou7

Sylvia Andrews

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[lace] Bobbin and Dolphin/Miss Channer's mat

2003-08-31 Thread Jean Nathan
I've had a quick search through the obvious places I might find a dolphin or
bobbin pricking, and found the following dolphins:

'Lace' No 78 (blue cover) April 1995 - 'Arion astride the Dolphin' by Freda
Bull
'Lace' No 99 July 2000 - two dolphions, one staight, one arched
'100 New Bobbin Lace Patterns' by Yusai Fukuyama - simple outline dolphin
with a leaf for an eye on page 27

I've found no prickings for bobbins so far.

But while looking, I came across a pattern that is of a similar ilk to Miss
Channer's Mat. In 'Lacemaking' (the newsletter of the Lace Society) No 148,
May 2000, there is a floral Bucks Point mat measuring 8 and a half inches
(22 cm) by 6 and a quarter inches (16 cm) which takes 170 pairs of bobbins.
Designed by Emlyn Peacegood, it's described as being suitable only for the
experienced Bucks worker. So anyone who was a member of The Lace Society in
May 2000 already has a challenging Bucks Point piece.

Jean in Poole

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[lace] Computer Programs

2003-08-31 Thread W N Lafferty
Liz Asks

 Spiders - this has made me think - how many of you who design use computer  programs 
 and which do
you use

My DH is a retired surveyor and we have a (once very expenseive, now
useless to him) survey software package based on a 3 dimensional
grid.   Two dimensions are perfect for drawing up lace!   I drew myself
up a grid of dots which I copy for each new pattern, then edit each
dot I want to a different colour and layer in the program until I have
enough for one repeat.   I then get rid of all the base dots, copy and
rotate to my heart's content and print out at any scale I want to.

There is a sample on my website - the Cooma Kiss hanky edge.
I have no intention of copyrighting it, everyone is welcome to copy it,
use it, print it elsewhere (eg in newsletters), share it around.  I respect
copyright for those who are trying to earn some money from their
books, but I am unlikely to design anything worth putting in books!

Noelene i Cooma
[EMAIL PROTECTED]
http://members.ozemail.com.au/~nlafferty/

 Liz


 In a message dated 30/08/2003 01:18:44 GMT Daylight Time, [EMAIL PROTECTED]
 writes:

  Sorry if I mislead using the term mat. All I am doing is making a
  rectangle out of a pricking for a corner (using CorelDraw 10). It will
  have a fabric inset in the center. It has both a wavy footside and
  headside.
 



 Regards

 Liz Beecher

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[lace] Needle and Bobbin Club for scanning

2003-08-31 Thread Tess1929
Didn't I just see something on Arachne about this?  I am trying to find a source for 
the Needle and Bobbin Club collection. The Professor says we can scan it.  Does anyone 
have any ideas?  Anyone who might lend it to me?

I photocopied all the lace articles some years ago, but the illustrations are not up 
to scannable quality.

Thanks.

Tess ([EMAIL PROTECTED])

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[lace] Just look at these spangles on ebay

2003-08-31 Thread Jean Nathan
Doesn't look like the person who spangled these knows what spangles are for.
And what a price for 'a set' of plain bobbins and a book.

http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItemitem=3240254071category=114

or search for item number 3240254071

Jean in Poole

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[lace] Miss Channer's Mat (long)

2003-08-31 Thread ervo
Sorry to go on about this but those without access may want the following
facts, those living near Copenhagen, Denmark are welcome to see my copy
of the pattern.
 
One of the very first lace books I got was Lacemaking, Point Ground by
C.C. Channer revised by M. Waller, the Dryad Press Leicester, 1966. It was
a present from my Aunt living in England.

It starts with a picture of MAT FOR TRAY Worked by Mrs. Dixon, Clapham,
Beds. Design C.C. Channer, 

I have always looked upon the pattern as part of the discussion about what
we are allowed to do to the Point Ground Laces to keep them alive. BTW at
the exhibition at the library in Nottingham at the time of the OIDFA congress
there was a beautiful copy of the mat worked as 'true' Bucks. 

When I years later bought In the Cause of English Lace, I also bought
the supplement. It is made up of two parts, a pattern and a piece of heavy
paper double the size of the patter and folded in half (all the measurements
are approx.).

The brown pricking cardboard is 39 cm x 27 cm, with the pattern 33 cm x
22 cm. and the text
(c) 1991 Ruth Bean Publishers 
Pricking adapted by Patricia Bury 
from an earlier copy in her collection

The front of the paper has black background and a photo of the mat 34 cm
x 22 cm and the text:

Miss Channer's 
Lace Mat 
Supplement to 
In the Cause of English Lace 
by Anne Buck

published 1991 by 
Ruth Bean Publishers 
Carlton, Bedford MK34 7LP 
England

The back is blank. The middle contains an enlarged picture 42 cm x 25 cm
and a sample of less than 10 cm. It is in actual size and clearly worked
in thinner thread than the original.

The upper left corner contains the text:
Miss Channer's Lace Mat
Original design by Catherine C. Channer,
worked by Mrs. Dixon of Clapham, Bedford c. 1926.
Now in the collection of
the Cecil Higgins Art Gallery, Bedford.
The adapted pricking, sample lace and note,
by Patricia Bury, St. Albans, Hertfordshire, 1991.

The text in the right side starts:
This pattern is for all lacemakers
looking for a chance to use every
bobbin they own or to buy more! The
sample alone required 186 pairs and
about 250 pairs will be needed to
complete the mat.
?
Looking at Arachne this past week a lot of lacemakers would like to take
up the challenge.

Greetings

Vibeke in Copenhagen

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[lace] Doreen Wright's book

2003-08-31 Thread ervo
If you are putting notes in your copy of Doreen Wright's Bobbin Lace Making
you may also want to note that most of the Tønder laces are not Danish but
Czech. They are from (accents removed):


Smolkova, Marie A.  Bibova, Regina: 
Krajky a krajkarstvi lidu slovanskeho v cechach, na morave, ve slezsku a
uh. slovensku, Prague 1908.

Johanne Nyrop-Larsen took all the laces for her book Knipling efter Tegning
from that collection except one, no 11 Windmill sails is indeed a Tønder
Lace.

Greetings

Vibeke in Copenhagen  

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Re: [lace] Long-Distance Travel to Learn

2003-08-31 Thread Thelacebee
Someone from the states was amazed that I wouldn't drive to Birmingham, UK 
for a meeting - which is only 170 miles away.

They told me that it would only take them 2 1/2 hours - they didn't believe 
me when I said that it could take me 2 1/2 hours to drive 50 miles across 
London.

I love London, it is one of the most amazing cities that I have visited but 
the roads are abismal.

Regards

Liz Beecher

In a message dated 31/08/2003 22:47:43 GMT Daylight Time, 
[EMAIL PROTECTED] writes:

 Subj: [lace] Long-Distance Travel to Learn 
  Date: 31/08/2003 22:47:43 GMT Daylight Time
  From: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  To: A HREF=mailto:[EMAIL PROTECTED][EMAIL PROTECTED]/A
  Sent from the Internet 
 
 
 
 Again from Liz:
 Where I live there are about 20 groups within 10 - 20 miles of me.  But, as 
 I
 live in South London this means that most are between 90 - 180 minutes 
 away. 
 I mean, on a clear day you can see West London from where I live - you just
 can't drive there. ROTFL
 
 And people are amazed that I drive 110 km each way twice a month to go to a
 lace meeting, which only takes me 75 minutes!
 
 Noelene in Cooma
 [EMAIL PROTECTED]
 http://members.ozemail.com.au/~nlafferty/

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[lace] copyright issues

2003-08-31 Thread Jane Partridge
In message [EMAIL PROTECTED], [EMAIL PROTECTED] writes
 I 
love the fact that I can photocopy the pattern then take a true pricking from 
it.

But only if the photocopier doesn't distort the pattern - be warned, and
do a sample copy first with accurately measured horizontal and vertical
lines - or you might have anything but at true pattern!

Printing processes are just as bad - the cakeband in Needlecraft or
Needlework - can't remember which - several years ago caused one of my
students major headaches.  Thanks to contact with the designer, who was
a friend of a friend, we discovered, on checking the magazine against
her computer print out, the magazine pricking was 2mm narrower and 5mm
shorter - and her design had been for Coton Perle 8 at virtually its
will just fit in this grid point.  After the distortion in the
printing processes, it didn't fit at all!
-- 
Jane Partridge

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[lace-chat] Re: Name for a girl hedgehog

2003-08-31 Thread Tamara P. Duvall
On Saturday, Aug 30, 2003, at 12:39 US/Eastern, Pene Piip wrote:

She'll be five weeks old,  was born at the end of July, so
Juliet or Julie are possibilities.She is the traditional salt 
pepper colour, so Pepper is another name but I'm not
crazy about it.
How about Saltine (Tina for short)? I'm not crazy about Pepper myself; 
to me it's masculine. Or, going a step further from Jenny's Grizzle... 
Grizelda ? g

I would like a name that is different to the traditional hedgehog
names like Prickles, Mrs Tiggywinkle.
In Poland, every second hedgehog tends to be called Tuptus or Tuptusia 
(depending on sex). Loosely translated, it would be something like 
Stompie, or Tappie; tup, tup (pronounced toop, toop; *not* like 
the English of the same spelling g) being the sound feet make over 
the floor.

I think you ought to name her *after* you get her -- something in her 
personality will suggest the right name for her, I'm sure...

-
Tamara P Duvall
mailto:[EMAIL PROTECTED]
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
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[lace-chat] Preserving for the future

2003-08-31 Thread Jean Peach
When did you last look at all the pictures that you and your family
past and present have taken?

I have suddenly had to look through many photos, yes some are
in albums, most of my lace ones are.  I have done what my family
in the past have done, not dated or named, whether it be people,
lace, events.

Why have I suddenly thought about this, well for months I have been
thinking about a letter I found from my mothers cousin who lived
in N Y state in 1932.  I had not a clue in the old photographs who
was who.  But I knew they lived in the States remember being
told by my grandmother.

Just last Saturday I did a surf of my great-great-grandfathers name,
low and behold I found information on the web, someone had searched
and found the grandfather and his family, their ages in 1851, plus 
there was an email address from the person who had requested
this turns out yes to be a relative of mine living in the States,
since then we have been e-mailing information, I have just received
three photographers, with most of the names of the people in
the photographs, I just can't believe my luck.  So now my first
job is to go through all the old photographs, put them in family
order, then when I can name them.  I have even found two
cards from the late 1800's stating the deaths of two men in our
family.  This is something that we don't do today, which I find
interesting.  Oh I even found an envelope of lace photographs,
have not a clue when and where I took them. 

DH laughed when I said that I had better do something about
my photographs, just grinned and said, you have 900 on your
digital camera to do.

Jean in Newbury UK

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[lace-chat] Re: Name for a girl hedgehog

2003-08-31 Thread Allison E. Moss-Fritch
Hello Pene,



A name for a girl hedgehog—not the classic ones.  You have made me
reconsider my rather odd childhood!



This has set me to   thinking.  I lived ½ year in Alexandria, Virginia
(the “old south”) and ½ year in Sacramento, California (the Golden West)
from the time I was 3 until I was in college.  My father had a seat in
Congress and was the representative from Sacramento—so this odd life was
the only life I knew and it seemed perfectly normal to me.  I tell you
this because, looking back on it, there were some odd comparisons that I
made effortlessly as children do.  One of the areas where there were
vast differences was in the names and the ways of addressing adults in
the south compared to California.



There was a lady in our neighborhood whom everyone called “Miss
Talitha”.  Her father had been a confederate officer and she had been
educated, as well bred southern ladies were, at Bryn Mawyr .  I think
her lady like ways and her lovely southern name should not go to waste.
Would that do for a girl hedgehog?



As an alternative, there was another lady in the neighborhood –her
husband was a Colonel in the Army.  She had married him and had a
wonderful life of travel and adventure.  Her name was “Mabsey”
Shewbridge…and that has an unusual  ring to it.  She was a bit of a
tartar in some ways, but always a gracious hostess.  I used to help her
set up wonderful “lawn parties” on her terraces in late spring.



These names come  to me as unique enough and yet with a definite lilt to
them.  While they are not “names from lace” they are names of character
and have not been over used.



The last choice I have to offer you would be some “family” names from
the past of my mother’s grandmother.  Within a generation of each other
I have found the names Trafton for a boy  (Trafton West) and in my
father’s family who came to California  with the gold rush starting in
1842 , the name Afton for a girl (Afton Moss) who came to California
from Utah just after the turn of the century…now  those would be a great
set of names for a couple (even of hedgehogs) , “Trafton and Afton”
simply has a lovely lilt to it!



Enjoy your new pet---and tell us what names you finally choose—it will
be a hard choice!



Allison E. Moss-Fritch

In sunny and brisk, Santa Clara, California

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Re: [lace-chat] Name for a girl hedgehog

2003-08-31 Thread Clay Blackwell
Ah ! and here's another one...  name her for Margaret Hamer
and call her Maggie!

Clay

- Original Message - 
From: Jean Nathan [EMAIL PROTECTED]
To: Chat [EMAIL PROTECTED]
Sent: Sunday, August 31, 2003 4:27 AM
Subject: [lace-chat] Name for a girl hedgehog


 I'm absolutely hopeless at naming animals. When a girl
(Pauline Green) at
 the stables where we kept our horses got a new animal and
asked for
 suggestions for a name, all I could come up with was Pea
Green. It was
 mottled grey and she finally settled on 'Chantilly Lace',
Shanty for short.

 I like Clay's suggestion because of the connection between
hedgehogs and
 lacemaking.

 Jean in a very chilly Poole

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to [EMAIL PROTECTED]

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[lace-chat] photos

2003-08-31 Thread Lynn Carpenter
My mom is the family genealogy nut. You'd think someone who has boxes of
very old family photos with labels like Mother on them -- no date, no
name, no indication of *whose* mother -- would label her own photos, but no.

I'm one who obsessively labels my photographs with full names and dates. I
don't want them to end up for sale like some in a horrible box I once saw
in an antique store, labelled Instant Ancestors, full of old tintypes.

Lynn Carpenter in SW Michigan, USA
alwen at i2k dot com

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[lace-chat] Fw: Disorder in the Court....

2003-08-31 Thread Penny
 
 Disorder in the Court

 These are from a book called Disorder in the Court, and are things
 people
 actually said in court, word for word, taken down and now published by
 court reporters - who had the torment of staying calm while these
 exchanges were actually taking place. Some of these are excellent -
 don't miss the last one.
__
 
 Q: Are you sexually active?
 A: No, I just lie there.
__
 
 Q: What is your date of birth?
 A: July 15th.
 Q: What year?
 A: Every year.
__
 
 Q: What gear were you in at the moment of the impact?
 A: Gucci sweats and Reeboks.
   __
 
 Q: This myasthenia gravis, does it affect your memory at all?
 A: Yes.
 Q: And in what ways does it affect your memory?
 A: I forget.
 Q: You forget. Can you give us an example of something that you've
 forgotten?
_
 
 Q: How old is your son, the one living with you?
 A: Thirty-eight or thirty-five, I can't remember which.
 Q: How long has he lived with you?
 A: Forty-five years.
_
 
 Q: What was the first thing your husband said to you when he woke up
 that morning?
 A: He said, Where am I, Cathy?
 Q: And why did that upset you?
 A: My name is Susan.
_
 
 Q: Do you know if your daughter has ever been involved in voodoo or the
 occult?
 A: We both do.
 Q: Voodoo?
 A: We do.
 Q: You do?
 A: Yes, voodoo.
 
   __
 
 Q: Now doctor, isn't it true that when a person dies in his sleep, he
 doesn't know about it until the next morning?
__
 
 Q: The youngest son, the twenty-year-old, how old is he?
__
 
 Q: Were you present when your picture was taken?
__
 
 Q: So the date of conception (of the baby) was August 8th?
 A: Yes.
 Q: And what were you doing at that time?
__
 
 Q: She had three children, right?
 A: Yes.
 Q: How many were boys?
 A: None.
 Q: Were there any girls?
__
 
 Q: How was your first marriage terminated?
 A: By death.
 Q: And by whose death was it terminated?
__
 
 Q: Can you describe the individual?
 A: He was about medium height and had a beard.
 Q: Was this a male, or a female?
__
 
 Q: Is your appearance here this morning pursuant to a deposition notice
 which I sent to your attorney?
 A: No, this is how I dress when I go to work.
__ 
 
 Q: Doctor, how many autopsies have you performed on dead people?
 A: All my autopsies are performed on dead people.
__
 
 Q: All your responses must be oral, OK? What school did you go to?
 A: Oral.
__
 
 Q: Do you recall the time that you examined the body?
 A: The autopsy started around 8:30 p.m.
 Q: And Mr. Dennington was dead at the time?
 A: No, he was sitting on the table wondering why I was doing an autopsy.
 __
 
 Q: Doctor, before you performed the autopsy, did you check for a pulse?
 A: No.
 Q: Did you check for blood pressure?
 A: No.
 Q: Did you check for breathing?
 A: No.
 Q: So, then it is possible that the patient was alive when you began the
 autopsy?
 A: No.
 Q: How can you be so sure, Doctor?
 A: Because his brain was sitting on my desk in a jar.
 Q: But could the patient have still been alive, nevertheless?
 A: Yes, it is possible that he could have been alive and practising law
 somewhere
 -- 

Penny Ostler Williams 

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[lace-chat] Name for a girl hedgehog

2003-08-31 Thread Jean Nathan
I'm absolutely hopeless at naming animals. When a girl (Pauline Green) at
the stables where we kept our horses got a new animal and asked for
suggestions for a name, all I could come up with was Pea Green. It was
mottled grey and she finally settled on 'Chantilly Lace', Shanty for short.

I like Clay's suggestion because of the connection between hedgehogs and
lacemaking.

Jean in a very chilly Poole

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unsubscribe lace-chat [EMAIL PROTECTED] For help, write to [EMAIL PROTECTED]


Re: [lace-chat] photos

2003-08-31 Thread Jenny Rees
After our experience in January - keep copies of all your important photos
somewhere else - maybe just the negatives or scan them into a computer and
put them on a disc to safely store off site!

Jenny Rees
Canberra Australia
[EMAIL PROTECTED]

Our kitchen went in last week!

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